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What does it take to build a world from scratch? VFX artist Evelina Åström created the immersive backdrops in ‘Explore Your Story’ for Coach, frame by frame. Go behind the scenes with @evelator to discover what it was like to turn a traditional production workflow on its head. Full story at the link in bio.

What does it take to build a world from scratch? VFX artist Evelina Åström created the immersive backdrops in ‘Explore Your Story’ for Coach, frame by frame. Go behind the scenes with @evelator to discover what it was like to turn a traditional production workflow on its head. Full story at the link in bio.

What does it take to build a world from scratch? VFX artist Evelina Åström created the immersive backdrops in ‘Explore Your Story’ for Coach, frame by frame. Go behind the scenes with @evelator to discover what it was like to turn a traditional production workflow on its head. Full story at the link in bio.

What does it take to build a world from scratch? VFX artist Evelina Åström created the immersive backdrops in ‘Explore Your Story’ for Coach, frame by frame. Go behind the scenes with @evelator to discover what it was like to turn a traditional production workflow on its head. Full story at the link in bio.

What does it take to build a world from scratch? VFX artist Evelina Åström created the immersive backdrops in ‘Explore Your Story’ for Coach, frame by frame. Go behind the scenes with @evelator to discover what it was like to turn a traditional production workflow on its head. Full story at the link in bio.

What does it take to build a world from scratch? VFX artist Evelina Åström created the immersive backdrops in ‘Explore Your Story’ for Coach, frame by frame. Go behind the scenes with @evelator to discover what it was like to turn a traditional production workflow on its head. Full story at the link in bio.

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach VFX — a little candy mix of the process

Thank you @newland.tv and @marcusibanez for trusting me with this dreamy project 🤍

Our first call took a fun turn when Marcus brought up the idea of shooting the VFX in-cam, which got me really excited! So we flipped it. Moved post into pre-production and built everything backwards. Mattepainted backdrops in NukeX with help from midjourney to create elements we liked. Layered buildings, sand dunes and mountains for each shot. Created 2D projections in 3D-space. Tweaked the pace. Removed and added new parts until it felt right.

This is how I prefer using new tech tools as a VFX artist: crafting the ingredients so I have the freedom to bake the cake by hand, rather than generating the whole cake itself.

All BG’s were shot on a 7x4m LED-wall in London and Korea. Double setups, casts and crews. Matching lighting, production design, props, SFX and mirrored set builds on both sides of the world to create a seamless place. Such a lovely collab between all departments!!!

So very proud of this one 🥹💘🧁🧚🏼‍♀️

Director: @marcusibanez
DP: @packdrawn
Production company: @newland.tv
Production design: @studio_augmenta @luxartistsltd
Gaffer: Reuben Garrett
LED technician: Michal Kyschky / @silvertown.studios
VFX/LED backdrops & Post Supervisor: @evelator

Coach ”Explore Your Story” by @marcusibanez

A tribute to the written word and the fearless spirit of free expression.

Supervised 4x LED shoots, created visual backdrops and handled the whole post-production from start to finish. A literal full circle moment since evelator also got to create an elevator!!!

Huge love to the best team I could ask for and for all the new friendships x

Director: @marcusibanez
DP: @packdrawn @luxartistsltd
Production: @newland.tv
EP: @sophietc @trinepillay
Producers: @martenmelinder @joiklockare

Editor: @nik.kohler_ @cabinedit 🪄
2nd Editor: @elias.cuts
Sound design: @nik.kohler_ @alittlesmyth @jimstewartsound
Sound mix: @alittlesmyth
Music Composer: @jeanmarcmusic_
Sound Post Production: @stringandtins
Sound Producer: @katiebuxt0n
Colourist: @julienalary_color @tmls.tv
Colourist Producer: @mimisand @tmls.tv
VFX & Post Production Supervisor: @evelator
VFX & Online Artist: @evelator
Extra Online Artist: @perralindholm at @studiofyr
CG book: @swissinternationalab

Director’s assistants: @jamila.adwani @leiakageson
1st AD: @benjjji
Production Designer: @studio_augmenta

