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Unknown, 2025
Charcoal, stretched canvas, and ultrasuede
65 x 74 inches

I carry so much gratitude from 2025. Life is often a long journey into the unknown, but I hope to continue working harder, growing, and building deeper companionship along the way. Wishing each of you love, joy, and happiness in 2026. Happy New Year!

📷 @docu_la

Unknown, 2025
Charcoal, stretched canvas, and ultrasuede
65 x 74 inches

I carry so much gratitude from 2025. Life is often a long journey into the unknown, but I hope to continue working harder, growing, and building deeper companionship along the way. Wishing each of you love, joy, and happiness in 2026. Happy New Year!

📷 @docu_la

Unknown, 2025
Charcoal, stretched canvas, and ultrasuede
65 x 74 inches

I carry so much gratitude from 2025. Life is often a long journey into the unknown, but I hope to continue working harder, growing, and building deeper companionship along the way. Wishing each of you love, joy, and happiness in 2026. Happy New Year!

📷 @docu_la

Unknown, 2025
Charcoal, stretched canvas, and ultrasuede
65 x 74 inches

I carry so much gratitude from 2025. Life is often a long journey into the unknown, but I hope to continue working harder, growing, and building deeper companionship along the way. Wishing each of you love, joy, and happiness in 2026. Happy New Year!

📷 @docu_la

Unknown, 2025
Charcoal, stretched canvas, and ultrasuede
65 x 74 inches

I carry so much gratitude from 2025. Life is often a long journey into the unknown, but I hope to continue working harder, growing, and building deeper companionship along the way. Wishing each of you love, joy, and happiness in 2026. Happy New Year!

📷 @docu_la

Kara Walker
Unmanned Drone, 2023
156 x 132 x 56 inches
Bronze

via MOCA:
In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was deeded to artist and MONUMENTS co-curator Kara Walker to create the new work Unmanned Drone (2023), currently on view at The Brick. The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.

Unmanned Drone is presented at The Brick as part of MONUMENTS. A unique collaboration between MOCA The Brick, the exhibition responds to fundamental and ongoing histories of the post-Civil War United States.

@kara_walker_official@thebrick_la

📷: @docu_la

Kara Walker
Unmanned Drone, 2023
156 x 132 x 56 inches
Bronze

via MOCA:
In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was deeded to artist and MONUMENTS co-curator Kara Walker to create the new work Unmanned Drone (2023), currently on view at The Brick. The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.

Unmanned Drone is presented at The Brick as part of MONUMENTS. A unique collaboration between MOCA The Brick, the exhibition responds to fundamental and ongoing histories of the post-Civil War United States.

@kara_walker_official@thebrick_la

📷: @docu_la

Kara Walker
Unmanned Drone, 2023
156 x 132 x 56 inches
Bronze

via MOCA:
In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was deeded to artist and MONUMENTS co-curator Kara Walker to create the new work Unmanned Drone (2023), currently on view at The Brick. The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.

Unmanned Drone is presented at The Brick as part of MONUMENTS. A unique collaboration between MOCA The Brick, the exhibition responds to fundamental and ongoing histories of the post-Civil War United States.

@kara_walker_official@thebrick_la

📷: @docu_la

Kara Walker
Unmanned Drone, 2023
156 x 132 x 56 inches
Bronze

via MOCA:
In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was deeded to artist and MONUMENTS co-curator Kara Walker to create the new work Unmanned Drone (2023), currently on view at The Brick. The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.

Unmanned Drone is presented at The Brick as part of MONUMENTS. A unique collaboration between MOCA The Brick, the exhibition responds to fundamental and ongoing histories of the post-Civil War United States.

@kara_walker_official@thebrick_la

📷: @docu_la

Kara Walker
Unmanned Drone, 2023
156 x 132 x 56 inches
Bronze

via MOCA:
In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was deeded to artist and MONUMENTS co-curator Kara Walker to create the new work Unmanned Drone (2023), currently on view at The Brick. The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.

