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Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest cinematography work for @wearegammagamma and director @dipyadeep starring Willem Dafoe, up on @nowness!

Forever grateful to Vasilis Katsoupis, George Karnavas and @heretic.films for having me sit on a dolly and see Willem Dafoe perform his heart out in front of a lens, on a Sunday, in a small tavern somewhere in Athens. Honestly it even feels surreal typing this. Unarguably one of my most special times behind a camera!

Couldn’t have pulled this off without an ever problem-solving and dedicated group of individuals who showed up and delivered in a heartbeat. Thank you all.

Music by Giorgos Karnavas & Georgios Dimakis (aka Prins Obi)
Lyrics by Giorgos Karnavas
Vocals by Giorgos Karnavas
Backing Vocals by Prins Obi
Instruments & Programming by Prins Obi
Produced & Arranged by Georgios Dimakis
Executive Producer: Giorgos Karnavas
Mixing Engineer: Christos Bekiris
Mastering Engineer: Anestis Psaradakos
Published by EMI - Universal

Cast: Willem Dafoe, Sofia Kostara
Directed by @dipyadeep
DoP: @evansteez
Editor: @lambionion
Art Director: Elena Vardava
Styling: @mari.anthi_
Styling Assistants: Eirini Kalogera & Melina Serif Micheli
Make Up: Katerina Botanaki
Focus Puller: @sempos__
Camera Assistant: @georgetalianis
Grip: @gorillagripgr
Gaffer: Haris Pournias
Location Manager: Aris Maleas
Production: Abdo Mochamet, Spyros Karanasios, Chryssa Koutrakou
Assistant Editor: Anastasia Diamandi
Colorist: @andrew.color
Sound Mix: @leandrosntounis
Mastering: Frenel, Dimitris Manousiakis
Graphic Designer: @vaggelismartinos
Equipment: @studiokaramanos.gr
Producer: Giorgos Karnavas
Produced by @heretic.films

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Latest for BALMAIN Paris (@balmain) and dir. Gabriel Popoff (@gabpopoff).

Lots of love and gratitude to Gab, Victoria, Patricia, Michail, Aris and Michalis for having me on board for this one. Special mention to @orfeas_kalafatis for getting some wonderful drone shots too!

Featuring @candiceswanepoel @maamuor @acholayor

Produced by @nowopentv @pavonvic
@motherland_productions

creative director: @olivier_rousteing
art director: @benkelwaystudio
director of content creation: @michail_pelet

director : @gabpopoff
dop: @evansteez
1ac: @sempos__
2ac: @simon_prasinos
gaffer: Giorgos Athanasopoulos
drone: @orfeas_kalafatis
editor: @paulcrbt @diligence.studio
colorist : @andrew.color
CGI & film process: @nowopentv
@kodak_shootfilm
sound by @bonenfantproduction

stylist : @leanadrt
hair: @chriscrossedd
make up: @sophiakossada
set designer: @nycons

special thanks: @ooaesthesis

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

Commercial Feature: “Hold Me Close To You” - Athens Kallithea

Written by @tphilipakos
Directed by @theodore_selekos
featuring @theopisti_p and @fisfirico
Director of Photography: @evansteez
Production Manager: @chriharak
1st Assistant Camera: @sempos__
2nd Assistant Camera: @ncklgs_
Styling: @gwenoel & @greatgreta
Hair & Make-Up: @mariavezz
Production: @feltprodco
AKFC Production: @peter.philipakos , @sonyakarate , @christinezk
Film Lab: Dirk DeJonghe at Post Production Belgium

"Working with kids as a young father was stressful because I became very aware of how delicate they are at that stage of life. The time slots between naps or feeding were tiny, and it made me more self conscious about how far I could push for a shot before it stopped being worth it. But for once, it was nice to have a film set that moved quietly, almost on tiptoe." - Director: @daniel_bolda

"Parenthood" - Unicef

director: @daniel_bolda
agency @ciceroadvertising
production house @filmosophy.eu
dp @evansteez
art director @vaggelis_kirozis
styling @daphneiliaki
hair&make up @danielbabek
editor @marios.kleftakis
color grading @florian_martiny

Tech Specs:
Alexa 35
Elite Spherical MKIII
Zeiss Superspeeds MKIII

"Working with kids as a young father was stressful because I became very aware of how delicate they are at that stage of life. The time slots between naps or feeding were tiny, and it made me more self conscious about how far I could push for a shot before it stopped being worth it. But for once, it was nice to have a film set that moved quietly, almost on tiptoe." - Director: @daniel_bolda

