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Después de un año de recorrido por festivales con nuestro cortometraje Al fresco, hemos alcanzado más de 120 selecciones, más de 20 premios, 6 festivales calificadores Oscar, 1 calificador BAFTA y 14 calificadores Goya.
¡Y aún nos quedan unos meses por delante!

After a year touring festivals with our short film Al fresco, we’ve reached over 120 selections, more than 20 awards, 6 Oscar-qualifying festivals, 1 BAFTA-qualifying festival, and 14 Goya-qualifying festivals.
And we still have a few months ahead of us!

Tribeca Festival (USA 2025).
PÖFF Shorts (Estonia 2025).
Flickerfest International Short Film Festival (Australia 2026).
Show Me Shorts Film Festival (New Zealand 2025).
Tehran International Short Film Festival (Iran 2025).
Santa Fe International Film Festival (USA 2025).
Aesthetica Film Festival (UK 2025).
Festival Internacional de Cine de Almería (Spain 2025).
Mostra de Curtas Vila de Noia (Spain 2025).
Festival Internacional de Cine Independiente de Elche (Spain 2025).
Filmets Badalona Film Festival (Spain 2025).
Mecal Pro. Barcelona International Short Film Festival (Spain 2025).
Festival de Cine de Comedia de Tarazona y el Moncayo (Spain 2025).
Certamen Internacional de Cortos Ciudad de Soria (Spain 2025).
Certamen Audiovisual de Cabra (Spain 2025).
Ibicine. Festival de Cine de Ibiza (Spain 2025).
FESCIGU. Festival de Cine Comprometido de Guadalajara (Spain 2025).
Cortopilar. Festival Internacional de Cine de Pilar de La Horadada (Spain 2025).
Ibizacinefest. Festival Internacional de Cine Independiente de Ibiza (Spain 2025).
Korterraza Festival de Cortos al Aire Libre (Spain 2025).
Fascurt. Festival de Curtmetratges del Masnou (Spain 2025).

Kicking off the Obra Nova spooky edition we have “Reflejos Rotos”. A film about Carla who wakes up from a disturbing nightmare that leaves her unsettled. From that moment on, she begins to question whether the life she’s living is really the one she was promised, the one she dreamed of as a child and fought so hard for. The search for the truth leads her to dark decisions that could drastically change her life. Join us on the 30th of October @alderartstudios for a night of independent short films. Don’t forget there are prizes for the best costume! See you there - if you dare 🕷️🕷️🕸️

Carla despierta de una pesadilla inquietante que la deja perturbada. A partir de ese momento, comienza a cuestionarse si la vida que lleva es realmente la que le prometieron, la que soñaba de niña y por la que ha luchado tanto. La búsqueda de la verdad la enfrenta a decisiones sombrías, que podrían cambiar su vida drásticamente.

EQUIPO
Actriz: Carla Tamborra @ttttambo
Dirección y Guion: Roger Bellido @rbellidod
Ayudante de Dirección: Alvar Andrés @alvar_andres
Dirección de Arte: Carlos Prieto @izzelupus
Ayudante de Dirección de Arte / Producción: Anna Rudakova @annarydak
Dirección de Fotografía: Erich Oh, CSC MYSC @ericoh_csc
1er Asistente de Cámara: Emma Comas @emmmmmmach
2º Asistente de Cámara: Luisa Sáenz @luisasaenz08
Jefe Eléctrico (Gaffer): Leonardo Funes @lezefunes
Eléctrico: Olivia Bapp
Producción: Naila Fernández @nana_westw00d
Operador de Boom: José M. Galán @jmgalan.co
Montaje: Rebecca Parkin
Maquillaje y Peluquería (MUAH): Paula Segura @seguramua
Etalonaje (Color Grading): Erik Anderson @e_anderson97
Diseño Sonoro: Marcos Horus @marcoshorus
Seguridad: Marçal Chicano