Client: @coach
Agency: @forsmanbodenfors
Creatives: @karlrisenfors @juliaholtback
Head of Creative: @sophli
Creative Strategy: @mandailoop

Starring: @ellefanning @stormreid @paigebueckers

I’ve been given responsibility

I’ve been given responsibility

’Beach at the End of the Party’ by Marcus Ibanez

Whipped together some lovely little sand effects in NukeX

Director @marcusibanez
DP @joaodebotelho
Production company @newland.tv
Producer @lillesara
EP @lillesara @thorbrammer & erik torell
Editor @nik.kohler_ @cabinedit
Sound designer @alittlesmyth @stringandtins
Colorist @mikeypackage
VFX & Online @evelator

Mucho love 💕

’Beach at the End of the Party’ by Marcus Ibanez

Whipped together some lovely little sand effects in NukeX

Director @marcusibanez
DP @joaodebotelho
Production company @newland.tv
Producer @lillesara
EP @lillesara @thorbrammer & erik torell
Editor @nik.kohler_ @cabinedit
Sound designer @alittlesmyth @stringandtins
Colorist @mikeypackage
VFX & Online @evelator

Mucho love 💕

’Beach at the End of the Party’ by Marcus Ibanez

Whipped together some lovely little sand effects in NukeX

Director @marcusibanez
DP @joaodebotelho
Production company @newland.tv
Producer @lillesara
EP @lillesara @thorbrammer & erik torell
Editor @nik.kohler_ @cabinedit
Sound designer @alittlesmyth @stringandtins
Colorist @mikeypackage
VFX & Online @evelator

Mucho love 💕

’Beach at the End of the Party’ by Marcus Ibanez

Whipped together some lovely little sand effects in NukeX

Director @marcusibanez
DP @joaodebotelho
Production company @newland.tv
Producer @lillesara
EP @lillesara @thorbrammer & erik torell
Editor @nik.kohler_ @cabinedit
Sound designer @alittlesmyth @stringandtins
Colorist @mikeypackage
VFX & Online @evelator

Mucho love 💕

’Beach at the End of the Party’ by Marcus Ibanez

Whipped together some lovely little sand effects in NukeX

Director @marcusibanez
DP @joaodebotelho
Production company @newland.tv
Producer @lillesara
EP @lillesara @thorbrammer & erik torell
Editor @nik.kohler_ @cabinedit
Sound designer @alittlesmyth @stringandtins
Colorist @mikeypackage
VFX & Online @evelator

Mucho love 💕

’Beach at the End of the Party’ by Marcus Ibanez

Whipped together some lovely little sand effects in NukeX

Director @marcusibanez
DP @joaodebotelho
Production company @newland.tv
Producer @lillesara
EP @lillesara @thorbrammer & erik torell
Editor @nik.kohler_ @cabinedit
Sound designer @alittlesmyth @stringandtins
Colorist @mikeypackage
VFX & Online @evelator

Mucho love 💕

Beyond Gravity is shortlisted 4x at Ciclope and Young Arrows this year in the sound and music category. Big love and best of luck to this talented team <3<3

1x CICLOPE
Best Sound Design — Adam Smyth @alittlesmyth

3x YOUNG ARROWS
Original Composition — Ioana Selaru @selaruioana
Post Production Producer Audio — Katie Buxton @katiebuxt0n
Music Supervision — Matt Saunders–Davies @matt_sdavies

Led by the greatest @nik.kohler_

🎶🪐🖤

Beyond Gravity is shortlisted 4x at Ciclope and Young Arrows this year in the sound and music category. Big love and best of luck to this talented team <3<3

1x CICLOPE
Best Sound Design — Adam Smyth @alittlesmyth

3x YOUNG ARROWS
Original Composition — Ioana Selaru @selaruioana
Post Production Producer Audio — Katie Buxton @katiebuxt0n
Music Supervision — Matt Saunders–Davies @matt_sdavies

Led by the greatest @nik.kohler_

🎶🪐🖤

Beyond Gravity is shortlisted 4x at Ciclope and Young Arrows this year in the sound and music category. Big love and best of luck to this talented team <3<3