"Parenthood" - Unicef

director: @daniel_bolda
agency @ciceroadvertising
production house @filmosophy.eu
dp @evansteez
art director @vaggelis_kirozis
styling @daphneiliaki
hair&make up @danielbabek
editor @marios.kleftakis
color grading @florian_martiny

Tech Specs:
Alexa 35
Elite Spherical MKIII
Zeiss Superspeeds MKIII

"Working with kids as a young father was stressful because I became very aware of how delicate they are at that stage of life. The time slots between naps or feeding were tiny, and it made me more self conscious about how far I could push for a shot before it stopped being worth it. But for once, it was nice to have a film set that moved quietly, almost on tiptoe." - Director: @daniel_bolda

"Parenthood" - Unicef

director: @daniel_bolda
agency @ciceroadvertising
production house @filmosophy.eu
dp @evansteez
art director @vaggelis_kirozis
styling @daphneiliaki
hair&make up @danielbabek
editor @marios.kleftakis
color grading @florian_martiny

Tech Specs:
Alexa 35
Elite Spherical MKIII
Zeiss Superspeeds MKIII

"Working with kids as a young father was stressful because I became very aware of how delicate they are at that stage of life. The time slots between naps or feeding were tiny, and it made me more self conscious about how far I could push for a shot before it stopped being worth it. But for once, it was nice to have a film set that moved quietly, almost on tiptoe." - Director: @daniel_bolda

"Parenthood" - Unicef

director: @daniel_bolda
agency @ciceroadvertising
production house @filmosophy.eu
dp @evansteez
art director @vaggelis_kirozis
styling @daphneiliaki
hair&make up @danielbabek
editor @marios.kleftakis
color grading @florian_martiny

Tech Specs:
Alexa 35
Elite Spherical MKIII
Zeiss Superspeeds MKIII

"Working with kids as a young father was stressful because I became very aware of how delicate they are at that stage of life. The time slots between naps or feeding were tiny, and it made me more self conscious about how far I could push for a shot before it stopped being worth it. But for once, it was nice to have a film set that moved quietly, almost on tiptoe." - Director: @daniel_bolda

"Parenthood" - Unicef

director: @daniel_bolda
agency @ciceroadvertising
production house @filmosophy.eu
dp @evansteez
art director @vaggelis_kirozis
styling @daphneiliaki
hair&make up @danielbabek
editor @marios.kleftakis
color grading @florian_martiny

Tech Specs:
Alexa 35
Elite Spherical MKIII
Zeiss Superspeeds MKIII

"Working with kids as a young father was stressful because I became very aware of how delicate they are at that stage of life. The time slots between naps or feeding were tiny, and it made me more self conscious about how far I could push for a shot before it stopped being worth it. But for once, it was nice to have a film set that moved quietly, almost on tiptoe." - Director: @daniel_bolda

"Parenthood" - Unicef

director: @daniel_bolda
agency @ciceroadvertising
production house @filmosophy.eu
dp @evansteez
art director @vaggelis_kirozis
styling @daphneiliaki
hair&make up @danielbabek
editor @marios.kleftakis
color grading @florian_martiny

Tech Specs:
Alexa 35
Elite Spherical MKIII
Zeiss Superspeeds MKIII

"Working with kids as a young father was stressful because I became very aware of how delicate they are at that stage of life. The time slots between naps or feeding were tiny, and it made me more self conscious about how far I could push for a shot before it stopped being worth it. But for once, it was nice to have a film set that moved quietly, almost on tiptoe." - Director: @daniel_bolda

"Parenthood" - Unicef

director: @daniel_bolda
agency @ciceroadvertising
production house @filmosophy.eu
dp @evansteez
art director @vaggelis_kirozis
styling @daphneiliaki
hair&make up @danielbabek
editor @marios.kleftakis
color grading @florian_martiny

Tech Specs:
Alexa 35
Elite Spherical MKIII
Zeiss Superspeeds MKIII

"Working with kids as a young father was stressful because I became very aware of how delicate they are at that stage of life. The time slots between naps or feeding were tiny, and it made me more self conscious about how far I could push for a shot before it stopped being worth it. But for once, it was nice to have a film set that moved quietly, almost on tiptoe." - Director: @daniel_bolda

