Instagram Story Save

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Here are some looks behind the lens on the Can-Am Project. @shaunoh had some ambitions ideas for this one, including suspending the Can-Am, shooting the underside and using an LED wall to create the look of driving next to a rider. I got to push the Inspire 3 and Komodo FPV pretty hard on this. The project has really pulled together some talent, from the riders to editors, colour, VFX, custom score and SFX, shaunoh and team really put the work in to make it what it is, Im stoked to have been a part of it.

Director - @shaunoh
Production- No Clipped Wings Creative / @circleproductions
Client - @canamoffroad
Riders - @brettrheeder @colenelsn
1AC - @digitalanthill @colenelsn @kelvinshwong
Drone - @digitalanthill @brodyjonescinema
Cable Cam - @digitalanthill @kaddyfpv @colenelsn @brodyjonescinema
LED Wall - @lumostage
Studio DP - @byronkopman
Precision Drivers - @colenelsn @byselahgrace @brianrheeder
Edit - @saintseditorial
Colour - @alteregopost
SFX & Mix - Berkely Audio Design
Soundtrack Original Comp - @callaluly

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Introducing CopyCat - The Data Transfer Case -

Been developing this the past 3 years, a solution to those times when you spend all day on the road racking up gigabytes of data and run out of time to get it all backed up.

Taking advantage of the latest NVMe storage, Thunderbolt 3 enclosures/ dock and LiPo battery to keep everything running, this case is able to backup data pretty much anywhere without interruption.

The case has proven super helpful on a number of productions, each time has been a valuable op to improve, but now it’s pretty dialled for what I need.

Considered producing them, potential here to make a more user friendly product. We shall see..

I made a page on my website dedicated to the process and design decisions along the way!

Graphics by @si.hayes

Specs for the nerds -
- Pelican 1495 laptop case
- 16″ MacBook Pro M1 Max 64GB
- Goal Zero Sherpa 100AC
- OWC 14-Port Thunderbolt Dock
- 2 x Acasis TBU405ProM1 Enclosures
- 2 x Oyen Digital 8TB Dash Pro M.2 2280 NVMe SSD
- Pro Grade CFast2 Card Reader
- Pro Grade CFExpress Card Reader
- 240W Power Supply
- Adjustable + Dimmer LED Strip
- Air Flow w/ two fans
- Max Power Consumption 145W
- 12v Car Charging
- Closed dimensions 54.9 x 43.8 x 12.4 cm / 21.62 x 17.25 x 4.87 in
- Weight without laptop 8.9kg / 19.62lbs
- Weight with laptop 11.4kg / 25.13lbs

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

Had the pleasure of working on this @atomicski shoot earlier this year. @patrick___pichler & @thomasvankristen had a few very specific aerial shots in mind for this piece.
It was fun finding the right locations and setting up the drone with post VFX in mind. Love how the low pass to drop reveal came out.
Shooting in the mountains is always challenging, especially with drone equipment, snow and moisture gets everywhere, but also the intense brightness can catch you off guard. One of the slides shows @weazydavis rescuing the Inspire 3 after it went into the snow. I was relying on fpv feed, it was blown out by the sunlight reflection so I couldn’t see where the snow started or ended, got lucky this time with no damage, but it was interesting trying to find where it went down, luckily i had the mavic to go search and capture this clip :).
This was the first time using this eco flow battery bank on set. It allowed me to keep the drone batts charging all day out there, much nicer than bringing a generator.
Oh and it turns out using the helis prop wash to make a snow storm is very effective!

Starring @jossiwells ; @weazydavis ; @chrisrubens ; @ari_tricomi; @jaaay_why_; @emilyxchilds

Directed by @thomasvankristen
Director of Photography: @patrick___pichler

Client: @atomicski
Creative Director : @lifeof_tim
Production: @hillton_

Executive Producer: @m.ona.m & @debeka
Line Producer AUSTRIA: @julijulajuli

Line Producer CANADA: @pachamama / @crisfromchile / @olli_dickerson
Production Assistant: @dylannorder

1st AC Austria : @samuelemmer
2nd AC Austria: @marvin.puscher
Drone Op Austria: @5kdigitalfilm

1st AC Canada: @mikaelbidard_photography
2nd AC Canada: @seawolfollie
Drone Op Canada/ BTS: @digitalanthill 🙋‍♂️

Post Producer: Billy Bains
Editor: @_chriszimmermann
Editing Assistant: @_lucacolaci
VFX: @supercontinent.co Sebastian Raphael & Mario Bertsch
Color Grading: @nadia.khairat
Original Music & Creative Sound Design: @prsseau @stereo___image
Photographer Atomic: Carlos Blanchard

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

I put a thermal camera on a gimbal and went snowboarding. Here are the results!

Something mesmerizing about thermal imaging that I cant get enough of.

Also took the drone for a spin to capture some mountain magic.

Slide 6 shows the same frame of the T bar engine room working. Engine and exhaust pipe glowing hot!

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

The NorthFace - The Beginning

Stoked to have had a part capturing aerials for this project. For one segment, we spent a few days up in an alpine cabin on the Tantalus range in BC Canada. Blessed with some beautiful light.

Primarily shot things on the Inspire 3 - having the flight time and range plus dual operator allowed for some dynamic mountain captures.

Scroll through some of my favourite aerial clips and BTS moments.

