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The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

The Ladder: A Feature Film by Emilio Miguel Torres

Starring: Keith Smith, @heidipoet, @aldermonkey, Hunter Davis, @tylerbaumann26
@studio16productions | @torresproductionsIlc
Director @emiliofilms
Producer @alyxahellman
AD @bekstrauss
DP @tobyromerodp
1st AC @taylor_i_williams
2nd AC Jacob Hoxie
Gaffer @felrus
KG @andrewwang360
PD @nataliaferrara
Costumes/Props @katrinaspice
Set Dresser @nmparkerr
Art Assistant @clara.joy
Sound Mixer @eunicejchung
Boom Op @moonmanmoose
Scripty @electra_yak
BTS @sarkuhar
DA @lindsayloo27
PA @nsilva907
Editor @similyago
Composer @josueveramusic
Colorist @alexia_films
VFX @narod27
Casting @hillercasting

One of the best production experiences of my life. I’m in this business to make movies with my friends and I’ve never felt so surrounded with them as on this film. I love all you guys so much.

Thank you Emilio and Toby for trusting me with your film and giving me the resources, space, and time I needed to make it look good. Thank you Andrew for being my rock and almost dying with me driving up that hill every day. Thank you Natalia for transforming our world into a place worth exploring and being with me to explore such a beautiful place. Thank you Natalie and Katrina for your craft and attention to detail. Thank you Taylor and Hoxie for keeping our workflow so seamless. Thank you Eunice and Max for always being so down to shoot the shit. Thank you Rebekah for being the best indie AD I’ve ever worked with and keeping us on time every day through multiple location moves. And thank you Alyx and the Ketchikan community for feeding us like kings, a crew runs on its stomach.

Alice and Olivia - Directors cut

Shot a really cool spot for Alice and Olivia exctited to finally share it!

DP : @elliott_atk
Gaffer : @felrus
Edit : @matthewhove
Color : @elliott_atk

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Bleeding: Fin

I swear this is the last one

Sound: @themichaelspencer
DOP @dchodp
Gaff: 🫡
KG: @nehamf
PD: @goddamnits_lexx
Makeup: @colettemakeupartistry & @lexsluxuriouslooks
Wardrobe: @kindalmond
1st AC: @iglesiasdp
2nd AC/Swing: @dackjuckworth

Technical details:

Units: Prolycht 675fs (fresnel), apurture 1200D, Astera Hydras, Nanlite 60c (projector, fresnel), 3 inkies, 2 tweenies, leko, 2 Mickey moles, LM4 spectrum (used in two shots)

Mostly playing units at 1700-1900k and 3200 for night scenes and 4000-5500k for day scenes. 1200d usually had a half burned out CTS on it at all times and leko usually had 1/8 blue when being used to push day windows.

Diffusions: Favored white diffusions (216, 251, 252) on units, usually preferring to clip to barn doors, but usually went bare on window units (675, 1200d, leko) for as much output as possible

Camera: Alexa mini rated between 400 and 250iso in interiors and 1280 in day exts

Glass: Zeiss B-Speeds, stop varied by location, 1/8 and 1/2 SFX pulled as needed

Color temp: night ints at 2700/3000/3200/4600k, day ints at 4300/5050/5600k, night exts at 3000k, day exts at 2700/5050/5600/7000k

Birthday 2025

Birthday 2025

Birthday 2025

Birthday 2025

Birthday 2025

Birthday 2025

Birthday 2025

Birthday 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Klein Wedding Pt 2 Electric Boogaloo
April 2025

Portraits
March 2025

Portraits
March 2025

Portraits
March 2025

Portraits
March 2025

Portraits
March 2025

Portraits
March 2025

Portraits
March 2025

Portraits
March 2025

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

Adventures in Phoenix
A7III + pocketdispo

The Ladder at PFF

The Ladder at PFF

The Ladder at PFF

The Ladder at PFF

The Ladder at PFF

The Ladder at PFF

Work in the front, party in the back
Early 2025

Work in the front, party in the back
Early 2025

Work in the front, party in the back
Early 2025

Work in the front, party in the back
Early 2025

Work in the front, party in the back
Early 2025

Work in the front, party in the back
Early 2025

Work in the front, party in the back
Early 2025

Work in the front, party in the back
Early 2025

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September
35mm 4 perf

Director & Writer: @graceeitrheim
Producer: isabellamsarria @graceeitrheim
DP: @colefs
1st AC: @joseaduran1 @iglesiasdp
Film Loader: @vadim.gorbaty
Steadi: @_lysd_
Gaffer: @felrus
Key Grip: @frankyu109
BBE: @paulhouziel @cambrelenmedia
BBG & Driver: @trey_gregg
Production Sound Mixer: @addyguadalajara
Post Sound Mixer: @jonesy.cs
1st AD: @i.use.2.l1ke.mond4ys
Script Supervisor: @larkbreitner
Crafty: @sofiamorenolima
PA: @reids.online
BTS Photographer: @sheaybaasch @beahollander
PD: @annmari.martin
Art Assistant: @sophiaplaushin_ @alexajbell
SFX Makeup: @annmari.martin
Editor: @graceeitrheim
Title Designer: @reids.online
Colorist: @jake.m.white
Composer: @peddybeats

Special thanks to

@kodak_shootfilm
@cinemavision.nyc
@metpostny
@filmlocationsnyc
@company_3
@matriarentals
@bestiesmakemovies

Sometime in September BTS

Sometime in September BTS

Sometime in September BTS

Sometime in September BTS

Sometime in September BTS

Sometime in September BTS

Sometime in September BTS

Sometime in September BTS

Sometime in September BTS

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump

January 2025 mini dump