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SAVE THE DATE!
Sat 27 June 10am-2pm at Design Tasmania

Hosted by Design Tasmania and led by Tasmanian ceramic artist Kate Bowman, Rock, Waste & Place is a 3.5-hour glaze workshop exploring how the materials, geology and waste streams of Tasmania can become part of a ceramic practice.

Working with local rock, hospitality waste and found materials, participants will investigate how place can shape a glaze palette. Through a combination of theory, discussion and hands-on material exploration, the workshop looks at how materials gathered from landscape, kitchens, construction sites and dining rooms can be transformed into ceramic surfaces.

The workshop is a direct glimpse into our Circular Hospitality project in partnership with Regional Arts Australia grounded in three live Tasmanian residency projects developed with The Agrarian Kitchen, Dier Makr and Schole.Each project began with a place, a waste stream and a question about what already existed on site: oyster shell from restaurant service, wine bottle glass, fryer oil, firebrick, abalone shell and demolition waste, all reworked into glazes, lighting and ceramic surfaces.

More info and ticket sales next Wednesday, with limited places available.Beginner friendly and suited to ceramic artists, designers, makers and anyone interested in local materials, sustainability and the relationship between ceramics and place.

@katebowmanceramics
@agrariankitchen
@s.c.h.o.l.e
@diermakr
@regionalartsaustralia

SAVE THE DATE!
Sat 27 June 10am-2pm at Design Tasmania

Hosted by Design Tasmania and led by Tasmanian ceramic artist Kate Bowman, Rock, Waste & Place is a 3.5-hour glaze workshop exploring how the materials, geology and waste streams of Tasmania can become part of a ceramic practice.

Working with local rock, hospitality waste and found materials, participants will investigate how place can shape a glaze palette. Through a combination of theory, discussion and hands-on material exploration, the workshop looks at how materials gathered from landscape, kitchens, construction sites and dining rooms can be transformed into ceramic surfaces.

The workshop is a direct glimpse into our Circular Hospitality project in partnership with Regional Arts Australia grounded in three live Tasmanian residency projects developed with The Agrarian Kitchen, Dier Makr and Schole.Each project began with a place, a waste stream and a question about what already existed on site: oyster shell from restaurant service, wine bottle glass, fryer oil, firebrick, abalone shell and demolition waste, all reworked into glazes, lighting and ceramic surfaces.

More info and ticket sales next Wednesday, with limited places available.Beginner friendly and suited to ceramic artists, designers, makers and anyone interested in local materials, sustainability and the relationship between ceramics and place.

@katebowmanceramics
@agrariankitchen
@s.c.h.o.l.e
@diermakr
@regionalartsaustralia

As artificial intelligence reshapes the creative world, the authentic and the handmade become more valuable, not less. This is a moment of opportunity for investment into Australian designers and craftspeople. Make a submission to Australia's new National Cultural Policy before 24 May 2026 at nationofmakers.com.au.

#nationofmakers
@ausgovarts
@tony_burke_au

The Australian Government is developing a new National Cultural Policy. We're calling for proper recognition and investment in Australia's craft and design sector, skilled designers and makers working across this country who deserve a policy framework that matches their contribution. Make a submission before 24 May.

See link in bio for how.

#NationOfMakers
@ausgovarts
@tony_burke_au

The Australian Government is developing a new National Cultural Policy, and submissions from the public close on 24 May 2026.

Design Tasmania is one of nine members of the Australian Craft and Design Centres (ACDC) network, peak organisations across the country supporting professional design and craft practice.

Together, we have lodged a submission calling for three things:

1. A 10-year workforce plan that invests in skills and career pathways for designers and makers

2. Dedicated craft and design capacity within Creative Australia, with its own mandate to advocate for and develop the design and craft sector

3. An export and tourism strategy that gets Australian designers and makers in front of global audiences.

Visit nationofmakers.com.au (link in bio) to make your own submission before 24 May.

#NationOfMakers
@ausgovarts
@tony_burke_au

The Australian Government is developing a new National Cultural Policy, and submissions from the public close on 24 May 2026.

Design Tasmania is one of nine members of the Australian Craft and Design Centres (ACDC) network, peak organisations across the country supporting professional design and craft practice.

