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๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago


๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago


๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago


๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery


236
1
2 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago


๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

๐—” ๐—™๐—น๐—ผ๐˜„๐—ฒ๐—ฟ ๐—ผ๐—ณ ๐—™๐—ผ๐—ฟ๐—ด๐—ฒ๐˜๐—ณ๐˜‚๐—น๐—ป๐—ฒ๐˜€๐˜€
๐—ž๐˜‚๐—ป๐˜€๐˜๐—ฒ๐—ป๐—ณ๐—ฒ๐˜€๐˜๐—ถ๐˜ƒ๐—ฎ๐—น๐—ฑ๐—ฒ๐˜€๐—ฎ๐—ฟ๐˜๐˜€
Les Brigantines/ 8-11.05.2026
๐—”๐—ฟ๐˜๐—ถ๐˜€๐˜๐˜€
Apichatpong Weerasethakul
Rueangrith Suntisuk
Pornpan Arayaveerasid
Akritchalerm Kalayanamitr
Koichi Shimizu

๐—ง๐—ฒ๐—ฐ๐—ต๐—ป๐—ถ๐—ฐ๐—ฎ๐—น ๐—”๐˜€๐˜€๐—ถ๐˜€๐˜๐—ฎ๐—ป๐˜
Piti Boonsom
๐—ž๐—ถ๐—ป๐—ฒ๐˜๐—ถ๐—ฐ ๐—˜๐—ป๐—ด๐—ถ๐—ป๐—ฒ๐—ฒ๐—ฟ
Laphonphat Doungploy
๐—ฃ๐—ฟ๐—ผ๐—ฑ๐˜‚๐—ฐ๐˜๐—ถ๐—ผ๐—ป ๐— ๐—ฎ๐—ป๐—ฎ๐—ด๐—ฒ๐—ฟ
Kamonpan Pakpised
๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฟ๐˜€
Ryuichi Sakamoto and Koichi Shimizu
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐—ช๐—ถ๐—ป๐—ฑ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ถ๐—ป๐—ด๐˜€
Lasse Marhaug
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฃ๐—ฒ๐—ฟ๐—ณ๐—ผ๐—ฟ๐—บ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—ฌ๐˜‚๐—ป๐—ถ ๐— ๐—ผ๐—ฟ๐—ถ
๐—ฃ๐—ถ๐—ฎ๐—ป๐—ผ ๐—ฅ๐—ฒ๐—ฐ๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฑ ๐—ฏ๐˜† ๐—š๐—ฒ๐—ป ๐—ง๐—ฎ๐—ป๐—ฎ๐—ฏ๐—ฒ
๐—”๐—ฑ๐—ฑ๐—ถ๐˜๐—ถ๐—ผ๐—ป๐—ฎ๐—น ๐— ๐˜‚๐˜€๐—ถ๐—ฐ ๐—–๐—ผ๐—บ๐—ฝ๐—ผ๐˜€๐—ฒ๐—ฑ ๐—ฏ๐˜†
Wuttipong Leetrakul
๐—ฉ๐—ผ๐—ฐ๐—ฎ๐—น ๐—ฏ๐˜† ๐—ก๐—ข๐—ง๐—˜๐—ฃ

๐—–๐—ข-๐—ฃ๐—ฅ๐—ข๐——๐—จ๐—–๐—ง๐—œ๐—ข๐—ก๐—ฆ
Kunstenfestivaldesarts
Berliner Festspiele
Tainan Arts Festival, Taiwan
Sharjah Art Foundation
Minato Arts Center m~m
with Kick the Machine Films, DuckUnit, and Bangkok CityCity Gallery

ยฉ ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—ž๐—ถ๐—ฐ๐—ธ ๐˜๐—ต๐—ฒ ๐— ๐—ฎ๐—ฐ๐—ต๐—ถ๐—ป๐—ฒ ๐—™๐—ถ๐—น๐—บ๐˜€ / ๐——๐˜‚๐—ฐ๐—ธ๐—จ๐—ป๐—ถ๐˜
Photos : Apichatpong Weerasethakul, Rueangrith Suntisuk, Pornpan Arayaveerasid.

More info : https://duckunit.net/a-flower-of-forgetfulness/


1.6K
15
4 days ago

JPBS performs Wai Kru at Code Redยฎ Live on Friday 24 April 2026.

Band Members:
JPBS - Jay Vatanakuljaras, Winn Phummarin, Wade Puaktes, Tong Phromma, Name Jareontananan, Sans Polsorn

Scenography and Stage Design:
DuckUnit - Rueangrith Suntisuk, Pornpan Arayaveerasid, Voratorn Peerapongpan

Sound Engineer:
C3S - Nopphon Cheng

Costume and Styling:
PROTOTYP

Videographer:
Abhichon Rattanabhayon

Venue:
Kangkao, Trinity Complex Silom, Bangkok

Organizer:
BANGKOK CITYCITY GALLERY

#CodeRedLive #JPBS #DuckUnit #BangkokCityCityGallery


517
1 weeks ago

๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.