"Parenthood" - Unicef

director: @daniel_bolda
agency @ciceroadvertising
production house @filmosophy.eu
dp @evansteez
art director @vaggelis_kirozis
styling @daphneiliaki
hair&make up @danielbabek
editor @marios.kleftakis
color grading @florian_martiny

Tech Specs:
Alexa 35
Elite Spherical MKIII
Zeiss Superspeeds MKIII

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

Latest work for @stoiximan and director @garidas @dannyandloco. Spent an entire month and a half trying to solve this enormous puzzle of bringing the entire Greek sport scene into one unified ad. Big love to the producers, athletes and crew that showed up and delivered nothing but excellence.

Athletes in order of appearance:

@gelsondany77 @yb.tetei @michailidis_giannis_ @giannis_an34 @kos_slou @thiaslsf @panagiotis_kalaitzakis @k_pap16 @sashavezenkov @smck40 @kostas__ante37 @eleftherios_petrounias @hellaswaterpolo @eleftherios_petrounias

Special shout out to my wonderful departments for going above and beyond:

CREDITS:

1ST AC: @simon_prasinos
1ST AC: @sempos__
1ST AC: @marios.delias
2ND AC: @argiris_p
2ND AC: @aimiliamay
2ND AC: @nikos_diakoumeas_
DIT: @perikos_manolis
DIT: @daniel.dealava
DIT: @yorgos.zer

GAFFER: SAKIS KOSTIS
GAFFER: VAGGELIS ROUSIS
GAFFER: MICHALIS CHRISTOFORATOS
ELECTRICIAN: SPYROS REKOUNAS
ELECTRICIAN: GIORGOS ZAGORAIOS
ELECTRICIAN: PAVLOS LIGOURIS
ELECTRICIAN: POLYCHRONIADOU SMARO
ELECTRICIAN: ARGIRO MPARI
ELECTRICIAN: VLASIS PAPAPETROU
ELECTRICIAN: KOSTAS MAMALIS
ELECTRICIAN: VAGGELIS KOLIAS
ELECTRICIAN: DIMITRIS PAPADATOS
ELECTRICIAN: GIORGOS KARANTALIS
KEY GRIP: KOSTAS CHARATZOGLOU
KEY GRIP: CHARBEL OJEIL
GRIP ASSIST: NIKOS ADAMAKIS
GRIP ASSIST: NIKODIMOS MARGONIS
GRIP ASSIST: CHRISTOS TSAKONAS

COLOURIST: @_nlsn_ @selectedworks.tv

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

New work for @unicefgreece
Ad. Agency @ciceroadvertising
Production house @filmosophy.eu
DP @evansteez @sempos__
Art director @vaggelis_kirozis
Styling @daphneiliaki
Hair &make up @danielbabek
Editor @marios.kleftakis
Color grading @florian_martiny

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

"The goal was to tell an emotional story from the pov of a Coca-Cola can and personify the product in a subtle way. Before the shoot I cut an animatic from existing material. We pulled hundreds of references, searching for the perfect shots to inspire the language and tone of the film. My favorite moment is the CGI droplet, which falls away from the lens and flies through the air like a spacecraft reentering earths atmosphere. Our animatic really informed how that moment could work in the film." Editor @thekidmatt

Coca-Cola "Uncanned Emotions" DC

Production Company: @biscuit.filmworks
Founding Partner: @shawnlacy22
Director: @isaiahseret
Executive Producer: @andrewtravelstead
Head of Production: @seanlmoody
Producer: @jeffmcdougall
Director of Photography: @_guillermo_garza
Production Design: @jadeheals
Agency: WPP Open X led by Oglivy
Editor: @cabinedit @thekidmatt
VFX: @electric_theatre_collective
VFX Artists: @tdantassss and @referri
Color: @royal.muster @mikeypackage
Music: @jameswilliamblades
Sound Studio: @concret.form
Sound Design & Mix: @rphljls & @whykaisofly

SECOND UNIT: Avion Films (@avionfilms)
Assistant Production Supervisor: Giorgos Bikas
1st AD: Andreas Oikonomakis
Director of Photography: Evan Maragkoudakis (@evansteez)
1st AC: Nikos Sembos
2nd AC: Manos Kalafatelis (@manos_kalafatelis)
Key Grip: Kostas Zimarakis

Tech Specs:
We used the sony venice, and the freefly ember for highspeed shots. For lenses we used ARRI signature primes as our main set but also used canon K35s, the DZO probe zoom, and the cooke sp3 on some shots like the robot arm for keeping things light.