Unmanned Drone is presented at The Brick as part of MONUMENTS. A unique collaboration between MOCA The Brick, the exhibition responds to fundamental and ongoing histories of the post-Civil War United States.

@kara_walker_official@thebrick_la

📷: @docu_la

Kara Walker
Unmanned Drone, 2023
156 x 132 x 56 inches
Bronze

via MOCA:
In 2021, The Brick (then known as LAXART) acquired a decommissioned equestrian monument of “Stonewall” Jackson from the city of Charlottesville, Virginia. The monument was deeded to artist and MONUMENTS co-curator Kara Walker to create the new work Unmanned Drone (2023), currently on view at The Brick. The original bronze statue portrayed Jackson spurring his steed into the heat of battle. Walker dissected the statue and reshuffled the parts in a Hieronymous Bosch-like fashion. The result is still horse and rider, but instead of charging into battle, Walker’s horseman wanders in Civil War purgatory, dragging its sword over a ruined battlefield.

Unmanned Drone is presented at The Brick as part of MONUMENTS. A unique collaboration between MOCA The Brick, the exhibition responds to fundamental and ongoing histories of the post-Civil War United States.

@kara_walker_official@thebrick_la

📷: @docu_la

Molly Bounds
Splayed 2, 2025
Oil Stick and Oil on Canvas
48 x 40 inches
121.9 x 101.6 cm

Solo presentation with Mrs. Gallery at The Armory Show.

@molly_bounds @____mrs.____

📷: @docu_la

Molly Bounds
Splayed 2, 2025
Oil Stick and Oil on Canvas
48 x 40 inches
121.9 x 101.6 cm

Solo presentation with Mrs. Gallery at The Armory Show.

@molly_bounds @____mrs.____

📷: @docu_la

Molly Bounds
Splayed 2, 2025
Oil Stick and Oil on Canvas
48 x 40 inches
121.9 x 101.6 cm

Solo presentation with Mrs. Gallery at The Armory Show.

@molly_bounds @____mrs.____

📷: @docu_la

Molly Bounds
Splayed 2, 2025
Oil Stick and Oil on Canvas
48 x 40 inches
121.9 x 101.6 cm

Solo presentation with Mrs. Gallery at The Armory Show.

@molly_bounds @____mrs.____

📷: @docu_la

Sarah Rosalena - Last few days to view her solo exhibition at Sargent’s Daughters in New York. “Star Rose, Rose Star” the exhibition title makes reference to star and rose patterns. Which aretraditional to Indigenous and Wixárika textile designs.

Selected works:
Image 1 & 2, Axis Unbound, 2024
Pine needles, waxed thread, seed beads, nylon thread, 3D printed stoneware/earthenware

Image 3 & 4, Omnidirectional Origin, 2024
Seed beads, nylon thread, 3D printed stoneware/earthenware

Image 5 & 6, Star Rose, Rose Star, 2024
Hand-dyed walnut/indigo yarn, wool yarn, cotton yarn

@sarah_rosalena @sargentsdaughters

📷: @docu_la

Sarah Rosalena - Last few days to view her solo exhibition at Sargent’s Daughters in New York. “Star Rose, Rose Star” the exhibition title makes reference to star and rose patterns. Which aretraditional to Indigenous and Wixárika textile designs.

Selected works:
Image 1 & 2, Axis Unbound, 2024
Pine needles, waxed thread, seed beads, nylon thread, 3D printed stoneware/earthenware

Image 3 & 4, Omnidirectional Origin, 2024
Seed beads, nylon thread, 3D printed stoneware/earthenware

Image 5 & 6, Star Rose, Rose Star, 2024
Hand-dyed walnut/indigo yarn, wool yarn, cotton yarn

@sarah_rosalena @sargentsdaughters

📷: @docu_la

Sarah Rosalena - Last few days to view her solo exhibition at Sargent’s Daughters in New York. “Star Rose, Rose Star” the exhibition title makes reference to star and rose patterns. Which aretraditional to Indigenous and Wixárika textile designs.

