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Scenes from Transtemporalidades: Lowriding with the Gods, one of the four focused sections in the Aztlán: Tunnel of Time. On view through August. If you have the opportunity, please go check out it out!

Scenes from Transtemporalidades: Lowriding with the Gods, one of the four focused sections in the Aztlán: Tunnel of Time. On view through August. If you have the opportunity, please go check out it out!

Scenes from Transtemporalidades: Lowriding with the Gods, one of the four focused sections in the Aztlán: Tunnel of Time. On view through August. If you have the opportunity, please go check out it out!

Scenes from Transtemporalidades: Lowriding with the Gods, one of the four focused sections in the Aztlán: Tunnel of Time. On view through August. If you have the opportunity, please go check out it out!

Scenes from Transtemporalidades: Lowriding with the Gods, one of the four focused sections in the Aztlán: Tunnel of Time. On view through August. If you have the opportunity, please go check out it out!

The Museo del Palacio de Bellas Artes presents Aztlán: Túnel del Tiempo, is the first major exhibition of Chicano art hosted by this historic institution.

I am honored to be included in this exhibition and to be part of this historical moment. Thank you to Ruben, Jesse, and Rita for putting this beautiful exhibition together.

On view: March 25 - August 23, 2026

Curated by: Rubén Ortiz Torres & Jesse Lerner
Curatorial assistance: Rita Gonzalez
Logo design: Chaz Bojórquez
Visual identity: Alejandro Magallanes

The Museo del Palacio de Bellas Artes presents Aztlán: Túnel del Tiempo, is the first major exhibition of Chicano art hosted by this historic institution.

I am honored to be included in this exhibition and to be part of this historical moment. Thank you to Ruben, Jesse, and Rita for putting this beautiful exhibition together.

On view: March 25 - August 23, 2026

Curated by: Rubén Ortiz Torres & Jesse Lerner
Curatorial assistance: Rita Gonzalez
Logo design: Chaz Bojórquez
Visual identity: Alejandro Magallanes

The Museo del Palacio de Bellas Artes presents Aztlán: Túnel del Tiempo, is the first major exhibition of Chicano art hosted by this historic institution.

I am honored to be included in this exhibition and to be part of this historical moment. Thank you to Ruben, Jesse, and Rita for putting this beautiful exhibition together.

On view: March 25 - August 23, 2026

Curated by: Rubén Ortiz Torres & Jesse Lerner
Curatorial assistance: Rita Gonzalez
Logo design: Chaz Bojórquez
Visual identity: Alejandro Magallanes

120 signs across the Inland Empire from Pomona to the Coachella Valley went up this weekend to mark places where ICE has kidnapped members of our community. This is just a small portion of the kidnappings that have occurred in our region. My small contribution to this project was creating the design for the sign. I am deeply grateful for the work that rapid response organizers are doing to bring awareness and visibility to the inhumane and unlawful acts being committed against members of our communities.

We want to express profound gratitude to everyone who participates in rapid response efforts and to those who serve as witnesses and community historians, documenting the terror our neighbors face every day.

We were also proud to support local small businesses in this project and extend our sincere thanks to @overspray_supply in Pomona and @datamancer in Ontario.

The lE is our home and we will not stand by silently while our community is attacked. Report ICE attacks on our community when you see them to 909-361-4588 and to local rapid response groups.
This project was generously supported by the Inland Coalition for Immigrant Justice. Thank you to their Executive Director, @javierfrompomona, and all of the @ic4ij staff for the work they do supporting our communities.
Rapid Responders that helped in this project @peopledefendmou @we_protect_corona @wekeep.us.safe.ranchocucamonga
@iceoutofpomona
@sanbernardino.we_defend_us
@we_keep_us_safe_1312

120 signs across the Inland Empire from Pomona to the Coachella Valley went up this weekend to mark places where ICE has kidnapped members of our community. This is just a small portion of the kidnappings that have occurred in our region. My small contribution to this project was creating the design for the sign. I am deeply grateful for the work that rapid response organizers are doing to bring awareness and visibility to the inhumane and unlawful acts being committed against members of our communities.

We want to express profound gratitude to everyone who participates in rapid response efforts and to those who serve as witnesses and community historians, documenting the terror our neighbors face every day.

We were also proud to support local small businesses in this project and extend our sincere thanks to @overspray_supply in Pomona and @datamancer in Ontario.

