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TO BE FOUND out today!!
Maaaan…where do I start. I’m so excited, this is the first tune of a project I’ve been working on for almost 2 years. At times I didn’t know if this particular song will end up on the record, but I’m so happy it did. Thank you anaiis and Azekel for sharing your gift on this song. Thanks so much to everyone who reached out today, shared the music and showed love - it truly means a lot!

TO BE FOUND out today!!
Maaaan…where do I start. I’m so excited, this is the first tune of a project I’ve been working on for almost 2 years. At times I didn’t know if this particular song will end up on the record, but I’m so happy it did. Thank you anaiis and Azekel for sharing your gift on this song. Thanks so much to everyone who reached out today, shared the music and showed love - it truly means a lot!

TO BE FOUND out today!!
Maaaan…where do I start. I’m so excited, this is the first tune of a project I’ve been working on for almost 2 years. At times I didn’t know if this particular song will end up on the record, but I’m so happy it did. Thank you anaiis and Azekel for sharing your gift on this song. Thanks so much to everyone who reached out today, shared the music and showed love - it truly means a lot!

TO BE FOUND out today!!
Maaaan…where do I start. I’m so excited, this is the first tune of a project I’ve been working on for almost 2 years. At times I didn’t know if this particular song will end up on the record, but I’m so happy it did. Thank you anaiis and Azekel for sharing your gift on this song. Thanks so much to everyone who reached out today, shared the music and showed love - it truly means a lot!

AOWIS - Afraid of Winter in Summer

My debut EP, it’s been a long time coming! Happy it’s finally yours!

Thanks to all the incredible feature artists @snnyordie @bintanzar @romderful @azekel @hotcocoacartel and @themind

to all the amazing musicians helping me @timse_ @rugawdmusik @mo_yoofee @the_kii @loof_music @shanicerubybennett @youkamanuka
and my dad

All tracks mixed by @ragatheson
and mastered by @zinomikoreymastering

Everything visual by or with help from @0815.jpg
Original cover artwork @jamesronkko

3D Visuals @shuti_sport
2D Motion Graphics @vonliska

Photography @tomkleins
with help from @sambuusam & @bbysu_chi

Taking care of biz and guided by my longtime friend@jurixaaron

Released via sketchy / @the_orchard_
thank you @mariusmck_89 !

AOWIS - Afraid of Winter in Summer

My debut EP, it’s been a long time coming! Happy it’s finally yours!

Thanks to all the incredible feature artists @snnyordie @bintanzar @romderful @azekel @hotcocoacartel and @themind

to all the amazing musicians helping me @timse_ @rugawdmusik @mo_yoofee @the_kii @loof_music @shanicerubybennett @youkamanuka
and my dad

All tracks mixed by @ragatheson
and mastered by @zinomikoreymastering

Everything visual by or with help from @0815.jpg
Original cover artwork @jamesronkko

3D Visuals @shuti_sport
2D Motion Graphics @vonliska

Photography @tomkleins
with help from @sambuusam & @bbysu_chi

Taking care of biz and guided by my longtime friend@jurixaaron

Released via sketchy / @the_orchard_
thank you @mariusmck_89 !

AOWIS - Afraid of Winter in Summer

My debut EP, it’s been a long time coming! Happy it’s finally yours!

Thanks to all the incredible feature artists @snnyordie @bintanzar @romderful @azekel @hotcocoacartel and @themind

to all the amazing musicians helping me @timse_ @rugawdmusik @mo_yoofee @the_kii @loof_music @shanicerubybennett @youkamanuka
and my dad

All tracks mixed by @ragatheson
and mastered by @zinomikoreymastering

Everything visual by or with help from @0815.jpg
Original cover artwork @jamesronkko

3D Visuals @shuti_sport
2D Motion Graphics @vonliska

Photography @tomkleins
with help from @sambuusam & @bbysu_chi

Taking care of biz and guided by my longtime friend@jurixaaron

Released via sketchy / @the_orchard_
thank you @mariusmck_89 !

AOWIS - Afraid of Winter in Summer

My debut EP, it’s been a long time coming! Happy it’s finally yours!

