Ewa Magdalena Sułek
@deconstructie Lost Futures @lescer_ May 16th 7pm
Co-founder @lescer_ & @ukrenvhum
Postdoc @fu_berlin & @Harvard
🇺🇸 Boston 🇩🇪 Berlin 🇵🇱 Warsaw

My friends in Berlin, please join me for the series of seminars at the @osteuropainstitut The meetings are part of my course Displayed Perspectives, that introduces various frames of exploring Ukraine through visual arts and texts.
@lia_dostlieva
@jonnyjt
@north.carolinau
@lada_nakonechna
@yuriy.biley
@mykola_rrrrr

Displaced Perspectives Seminar: Open Sessions
May 4 | 14.15 - 15.45
Trauma: meeting with Lia Dostlieva @lia_dostlieva
May 11 | 14.15 - 15.45
Chornobyl: meeting with Dr Jonathon Turnbull
June 1 | 14.15 - 15.45
Post-industrial urban ecologies: meeting with Karolina Uskakovych and screening of her latest movie, White Cliffs of Vinnytsia (2026) @north.carolinau
June 8 | 14.15 - 15.45
The Post-Soviet: meeting with Lada Nakonechna @lada_nakonechna
June 15 | 14.15 - 15.45
Home: meeting with Yuriy Biley @yuriy.biley (Open Group @open_group_)
June 22 | 14.15 - 15.45
Memory: meeting with Mykola Ridnyi @mykola_rrrrr
The meetings are part of the seminar series "Displaced Perspectives: Ukrainian Art and Cultural Resilience in Times of War" organised by Dr. Ewa Sułek @evesulek
📍room 105, Garystr. 55
Find more information on our website. Link in the bio 🔗

Displaced Perspectives Seminar: Open Sessions
May 4 | 14.15 - 15.45
Trauma: meeting with Lia Dostlieva @lia_dostlieva
May 11 | 14.15 - 15.45
Chornobyl: meeting with Dr Jonathon Turnbull
June 1 | 14.15 - 15.45
Post-industrial urban ecologies: meeting with Karolina Uskakovych and screening of her latest movie, White Cliffs of Vinnytsia (2026) @north.carolinau
June 8 | 14.15 - 15.45
The Post-Soviet: meeting with Lada Nakonechna @lada_nakonechna
June 15 | 14.15 - 15.45
Home: meeting with Yuriy Biley @yuriy.biley (Open Group @open_group_)
June 22 | 14.15 - 15.45
Memory: meeting with Mykola Ridnyi @mykola_rrrrr
The meetings are part of the seminar series "Displaced Perspectives: Ukrainian Art and Cultural Resilience in Times of War" organised by Dr. Ewa Sułek @evesulek
📍room 105, Garystr. 55
Find more information on our website. Link in the bio 🔗

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

Wunderkammer
2024-2025
My work engages with the representation of the human body in dialogue with classical artistic traditions. I am particularly concerned with aspects of the body that are concealed, distorted, dismembered, diseased, removed, or conventionally considered unappealing, as well as those that are sensual, corporeal, and fragile. My inspirations primarily draw on medical research—especially pathology—and on developments in magnetic resonance imaging (MRI), prosthetics, and surgery. I also engage with the idea that body parts removed from individuals have historically been used for research, displayed in museums and churches, and collected in colonial cabinets of curiosities.
Emergence
Arts at the Armory
Somerville, MA
2025
@artsatthearmory
@evesulek
#sculpture #contemporarysculpture #porcelain #ceramics #ceramicsculpture #cabinetofcuriosities #wunderkammer

„Potentially”
24-28 September
@fringe_warszawa
A series of sculptures reflects on the fragility of life, anticipation, and disappointment. They are inspired by the story of a caterpillar I cared for, hoping she would undergo her transformation. I crafted a small world for her—a house made of paper and lettuce—waiting for the moment she would become a butterfly.
Yet, she remained forever in her cocoon, and the joyful anticipation was overshadowed by an unexpected loss. Potential does not always manifest, and hopes can be disappointed. The unfulfilled promise of a new life, which never materialized, left me in a state of sadness.
Potential holds countless possibilities.
#evesulek #ewasulek #fringewarszawa #sculpture #loss #contemporarysculpture #ceramics #caterpillar #transformation