Selected works:
Image 1 & 2, Axis Unbound, 2024
Pine needles, waxed thread, seed beads, nylon thread, 3D printed stoneware/earthenware

Image 3 & 4, Omnidirectional Origin, 2024
Seed beads, nylon thread, 3D printed stoneware/earthenware

Image 5 & 6, Star Rose, Rose Star, 2024
Hand-dyed walnut/indigo yarn, wool yarn, cotton yarn

@sarah_rosalena @sargentsdaughters

📷: @docu_la

Sarah Rosalena - Last few days to view her solo exhibition at Sargent’s Daughters in New York. “Star Rose, Rose Star” the exhibition title makes reference to star and rose patterns. Which aretraditional to Indigenous and Wixárika textile designs.

Selected works:
Image 1 & 2, Axis Unbound, 2024
Pine needles, waxed thread, seed beads, nylon thread, 3D printed stoneware/earthenware

Image 3 & 4, Omnidirectional Origin, 2024
Seed beads, nylon thread, 3D printed stoneware/earthenware

Image 5 & 6, Star Rose, Rose Star, 2024
Hand-dyed walnut/indigo yarn, wool yarn, cotton yarn

@sarah_rosalena @sargentsdaughters

📷: @docu_la

Sarah Rosalena - Last few days to view her solo exhibition at Sargent’s Daughters in New York. “Star Rose, Rose Star” the exhibition title makes reference to star and rose patterns. Which aretraditional to Indigenous and Wixárika textile designs.

Selected works:
Image 1 & 2, Axis Unbound, 2024
Pine needles, waxed thread, seed beads, nylon thread, 3D printed stoneware/earthenware

Image 3 & 4, Omnidirectional Origin, 2024
Seed beads, nylon thread, 3D printed stoneware/earthenware

Image 5 & 6, Star Rose, Rose Star, 2024
Hand-dyed walnut/indigo yarn, wool yarn, cotton yarn

@sarah_rosalena @sargentsdaughters

📷: @docu_la

Sarah Rosalena - Last few days to view her solo exhibition at Sargent’s Daughters in New York. “Star Rose, Rose Star” the exhibition title makes reference to star and rose patterns. Which aretraditional to Indigenous and Wixárika textile designs.

Selected works:
Image 1 & 2, Axis Unbound, 2024
Pine needles, waxed thread, seed beads, nylon thread, 3D printed stoneware/earthenware

Image 3 & 4, Omnidirectional Origin, 2024
Seed beads, nylon thread, 3D printed stoneware/earthenware

Image 5 & 6, Star Rose, Rose Star, 2024
Hand-dyed walnut/indigo yarn, wool yarn, cotton yarn

@sarah_rosalena @sargentsdaughters

📷: @docu_la

Site-specific installation, Blakehaus Beverly Hills at Richard Neutra’s William H. Levit House. Featuring art, design, and architecture.

Image 2 - Ed Moses, Breakout 2008

Image 3 - Rick Owens, Stag Chair 2007

Image 4 - Kasper Sonne, Borderline ( New Territory 2015

Image 5 - Peter Alexander, Rose Wedge 2011

@peterblakegallery @peter_alexander_estate #edmoses #rickowens @kaspersonne_artist @stephanie.bachiero

📷: @docu_la

Site-specific installation, Blakehaus Beverly Hills at Richard Neutra’s William H. Levit House. Featuring art, design, and architecture.

Image 2 - Ed Moses, Breakout 2008

Image 3 - Rick Owens, Stag Chair 2007

Image 4 - Kasper Sonne, Borderline ( New Territory 2015

Image 5 - Peter Alexander, Rose Wedge 2011

@peterblakegallery @peter_alexander_estate #edmoses #rickowens @kaspersonne_artist @stephanie.bachiero

📷: @docu_la

Site-specific installation, Blakehaus Beverly Hills at Richard Neutra’s William H. Levit House. Featuring art, design, and architecture.