Together, we have lodged a submission calling for three things:

1. A 10-year workforce plan that invests in skills and career pathways for designers and makers

2. Dedicated craft and design capacity within Creative Australia, with its own mandate to advocate for and develop the design and craft sector

3. An export and tourism strategy that gets Australian designers and makers in front of global audiences.

Visit nationofmakers.com.au (link in bio) to make your own submission before 24 May.

#NationOfMakers
@ausgovarts
@tony_burke_au

The Australian Government is developing a new National Cultural Policy, and submissions from the public close on 24 May 2026.

Design Tasmania is one of nine members of the Australian Craft and Design Centres (ACDC) network, peak organisations across the country supporting professional design and craft practice.

Together, we have lodged a submission calling for three things:

1. A 10-year workforce plan that invests in skills and career pathways for designers and makers

2. Dedicated craft and design capacity within Creative Australia, with its own mandate to advocate for and develop the design and craft sector

3. An export and tourism strategy that gets Australian designers and makers in front of global audiences.

Visit nationofmakers.com.au (link in bio) to make your own submission before 24 May.

#NationOfMakers
@ausgovarts
@tony_burke_au

Our current exhibition, ‘MAKERS: the process’, brings Ivett Dodd’s book MAKERS: Lutruwita / Tasmania to life.Step into the tactile world of ‘MAKERS: the process,’ an exhibition that honors the silent conversation between the maker and their material. Curated by Ivett Dodd, this collection moves beyond the final form to celebrate the dreaming, the doing, and the beautiful evolution of craft in Lutruwita / Tasmania.

Scott Van Tuil’s uses of diverse material experiments are on display showing the multi-step processes behind each of his design models.

“Beauty is not in the physical object or space, but rather it is the experience of that object or space. I’m really interested in that. Which is why things like the experiential quality of materials is interesting to me. If you choose marble, the experience will be different to that of stainless steel, or timber, or leather” Scott van Tuil

Have a look at Jane Bamford’s collaborative process with CSIRO scientist to create habitat for endangered species.

“My creative rationale is that artists can collaborate with scientists, using their knowledge of a material to create work with the scientific research embedded in it. This also brings the artists’ work and the scientific research to a different and larger audience. Through collaboration, I want to create an alternative career pathway for artists and creative practitioners in this time of climate change and biodiversity loss” Jane Bamford

Open until the 31st of May. Wednesday–Saturday: 10am–3pm Sunday: 10am–2pm

@van.tuil
@janebamford_ceramics
@ivi_photo_aka_ivett_dodd

#designtasmania

Our current exhibition, ‘MAKERS: the process’, brings Ivett Dodd’s book MAKERS: Lutruwita / Tasmania to life.Step into the tactile world of ‘MAKERS: the process,’ an exhibition that honors the silent conversation between the maker and their material. Curated by Ivett Dodd, this collection moves beyond the final form to celebrate the dreaming, the doing, and the beautiful evolution of craft in Lutruwita / Tasmania.

Scott Van Tuil’s uses of diverse material experiments are on display showing the multi-step processes behind each of his design models.

“Beauty is not in the physical object or space, but rather it is the experience of that object or space. I’m really interested in that. Which is why things like the experiential quality of materials is interesting to me. If you choose marble, the experience will be different to that of stainless steel, or timber, or leather” Scott van Tuil

Have a look at Jane Bamford’s collaborative process with CSIRO scientist to create habitat for endangered species.

“My creative rationale is that artists can collaborate with scientists, using their knowledge of a material to create work with the scientific research embedded in it. This also brings the artists’ work and the scientific research to a different and larger audience. Through collaboration, I want to create an alternative career pathway for artists and creative practitioners in this time of climate change and biodiversity loss” Jane Bamford

Open until the 31st of May. Wednesday–Saturday: 10am–3pm Sunday: 10am–2pm

@van.tuil
@janebamford_ceramics
@ivi_photo_aka_ivett_dodd

#designtasmania

Our current exhibition, ‘MAKERS: the process’, brings Ivett Dodd’s book MAKERS: Lutruwita / Tasmania to life.Step into the tactile world of ‘MAKERS: the process,’ an exhibition that honors the silent conversation between the maker and their material. Curated by Ivett Dodd, this collection moves beyond the final form to celebrate the dreaming, the doing, and the beautiful evolution of craft in Lutruwita / Tasmania.