649
2
2 weeks ago

4 months have passed, some things grew and some things died.
๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.

Singapore Biennale
More Info : https://duckunit.net/twowhorememberthesea


1.1K
5
2 weeks ago

4 months have passed, some things grew and some things died.
๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.

Singapore Biennale
More Info : https://duckunit.net/twowhorememberthesea


1.1K
5
2 weeks ago

4 months have passed, some things grew and some things died.
๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.

Singapore Biennale
More Info : https://duckunit.net/twowhorememberthesea


1.1K
5
2 weeks ago

4 months have passed, some things grew and some things died.
๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.

Singapore Biennale
More Info : https://duckunit.net/twowhorememberthesea


1.1K
5
2 weeks ago

4 months have passed, some things grew and some things died.
๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.

Singapore Biennale
More Info : https://duckunit.net/twowhorememberthesea


1.1K
5
2 weeks ago

4 months have passed, some things grew and some things died.
๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.

Singapore Biennale
More Info : https://duckunit.net/twowhorememberthesea


1.1K
5
2 weeks ago

4 months have passed, some things grew and some things died.
๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.

Singapore Biennale
More Info : https://duckunit.net/twowhorememberthesea


1.1K
5
2 weeks ago

4 months have passed, some things grew and some things died.
๐—ง๐˜„๐—ผ ๐—ช๐—ต๐—ผ ๐—ฅ๐—ฒ๐—บ๐—ฒ๐—บ๐—ฏ๐—ฒ๐—ฟ ๐˜๐—ต๐—ฒ ๐—ฆ๐—ฒ๐—ฎ
Apichatpong Weerasethakul & Guo-Liang Tan
In collaboration with Rueangrith Suntisuk and Pornpan Arayaveerasid

Singapore Biennale 2025 Commission
Courtesy of the artist and Bangkok CityCity Gallery
Supported by One Bangkok.

Singapore Biennale
More Info : https://duckunit.net/twowhorememberthesea


1.1K
5
2 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS Code Redยฎ Live
BANGKOK CITYCITY GALLERY / DuckUnit/ Prototyp

UNTRYMAEW
BED
PAYU&JAKRIN


357
3
3 weeks ago

JPBS presents Code Redยฎ Live
April 24, 2026, 20:00 onwards
KANGKAO, Trinity Complex Silom, Bangkok

A curated night of live performances by JPBS (TH), joined by Untrymaew (TH), bed (JP), and Payu & Jakrin (TH), with scenography by DuckUnit (TH). The program moves as a continuous sequence of sound and performance.

Alongside the event, JPBS collaborates with Taipei-based fashion label PROTOTYP (TW) on a capsule collection, launching onsite.

Early Bird tickets (THB 890) will be available via Ticketmelon from April 1, 2026 at 20:00 (GMT+7).
๐ŸŽซhttps://www.ticketmelon.com/bangkokcitycitygallery

JPBS presents Code Redยฎ Live
24 เน€เธกเธฉเธฒเธขเธ™ 2569, 20:00 เน€เธ›เน‡เธ™เธ•เน‰เธ™เน„เธ›
KANGKAO, เธ—เธฃเธดเธ™เธดเธ•เธตเน‰ เธ„เธญเธกเน€เธžเธฅเธเธ‹เนŒ เธชเธตเธฅเธก, เธเธฃเธธเธ‡เน€เธ—เธžเธฏ

เธ„เนˆเธณเธ„เธทเธ™เธ‚เธญเธ‡เธเธฒเธฃเนเธชเธ”เธ‡เธชเธ”เธ—เธตเนˆเธ„เธดเธงเน€เธฃเธ—เน‚เธ”เธข JPBS (TH) เธฃเนˆเธงเธกเธเธฑเธš Untrymaew (TH), bed (JP) เนเธฅเธฐ Payu & Jakrin (TH) เธžเธฃเน‰เธญเธกเธเธฒเธฃเธญเธญเธเนเธšเธšเธ‰เธฒเธเน‚เธ”เธข DuckUnit (TH) เน‚เธ›เธฃเนเธเธฃเธกเธ”เธณเน€เธ™เธดเธ™เธ•เนˆเธญเน€เธ™เธทเนˆเธญเธ‡เนƒเธ™เธฃเธนเธ›เนเธšเธšเธฅเธณเธ”เธฑเธšเธ‚เธญเธ‡เน€เธชเธตเธขเธ‡เนเธฅเธฐเธเธฒเธฃเนเธชเธ”เธ‡

JPBS เธขเธฑเธ‡เธฃเนˆเธงเธกเธเธฑเธšเนเธšเธฃเธ™เธ”เนŒเนเธŸเธŠเธฑเนˆเธ™เธˆเธฒเธเน„เธ—เน€เธ› PROTOTYP (TW) เน€เธ›เธดเธ”เธ•เธฑเธงเนเธ„เธ›เธ‹เธนเธฅเธ„เธญเธฅเน€เธฅเธเธŠเธฑเธ™เธ เธฒเธขเนƒเธ™เธ‡เธฒเธ™