Square of the Unseen will be premiered in Thessaloniki International Documentary Festival.

“ Είμαι πολύ χαρούμενος ότι η ταινία μας Πλατεία Αοράτων έχει επιλεγεί για το φετινό
πρόγραμμα του Φεστιβάλ Ντοκιμαντέρ Θεσσαλονίκης. Η ταινία εντάσσεται στο
πρόγραμμα / Ανοιχτοί Ορίζοντες .

Ενα προσωπικό πρότζεκτ που δουλεύαμε τα τελευταία δύο χρόνια . Ένα μέρος που βρήκα την δημιουργική μου διαφυγή, που μοιράστηκα και δούλεψα με ανθρώπους που αγαπώ . Το πιο σημαντικό πράγμα είναι να ολοκληρώνεις κάτι γνωρίζονταςότι όποτε το επισκέπτεσαι στο πέρασμα τον χρόνων θαεμπεριέχει όλο σου το είναι . Ένα κόσμο θεμελιωμένο με απόλυτη υπομονή και ειλικρίνεια.

Ευχαριστώ όλους από καρδιάς .”

// Premiere // "Big collapses usually arrive through small lapses. We don't feel society falling apart as an idea — we feel it as inattention, exhaustion, the moment no one bothers to correct something that feels off."

In @doxem's darkly absurd short commissioned by @abfab_productions 'Something Like The End of The World', one woman's heartbreak spreads through an Athens restaurant like an emotional virus. Emma breaks down how she stripped fainting of its melodramatic embroidery to create a procedural refusal, why the 4:3 ratio functions as both intimate portraiture and surveillance apparatus, and how shooting with @evansteez in a single day gave the film its theatrical, unbroken pulse.

Watch it & read our full interview with Emma over on DN now ⏯️

// Credits //
Writer/Director: Emma Doxiadi — @doxem
Producer: @lensman88
Producer: Kiriaki Virou — @kiwivi
Production Company: AbFab Productions — @abfab_productions
Cinematographer: Evan Maragkoudakis — @evansteez

// Premiere // "Big collapses usually arrive through small lapses. We don't feel society falling apart as an idea — we feel it as inattention, exhaustion, the moment no one bothers to correct something that feels off."

In @doxem's darkly absurd short commissioned by @abfab_productions 'Something Like The End of The World', one woman's heartbreak spreads through an Athens restaurant like an emotional virus. Emma breaks down how she stripped fainting of its melodramatic embroidery to create a procedural refusal, why the 4:3 ratio functions as both intimate portraiture and surveillance apparatus, and how shooting with @evansteez in a single day gave the film its theatrical, unbroken pulse.

Watch it & read our full interview with Emma over on DN now ⏯️

// Credits //
Writer/Director: Emma Doxiadi — @doxem
Producer: @lensman88
Producer: Kiriaki Virou — @kiwivi
Production Company: AbFab Productions — @abfab_productions
Cinematographer: Evan Maragkoudakis — @evansteez

// Premiere // "Big collapses usually arrive through small lapses. We don't feel society falling apart as an idea — we feel it as inattention, exhaustion, the moment no one bothers to correct something that feels off."

In @doxem's darkly absurd short commissioned by @abfab_productions 'Something Like The End of The World', one woman's heartbreak spreads through an Athens restaurant like an emotional virus. Emma breaks down how she stripped fainting of its melodramatic embroidery to create a procedural refusal, why the 4:3 ratio functions as both intimate portraiture and surveillance apparatus, and how shooting with @evansteez in a single day gave the film its theatrical, unbroken pulse.

Watch it & read our full interview with Emma over on DN now ⏯️

// Credits //
Writer/Director: Emma Doxiadi — @doxem
Producer: @lensman88
Producer: Kiriaki Virou — @kiwivi
Production Company: AbFab Productions — @abfab_productions
Cinematographer: Evan Maragkoudakis — @evansteez

// Premiere // "Big collapses usually arrive through small lapses. We don't feel society falling apart as an idea — we feel it as inattention, exhaustion, the moment no one bothers to correct something that feels off."