Scott Van Tuil’s uses of diverse material experiments are on display showing the multi-step processes behind each of his design models.

“Beauty is not in the physical object or space, but rather it is the experience of that object or space. I’m really interested in that. Which is why things like the experiential quality of materials is interesting to me. If you choose marble, the experience will be different to that of stainless steel, or timber, or leather” Scott van Tuil

Have a look at Jane Bamford’s collaborative process with CSIRO scientist to create habitat for endangered species.

“My creative rationale is that artists can collaborate with scientists, using their knowledge of a material to create work with the scientific research embedded in it. This also brings the artists’ work and the scientific research to a different and larger audience. Through collaboration, I want to create an alternative career pathway for artists and creative practitioners in this time of climate change and biodiversity loss” Jane Bamford

Open until the 31st of May. Wednesday–Saturday: 10am–3pm Sunday: 10am–2pm

@van.tuil
@janebamford_ceramics
@ivi_photo_aka_ivett_dodd

#designtasmania

Our current exhibition, ‘MAKERS: the process’, brings Ivett Dodd’s book MAKERS: Lutruwita / Tasmania to life.Step into the tactile world of ‘MAKERS: the process,’ an exhibition that honors the silent conversation between the maker and their material. Curated by Ivett Dodd, this collection moves beyond the final form to celebrate the dreaming, the doing, and the beautiful evolution of craft in Lutruwita / Tasmania.

Scott Van Tuil’s uses of diverse material experiments are on display showing the multi-step processes behind each of his design models.

“Beauty is not in the physical object or space, but rather it is the experience of that object or space. I’m really interested in that. Which is why things like the experiential quality of materials is interesting to me. If you choose marble, the experience will be different to that of stainless steel, or timber, or leather” Scott van Tuil

Have a look at Jane Bamford’s collaborative process with CSIRO scientist to create habitat for endangered species.

“My creative rationale is that artists can collaborate with scientists, using their knowledge of a material to create work with the scientific research embedded in it. This also brings the artists’ work and the scientific research to a different and larger audience. Through collaboration, I want to create an alternative career pathway for artists and creative practitioners in this time of climate change and biodiversity loss” Jane Bamford

Open until the 31st of May. Wednesday–Saturday: 10am–3pm Sunday: 10am–2pm

@van.tuil
@janebamford_ceramics
@ivi_photo_aka_ivett_dodd

#designtasmania

Our current exhibition, ‘MAKERS: the process’, brings Ivett Dodd’s book MAKERS: Lutruwita / Tasmania to life.Step into the tactile world of ‘MAKERS: the process,’ an exhibition that honors the silent conversation between the maker and their material. Curated by Ivett Dodd, this collection moves beyond the final form to celebrate the dreaming, the doing, and the beautiful evolution of craft in Lutruwita / Tasmania.

Scott Van Tuil’s uses of diverse material experiments are on display showing the multi-step processes behind each of his design models.

“Beauty is not in the physical object or space, but rather it is the experience of that object or space. I’m really interested in that. Which is why things like the experiential quality of materials is interesting to me. If you choose marble, the experience will be different to that of stainless steel, or timber, or leather” Scott van Tuil

Have a look at Jane Bamford’s collaborative process with CSIRO scientist to create habitat for endangered species.

“My creative rationale is that artists can collaborate with scientists, using their knowledge of a material to create work with the scientific research embedded in it. This also brings the artists’ work and the scientific research to a different and larger audience. Through collaboration, I want to create an alternative career pathway for artists and creative practitioners in this time of climate change and biodiversity loss” Jane Bamford

Open until the 31st of May. Wednesday–Saturday: 10am–3pm Sunday: 10am–2pm

@van.tuil
@janebamford_ceramics
@ivi_photo_aka_ivett_dodd

#designtasmania

Our current exhibition, ‘MAKERS: the process’, brings Ivett Dodd’s book MAKERS: Lutruwita / Tasmania to life.Step into the tactile world of ‘MAKERS: the process,’ an exhibition that honors the silent conversation between the maker and their material. Curated by Ivett Dodd, this collection moves beyond the final form to celebrate the dreaming, the doing, and the beautiful evolution of craft in Lutruwita / Tasmania.