#ObraNova #ShortFilmCommunity #IndieFilmmakers #Cinephiles #BarcelonaCreatives #FilmLoversBarcelona #ShortFilmFestivalVibes #HalloweenScreening #HauntingStories #SpookyEdition #BarcelonaFilmScene #ArtSceneBarcelona #SupportIndieFilm

Kicking off the Obra Nova spooky edition we have “Reflejos Rotos”. A film about Carla who wakes up from a disturbing nightmare that leaves her unsettled. From that moment on, she begins to question whether the life she’s living is really the one she was promised, the one she dreamed of as a child and fought so hard for. The search for the truth leads her to dark decisions that could drastically change her life. Join us on the 30th of October @alderartstudios for a night of independent short films. Don’t forget there are prizes for the best costume! See you there - if you dare 🕷️🕷️🕸️

Carla despierta de una pesadilla inquietante que la deja perturbada. A partir de ese momento, comienza a cuestionarse si la vida que lleva es realmente la que le prometieron, la que soñaba de niña y por la que ha luchado tanto. La búsqueda de la verdad la enfrenta a decisiones sombrías, que podrían cambiar su vida drásticamente.

EQUIPO
Actriz: Carla Tamborra @ttttambo
Dirección y Guion: Roger Bellido @rbellidod
Ayudante de Dirección: Alvar Andrés @alvar_andres
Dirección de Arte: Carlos Prieto @izzelupus
Ayudante de Dirección de Arte / Producción: Anna Rudakova @annarydak
Dirección de Fotografía: Erich Oh, CSC MYSC @ericoh_csc
1er Asistente de Cámara: Emma Comas @emmmmmmach
2º Asistente de Cámara: Luisa Sáenz @luisasaenz08
Jefe Eléctrico (Gaffer): Leonardo Funes @lezefunes
Eléctrico: Olivia Bapp
Producción: Naila Fernández @nana_westw00d
Operador de Boom: José M. Galán @jmgalan.co
Montaje: Rebecca Parkin
Maquillaje y Peluquería (MUAH): Paula Segura @seguramua
Etalonaje (Color Grading): Erik Anderson @e_anderson97
Diseño Sonoro: Marcos Horus @marcoshorus
Seguridad: Marçal Chicano

#ObraNova #ShortFilmCommunity #IndieFilmmakers #Cinephiles #BarcelonaCreatives #FilmLoversBarcelona #ShortFilmFestivalVibes #HalloweenScreening #HauntingStories #SpookyEdition #BarcelonaFilmScene #ArtSceneBarcelona #SupportIndieFilm

Kicking off the Obra Nova spooky edition we have “Reflejos Rotos”. A film about Carla who wakes up from a disturbing nightmare that leaves her unsettled. From that moment on, she begins to question whether the life she’s living is really the one she was promised, the one she dreamed of as a child and fought so hard for. The search for the truth leads her to dark decisions that could drastically change her life. Join us on the 30th of October @alderartstudios for a night of independent short films. Don’t forget there are prizes for the best costume! See you there - if you dare 🕷️🕷️🕸️

Carla despierta de una pesadilla inquietante que la deja perturbada. A partir de ese momento, comienza a cuestionarse si la vida que lleva es realmente la que le prometieron, la que soñaba de niña y por la que ha luchado tanto. La búsqueda de la verdad la enfrenta a decisiones sombrías, que podrían cambiar su vida drásticamente.