1x CICLOPE
Best Sound Design — Adam Smyth @alittlesmyth

3x YOUNG ARROWS
Original Composition — Ioana Selaru @selaruioana
Post Production Producer Audio — Katie Buxton @katiebuxt0n
Music Supervision — Matt Saunders–Davies @matt_sdavies

Led by the greatest @nik.kohler_

🎶🪐🖤

Beyond Gravity is shortlisted 4x at Ciclope and Young Arrows this year in the sound and music category. Big love and best of luck to this talented team <3<3

1x CICLOPE
Best Sound Design — Adam Smyth @alittlesmyth

3x YOUNG ARROWS
Original Composition — Ioana Selaru @selaruioana
Post Production Producer Audio — Katie Buxton @katiebuxt0n
Music Supervision — Matt Saunders–Davies @matt_sdavies

Led by the greatest @nik.kohler_

🎶🪐🖤

The Caterpillar’s Journey, directed by Felix Scheynius and Evelina Åström for UNNA x HOKA.

Animation by Gaia Alari.

Swipe to see behind the scenes.

—

Director: @felixscheynius X @evelator
Production Company: @newland.tv X @bad_land.tv
Executive Producer: Erik Torell X @frederikdarre
Producer: @zoedeluxe
Coordinator: @karinhjorthh

DOP: @norberg.pontus
1st AC: Stickan Olsson
Key Grip: Fredrik Johansson @keygripsweden
Stunt Coordinator: @mz_stunt
Stunt Rig: @kflostunts
Stunt Asst: @nyholmotto @nillahansson
Props Master: @ylvawedberg

Stylist: @amandahorlin MAUMAU
HMU: Jasmine Ärnström / MIKAS Looks

PA: Andreas Hemming
Intern: Hanna Wahlberg

Film lab: @focusfilmlab
Offline: @elias.cuts
Animation: @gaiaesthermaria
Grade: @didrikbrathen / TMLS
Colour Producer: Eli Sandal @mimisand / TMLS
Sound: Martin Mighetto @mrmighetto
Music:Prof. Stranger @professor.stranger / Studio94records
VFX & Online Artist: Evelina Åström @evelator

Cast
Betel Derso Ortved Jørgensen @blueberry__bet
Leo Marcello Polack @leompolack

Client: @unna.world
Creative Director: John-Ruben Holdback
Asst: Carl-Johan Holdback, Robin Svensson, Lukas Nässil / Figur123

The Caterpillar’s Journey, directed by Felix Scheynius and Evelina Åström for UNNA x HOKA.

Animation by Gaia Alari.

Swipe to see behind the scenes.

—

Director: @felixscheynius X @evelator
Production Company: @newland.tv X @bad_land.tv
Executive Producer: Erik Torell X @frederikdarre
Producer: @zoedeluxe
Coordinator: @karinhjorthh

DOP: @norberg.pontus
1st AC: Stickan Olsson
Key Grip: Fredrik Johansson @keygripsweden
Stunt Coordinator: @mz_stunt
Stunt Rig: @kflostunts
Stunt Asst: @nyholmotto @nillahansson
Props Master: @ylvawedberg

Stylist: @amandahorlin MAUMAU
HMU: Jasmine Ärnström / MIKAS Looks

PA: Andreas Hemming
Intern: Hanna Wahlberg

Film lab: @focusfilmlab
Offline: @elias.cuts
Animation: @gaiaesthermaria
Grade: @didrikbrathen / TMLS
Colour Producer: Eli Sandal @mimisand / TMLS
Sound: Martin Mighetto @mrmighetto
Music:Prof. Stranger @professor.stranger / Studio94records
VFX & Online Artist: Evelina Åström @evelator

Cast
Betel Derso Ortved Jørgensen @blueberry__bet
Leo Marcello Polack @leompolack

Client: @unna.world
Creative Director: John-Ruben Holdback
Asst: Carl-Johan Holdback, Robin Svensson, Lukas Nässil / Figur123

The Caterpillar’s Journey, directed by Felix Scheynius and Evelina Åström for UNNA x HOKA.

Animation by Gaia Alari.

Swipe to see behind the scenes.