Scott Van Tuil’s uses of diverse material experiments are on display showing the multi-step processes behind each of his design models.

“Beauty is not in the physical object or space, but rather it is the experience of that object or space. I’m really interested in that. Which is why things like the experiential quality of materials is interesting to me. If you choose marble, the experience will be different to that of stainless steel, or timber, or leather” Scott van Tuil

Have a look at Jane Bamford’s collaborative process with CSIRO scientist to create habitat for endangered species.

“My creative rationale is that artists can collaborate with scientists, using their knowledge of a material to create work with the scientific research embedded in it. This also brings the artists’ work and the scientific research to a different and larger audience. Through collaboration, I want to create an alternative career pathway for artists and creative practitioners in this time of climate change and biodiversity loss” Jane Bamford

Open until the 31st of May. Wednesday–Saturday: 10am–3pm Sunday: 10am–2pm

@van.tuil
@janebamford_ceramics
@ivi_photo_aka_ivett_dodd

#designtasmania

Our current exhibition, ‘MAKERS: the process’, brings Ivett Dodd’s book MAKERS: Lutruwita / Tasmania to life.Step into the tactile world of ‘MAKERS: the process,’ an exhibition that honors the silent conversation between the maker and their material. Curated by Ivett Dodd, this collection moves beyond the final form to celebrate the dreaming, the doing, and the beautiful evolution of craft in Lutruwita / Tasmania.

Scott Van Tuil’s uses of diverse material experiments are on display showing the multi-step processes behind each of his design models.

“Beauty is not in the physical object or space, but rather it is the experience of that object or space. I’m really interested in that. Which is why things like the experiential quality of materials is interesting to me. If you choose marble, the experience will be different to that of stainless steel, or timber, or leather” Scott van Tuil

Have a look at Jane Bamford’s collaborative process with CSIRO scientist to create habitat for endangered species.

“My creative rationale is that artists can collaborate with scientists, using their knowledge of a material to create work with the scientific research embedded in it. This also brings the artists’ work and the scientific research to a different and larger audience. Through collaboration, I want to create an alternative career pathway for artists and creative practitioners in this time of climate change and biodiversity loss” Jane Bamford

Open until the 31st of May. Wednesday–Saturday: 10am–3pm Sunday: 10am–2pm

@van.tuil
@janebamford_ceramics
@ivi_photo_aka_ivett_dodd

#designtasmania

Our current exhibition, ‘MAKERS: the process’, brings Ivett Dodd’s book MAKERS: Lutruwita / Tasmania to life.Step into the tactile world of ‘MAKERS: the process,’ an exhibition that honors the silent conversation between the maker and their material. Curated by Ivett Dodd, this collection moves beyond the final form to celebrate the dreaming, the doing, and the beautiful evolution of craft in Lutruwita / Tasmania.

Scott Van Tuil’s uses of diverse material experiments are on display showing the multi-step processes behind each of his design models.

“Beauty is not in the physical object or space, but rather it is the experience of that object or space. I’m really interested in that. Which is why things like the experiential quality of materials is interesting to me. If you choose marble, the experience will be different to that of stainless steel, or timber, or leather” Scott van Tuil

Have a look at Jane Bamford’s collaborative process with CSIRO scientist to create habitat for endangered species.

“My creative rationale is that artists can collaborate with scientists, using their knowledge of a material to create work with the scientific research embedded in it. This also brings the artists’ work and the scientific research to a different and larger audience. Through collaboration, I want to create an alternative career pathway for artists and creative practitioners in this time of climate change and biodiversity loss” Jane Bamford

Open until the 31st of May. Wednesday–Saturday: 10am–3pm Sunday: 10am–2pm

@van.tuil
@janebamford_ceramics
@ivi_photo_aka_ivett_dodd

#designtasmania

Proud to have our Artistic Director in conversation with Catherine Rae at Parlour this week - an important, tireless and effective advocacy body for women in design and architecture.

Repost by @_parlour

This Wednesday evening, we are delighted to be in Launceston for the final salon hosted in a @brickworkbp design studio.