EQUIPO
Actriz: Carla Tamborra @ttttambo
Dirección y Guion: Roger Bellido @rbellidod
Ayudante de Dirección: Alvar Andrés @alvar_andres
Dirección de Arte: Carlos Prieto @izzelupus
Ayudante de Dirección de Arte / Producción: Anna Rudakova @annarydak
Dirección de Fotografía: Erich Oh, CSC MYSC @ericoh_csc
1er Asistente de Cámara: Emma Comas @emmmmmmach
2º Asistente de Cámara: Luisa Sáenz @luisasaenz08
Jefe Eléctrico (Gaffer): Leonardo Funes @lezefunes
Eléctrico: Olivia Bapp
Producción: Naila Fernández @nana_westw00d
Operador de Boom: José M. Galán @jmgalan.co
Montaje: Rebecca Parkin
Maquillaje y Peluquería (MUAH): Paula Segura @seguramua
Etalonaje (Color Grading): Erik Anderson @e_anderson97
Diseño Sonoro: Marcos Horus @marcoshorus
Seguridad: Marçal Chicano

#ObraNova #ShortFilmCommunity #IndieFilmmakers #Cinephiles #BarcelonaCreatives #FilmLoversBarcelona #ShortFilmFestivalVibes #HalloweenScreening #HauntingStories #SpookyEdition #BarcelonaFilmScene #ArtSceneBarcelona #SupportIndieFilm

Kicking off the Obra Nova spooky edition we have “Reflejos Rotos”. A film about Carla who wakes up from a disturbing nightmare that leaves her unsettled. From that moment on, she begins to question whether the life she’s living is really the one she was promised, the one she dreamed of as a child and fought so hard for. The search for the truth leads her to dark decisions that could drastically change her life. Join us on the 30th of October @alderartstudios for a night of independent short films. Don’t forget there are prizes for the best costume! See you there - if you dare 🕷️🕷️🕸️

Carla despierta de una pesadilla inquietante que la deja perturbada. A partir de ese momento, comienza a cuestionarse si la vida que lleva es realmente la que le prometieron, la que soñaba de niña y por la que ha luchado tanto. La búsqueda de la verdad la enfrenta a decisiones sombrías, que podrían cambiar su vida drásticamente.

EQUIPO
Actriz: Carla Tamborra @ttttambo
Dirección y Guion: Roger Bellido @rbellidod
Ayudante de Dirección: Alvar Andrés @alvar_andres
Dirección de Arte: Carlos Prieto @izzelupus
Ayudante de Dirección de Arte / Producción: Anna Rudakova @annarydak
Dirección de Fotografía: Erich Oh, CSC MYSC @ericoh_csc
1er Asistente de Cámara: Emma Comas @emmmmmmach
2º Asistente de Cámara: Luisa Sáenz @luisasaenz08
Jefe Eléctrico (Gaffer): Leonardo Funes @lezefunes
Eléctrico: Olivia Bapp
Producción: Naila Fernández @nana_westw00d
Operador de Boom: José M. Galán @jmgalan.co
Montaje: Rebecca Parkin
Maquillaje y Peluquería (MUAH): Paula Segura @seguramua
Etalonaje (Color Grading): Erik Anderson @e_anderson97
Diseño Sonoro: Marcos Horus @marcoshorus
Seguridad: Marçal Chicano

#ObraNova #ShortFilmCommunity #IndieFilmmakers #Cinephiles #BarcelonaCreatives #FilmLoversBarcelona #ShortFilmFestivalVibes #HalloweenScreening #HauntingStories #SpookyEdition #BarcelonaFilmScene #ArtSceneBarcelona #SupportIndieFilm

Introducing our 10 finalists for MANHATTAN SHORT 2025!

Our first featured finalist is ‘Al Fresco’. Rehearsed and filmed in a single day, and shot in one continuous take by cinematographer @ericoh_csc , this comedy explores Barcelona’s housing crisis. Directed by @ignacio.rodo, and starring @roc_esquius @marcpujol_pro and Alexandra Agulló.

Country: Spain 🇪🇸
Synopsis: Large space in a dream apartment. Unbeatable location. Ready to move in. Plenty of light.

Good luck! 👏

See all 10 MANHATTAN SHORT 2025 finalists at cinema near you between Thur Sep 25 - Sun Oct 5.

Thanks @laowa.cine for sending me the Proteus 2x Anamorphic Zooms (26-45mm & 46-85mm) to try out on a couple of projects. It’s very much appreciated. Super compact anamorphic zooms with very close focus. Flares are controlled and not distracting. Lenses are a little softer wide open but sharpness greatly improves at T4.