เธšเธฑเธ•เธฃ Early Bird เธฃเธฒเธ„เธฒ 890 เธšเธฒเธ— เน€เธ›เธดเธ”เธˆเธณเธซเธ™เนˆเธฒเธขเธ—เธฒเธ‡ Ticketmelon เธ•เธฑเน‰เธ‡เนเธ•เนˆเธงเธฑเธ™เธ—เธตเนˆ 1 เน€เธกเธฉเธฒเธขเธ™ 2569 เน€เธงเธฅเธฒ 20:00 เธ™. (GMT+7)
๐ŸŽซ https://www.ticketmelon.com/bangkokcitycitygallery

#CodeRedLive #JPBS #DuckUnit
#bed #Untrymaew #PayuJakrin
#Kangkao #BangkokCityCityGallery


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Photo credit @michael_valiquette


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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
5
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๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
5
2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
5
2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
5
2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
5
2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
5
2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
5
2 months ago

๐‘ป๐‘ฏ๐‘ฌ ๐‘ฎ๐‘ฏ๐‘ถ๐‘บ๐‘ป ๐‘ป๐‘จ๐‘ฒ๐‘ฌ๐‘บ ๐‘ผ๐‘บ ๐‘ฉ๐’€ ๐‘ป๐‘ฏ๐‘ฌ ๐‘ฏ๐‘จ๐‘ต๐‘ซ
Korakrit Arunanondchai and Tosh Basco with Rueangrith Suntisuk, Pornpan Arayaveerasid, Aaron David Ross, Alex Gvojic, Michael Beharie

20,21 February 2026 @EMPAC Theater, Troy, NY
Photo credit @michael_valiquette


467
5
2 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Ny @duckunit_ | ๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.

@twentytwohalo | #twentytwohalo

#lighting #visualarts


3
5
3 months ago

Good news! For those that missed their chance to experience The Observatory & Duckunitโ€™s VR work MEMBRANE, now is your chance as we have extended its run at Oldham Theatre!

Membrane is a work that explores how cave paintings may have been civilisationโ€™s first instance of cinema. This immersive work can now be experienced Fridays to Sundays 11am - 7pm until Sunday, 1 March. Pre-book your slot: bit.ly/MembraneAFA !

Part of the Singapore Biennale

#AsianFilmArchive #ExploreAsianCinema

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#AsianCinema #arthousecinema#supportlocalsg #southeastasiancinema #filmarchive #indiemovie #thingstodo #arthousecinema #worldcinema #arthousefilm #auteur #auteurcinema #filmfestival #filmarchive #cinematheque #artexhibition #artinstallation


73
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Designed by DuckUnit
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


41
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago

๐—ฆ๐—ผ๐—ป๐—ถ๐—ฐ ๐—ฆ๐—ต๐—ฎ๐—บ๐—ฎ๐—ป ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฒ ๐—•๐—ผ๐—ฟ๐—ฑ๐—ฒ๐—ฟ๐—น๐—ฒ๐˜€๐˜€
Zora Harbour designed by DuckUnit

๐—˜๐—บ๐—ฏ๐—ฎ๐—ฟ๐—ด๐—ผ ๐—ข๐—ณ ๐—ฆ๐—ถ๐—น๐—ฒ๐—ป๐—ฐ๐—ฒ
Yuen Chee wai
Louis Quek
Cheryl Ong
DuckUnit

Singapore Art week
Singapore Art Musuem
More info : https://www.duckunit.net/embargo-of-silence

The Embargo of Silence is conceived and curated by Yuen Chee Wai. It consists of a concert performance that responds to the use of the silent-disco sound technology, where both performers and audiences listen to the work only through headphones. Three musicians Cheryl listen to the work only through headphones. Three musicians Cheryl Ong, Louis Quek, and Yuen Chee Wai perform live, transitioning between improvised electronic music and DJ sets while siloed within luminous scaffolds designed by DuckUnit.

Here, silence is not presented as a void or absence but as a condition that changes how listening operates. It introduces a deliberately introspective mode of listening โ€” one where sound does not assert itself into space but waits to be encountered. Rather than resonating publicly, the music trespasses directly into the listenerโ€™s inner terrain, allowing interpretation and response to unfold privately rather than collectively. The work shifts music from something that occupies the room to something that occupies the body. Every listener becomes a singular room.

This choreography is both possessional and processional. No listener can be certain of what another is hearing: shared yet unverified, withheld yet unapologetic. This is the secrecy of the medium โ€” the Embargo of Silence.


334
3 months ago


Story Save - Best free tool for saving Stories, Reels, Photos, Videos, Highlights, IGTV to your phone.

Story-save.com is an intuitive online tool that enables users to download and save a variety of content, including stories, photos, videos, and IGTV materials, directly from Instagram. With Story-Save, you can not only easily download diverse content from Instagram but also view it at your convenience, even without internet access. This tool is perfect for those moments when you come across something interesting on Instagram and want to save it for later viewing. Use Story-Save to ensure you don't miss the chance to take your favorite Instagram moments with you!

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