In @doxem's darkly absurd short commissioned by @abfab_productions 'Something Like The End of The World', one woman's heartbreak spreads through an Athens restaurant like an emotional virus. Emma breaks down how she stripped fainting of its melodramatic embroidery to create a procedural refusal, why the 4:3 ratio functions as both intimate portraiture and surveillance apparatus, and how shooting with @evansteez in a single day gave the film its theatrical, unbroken pulse.

Watch it & read our full interview with Emma over on DN now ⏯️

// Credits //
Writer/Director: Emma Doxiadi — @doxem
Producer: @lensman88
Producer: Kiriaki Virou — @kiwivi
Production Company: AbFab Productions — @abfab_productions
Cinematographer: Evan Maragkoudakis — @evansteez

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Lately I’ve been noticing my left eye getting more wrinkles on the edge compared to my right eye. At first I thought it could potentially be just growing up I guess, but the unevenness didn’t make sense until very recently.

Always grateful to furiously close my left eye to the world, privileged to chase in the mornings what we dream of at nights, along some wonderful individuals.

However, I think this has been the first year of my life to feel even more deeply privileged to be allowed to fail surrounded by my beloveds.

Building a home within, day after day, year after year.

Much appreciation to all the people that made this year what it was.

Latest work for @ounass FW’25
This Way In : The Directors Cut

Big ups to a phenomenal crew

Creative Direction: @katie_jilly
Production @_jameswarren @motherland_productions @mariosvalmas @michalis.richter
Photography @inalevystudio
Cinematography: @evansteez @10artistsmanagement

1AC @konkiou
2AC @manoli_dapo
Steadicam OP @steadiknapp
DIT @backpain89
Gaffer @nektarios_vouts
Best Boy @eugene_savvas
Color @andrew.color

Art Direction @alessia_simpson @ellc23
Design soos_84 @babypinkkkkkkk @rahafmg vlada_lebedieva yara_majd_ @leen_qudsi @serinhallak @aashimajoshi
Styling @atiyya_laher @charlotte____white @kavishaa.k

HMUA @maritapolitou @chrisanthos_smirneos
Head of content @rayatallah
Social Video @billoshnookums
Content manager @lararbid
Social Manager @anatsalama

Latest work for @ounass FW’25
This Way In : The Directors Cut

Big ups to a phenomenal crew

Creative Direction: @katie_jilly
Production @_jameswarren @motherland_productions @mariosvalmas @michalis.richter
Photography @inalevystudio
Cinematography: @evansteez @10artistsmanagement

1AC @konkiou
2AC @manoli_dapo
Steadicam OP @steadiknapp
DIT @backpain89
Gaffer @nektarios_vouts
Best Boy @eugene_savvas
Color @andrew.color

Art Direction @alessia_simpson @ellc23
Design soos_84 @babypinkkkkkkk @rahafmg vlada_lebedieva yara_majd_ @leen_qudsi @serinhallak @aashimajoshi
Styling @atiyya_laher @charlotte____white @kavishaa.k

HMUA @maritapolitou @chrisanthos_smirneos
Head of content @rayatallah
Social Video @billoshnookums
Content manager @lararbid
Social Manager @anatsalama

Latest work for @ounass FW’25
This Way In : The Directors Cut

Big ups to a phenomenal crew

Creative Direction: @katie_jilly
Production @_jameswarren @motherland_productions @mariosvalmas @michalis.richter
Photography @inalevystudio
Cinematography: @evansteez @10artistsmanagement

1AC @konkiou
2AC @manoli_dapo
Steadicam OP @steadiknapp
DIT @backpain89
Gaffer @nektarios_vouts
Best Boy @eugene_savvas
Color @andrew.color

Art Direction @alessia_simpson @ellc23
Design soos_84 @babypinkkkkkkk @rahafmg vlada_lebedieva yara_majd_ @leen_qudsi @serinhallak @aashimajoshi
Styling @atiyya_laher @charlotte____white @kavishaa.k

HMUA @maritapolitou @chrisanthos_smirneos
Head of content @rayatallah
Social Video @billoshnookums
Content manager @lararbid
Social Manager @anatsalama

Latest work for @ounass FW’25
This Way In : The Directors Cut

Big ups to a phenomenal crew

Creative Direction: @katie_jilly
Production @_jameswarren @motherland_productions @mariosvalmas @michalis.richter
Photography @inalevystudio
Cinematography: @evansteez @10artistsmanagement

1AC @konkiou
2AC @manoli_dapo
Steadicam OP @steadiknapp
DIT @backpain89
Gaffer @nektarios_vouts
Best Boy @eugene_savvas
Color @andrew.color