—

Director: @felixscheynius X @evelator
Production Company: @newland.tv X @bad_land.tv
Executive Producer: Erik Torell X @frederikdarre
Producer: @zoedeluxe
Coordinator: @karinhjorthh

DOP: @norberg.pontus
1st AC: Stickan Olsson
Key Grip: Fredrik Johansson @keygripsweden
Stunt Coordinator: @mz_stunt
Stunt Rig: @kflostunts
Stunt Asst: @nyholmotto @nillahansson
Props Master: @ylvawedberg

Stylist: @amandahorlin MAUMAU
HMU: Jasmine Ärnström / MIKAS Looks

PA: Andreas Hemming
Intern: Hanna Wahlberg

Film lab: @focusfilmlab
Offline: @elias.cuts
Animation: @gaiaesthermaria
Grade: @didrikbrathen / TMLS
Colour Producer: Eli Sandal @mimisand / TMLS
Sound: Martin Mighetto @mrmighetto
Music:Prof. Stranger @professor.stranger / Studio94records
VFX & Online Artist: Evelina Åström @evelator

Cast
Betel Derso Ortved Jørgensen @blueberry__bet
Leo Marcello Polack @leompolack

Client: @unna.world
Creative Director: John-Ruben Holdback
Asst: Carl-Johan Holdback, Robin Svensson, Lukas Nässil / Figur123

The Caterpillar’s Journey, directed by Felix Scheynius and Evelina Åström for UNNA x HOKA.

Animation by Gaia Alari.

Swipe to see behind the scenes.

—

Director: @felixscheynius X @evelator
Production Company: @newland.tv X @bad_land.tv
Executive Producer: Erik Torell X @frederikdarre
Producer: @zoedeluxe
Coordinator: @karinhjorthh

DOP: @norberg.pontus
1st AC: Stickan Olsson
Key Grip: Fredrik Johansson @keygripsweden
Stunt Coordinator: @mz_stunt
Stunt Rig: @kflostunts
Stunt Asst: @nyholmotto @nillahansson
Props Master: @ylvawedberg

Stylist: @amandahorlin MAUMAU
HMU: Jasmine Ärnström / MIKAS Looks

PA: Andreas Hemming
Intern: Hanna Wahlberg

Film lab: @focusfilmlab
Offline: @elias.cuts
Animation: @gaiaesthermaria
Grade: @didrikbrathen / TMLS
Colour Producer: Eli Sandal @mimisand / TMLS
Sound: Martin Mighetto @mrmighetto
Music:Prof. Stranger @professor.stranger / Studio94records
VFX & Online Artist: Evelina Åström @evelator

Cast
Betel Derso Ortved Jørgensen @blueberry__bet
Leo Marcello Polack @leompolack

Client: @unna.world
Creative Director: John-Ruben Holdback
Asst: Carl-Johan Holdback, Robin Svensson, Lukas Nässil / Figur123

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

it’s going very well thanks

INTRODUCING EVELINA ÅSTRÖM

It’s a great honor to announce the representation of Visual Artist @evelator.

Evelina Åström is a multidisciplinary Visual Artist based between Berlin and Stockholm, weaving post-production, VFX, and AI into immersive, cinematic visual storytelling.

Check out Evelinas selected work here 
https://www.badland.tv/evelina-strm/

Crumbs from BEYOND GRAVITY

Link in bio for fullres version🌛

Small team with big hearts:
Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO: Chloë Elmore
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your love and support throughout!!!

Client @beyond_gravity_space 🛰️

Crumbs from BEYOND GRAVITY

Link in bio for fullres version🌛

Small team with big hearts:
Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO: Chloë Elmore
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your love and support throughout!!!

Client @beyond_gravity_space 🛰️

Crumbs from BEYOND GRAVITY

Link in bio for fullres version🌛

Small team with big hearts:
Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO: Chloë Elmore
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your love and support throughout!!!

Client @beyond_gravity_space 🛰️

Crumbs from BEYOND GRAVITY

Link in bio for fullres version🌛

Small team with big hearts:
Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO: Chloë Elmore
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your love and support throughout!!!