Thanks @laowa.cine for sending me the Proteus 2x Anamorphic Zooms (26-45mm & 46-85mm) to try out on a couple of projects. It’s very much appreciated. Super compact anamorphic zooms with very close focus. Flares are controlled and not distracting. Lenses are a little softer wide open but sharpness greatly improves at T4.

Thanks @laowa.cine for sending me the Proteus 2x Anamorphic Zooms (26-45mm & 46-85mm) to try out on a couple of projects. It’s very much appreciated. Super compact anamorphic zooms with very close focus. Flares are controlled and not distracting. Lenses are a little softer wide open but sharpness greatly improves at T4.

Thanks @laowa.cine for sending me the Proteus 2x Anamorphic Zooms (26-45mm & 46-85mm) to try out on a couple of projects. It’s very much appreciated. Super compact anamorphic zooms with very close focus. Flares are controlled and not distracting. Lenses are a little softer wide open but sharpness greatly improves at T4.

Picture wrap!

Happy to share that I’m now represented by @characterstalentagency

Great time on @awwbproduction film @nowwhat.2025 directed by my good friend @kevineade. Writer/actor @workitware Actor @thislizsaunders

【Swipe➡️for more】Eric Oh @ericoh_csc shot this docufiction "Lacayo" using our Nanomorph 1.5X Anamorphic Zoom Series (Silver) on the @reddigitalcinema Komodo-X and Red Komodo as b-cam.

”Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.“ - Eric Oh

Link in bio to learn more.

Credits:
Directed by: @dourado & @ericoh_csc
DP: @ericoh_csc
Gaffer: @ediferr
Audio post-production: dourado.rui

#Laowa #Nanomorph #NanomorphZoom #cinema #cinematography #cine #cinematic #tamilcinema #cinematographer #cinematicvideo #filmmaker #filmmaking #movies #film #movie #filmmakers #filmlife #filmproduction #filmcrew #dop

【Swipe➡️for more】Eric Oh @ericoh_csc shot this docufiction "Lacayo" using our Nanomorph 1.5X Anamorphic Zoom Series (Silver) on the @reddigitalcinema Komodo-X and Red Komodo as b-cam.

”Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.“ - Eric Oh

Link in bio to learn more.

Credits:
Directed by: @dourado & @ericoh_csc
DP: @ericoh_csc
Gaffer: @ediferr
Audio post-production: dourado.rui

#Laowa #Nanomorph #NanomorphZoom #cinema #cinematography #cine #cinematic #tamilcinema #cinematographer #cinematicvideo #filmmaker #filmmaking #movies #film #movie #filmmakers #filmlife #filmproduction #filmcrew #dop

【Swipe➡️for more】Eric Oh @ericoh_csc shot this docufiction "Lacayo" using our Nanomorph 1.5X Anamorphic Zoom Series (Silver) on the @reddigitalcinema Komodo-X and Red Komodo as b-cam.

”Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.“ - Eric Oh

Link in bio to learn more.

Credits:
Directed by: @dourado & @ericoh_csc
DP: @ericoh_csc
Gaffer: @ediferr
Audio post-production: dourado.rui

#Laowa #Nanomorph #NanomorphZoom #cinema #cinematography #cine #cinematic #tamilcinema #cinematographer #cinematicvideo #filmmaker #filmmaking #movies #film #movie #filmmakers #filmlife #filmproduction #filmcrew #dop

【Swipe➡️for more】Eric Oh @ericoh_csc shot this docufiction "Lacayo" using our Nanomorph 1.5X Anamorphic Zoom Series (Silver) on the @reddigitalcinema Komodo-X and Red Komodo as b-cam.

”Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.“ - Eric Oh

Link in bio to learn more.