Art Direction @alessia_simpson @ellc23
Design soos_84 @babypinkkkkkkk @rahafmg vlada_lebedieva yara_majd_ @leen_qudsi @serinhallak @aashimajoshi
Styling @atiyya_laher @charlotte____white @kavishaa.k

HMUA @maritapolitou @chrisanthos_smirneos
Head of content @rayatallah
Social Video @billoshnookums
Content manager @lararbid
Social Manager @anatsalama

Latest work for @ounass FW’25
This Way In : The Directors Cut

Big ups to a phenomenal crew

Creative Direction: @katie_jilly
Production @_jameswarren @motherland_productions @mariosvalmas @michalis.richter
Photography @inalevystudio
Cinematography: @evansteez @10artistsmanagement

1AC @konkiou
2AC @manoli_dapo
Steadicam OP @steadiknapp
DIT @backpain89
Gaffer @nektarios_vouts
Best Boy @eugene_savvas
Color @andrew.color

Art Direction @alessia_simpson @ellc23
Design soos_84 @babypinkkkkkkk @rahafmg vlada_lebedieva yara_majd_ @leen_qudsi @serinhallak @aashimajoshi
Styling @atiyya_laher @charlotte____white @kavishaa.k

HMUA @maritapolitou @chrisanthos_smirneos
Head of content @rayatallah
Social Video @billoshnookums
Content manager @lararbid
Social Manager @anatsalama

Latest work for @ounass FW’25
This Way In : The Directors Cut

Big ups to a phenomenal crew

Creative Direction: @katie_jilly
Production @_jameswarren @motherland_productions @mariosvalmas @michalis.richter
Photography @inalevystudio
Cinematography: @evansteez @10artistsmanagement

1AC @konkiou
2AC @manoli_dapo
Steadicam OP @steadiknapp
DIT @backpain89
Gaffer @nektarios_vouts
Best Boy @eugene_savvas
Color @andrew.color

Art Direction @alessia_simpson @ellc23
Design soos_84 @babypinkkkkkkk @rahafmg vlada_lebedieva yara_majd_ @leen_qudsi @serinhallak @aashimajoshi
Styling @atiyya_laher @charlotte____white @kavishaa.k

HMUA @maritapolitou @chrisanthos_smirneos
Head of content @rayatallah
Social Video @billoshnookums
Content manager @lararbid
Social Manager @anatsalama

Latest work for @ounass FW’25
This Way In : The Directors Cut

Big ups to a phenomenal crew

Creative Direction: @katie_jilly
Production @_jameswarren @motherland_productions @mariosvalmas @michalis.richter
Photography @inalevystudio
Cinematography: @evansteez @10artistsmanagement

1AC @konkiou
2AC @manoli_dapo
Steadicam OP @steadiknapp
DIT @backpain89
Gaffer @nektarios_vouts
Best Boy @eugene_savvas
Color @andrew.color

Art Direction @alessia_simpson @ellc23
Design soos_84 @babypinkkkkkkk @rahafmg vlada_lebedieva yara_majd_ @leen_qudsi @serinhallak @aashimajoshi
Styling @atiyya_laher @charlotte____white @kavishaa.k

HMUA @maritapolitou @chrisanthos_smirneos
Head of content @rayatallah
Social Video @billoshnookums
Content manager @lararbid
Social Manager @anatsalama

Latest work for @ounass FW’25
This Way In : The Directors Cut

Big ups to a phenomenal crew

Creative Direction: @katie_jilly
Production @_jameswarren @motherland_productions @mariosvalmas @michalis.richter
Photography @inalevystudio
Cinematography: @evansteez @10artistsmanagement

1AC @konkiou
2AC @manoli_dapo
Steadicam OP @steadiknapp
DIT @backpain89
Gaffer @nektarios_vouts
Best Boy @eugene_savvas
Color @andrew.color

Art Direction @alessia_simpson @ellc23
Design soos_84 @babypinkkkkkkk @rahafmg vlada_lebedieva yara_majd_ @leen_qudsi @serinhallak @aashimajoshi
Styling @atiyya_laher @charlotte____white @kavishaa.k

HMUA @maritapolitou @chrisanthos_smirneos
Head of content @rayatallah
Social Video @billoshnookums
Content manager @lararbid
Social Manager @anatsalama