„Potentially”
24-28 September
@fringe_warszawa
A series of sculptures reflects on the fragility of life, anticipation, and disappointment. They are inspired by the story of a caterpillar I cared for, hoping she would undergo her transformation. I crafted a small world for her—a house made of paper and lettuce—waiting for the moment she would become a butterfly.
Yet, she remained forever in her cocoon, and the joyful anticipation was overshadowed by an unexpected loss. Potential does not always manifest, and hopes can be disappointed. The unfulfilled promise of a new life, which never materialized, left me in a state of sadness.
Potential holds countless possibilities.
#evesulek #ewasulek #fringewarszawa #sculpture #loss #contemporarysculpture #ceramics #caterpillar #transformation

„Potentially”
24-28 September
@fringe_warszawa
A series of sculptures reflects on the fragility of life, anticipation, and disappointment. They are inspired by the story of a caterpillar I cared for, hoping she would undergo her transformation. I crafted a small world for her—a house made of paper and lettuce—waiting for the moment she would become a butterfly.
Yet, she remained forever in her cocoon, and the joyful anticipation was overshadowed by an unexpected loss. Potential does not always manifest, and hopes can be disappointed. The unfulfilled promise of a new life, which never materialized, left me in a state of sadness.
Potential holds countless possibilities.
#evesulek #ewasulek #fringewarszawa #sculpture #loss #contemporarysculpture #ceramics #caterpillar #transformation

‘Umbilical cord’
2025
Clay, nail polish, glass paint
#umbilical #umbilicalcord #sculpture #clay #clayart #feminist #feministart

‘Umbilical cord’
2025
Clay, nail polish, glass paint
#umbilical #umbilicalcord #sculpture #clay #clayart #feminist #feministart

‘Umbilical cord’
2025
Clay, nail polish, glass paint
#umbilical #umbilicalcord #sculpture #clay #clayart #feminist #feministart

„Potentially”
24-28 September
@fringe_warszawa
A series of sculptures reflects on the fragility of life, anticipation, and disappointment. They are inspired by the story of a caterpillar I cared for, hoping she would undergo her transformation. I crafted a small world for her—a house made of paper and lettuce—waiting for the moment she would become a butterfly.
Yet, she remained forever in her cocoon, and the joyful anticipation was overshadowed by an unexpected loss. Potential does not always manifest, and hopes can be disappointed. The unfulfilled promise of a new life, which never materialized, left me in a state of sadness.
Potential holds countless possibilities.
#evesulek #ewasulek #fringewarszawa #sculpture #loss #contemporarysculpture #ceramics #caterpillar #transformation

„Potentially”
24-28 September
@fringe_warszawa
A series of sculptures reflects on the fragility of life, anticipation, and disappointment. They are inspired by the story of a caterpillar I cared for, hoping she would undergo her transformation. I crafted a small world for her—a house made of paper and lettuce—waiting for the moment she would become a butterfly.
Yet, she remained forever in her cocoon, and the joyful anticipation was overshadowed by an unexpected loss. Potential does not always manifest, and hopes can be disappointed. The unfulfilled promise of a new life, which never materialized, left me in a state of sadness.
Potential holds countless possibilities.
#evesulek #ewasulek #fringewarszawa #sculpture #loss #contemporarysculpture #ceramics #caterpillar #transformation

„Potentially”
24-28 September
@fringe_warszawa
A series of sculptures reflects on the fragility of life, anticipation, and disappointment. They are inspired by the story of a caterpillar I cared for, hoping she would undergo her transformation. I crafted a small world for her—a house made of paper and lettuce—waiting for the moment she would become a butterfly.
Yet, she remained forever in her cocoon, and the joyful anticipation was overshadowed by an unexpected loss. Potential does not always manifest, and hopes can be disappointed. The unfulfilled promise of a new life, which never materialized, left me in a state of sadness.
Potential holds countless possibilities.
#evesulek #ewasulek #fringewarszawa #sculpture #loss #contemporarysculpture #ceramics #caterpillar #transformation

Potencjalnie
@fringe_warszawa
20-28.09
Studio Urody
Spiska 12
Warszawa
An intimate, minimalist sculptural series exploring themes of potential, loss, mourning, and acceptance.