The full film is now public - go search for it :)

Production company: @pachamama
Director: @crisfromchile
DOP: @viktorwallmark
Editor: @christianwhittemore
Drone op: @digitalanthill & @nickmcdonogh
Producers: @crisfromchile @alenkaamali
Associated producers: @rossallenfilm @olli_dickerson
Original music by: @goran.magister
Colorist: @jpmhomem
Athletes: @alenkaamali @spencerseabrooke
Additional drone / Mountain support: @filmbyjg
Additional cinematography: @marshalchupa
Additional drone op: @downtofilm @brodyjonescinema
Photography: Jimmy Martinello
Special thanks: @alexdesje
@mountainlifemedia @branwynofficial @priorsnow @rockytalkies

Splash therapy

😶‍🌫️

😶‍🌫️

😶‍🌫️

😶‍🌫️

😶‍🌫️

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Putting the Copy Cat transfer case through its paces on this Garmin project earlier this year.

Peak moment was hiking the case up a mountain. This was also a prime opportunity to run it off this small Ecoflow battery system. A very nice pairing, light bars to match!

This project was a perfect use case for the “transfer anywhere” idea I had when developing it 💼

Working with a great crew, it’s such a honour to be trusted with managing all this premium footage!

“SOS on Your Wrist” for @garmin
 
Director: @cameronthuman
Production Company: @nativefour
Executive Producer: @dilanmistry
Head of Production: @dancounihan
Service Co EP: @getsalano
Line Producer: @johnscarthphoto
 
Director of Photography: @christopherclark___
Aerial Cinematographer: @downtofilm
Aerial Camera Operator: @brodyjonescinema
Lead Assistant Camera: @jbv.tv
Stills Photographer: @mikeborchard
 
Production Designer: Steph Shepherd
Art Director: @brendanmegannety
 
Cast: @bryanscottphillips and @celestio
 
Editorial House: @outsidereditorial
Editor: @michaelbbarker
Assistant Editor: @nathvlogz
Executive Producer: @kayanch01
Producer: Daniel Gillette
 
Sound Studio: @vapormusic
Composer and Sound Design: @ethanmyers
 
Color House: @company_3
Colorist: @yerrekke
 
Client: @garmin
VP, Global Creative: @bribrooker
Global Creative Director: @mbowne
Global Creative Director: Ryan Glendening
Senior Lead Art Director: jasonlaqua
Senior Lead Copywriter: @ryancarrothers
Lead Producer: pusateri
Global Executive Producer: @therealmaggiewasserman
Senior Post Producer: @ketchemifyoucan
Team Leader Motion Design: @drewshaneyfelt
Lead Art Director – Motion: @jonogone.motion
Team Leader Video Production and Editing: Craig Brown
Senior Audio Engineer: Jason Scheufler
Senior Account Manager: @rhodes23
Senior Project Manager: @neciaclair

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik

Had fun capturing the aerials for this Ford F150 commercial. Full speed on the inspire 3.
Slide 3 shows my pilot view vs captured shot. Took us a couple of passes to get the timing right. @lukasfilms on the gimbal. Stoked how it came out!
We were blessed with a fresh dusting of snow the night before which made everything look extra wintery, challenging working in -35c

FORD // Time on the Ice ft. Carey Price
@fordcanada @cp0031

Production Company: @untitledfilmstoronto
Director: Taylor Reid ( @nicholasjtaylor_@paulreidd )
Executive Producer: Lexy Kavluk
Producer: @apassport
1st AD: @weatherall.things
PM: @sharrontoews
PC: Brooke Siebert

Agency: @wiedenkennedy
Global Executive Creative Director: Stuart Jennings
Creative Director: Alex McClelland-Rennie
Creative Director: Jake Thompson
Art Director: Madi Ko
Copywriter: Alekzia Hosein
Senior Producer: Athena Kouverianos
Executive Business Affairs Manager: Jessica Wiley
Product Information Specialist: Andrew Duris
Account Supervisor: Devin Bonin

Edit House: @outsidereditorial
Editor: @murphyeditor
Assistant Editor & Social Editor: Dana Ryan
Post Executive Producer: Kayan Choi
Sound Company: @osoaudio
Sound Designer: Daenen Bramberger
Mix: Daenen Bramberger, Dylan Groff
Executive Producer: Hannah Graham, Lauren Dobbie
Colour & Online: @artjail
Senior Producer: Alison Maxwell
Colorist: @clintonhomuth
2D Artists: Dan McCarthy, Andrew Theisson
xecutive Producer: Cailtin Schooley-Groneveldt
Production Designer: Peter Kirkegaard
Art Department Coordinator: Niki Kendall
Props Lead: Marc Lord
Special Effects: Jason Paradis
1st AC: Jared Sanchez
2nd AC: Krystin Prüller
Camera PA: Jonathan MacInnes
DIT: Rick Youck
Script Supervisor: Gerry Dubin
Camera Car: @blackhousecinema
Camera Car Team: Brent Callow, Daniel Tillotson, Calvin McAlary
Drone Pilot: 🙋‍♂️
Gimbal Op: @lukasfilms
Gaffer: Tom Kolafa
Generator Operator: Nevin Merrells
Key Grip: Jeff Delaney
Best Boy Grip: Joe Hirsch
3rd Grip: David Whyte
VTR Operator: Von Rock
Sound Mixer: Per Asplund
Wardrobe Stylist: Kenya Hushagen
Hair & Make-Up: Barb Zaseybida

Still Photographer: @jussi_grznar
Precision Driver: Guy Bews
Location Manager: Laszlo Uhrik