Image 2 - Ed Moses, Breakout 2008

Image 3 - Rick Owens, Stag Chair 2007

Image 4 - Kasper Sonne, Borderline ( New Territory 2015

Image 5 - Peter Alexander, Rose Wedge 2011

@peterblakegallery @peter_alexander_estate #edmoses #rickowens @kaspersonne_artist @stephanie.bachiero

📷: @docu_la

Site-specific installation, Blakehaus Beverly Hills at Richard Neutra’s William H. Levit House. Featuring art, design, and architecture.

Image 2 - Ed Moses, Breakout 2008

Image 3 - Rick Owens, Stag Chair 2007

Image 4 - Kasper Sonne, Borderline ( New Territory 2015

Image 5 - Peter Alexander, Rose Wedge 2011

@peterblakegallery @peter_alexander_estate #edmoses #rickowens @kaspersonne_artist @stephanie.bachiero

📷: @docu_la

Site-specific installation, Blakehaus Beverly Hills at Richard Neutra’s William H. Levit House. Featuring art, design, and architecture.

Image 2 - Ed Moses, Breakout 2008

Image 3 - Rick Owens, Stag Chair 2007

Image 4 - Kasper Sonne, Borderline ( New Territory 2015

Image 5 - Peter Alexander, Rose Wedge 2011

@peterblakegallery @peter_alexander_estate #edmoses #rickowens @kaspersonne_artist @stephanie.bachiero

📷: @docu_la

Site-specific installation, Blakehaus Beverly Hills at Richard Neutra’s William H. Levit House. Featuring art, design, and architecture.

Image 2 - Ed Moses, Breakout 2008

Image 3 - Rick Owens, Stag Chair 2007

Image 4 - Kasper Sonne, Borderline ( New Territory 2015

Image 5 - Peter Alexander, Rose Wedge 2011

@peterblakegallery @peter_alexander_estate #edmoses #rickowens @kaspersonne_artist @stephanie.bachiero

📷: @docu_la

Pamela Jorden

Two new works from her 9th solo exhibition at Klaus von Nichtssagend gallery in New York.

Image 1,2
Bow, 2024
acrylic and oil on linen
72 x 22 inches

Image 3,4
Green blue walking, 2024
acrylic and oil on linen
72 x 16 inches

@pmljrdn@klausgallery

📷: @docu_la

Pamela Jorden

Two new works from her 9th solo exhibition at Klaus von Nichtssagend gallery in New York.

Image 1,2
Bow, 2024
acrylic and oil on linen
72 x 22 inches

Image 3,4
Green blue walking, 2024
acrylic and oil on linen
72 x 16 inches

@pmljrdn@klausgallery

📷: @docu_la

Pamela Jorden

Two new works from her 9th solo exhibition at Klaus von Nichtssagend gallery in New York.

Image 1,2
Bow, 2024
acrylic and oil on linen
72 x 22 inches

Image 3,4
Green blue walking, 2024
acrylic and oil on linen
72 x 16 inches

@pmljrdn@klausgallery

📷: @docu_la

Pamela Jorden

Two new works from her 9th solo exhibition at Klaus von Nichtssagend gallery in New York.

Image 1,2
Bow, 2024
acrylic and oil on linen
72 x 22 inches

Image 3,4
Green blue walking, 2024
acrylic and oil on linen
72 x 16 inches

@pmljrdn@klausgallery

📷: @docu_la

Jonathan Casella, “The Shapes” at Gross Gallery LA

Last week to view 👀

@jonathan_casella@gross_gallery_la

📷: @docu_la

Jonathan Casella, “The Shapes” at Gross Gallery LA

Last week to view 👀

@jonathan_casella@gross_gallery_la

📷: @docu_la

Jonathan Casella, “The Shapes” at Gross Gallery LA

Last week to view 👀

@jonathan_casella@gross_gallery_la

📷: @docu_la

Jonathan Casella, “The Shapes” at Gross Gallery LA

Last week to view 👀

@jonathan_casella@gross_gallery_la

📷: @docu_la

Jonathan Casella, “The Shapes” at Gross Gallery LA

Last week to view 👀

@jonathan_casella@gross_gallery_la

📷: @docu_la

Thomas McDonell : Figueroa St. Paintings

Image 1 & 2 : Untitled (Figueroa St. yellow atmosphere)
-Alkyd enamel on canvas, white oak frame 2024, 66 x 92 in.