Potencjalnie / Potentially
ᴘʟ
Intymny, minimalistyczny projekt rzeźbiarski mówiący o potencjale, stracie, żałobie i akceptacji.
ᴇɴ
An intimate, minimalist sculptural series exploring themes of potential, loss, mourning, and acceptance.
Ewa Sułek @evesulek
Studio Urody
ul. Spiska 12, 02-671 Warszawa

Potencjalnie / Potentially
ᴘʟ
Intymny, minimalistyczny projekt rzeźbiarski mówiący o potencjale, stracie, żałobie i akceptacji.
ᴇɴ
An intimate, minimalist sculptural series exploring themes of potential, loss, mourning, and acceptance.
Ewa Sułek @evesulek
Studio Urody
ul. Spiska 12, 02-671 Warszawa

Potencjalnie / Potentially
ᴘʟ
Intymny, minimalistyczny projekt rzeźbiarski mówiący o potencjale, stracie, żałobie i akceptacji.
ᴇɴ
An intimate, minimalist sculptural series exploring themes of potential, loss, mourning, and acceptance.
Ewa Sułek @evesulek
Studio Urody
ul. Spiska 12, 02-671 Warszawa

Skorupy / Husks
ᴘʟ
Dominik Horodyński-Garstecki poprzez serię działań i obiektów koresponduje z przestrzenią domu-galerii i reinterpretuje ją posługując się przedrzeźnianiem, powtórzeniami czy odwzorowywaniem. Rozumiejąc przestrzeń jako element integrujący, gra z odbiciami i wzorami, które, poprzez kreatywne powtórzenia, rozszerzają znane miejsce o nowe konteksty.
ᴇɴ
Dominik Horodyński-Garstecki engages with the house-gallery space through a series of actions and objects, reinterpreting it using mimicry, repetition, and reproduction. Viewing space as an integrated element, he explores reflections and patterns that, through imaginative repetition, transform familiar environments with fresh contexts.
Dominik Horodyński-Garstecki @dominik_h_g
Ewa Sułek @evesulek
Paweł Zaręba @_pawelzareba
Ośrodek Sztuki Lescer @lescer_
ul. Pionierów 11/13, 05-540 Zalesie Górne

Skorupy / Husks
ᴘʟ
Dominik Horodyński-Garstecki poprzez serię działań i obiektów koresponduje z przestrzenią domu-galerii i reinterpretuje ją posługując się przedrzeźnianiem, powtórzeniami czy odwzorowywaniem. Rozumiejąc przestrzeń jako element integrujący, gra z odbiciami i wzorami, które, poprzez kreatywne powtórzenia, rozszerzają znane miejsce o nowe konteksty.
ᴇɴ
Dominik Horodyński-Garstecki engages with the house-gallery space through a series of actions and objects, reinterpreting it using mimicry, repetition, and reproduction. Viewing space as an integrated element, he explores reflections and patterns that, through imaginative repetition, transform familiar environments with fresh contexts.
Dominik Horodyński-Garstecki @dominik_h_g
Ewa Sułek @evesulek
Paweł Zaręba @_pawelzareba
Ośrodek Sztuki Lescer @lescer_
ul. Pionierów 11/13, 05-540 Zalesie Górne

Skorupy / Husks
ᴘʟ
Dominik Horodyński-Garstecki poprzez serię działań i obiektów koresponduje z przestrzenią domu-galerii i reinterpretuje ją posługując się przedrzeźnianiem, powtórzeniami czy odwzorowywaniem. Rozumiejąc przestrzeń jako element integrujący, gra z odbiciami i wzorami, które, poprzez kreatywne powtórzenia, rozszerzają znane miejsce o nowe konteksty.
ᴇɴ
Dominik Horodyński-Garstecki engages with the house-gallery space through a series of actions and objects, reinterpreting it using mimicry, repetition, and reproduction. Viewing space as an integrated element, he explores reflections and patterns that, through imaginative repetition, transform familiar environments with fresh contexts.
Dominik Horodyński-Garstecki @dominik_h_g
Ewa Sułek @evesulek
Paweł Zaręba @_pawelzareba
Ośrodek Sztuki Lescer @lescer_
ul. Pionierów 11/13, 05-540 Zalesie Górne

“Goddess”
2024
Clay, glass beads, acrylic
#goddess #sculpture #ceramic #female #evesulek

“Goddess”
2024
Clay, glass beads, acrylic
#goddess #sculpture #ceramic #female #evesulek

“Goddess”
2024
Clay, glass beads, acrylic
#goddess #sculpture #ceramic #female #evesulek

“Goddess”
2024
Clay, glass beads, acrylic
#goddess #sculpture #ceramic #female #evesulek
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