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GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.

Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._

Special Thanks: Maddox & Cisneros, PLLC

Full short film now available on Youtube
🚬💀🍻

GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.

Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._

Special Thanks: Maddox & Cisneros, PLLC

Full short film now available on Youtube
🚬💀🍻

GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.

Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._

Special Thanks: Maddox & Cisneros, PLLC

Full short film now available on Youtube
🚬💀🍻

GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.

Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._

Special Thanks: Maddox & Cisneros, PLLC

Full short film now available on Youtube
🚬💀🍻

GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.

Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._

Special Thanks: Maddox & Cisneros, PLLC

Full short film now available on Youtube
🚬💀🍻

GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.

Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._

Special Thanks: Maddox & Cisneros, PLLC

Full short film now available on Youtube
🚬💀🍻

GUTSHOT
Nick, an alcoholic writer, argues with a blue collared casting agent over his terrible script.

Director: @fuchs._
Cinematographer: @anthonytedle
Sound Operator: @cannedd67
Sound Design: @cino2k @anthonytedle @cannedd67
Producer: @cino2k
Cast: @johnnyy_pickles @kayleeokada @jeffreysimkinsrc @elijahgarcio @jaljalbinks @whosmaddyrose @jackjackieperry @cherrywithaw @cino2k @fuchs._
Editor: @fuchs._

Special Thanks: Maddox & Cisneros, PLLC

Full short film now available on Youtube
🚬💀🍻

sep10th’²⁵ — END OF SUMMER

Editor: @cino2k

Featuring Films by:
@cannedd67
@cherrywithaw
@fuchs._
@dagem__

Logo Design: @cino2k

GUTSHOT POSTER
Designed by @cino2k

TRAILER DROPPING TODAY

Check out GUTSHOT and four other short films screening SATURDAY AUGUST 30TH

DM for Address

BCTV’S END OF SUMMER

SATURDAY AUGUST 30th
Doors open @ 8pm
Screening starts @ 9pm
DM for Address

We are premiering 5 New Short Films!

HUNTSVILLE
Directed by Ian Watson

BURRO
Directed by Alejandro Gonzalez and Dagem Desta
@cannedd67
@dagem__

GUTSHOT
Directed by Elijah Fuchs
@fuchs._

GETTING CUT
Directed by John Wherry
@cherrywithaw

ADULTEROUS BOTTLES
Directed by John Wherry
@cherrywithaw

New screening. 90 minutes. Free.
End of Summer.
🚬💀🍻

Flyer: @cino2k @jaljalbinks @cannedd67

Savers Tips and Tricks - 2ndhand

Host: @elijahgarcio
Featuring: idfk
Camera Operators: @anthonytedle @fuchs._
Sound Operator: @cino2k
Editors: @cino2k @cannedd67
Sound Design: @cannedd67 @cino2k
Color: @anthonytedle
BTS: @corbyd18
Special Thanks: Kristie @cannedd67 @fuchs._ @jaljalbinks @a_problem_dog

[Watch the full video on Youtube]

Behind the Scenes Photography “feb14th’²⁵”

Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.

At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character. 

Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future. 

Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626

Photos: @kevin.stinks 
Writer: @fuchs._

Behind the Scenes Photography “feb14th’²⁵”

Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.

At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character. 

Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future. 

Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626

Photos: @kevin.stinks 
Writer: @fuchs._

Behind the Scenes Photography “feb14th’²⁵”

Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.

At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character. 

Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future. 

Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626

Photos: @kevin.stinks 
Writer: @fuchs._

Behind the Scenes Photography “feb14th’²⁵”

Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.

At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character. 

Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future. 

Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626

Photos: @kevin.stinks 
Writer: @fuchs._

Behind the Scenes Photography “feb14th’²⁵”

Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.

At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character. 

Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future. 

Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626

Photos: @kevin.stinks 
Writer: @fuchs._

Behind the Scenes Photography “feb14th’²⁵”

Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.

At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character. 

Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future. 

Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626

Photos: @kevin.stinks 
Writer: @fuchs._

Behind the Scenes Photography “feb14th’²⁵”

Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.

At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character. 

Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future. 

Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626

Photos: @kevin.stinks 
Writer: @fuchs._

Behind the Scenes Photography “feb14th’²⁵”

Creating a visual companion to Fiona Apple’s song “Valentine” had been in Norby’s @cino2k head for over a year. The past few months brought that desire to fruition with the February logo video. Finding a singular idea to go along with the 3:32 tune proved to be more difficult than anticipated. Concepts ranged from a pickup truck driven by ballerinas and clowns to an old man being pushed through the city in a hospital bed, yet nothing felt quite right. Time constraints demanded a logistically smaller production. Norby recommended listening to the song and eliminating any preconceived notions. This approach ultimately determined the visuals would be expressing themes of despair. A depressed lily would be the primary motif. Alejandro @cannedd67 brought up the use of diegetic music driving the short narrative, complementing Anthony’s @anthonytedle suggestion of the main character wearing headphones throughout. “All About Lily Chou-Chou” and the 2006 film “Stay” were tonal and visual references.

At Alejandro’s recommendation, Elissa Mendoza was brought on as the main character shortly before filming began. Norby and Elissa discussed aspects of the character, using several personal experiences as emotional reference. “I thought of myself as the flower. I’m being cut.” Elissa found a definition of despair to be “having no relationship with God,” which proved to be helpful in portraying the character. 

Shooting took place from 2/9-2/12 over 6 locations, using a Sony a7iii, a7siii, and a probe lens for the flower interior shots at the beginning. Editing taking place throughout. A concept video was created using shot deck early on, which helped expedite the post-production process. Exporting was much shorter on this video compared to the other logo videos. The logo was created in after effects following one of the lilies dying. Norby, Anthony, and Alejandro seem to enjoy the video the more they have watched it. Ideally, this serves as the predecessor to a larger vision with this song in the future. 

Featuring: @elissamendoza49 @cino2k @anthonytedle @a_problem_dog @videochild626

Photos: @kevin.stinks 
Writer: @fuchs._

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

Behind the Scenes Photography “jan4th’²⁵”

The last weekend of December. Moreover, the last weekend of 2024. Crosshairs set on a January logo video. Less than five days to brainstorm, schedule, shoot, edit, design the logo, and export. All we knew was that we wanted to use the opening song from BELLY: “Back to Life” by Soul II Soul. When our original account was taken down and this one created, the song’s title served as a slogan. Hence, [back2life] in the bio and being the song of choice for the first instagram story of this account. So stepping into 2025, this felt like the right decision.

On December 28th, @cino2k and @anthonytedle conceptualized the video. The narrow time frame meant keeping the idea simple but effective. Lighting the blunt, backlit leather jackets, and slow motion were BELLY motifs we wanted to borrow. With the lighting we wanted to play with darkness, gradients, and high contrast. A projector pointed at the subject would display clips of parties and fireworks. Taking off the leather jacket would capture the rough essence of rebirth. More than anything a shirtless torso would look good with the lighting setup in mind.

December 29th was the only night of shooting. All shot against one wall. Requiring only two tube lights and a projector to achieve the desired lighting setup. It was a crew of seven with several of us taking on multiple roles. Not uncommon for us to do on a project of this scale. The shoot took no more than four hours. Unfortunately, the edit took five more days. It was a decision between putting it out unfinished but on time or taking the time to finish it. We chose to finish it.
Much respect and appreciation to everybody who was able to help out/shoot BTS on such short notice but especially to @xstraightflexinx for being the subject. Special thanks to @mister.lano the onset DJ.

Photos: @fuchs._ @videochild626 @cannedd67 @a_problem_dog
Writer: @cino2k

✨Photography Portfolio✨

As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.

Big thanks to everyone who helped put these images together.❤️‍🔥 Without them I could only take selfies!😙🤳🏼

✨Photography Portfolio✨

As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.

Big thanks to everyone who helped put these images together.❤️‍🔥 Without them I could only take selfies!😙🤳🏼

✨Photography Portfolio✨

As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.

Big thanks to everyone who helped put these images together.❤️‍🔥 Without them I could only take selfies!😙🤳🏼

✨Photography Portfolio✨

As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.

Big thanks to everyone who helped put these images together.❤️‍🔥 Without them I could only take selfies!😙🤳🏼

✨Photography Portfolio✨

As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.

Big thanks to everyone who helped put these images together.❤️‍🔥 Without them I could only take selfies!😙🤳🏼

✨Photography Portfolio✨

As we continually push ourselves away from the outside world and into our curated devices, we will lose the tranquil fulfillment of nature in our daily lives.

Big thanks to everyone who helped put these images together.❤️‍🔥 Without them I could only take selfies!😙🤳🏼

¡Most definitely!

¡Most definitely!

¡Most definitely!

¡Most definitely!

¡Most definitely!

¡Most definitely!

Come in Alone

I bought a Selena shirt yesterday

I bought a Selena shirt yesterday

limbo