The lE is our home and we will not stand by silently while our community is attacked. Report ICE attacks on our community when you see them to 909-361-4588 and to local rapid response groups.
This project was generously supported by the Inland Coalition for Immigrant Justice. Thank you to their Executive Director, @javierfrompomona, and all of the @ic4ij staff for the work they do supporting our communities.
Rapid Responders that helped in this project @peopledefendmou @we_protect_corona @wekeep.us.safe.ranchocucamonga
@iceoutofpomona
@sanbernardino.we_defend_us
@we_keep_us_safe_1312

120 signs across the Inland Empire from Pomona to the Coachella Valley went up this weekend to mark places where ICE has kidnapped members of our community. This is just a small portion of the kidnappings that have occurred in our region. My small contribution to this project was creating the design for the sign. I am deeply grateful for the work that rapid response organizers are doing to bring awareness and visibility to the inhumane and unlawful acts being committed against members of our communities.

We want to express profound gratitude to everyone who participates in rapid response efforts and to those who serve as witnesses and community historians, documenting the terror our neighbors face every day.

We were also proud to support local small businesses in this project and extend our sincere thanks to @overspray_supply in Pomona and @datamancer in Ontario.

The lE is our home and we will not stand by silently while our community is attacked. Report ICE attacks on our community when you see them to 909-361-4588 and to local rapid response groups.
This project was generously supported by the Inland Coalition for Immigrant Justice. Thank you to their Executive Director, @javierfrompomona, and all of the @ic4ij staff for the work they do supporting our communities.
Rapid Responders that helped in this project @peopledefendmou @we_protect_corona @wekeep.us.safe.ranchocucamonga
@iceoutofpomona
@sanbernardino.we_defend_us
@we_keep_us_safe_1312

Proud to be a stepparent to this kiddo. Watching you grow into the person you are today has been a gift. I’m so proud of you and grateful to have you in my life. Love you!

Proud to be a stepparent to this kiddo. Watching you grow into the person you are today has been a gift. I’m so proud of you and grateful to have you in my life. Love you!

Proud to be a stepparent to this kiddo. Watching you grow into the person you are today has been a gift. I’m so proud of you and grateful to have you in my life. Love you!

Proud to be a stepparent to this kiddo. Watching you grow into the person you are today has been a gift. I’m so proud of you and grateful to have you in my life. Love you!

Proud to be a stepparent to this kiddo. Watching you grow into the person you are today has been a gift. I’m so proud of you and grateful to have you in my life. Love you!

I’m excited to share that a work will be featured in ‘Jangueando: Recent Acquisitions, 2021–
2025‘ at @elmuseo, opening August 28, 2025!
The exhibition showcases 39 new additions to El Museo del Barrio’s Permanent Collection,
celebrating community, solidarity, and cultural resistance through painting, photography,
sculpture, and installation. Excited to have my work in the mix—stay tuned for more!

I’m excited to share that a work will be featured in ‘Jangueando: Recent Acquisitions, 2021–
2025‘ at @elmuseo, opening August 28, 2025!
The exhibition showcases 39 new additions to El Museo del Barrio’s Permanent Collection,
celebrating community, solidarity, and cultural resistance through painting, photography,
sculpture, and installation. Excited to have my work in the mix—stay tuned for more!

I’m excited to share that a work will be featured in ‘Jangueando: Recent Acquisitions, 2021–
2025‘ at @elmuseo, opening August 28, 2025!
The exhibition showcases 39 new additions to El Museo del Barrio’s Permanent Collection,
celebrating community, solidarity, and cultural resistance through painting, photography,
sculpture, and installation. Excited to have my work in the mix—stay tuned for more!

I’m excited to share that a work will be featured in ‘Jangueando: Recent Acquisitions, 2021–
2025‘ at @elmuseo, opening August 28, 2025!
The exhibition showcases 39 new additions to El Museo del Barrio’s Permanent Collection,
celebrating community, solidarity, and cultural resistance through painting, photography,
sculpture, and installation. Excited to have my work in the mix—stay tuned for more!