Credits:
Directed by: @dourado & @ericoh_csc
DP: @ericoh_csc
Gaffer: @ediferr
Audio post-production: dourado.rui

#Laowa #Nanomorph #NanomorphZoom #cinema #cinematography #cine #cinematic #tamilcinema #cinematographer #cinematicvideo #filmmaker #filmmaking #movies #film #movie #filmmakers #filmlife #filmproduction #filmcrew #dop

【Swipe➡️for more】Eric Oh @ericoh_csc shot this docufiction "Lacayo" using our Nanomorph 1.5X Anamorphic Zoom Series (Silver) on the @reddigitalcinema Komodo-X and Red Komodo as b-cam.

”Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.“ - Eric Oh

Link in bio to learn more.

Credits:
Directed by: @dourado & @ericoh_csc
DP: @ericoh_csc
Gaffer: @ediferr
Audio post-production: dourado.rui

#Laowa #Nanomorph #NanomorphZoom #cinema #cinematography #cine #cinematic #tamilcinema #cinematographer #cinematicvideo #filmmaker #filmmaking #movies #film #movie #filmmakers #filmlife #filmproduction #filmcrew #dop

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

I had the opportunity to shoot 3 very different projects over the last month and a half with the Nanomorph 1.5x Anamorphic Zooms that @laowa.cine sent me to try out. A somber, dramatic short (Reflejos Rotos), a comedy short (Head Over Heels), and a wrestling piece (Lucha Libre).

I shot all these projects on the @reddigitalcinema Komodo-X and also using the Red Komodo as a b-cam for Lucha libre, where I had each zoom on a camera (Komodo with 28-55 & Komodo-X with 50-100). I found myself predominantly using the 28-55mm on the two short films. This focal range covered us for 95% of our shots.

Both of the zooms are very versatile in terms of their focal range as well as the “look” of them as I was able to use them on projects that varied greatly in terms of genre, and look. I usually shoot narrative work using primes but I really enjoyed using these zooms which really are more like variable primes.

These zooms being parfocal were very useful when I had to do subtle reframing while dollying. I was able to hide zooms that way. Also there were times when I couldn’t use a Dana dolly or slider due to the tightness of the space and used the zoom as a push in.

Shooting wide-open outdoors in full sun, I did not have any CA or fringing happen. Flares are controlled which meant they were not distracting but there were a couple of occasions where I would have liked a touch more character.

In terms of distortion, I would have preferred barrel over pin-cushion but in my “real world” usage it bothered me less than I thought it would. Besides, it’s quite easily corrected in Resolve.

These are a good set of anamorphic zooms that are lightweight, versatile and performed very well. Build quality is solid as per Laowa and the price makes these a very attractive set.#ungradedframegrabs

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Fun times on recent narrative shoot for “Head Over Heels”. Cast and crew were/are fantastic. Had a great time and I hope to work with everyone again soon. Film is currently in post.

Shot with @reddigitalcinema Komodo-X and @laowa.cine Nanomorph 1.5x Anamorphic Zooms

Cast:
@nickduttonactor
@theamericanvoiceoverwoman
@misadangelo

Crew:
Writer / Executive Producer: @gtremayne
Director / Producer: @ignacio.rodo
UPM: Monica Contreras

Director of Photography: @ericoh_csc
1st AC: @xkorpyo
2nd AC: @emmmmmmach

Gaffer: @marti_palazon
2nd Electric: Omar Verge
Electric: Laura Coderch

Sound mixer: @polp1
VFX Supervisor: Mateo Bravo Mir

BTS Stills: @xavifarre.io

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

Ungraded frame grabs from a small passion project testing out the newly released @laowa.cine Nanomorph 1.5x anamorphic zooms. Shot on @reddigitalcinema Komodo-X and Komodo. I had both 28-55mm and 50-10m T2.9 Silver Flare zooms. Thanks @dourado and @ediferr for being part of this.

Also thanks to @luchalibrebarcelona @lacayosureno @elfamoso_iker for participating in this and giving us access.