Client @beyond_gravity_space 🛰️

Crumbs from BEYOND GRAVITY

Link in bio for fullres version🌛

Small team with big hearts:
Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO: Chloë Elmore
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your love and support throughout!!!

Client @beyond_gravity_space 🛰️

Crumbs from BEYOND GRAVITY

Link in bio for fullres version🌛

Small team with big hearts:
Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO: Chloë Elmore
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your love and support throughout!!!

Client @beyond_gravity_space 🛰️

Crumbs from BEYOND GRAVITY

Link in bio for fullres version🌛

Small team with big hearts:
Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO: Chloë Elmore
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your love and support throughout!!!

Client @beyond_gravity_space 🛰️

Crumbs from BEYOND GRAVITY

Link in bio for fullres version🌛

Small team with big hearts:
Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO: Chloë Elmore
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your love and support throughout!!!

Client @beyond_gravity_space 🛰️

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY x VFX

Some VFX frames from the Beyond Gravity film. Around 80% of the shots in the film was brought to life through a blend of AI and VFX, crafted by me using NukeX and various AI tools. Over 350 digital shots were created, each one shaped by the nostalgic, analog aesthetic that @patrick___pichler and I developed through our own film photography.

Since we couldn’t travel to all the places we imagined, we had to build them frame by frame, while staying true to the warmth and texture of our analog universe.

AI tools: mostly midjourney but also @runwayapp @soraofficial 
VFX tools: NukeX @foundryteam 
Shots created: +350
Shots used: less than that 
Prompts written: 5,659
Existential crises throughout the project: 5

Big shoutout to @sakkesoini for your lovely CG satellites that made the shots come alive, and @joakimriss for that final film push that carried it home.

Three months of wild prompting, starting from scratch, just to carve out a visual voice that felt like ours 🫂

BEYOND GRAVITY

I had the joy of directing a little space dream with @bad_land.tv

"Like satellites, we move in circles. Our feet touch earth, but our thoughts rise, drawn to the hush of orbit and to the ache of elsewhere. This film lives in that hush—in the space between soil and sun, where dreaming lifts us, but belonging brings us home."

80% of this piece was crafted in VFX, with over 350 digital shots created based on the look of @patrick___pichler and my analog photos. We had to find a way to create the places we couldn’t travel to, while still holding onto our nostalgic and analog universe 🪐

Thank you @frederikdarre for being my guiding north star, @patrick___pichler for aligning the planets through your lens, @sakkesoini for the perfect pixels, @joakimriss for the colorful stardust, @alittlesmyth for the sound that gave it a soul, and @selaruioana for the song that made it sing.

And big love to @nik.kohler_ for dreaming it forward with me and always pushing it further.

Thank you Silvia, Tana and Phillip at @beyond_gravity_space for the trust and creative harmony since day one.

Director & Creative Director @evelator
Producer @frederikdarre
EP @stephanieloa
Production Company @bad_land.tv
DP @patrick___pichler
Film Lab @ninaboriri at @focusfilmlab  
Editor @nik.kohler_
Edit House @cabinedit 
Edit Producers @_mayakilic @cayleebanz 
Music & Sound Supervisors @nik.kohler_ @alittlesmyth
Music Supervisor @matt_sdavies
Music Composer @selaruioana
Sound Designer @alittlesmyth
Sound Producer katiebuxt0n
Sound Studio @stringandtins
VO chloe_voice_actor
Storyboard @ludvigft at @newland.tv
Colorist @joakimriss at @misgena.tv
CG Artist @sakkesoini at @mosemgmt
CG Rep Agent @kirmomanninen
VFX, AI and finishing @evelator

Switzerland
Production Manager: Mads Jarlfeldt
1st AC: Christian Mathis
Gaffer @raphaeltoel
Grip: Till Schlatter
Spark: Mirco Rihs

Sweden
1st AC @jeppelundqvistt
Gaffer @fnordes
Production Assistant: Per Ramberg

Florida
1st AC: Santiago Leunda
Gaffer: Lee Adkison

And extra thanks @tuvalindvall @bergvallsofia @champagnebonita @el.karlssone @amandacekstrom for your lovely brains