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Showing this new painting with @anatebgigallery at Frieze LA

Myth, 2025. Acrylic, paper, glitter, and velvet flocking on wood panel. 48X60 inches

Closing January 26th @laplazala

Closing January 26th @laplazala

Closing January 26th @laplazala

Closing January 26th @laplazala

Closing January 26th @laplazala

Just 3 weeks left! "Truth Is A Moving Target" is coming to a close, and I'm so grateful for the incredible support I've received so far. If you haven't had a chance to see it yet, nows the time! January 26th is the last day @laplazala

Just 3 weeks left! "Truth Is A Moving Target" is coming to a close, and I'm so grateful for the incredible support I've received so far. If you haven't had a chance to see it yet, nows the time! January 26th is the last day @laplazala

Just 3 weeks left! "Truth Is A Moving Target" is coming to a close, and I'm so grateful for the incredible support I've received so far. If you haven't had a chance to see it yet, nows the time! January 26th is the last day @laplazala

Just 3 weeks left! "Truth Is A Moving Target" is coming to a close, and I'm so grateful for the incredible support I've received so far. If you haven't had a chance to see it yet, nows the time! January 26th is the last day @laplazala

Just 3 weeks left! "Truth Is A Moving Target" is coming to a close, and I'm so grateful for the incredible support I've received so far. If you haven't had a chance to see it yet, nows the time! January 26th is the last day @laplazala

Just 3 weeks left! "Truth Is A Moving Target" is coming to a close, and I'm so grateful for the incredible support I've received so far. If you haven't had a chance to see it yet, nows the time! January 26th is the last day @laplazala

Just 3 weeks left! "Truth Is A Moving Target" is coming to a close, and I'm so grateful for the incredible support I've received so far. If you haven't had a chance to see it yet, nows the time! January 26th is the last day @laplazala

I’m happy to announce that my solo exhibition “Truth is A Moving Target” at La Plaza de Cultura y Artes has been featured in ArtNews! What a meaningful way to close out this year. A huge thank you to everyone who has supported me along the way, especially Karen Crews who gave me the opportunity to share my work and Stacie Stukin who wrote the article.

Link in bio ☝🏼
@laplazala
@artnews
@staciestukin

📸 @nophotospleased

@fabrica.de.rosasx@crustbikes 🥇

📸 @_carlosjaramillo_

I had the privilege in designing these racing jerseys for the Fabrica de Rosa’s cycling team. The jerseys come in two color ways and you can place an order if you follow the link in @fabrica.de.rosas bio 🥇🌹 @crustbikes 🚴🏽‍♂️

I had the privilege in designing these racing jerseys for the Fabrica de Rosa’s cycling team. The jerseys come in two color ways and you can place an order if you follow the link in @fabrica.de.rosas bio 🥇🌹 @crustbikes 🚴🏽‍♂️

I had the privilege in designing these racing jerseys for the Fabrica de Rosa’s cycling team. The jerseys come in two color ways and you can place an order if you follow the link in @fabrica.de.rosas bio 🥇🌹 @crustbikes 🚴🏽‍♂️

I had the privilege in designing these racing jerseys for the Fabrica de Rosa’s cycling team. The jerseys come in two color ways and you can place an order if you follow the link in @fabrica.de.rosas bio 🥇🌹 @crustbikes 🚴🏽‍♂️

Jaime Muñoz
Diagram Drawing - Edition #1, 2024
Graphite and ink lithograph on Stonehenge Polar White, 250 gsm
14 3/4 in. x 11 5/16 in. (37.47 x 28.73 cm)
Edition of 35, plus 4 artist’s proofs

Release price: $850

💫 Available now at ollineditions.com - link in bio

The lithographic print, Diagram Drawing - Edition #1, is a new development within Muñoz’s multidisciplinary visual practice, and stems directly from his ongoing series of graphite and sumi ink ‘diagram drawings’. A skilled draftsman, Muñoz carefully plans his compositions using a mixture of analog and digital drawing. The duotone print was created from an original artwork, made specifically for this edition. Muñoz hand-inked the film from which the lithographic plate was burned, and the light-to-mid tones were printed with graphite, staying true to Muñoz’s drawing process. Graphite as a material choice offers a plethora of associations and tangents relevant to Muñoz’s core concerns. Used as a lubricant of machinery and a wide range of disparate applications within the energy, communications and transportation industries, the unglamorous material can be found in touchscreens, solar panels, space satellites. Like diamonds, it is composed entirely of carbon, a substance that makes the world go round. 