I was sent a set of @laowa.cine Nanomorph 1.5x Anamorphic zoom lenses (Silver flare) to try out. Thanks @laowa_marcusand @laowa.kevinfor sending me the lenses!

Took the 50-100mm for an impromptu walk around the neighborhood today with my @reddigitalcinema Komodo X and @pdmovie Lidar and non-lidar focus motors to see how “run n’ gun” shooting would be like.

I liked the 50-100mm range very much. Great focal lengths to have at your finger tips. Would be great for docs for sure or any type of shoot where you have limited time/crew. Found the lens to be sharp (shooting at T4) and clean. Flaring is well controlled with no visible CA at T4. Focus breathing is also at a minimal and pincushion distortion is almost nil at 50mm.

Looking forward to shooting with these and not just following my daughter around on her bike.

Set up:
Red Komodo X
- Laowa Nanomorph 50-100mm T2.9
- Breakthrough Cinema DFM with drop-in VND
- PD Movie Live Air 3 (for zoom) and Live Air 3 Smart Mini (for focus)
- Portkeys BM7 II DS
- Bright Tangerine camera support

Red Komodo ST
- Laowa Nanomorph 28-55mm T2.9
- Fotodiox RF to PL adapter
- Arri MFF1
- Portkeys BM5 III WR
- Bright Tangerine camera support

I was sent a set of @laowa.cine Nanomorph 1.5x Anamorphic zoom lenses (Silver flare) to try out. Thanks @laowa_marcusand @laowa.kevinfor sending me the lenses!

Took the 50-100mm for an impromptu walk around the neighborhood today with my @reddigitalcinema Komodo X and @pdmovie Lidar and non-lidar focus motors to see how “run n’ gun” shooting would be like.

I liked the 50-100mm range very much. Great focal lengths to have at your finger tips. Would be great for docs for sure or any type of shoot where you have limited time/crew. Found the lens to be sharp (shooting at T4) and clean. Flaring is well controlled with no visible CA at T4. Focus breathing is also at a minimal and pincushion distortion is almost nil at 50mm.

Looking forward to shooting with these and not just following my daughter around on her bike.

Set up:
Red Komodo X
- Laowa Nanomorph 50-100mm T2.9
- Breakthrough Cinema DFM with drop-in VND
- PD Movie Live Air 3 (for zoom) and Live Air 3 Smart Mini (for focus)
- Portkeys BM7 II DS
- Bright Tangerine camera support

Red Komodo ST
- Laowa Nanomorph 28-55mm T2.9
- Fotodiox RF to PL adapter
- Arri MFF1
- Portkeys BM5 III WR
- Bright Tangerine camera support

I was sent a set of @laowa.cine Nanomorph 1.5x Anamorphic zoom lenses (Silver flare) to try out. Thanks @laowa_marcusand @laowa.kevinfor sending me the lenses!

Took the 50-100mm for an impromptu walk around the neighborhood today with my @reddigitalcinema Komodo X and @pdmovie Lidar and non-lidar focus motors to see how “run n’ gun” shooting would be like.

I liked the 50-100mm range very much. Great focal lengths to have at your finger tips. Would be great for docs for sure or any type of shoot where you have limited time/crew. Found the lens to be sharp (shooting at T4) and clean. Flaring is well controlled with no visible CA at T4. Focus breathing is also at a minimal and pincushion distortion is almost nil at 50mm.

Looking forward to shooting with these and not just following my daughter around on her bike.

Set up:
Red Komodo X
- Laowa Nanomorph 50-100mm T2.9
- Breakthrough Cinema DFM with drop-in VND
- PD Movie Live Air 3 (for zoom) and Live Air 3 Smart Mini (for focus)
- Portkeys BM7 II DS
- Bright Tangerine camera support

Red Komodo ST
- Laowa Nanomorph 28-55mm T2.9
- Fotodiox RF to PL adapter
- Arri MFF1
- Portkeys BM5 III WR
- Bright Tangerine camera support