Image 3 & 4 : Untitled ( Figueroa St. the one with shapes)
-Alkyd enamel on canvas, padauk frame 2024, 66 x 92 in.

@thomas.pics@europa.nyc

📷: @docu_la

Thomas McDonell : Figueroa St. Paintings

Image 1 & 2 : Untitled (Figueroa St. yellow atmosphere)
-Alkyd enamel on canvas, white oak frame 2024, 66 x 92 in.

Image 3 & 4 : Untitled ( Figueroa St. the one with shapes)
-Alkyd enamel on canvas, padauk frame 2024, 66 x 92 in.

@thomas.pics@europa.nyc

📷: @docu_la

Thomas McDonell : Figueroa St. Paintings

Image 1 & 2 : Untitled (Figueroa St. yellow atmosphere)
-Alkyd enamel on canvas, white oak frame 2024, 66 x 92 in.

Image 3 & 4 : Untitled ( Figueroa St. the one with shapes)
-Alkyd enamel on canvas, padauk frame 2024, 66 x 92 in.

@thomas.pics@europa.nyc

📷: @docu_la

Thomas McDonell : Figueroa St. Paintings

Image 1 & 2 : Untitled (Figueroa St. yellow atmosphere)
-Alkyd enamel on canvas, white oak frame 2024, 66 x 92 in.

Image 3 & 4 : Untitled ( Figueroa St. the one with shapes)
-Alkyd enamel on canvas, padauk frame 2024, 66 x 92 in.

@thomas.pics@europa.nyc

📷: @docu_la

Teresa Baker : Mapping The Territory

Works from the artists first solo exhibition in New York.

Image 1 & 2 : “Movements Of The Land”
-hay bale rope, willow, acrylic, yarn on astroturf
-85x68 inches

Image 3 & 4 : “I’ll Dig”
-yarn, buckskin and astroturf
-76.5x70.5 inches

Image 5 & 6 : “Of This Time”
-acrylic, yarn, cottonwood on astroturf
-58x46.5 inches

@tttttbaker @broadwaygallerynyc

📷: @docu_la

Teresa Baker : Mapping The Territory

Works from the artists first solo exhibition in New York.

Image 1 & 2 : “Movements Of The Land”
-hay bale rope, willow, acrylic, yarn on astroturf
-85x68 inches

Image 3 & 4 : “I’ll Dig”
-yarn, buckskin and astroturf
-76.5x70.5 inches

Image 5 & 6 : “Of This Time”
-acrylic, yarn, cottonwood on astroturf
-58x46.5 inches

@tttttbaker @broadwaygallerynyc

📷: @docu_la

Teresa Baker : Mapping The Territory

Works from the artists first solo exhibition in New York.

Image 1 & 2 : “Movements Of The Land”
-hay bale rope, willow, acrylic, yarn on astroturf
-85x68 inches

Image 3 & 4 : “I’ll Dig”
-yarn, buckskin and astroturf
-76.5x70.5 inches

Image 5 & 6 : “Of This Time”
-acrylic, yarn, cottonwood on astroturf
-58x46.5 inches

@tttttbaker @broadwaygallerynyc

📷: @docu_la

Teresa Baker : Mapping The Territory

Works from the artists first solo exhibition in New York.

Image 1 & 2 : “Movements Of The Land”
-hay bale rope, willow, acrylic, yarn on astroturf
-85x68 inches

Image 3 & 4 : “I’ll Dig”
-yarn, buckskin and astroturf
-76.5x70.5 inches

Image 5 & 6 : “Of This Time”
-acrylic, yarn, cottonwood on astroturf
-58x46.5 inches

@tttttbaker @broadwaygallerynyc

📷: @docu_la

Teresa Baker : Mapping The Territory

Works from the artists first solo exhibition in New York.