@flan_jm #jaimemuñoz 💎 🦾

Printed at El Nopal Press, Los Angeles by Francesco X. Siqueiros @elnopalpress

Artwork 📸: Jeff McLane @jefffmclane

Jaime Muñoz
Diagram Drawing - Edition #1, 2024
Graphite and ink lithograph on Stonehenge Polar White, 250 gsm
14 3/4 in. x 11 5/16 in. (37.47 x 28.73 cm)
Edition of 35, plus 4 artist’s proofs

Release price: $850

💫 Available now at ollineditions.com - link in bio

The lithographic print, Diagram Drawing - Edition #1, is a new development within Muñoz’s multidisciplinary visual practice, and stems directly from his ongoing series of graphite and sumi ink ‘diagram drawings’. A skilled draftsman, Muñoz carefully plans his compositions using a mixture of analog and digital drawing. The duotone print was created from an original artwork, made specifically for this edition. Muñoz hand-inked the film from which the lithographic plate was burned, and the light-to-mid tones were printed with graphite, staying true to Muñoz’s drawing process. Graphite as a material choice offers a plethora of associations and tangents relevant to Muñoz’s core concerns. Used as a lubricant of machinery and a wide range of disparate applications within the energy, communications and transportation industries, the unglamorous material can be found in touchscreens, solar panels, space satellites. Like diamonds, it is composed entirely of carbon, a substance that makes the world go round. 

@flan_jm #jaimemuñoz 💎 🦾

Printed at El Nopal Press, Los Angeles by Francesco X. Siqueiros @elnopalpress

Artwork 📸: Jeff McLane @jefffmclane

Jaime Muñoz
Diagram Drawing - Edition #1, 2024
Graphite and ink lithograph on Stonehenge Polar White, 250 gsm
14 3/4 in. x 11 5/16 in. (37.47 x 28.73 cm)
Edition of 35, plus 4 artist’s proofs

Release price: $850

💫 Available now at ollineditions.com - link in bio

The lithographic print, Diagram Drawing - Edition #1, is a new development within Muñoz’s multidisciplinary visual practice, and stems directly from his ongoing series of graphite and sumi ink ‘diagram drawings’. A skilled draftsman, Muñoz carefully plans his compositions using a mixture of analog and digital drawing. The duotone print was created from an original artwork, made specifically for this edition. Muñoz hand-inked the film from which the lithographic plate was burned, and the light-to-mid tones were printed with graphite, staying true to Muñoz’s drawing process. Graphite as a material choice offers a plethora of associations and tangents relevant to Muñoz’s core concerns. Used as a lubricant of machinery and a wide range of disparate applications within the energy, communications and transportation industries, the unglamorous material can be found in touchscreens, solar panels, space satellites. Like diamonds, it is composed entirely of carbon, a substance that makes the world go round. 

@flan_jm #jaimemuñoz 💎 🦾

Printed at El Nopal Press, Los Angeles by Francesco X. Siqueiros @elnopalpress

Artwork 📸: Jeff McLane @jefffmclane

Jaime Muñoz
Diagram Drawing - Edition #1, 2024
Graphite and ink lithograph on Stonehenge Polar White, 250 gsm
14 3/4 in. x 11 5/16 in. (37.47 x 28.73 cm)
Edition of 35, plus 4 artist’s proofs

Release price: $850

💫 Available now at ollineditions.com - link in bio

The lithographic print, Diagram Drawing - Edition #1, is a new development within Muñoz’s multidisciplinary visual practice, and stems directly from his ongoing series of graphite and sumi ink ‘diagram drawings’. A skilled draftsman, Muñoz carefully plans his compositions using a mixture of analog and digital drawing. The duotone print was created from an original artwork, made specifically for this edition. Muñoz hand-inked the film from which the lithographic plate was burned, and the light-to-mid tones were printed with graphite, staying true to Muñoz’s drawing process. Graphite as a material choice offers a plethora of associations and tangents relevant to Muñoz’s core concerns. Used as a lubricant of machinery and a wide range of disparate applications within the energy, communications and transportation industries, the unglamorous material can be found in touchscreens, solar panels, space satellites. Like diamonds, it is composed entirely of carbon, a substance that makes the world go round. 

@flan_jm #jaimemuñoz 💎 🦾

Printed at El Nopal Press, Los Angeles by Francesco X. Siqueiros @elnopalpress

Artwork 📸: Jeff McLane @jefffmclane