Thanks to all the incredible feature artists @snnyordie @bintanzar @romderful @azekel @hotcocoacartel and @themind

to all the amazing musicians helping me @timse_ @rugawdmusik @mo_yoofee @the_kii @loof_music @shanicerubybennett @youkamanuka
and my dad

All tracks mixed by @ragatheson
and mastered by @zinomikoreymastering

Everything visual by or with help from @0815.jpg
Original cover artwork @jamesronkko

3D Visuals @shuti_sport
2D Motion Graphics @vonliska

Photography @tomkleins
with help from @sambuusam & @bbysu_chi

Taking care of biz and guided by my longtime friend@jurixaaron

Released via sketchy / @the_orchard_
thank you @mariusmck_89 !

if we crash we burn - shooting star visuals by @shuti_sport @0815.jpg @julian.wildner @hannesweishaupt @dhan.y.a

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

I’ve been thinking a lot about the state of the music industry throughout 2025 and 2026.

Through many shared conversations with artists, research, and reflection, I put down some thoughts I wanted to share.

The goal here isn’t to participate in the rat race, but to create something of our own that we collectively control.

Creating co-ops in the art world can provide the kind of infrastructure that goes beyond grassroots initiatives and gives artists more ownership, sustainability, and autonomy.

If you’re interested in this topic and take the time to read through this, I’d genuinely love to hear your thoughts and ideas.

BULLET with the homie @wakai007 off our album “At Your Pace”

Thanks to everyone who has been listening, it’s been a blessing to see how the record is being appreciated!

Directed & shot by @wakai007 @alex.binco

produced & mixed by us
bass @shanicerubybennett & @beaudiakowicz
add synths @rakaethe55
Mstr @zinomikoreymastering

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

In 2025 I met @highigherhai in Ho Chi Minh City, and we started mapping out the hoodie he helped bring to life. A year later, I finally got to hand him the finished piece while we spent another month traveling through Vietnam, meeting friends and @bbysu_chi family.

We brought a few hoodies with us and captured moments along the road, some of which you can see in these slides. There are still a few left, DM me

Pics by @bbysu_chi 

Put this collage together a few weeks ago

ELOHIM
@juju_rogers_official feat. @jamilawoods

Produced by me
Add. guitar @timse_
Mix @ragatheson
Master @zinomikoreymastering
Video director @0815.jpg
DP @julian.wildner
Edit @hannesweishaupt

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

AT YOUR PACE @_modha_ second album is out now. Thanks to everyone who made this record possible!

It took a long minute to get these right, but here they are!

Custom-made hoodies for my last year’s EP, AOWIS.

As soon as I saw @jamesronkko artwork for AOWIS, I knew merch was a must. But I didn’t want the usual stock fits. I definitely had no idea how much work and detail goes into making clothes—that’s for sure.

That’s where MVP @highigherhai stepped in and helped me realize the vision of a cropped, boxy fit, from textile and product design all the way to sourcing.

After a lot of trial and error, we finally got the sample right, and the next step was to go to my brother Diego @fieldink_studio for the screen print.

And here we are. If you’re interested, you can find these on Bandcamp - link in my bio.

Specs:

Material: 400gsm 100% Jersey Cotton / Color: Washed Grey

- Double Zip
- Boxy, Cropped Fit
- HQ Tone-In-Tone Screenprint by Fieldink Studios Berlin
- Graphic by James Rönkkö
- Textile/Product Design & Sourcing by Hai Dang@bui_project

Size Guide:

Please read carefully before choosing your size.
* XS / S
* M / L
* L / XL

Since the hoodie has a cropped fit, you can size up for a more baggy fit. This is intentional, and knowing this will help you choose the right size.

For example:
* If you normally wear a size L, the M/L size will fit more like an M because of the cropped design.
* If you prefer a more relaxed, baggy fit, go for the L/XL size, which will be closer to your usual L size.

It took a long minute to get these right, but here they are!

Custom-made hoodies for my last year’s EP, AOWIS.

As soon as I saw @jamesronkko artwork for AOWIS, I knew merch was a must. But I didn’t want the usual stock fits. I definitely had no idea how much work and detail goes into making clothes—that’s for sure.

That’s where MVP @highigherhai stepped in and helped me realize the vision of a cropped, boxy fit, from textile and product design all the way to sourcing.