Image 1 & 2 : “Movements Of The Land”
-hay bale rope, willow, acrylic, yarn on astroturf
-85x68 inches

Image 3 & 4 : “I’ll Dig”
-yarn, buckskin and astroturf
-76.5x70.5 inches

Image 5 & 6 : “Of This Time”
-acrylic, yarn, cottonwood on astroturf
-58x46.5 inches

@tttttbaker @broadwaygallerynyc

📷: @docu_la

Teresa Baker : Mapping The Territory

Works from the artists first solo exhibition in New York.

Image 1 & 2 : “Movements Of The Land”
-hay bale rope, willow, acrylic, yarn on astroturf
-85x68 inches

Image 3 & 4 : “I’ll Dig”
-yarn, buckskin and astroturf
-76.5x70.5 inches

Image 5 & 6 : “Of This Time”
-acrylic, yarn, cottonwood on astroturf
-58x46.5 inches

@tttttbaker @broadwaygallerynyc

📷: @docu_la

Last few days to view ‘Skulls 2016-2023’ Mark Grotjahn at Karma, New York.

Image 1,2
Untitled (Skull), 2019 Oil on Cardboard 10 x 8 in.

Image 3,4
Untitled (Skull), 2016 Oil on Cardboard 10 x 8 in.

Image 5,6
Untitled (Skull), 2019 Oil on Cardboard 14 x 11 in.

📷: @docu_la

@markgrotjahn @karmakarma9

Last few days to view ‘Skulls 2016-2023’ Mark Grotjahn at Karma, New York.

Image 1,2
Untitled (Skull), 2019 Oil on Cardboard 10 x 8 in.

Image 3,4
Untitled (Skull), 2016 Oil on Cardboard 10 x 8 in.

Image 5,6
Untitled (Skull), 2019 Oil on Cardboard 14 x 11 in.

📷: @docu_la

@markgrotjahn @karmakarma9

Last few days to view ‘Skulls 2016-2023’ Mark Grotjahn at Karma, New York.

Image 1,2
Untitled (Skull), 2019 Oil on Cardboard 10 x 8 in.

Image 3,4
Untitled (Skull), 2016 Oil on Cardboard 10 x 8 in.

Image 5,6
Untitled (Skull), 2019 Oil on Cardboard 14 x 11 in.

📷: @docu_la

@markgrotjahn @karmakarma9

Last few days to view ‘Skulls 2016-2023’ Mark Grotjahn at Karma, New York.

Image 1,2
Untitled (Skull), 2019 Oil on Cardboard 10 x 8 in.

Image 3,4
Untitled (Skull), 2016 Oil on Cardboard 10 x 8 in.

Image 5,6
Untitled (Skull), 2019 Oil on Cardboard 14 x 11 in.

📷: @docu_la

@markgrotjahn @karmakarma9

Last few days to view ‘Skulls 2016-2023’ Mark Grotjahn at Karma, New York.

Image 1,2
Untitled (Skull), 2019 Oil on Cardboard 10 x 8 in.

Image 3,4
Untitled (Skull), 2016 Oil on Cardboard 10 x 8 in.

Image 5,6
Untitled (Skull), 2019 Oil on Cardboard 14 x 11 in.

📷: @docu_la

@markgrotjahn @karmakarma9

Last few days to view ‘Skulls 2016-2023’ Mark Grotjahn at Karma, New York.

Image 1,2
Untitled (Skull), 2019 Oil on Cardboard 10 x 8 in.

Image 3,4
Untitled (Skull), 2016 Oil on Cardboard 10 x 8 in.

Image 5,6
Untitled (Skull), 2019 Oil on Cardboard 14 x 11 in.

📷: @docu_la

@markgrotjahn @karmakarma9

Laurie Nye at Philip Martin Gallery. These three works are included in her current exhibition,”My River Runs to Thee.” Up until September 30th.

Image (1):
Sherbet Canopy, 2023. Oil on linen. 44 x 34 in

Image (3):
Shangri-La, 2023. Oil on linen. 61 x 48.5 in

Image (5):
Egypt-Egypt Bouquet, 2023. Oil on linen. 24 x 18 in

@laurienye@philipmartingallery

📷: @docu_la

Laurie Nye at Philip Martin Gallery. These three works are included in her current exhibition,”My River Runs to Thee.” Up until September 30th.

Image (1):
Sherbet Canopy, 2023. Oil on linen. 44 x 34 in

Image (3):
Shangri-La, 2023. Oil on linen. 61 x 48.5 in

Image (5):
Egypt-Egypt Bouquet, 2023. Oil on linen. 24 x 18 in

@laurienye@philipmartingallery

📷: @docu_la

Laurie Nye at Philip Martin Gallery. These three works are included in her current exhibition,”My River Runs to Thee.” Up until September 30th.

Image (1):
Sherbet Canopy, 2023. Oil on linen. 44 x 34 in

Image (3):
Shangri-La, 2023. Oil on linen. 61 x 48.5 in

Image (5):
Egypt-Egypt Bouquet, 2023. Oil on linen. 24 x 18 in

@laurienye@philipmartingallery

📷: @docu_la

Laurie Nye at Philip Martin Gallery. These three works are included in her current exhibition,”My River Runs to Thee.” Up until September 30th.

Image (1):
Sherbet Canopy, 2023. Oil on linen. 44 x 34 in

Image (3):
Shangri-La, 2023. Oil on linen. 61 x 48.5 in

Image (5):
Egypt-Egypt Bouquet, 2023. Oil on linen. 24 x 18 in

@laurienye@philipmartingallery

📷: @docu_la

Laurie Nye at Philip Martin Gallery. These three works are included in her current exhibition,”My River Runs to Thee.” Up until September 30th.

Image (1):
Sherbet Canopy, 2023. Oil on linen. 44 x 34 in

Image (3):
Shangri-La, 2023. Oil on linen. 61 x 48.5 in

Image (5):
Egypt-Egypt Bouquet, 2023. Oil on linen. 24 x 18 in

@laurienye@philipmartingallery

📷: @docu_la

Laurie Nye at Philip Martin Gallery. These three works are included in her current exhibition,”My River Runs to Thee.” Up until September 30th.

Image (1):
Sherbet Canopy, 2023. Oil on linen. 44 x 34 in

Image (3):
Shangri-La, 2023. Oil on linen. 61 x 48.5 in

Image (5):
Egypt-Egypt Bouquet, 2023. Oil on linen. 24 x 18 in

@laurienye@philipmartingallery

📷: @docu_la

Ishi Glinsky’s solo show at Chris Sharp. Textures and colors are a must see in person. “Life Times That Broke Earth,” up until June 17th.

@chrissharpla @1451

📷: @docu_la

Ishi Glinsky’s solo show at Chris Sharp. Textures and colors are a must see in person. “Life Times That Broke Earth,” up until June 17th.

@chrissharpla @1451

📷: @docu_la

Ishi Glinsky’s solo show at Chris Sharp. Textures and colors are a must see in person. “Life Times That Broke Earth,” up until June 17th.

@chrissharpla @1451

📷: @docu_la

Ishi Glinsky’s solo show at Chris Sharp. Textures and colors are a must see in person. “Life Times That Broke Earth,” up until June 17th.

@chrissharpla @1451

📷: @docu_la

Ishi Glinsky’s solo show at Chris Sharp. Textures and colors are a must see in person. “Life Times That Broke Earth,” up until June 17th.

@chrissharpla @1451

📷: @docu_la

Ishi Glinsky’s solo show at Chris Sharp. Textures and colors are a must see in person. “Life Times That Broke Earth,” up until June 17th.

@chrissharpla @1451

📷: @docu_la