After a lot of trial and error, we finally got the sample right, and the next step was to go to my brother Diego @fieldink_studio for the screen print.

And here we are. If you’re interested, you can find these on Bandcamp - link in my bio.

Specs:

Material: 400gsm 100% Jersey Cotton / Color: Washed Grey

- Double Zip
- Boxy, Cropped Fit
- HQ Tone-In-Tone Screenprint by Fieldink Studios Berlin
- Graphic by James Rönkkö
- Textile/Product Design & Sourcing by Hai Dang@bui_project

Size Guide:

Please read carefully before choosing your size.
* XS / S
* M / L
* L / XL

Since the hoodie has a cropped fit, you can size up for a more baggy fit. This is intentional, and knowing this will help you choose the right size.

For example:
* If you normally wear a size L, the M/L size will fit more like an M because of the cropped design.
* If you prefer a more relaxed, baggy fit, go for the L/XL size, which will be closer to your usual L size.

It took a long minute to get these right, but here they are!

Custom-made hoodies for my last year’s EP, AOWIS.

As soon as I saw @jamesronkko artwork for AOWIS, I knew merch was a must. But I didn’t want the usual stock fits. I definitely had no idea how much work and detail goes into making clothes—that’s for sure.

That’s where MVP @highigherhai stepped in and helped me realize the vision of a cropped, boxy fit, from textile and product design all the way to sourcing.

After a lot of trial and error, we finally got the sample right, and the next step was to go to my brother Diego @fieldink_studio for the screen print.

And here we are. If you’re interested, you can find these on Bandcamp - link in my bio.

Specs:

Material: 400gsm 100% Jersey Cotton / Color: Washed Grey

- Double Zip
- Boxy, Cropped Fit
- HQ Tone-In-Tone Screenprint by Fieldink Studios Berlin
- Graphic by James Rönkkö
- Textile/Product Design & Sourcing by Hai Dang@bui_project

Size Guide:

Please read carefully before choosing your size.
* XS / S
* M / L
* L / XL

Since the hoodie has a cropped fit, you can size up for a more baggy fit. This is intentional, and knowing this will help you choose the right size.

For example:
* If you normally wear a size L, the M/L size will fit more like an M because of the cropped design.
* If you prefer a more relaxed, baggy fit, go for the L/XL size, which will be closer to your usual L size.

It took a long minute to get these right, but here they are!

Custom-made hoodies for my last year’s EP, AOWIS.

As soon as I saw @jamesronkko artwork for AOWIS, I knew merch was a must. But I didn’t want the usual stock fits. I definitely had no idea how much work and detail goes into making clothes—that’s for sure.

That’s where MVP @highigherhai stepped in and helped me realize the vision of a cropped, boxy fit, from textile and product design all the way to sourcing.

After a lot of trial and error, we finally got the sample right, and the next step was to go to my brother Diego @fieldink_studio for the screen print.

And here we are. If you’re interested, you can find these on Bandcamp - link in my bio.

Specs:

Material: 400gsm 100% Jersey Cotton / Color: Washed Grey

- Double Zip
- Boxy, Cropped Fit
- HQ Tone-In-Tone Screenprint by Fieldink Studios Berlin
- Graphic by James Rönkkö
- Textile/Product Design & Sourcing by Hai Dang@bui_project

Size Guide:

Please read carefully before choosing your size.
* XS / S
* M / L
* L / XL

Since the hoodie has a cropped fit, you can size up for a more baggy fit. This is intentional, and knowing this will help you choose the right size.

For example:
* If you normally wear a size L, the M/L size will fit more like an M because of the cropped design.
* If you prefer a more relaxed, baggy fit, go for the L/XL size, which will be closer to your usual L size.

It took a long minute to get these right, but here they are!

Custom-made hoodies for my last year’s EP, AOWIS.

As soon as I saw @jamesronkko artwork for AOWIS, I knew merch was a must. But I didn’t want the usual stock fits. I definitely had no idea how much work and detail goes into making clothes—that’s for sure.

That’s where MVP @highigherhai stepped in and helped me realize the vision of a cropped, boxy fit, from textile and product design all the way to sourcing.

After a lot of trial and error, we finally got the sample right, and the next step was to go to my brother Diego @fieldink_studio for the screen print.

And here we are. If you’re interested, you can find these on Bandcamp - link in my bio.

Specs:

Material: 400gsm 100% Jersey Cotton / Color: Washed Grey

- Double Zip
- Boxy, Cropped Fit
- HQ Tone-In-Tone Screenprint by Fieldink Studios Berlin
- Graphic by James Rönkkö
- Textile/Product Design & Sourcing by Hai Dang@bui_project

Size Guide:

Please read carefully before choosing your size.
* XS / S
* M / L
* L / XL

Since the hoodie has a cropped fit, you can size up for a more baggy fit. This is intentional, and knowing this will help you choose the right size.

For example:
* If you normally wear a size L, the M/L size will fit more like an M because of the cropped design.
* If you prefer a more relaxed, baggy fit, go for the L/XL size, which will be closer to your usual L size.

It took a long minute to get these right, but here they are!

Custom-made hoodies for my last year’s EP, AOWIS.

As soon as I saw @jamesronkko artwork for AOWIS, I knew merch was a must. But I didn’t want the usual stock fits. I definitely had no idea how much work and detail goes into making clothes—that’s for sure.

That’s where MVP @highigherhai stepped in and helped me realize the vision of a cropped, boxy fit, from textile and product design all the way to sourcing.

After a lot of trial and error, we finally got the sample right, and the next step was to go to my brother Diego @fieldink_studio for the screen print.

And here we are. If you’re interested, you can find these on Bandcamp - link in my bio.

Specs:

Material: 400gsm 100% Jersey Cotton / Color: Washed Grey

- Double Zip
- Boxy, Cropped Fit
- HQ Tone-In-Tone Screenprint by Fieldink Studios Berlin
- Graphic by James Rönkkö
- Textile/Product Design & Sourcing by Hai Dang@bui_project

Size Guide:

Please read carefully before choosing your size.
* XS / S
* M / L
* L / XL

Since the hoodie has a cropped fit, you can size up for a more baggy fit. This is intentional, and knowing this will help you choose the right size.

For example:
* If you normally wear a size L, the M/L size will fit more like an M because of the cropped design.
* If you prefer a more relaxed, baggy fit, go for the L/XL size, which will be closer to your usual L size.

It took a long minute to get these right, but here they are!

Custom-made hoodies for my last year’s EP, AOWIS.

As soon as I saw @jamesronkko artwork for AOWIS, I knew merch was a must. But I didn’t want the usual stock fits. I definitely had no idea how much work and detail goes into making clothes—that’s for sure.

That’s where MVP @highigherhai stepped in and helped me realize the vision of a cropped, boxy fit, from textile and product design all the way to sourcing.

After a lot of trial and error, we finally got the sample right, and the next step was to go to my brother Diego @fieldink_studio for the screen print.

And here we are. If you’re interested, you can find these on Bandcamp - link in my bio.

Specs:

Material: 400gsm 100% Jersey Cotton / Color: Washed Grey

- Double Zip
- Boxy, Cropped Fit
- HQ Tone-In-Tone Screenprint by Fieldink Studios Berlin
- Graphic by James Rönkkö
- Textile/Product Design & Sourcing by Hai Dang@bui_project

Size Guide:

Please read carefully before choosing your size.
* XS / S
* M / L
* L / XL

Since the hoodie has a cropped fit, you can size up for a more baggy fit. This is intentional, and knowing this will help you choose the right size.

For example:
* If you normally wear a size L, the M/L size will fit more like an M because of the cropped design.
* If you prefer a more relaxed, baggy fit, go for the L/XL size, which will be closer to your usual L size.

„BUILD N DESTROY“ by @juju_rogers_official & @pinksiifu out everywhere

produced by me and @timse_
mix @ragatheson
master @zinomikoreymastering

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RIVER - new music with @_modha_ featuring the homies @abase_music @zakhorov ! Made most of this tune in a single session with Szabi back in 23. Fanni then stepped in and did her magic on the flute.

Eventually we finished the tune by recording @shanicerubybennett on bass and maestro @kboko_aka_biano on percussion playing this 7/4 with me 🥁
visualiser by @0815.jpg
out on @sonarkollektiv now 🤍