Held in collaboration with the @findlayproject this session is convened by @hnorrie

This will be a fabulous evening.Our conversationalists are the wonderful @catherinerae of Brickworks and @nawictasmania and Michelle Boyde @boyde_of_paradise and @designtasmania.

Come along for great conversation and to farewell the design studio in style and thank @tricia.hiller74 and the Brickworks team for all the support over many years.

Announcing our next Circular Design Project: Towards a Timber Bank for Launceston

Waste-focused designer and maker Isaac Williams in partnership with Launceston arborists,Arbscape have been awarded an NRM Northern Resource Recovery and Circular Economy Grant, facilitated through Design Tasmania.

A single felled tree – approximately 8–10 cubic metres of oak is the starting point for something with far greater reach.

Over the next 12 months, Isaac will investigate what happens when urban trees are treated as a design resource rather than a disposal problem.The project maps existing arboricultural waste flows, examining where timber currently gets chipped, burned or landfilled, and builds a practical case for capturing and redirecting it.The immediate outcome will be objects made directly from the recovered oak, to be presented at Design Tasmania.

The longer-term ambition that will be researched is the potential for a community-accessible infrastructure that keeps urban timber in the local design economy where it belongs.

Follow along here, or email info@designtasmania.com.au with CIRCULAR in the headline for direct to email updates.

Photo: Melanie Creative
Isaac Williams with his work for Tasmania Makes 25

#circulareconomy
#designtasmania
#tasmaniamakes

12 tiles, packed with potential.

The first round of cold-pressed test tiles made entirely from @s.c.h.o.l.e dining service waste - abalone shell, sake bottle glass, demolition brick, fryer oil (which we’re testing as a natural seal once cured) and sodium silicate as the binder.

The space, an intimate 10-seater and former early 20th century lolly shop still holds its original entry tiles. The aim is to create a new 100% circular commercial tile that can sit alongside them.

Once cured, these will be tested for strength and water absorption, then it’s into the next round with what we learn.

Still early. Plenty more testing to go, but a promising start 🙌🏻

-

This research is part of a Circular Hospitality project with @regionalartsaustralia and @designtasmania

12 tiles, packed with potential.

The first round of cold-pressed test tiles made entirely from @s.c.h.o.l.e dining service waste - abalone shell, sake bottle glass, demolition brick, fryer oil (which we’re testing as a natural seal once cured) and sodium silicate as the binder.

The space, an intimate 10-seater and former early 20th century lolly shop still holds its original entry tiles. The aim is to create a new 100% circular commercial tile that can sit alongside them.

Once cured, these will be tested for strength and water absorption, then it’s into the next round with what we learn.

Still early. Plenty more testing to go, but a promising start 🙌🏻

-

This research is part of a Circular Hospitality project with @regionalartsaustralia and @designtasmania

12 tiles, packed with potential.

The first round of cold-pressed test tiles made entirely from @s.c.h.o.l.e dining service waste - abalone shell, sake bottle glass, demolition brick, fryer oil (which we’re testing as a natural seal once cured) and sodium silicate as the binder.

The space, an intimate 10-seater and former early 20th century lolly shop still holds its original entry tiles. The aim is to create a new 100% circular commercial tile that can sit alongside them.

Once cured, these will be tested for strength and water absorption, then it’s into the next round with what we learn.

Still early. Plenty more testing to go, but a promising start 🙌🏻

-

This research is part of a Circular Hospitality project with @regionalartsaustralia and @designtasmania

12 tiles, packed with potential.

The first round of cold-pressed test tiles made entirely from @s.c.h.o.l.e dining service waste - abalone shell, sake bottle glass, demolition brick, fryer oil (which we’re testing as a natural seal once cured) and sodium silicate as the binder.

The space, an intimate 10-seater and former early 20th century lolly shop still holds its original entry tiles. The aim is to create a new 100% circular commercial tile that can sit alongside them.

Once cured, these will be tested for strength and water absorption, then it’s into the next round with what we learn.

Still early. Plenty more testing to go, but a promising start 🙌🏻

-

This research is part of a Circular Hospitality project with @regionalartsaustralia and @designtasmania

A great night launching @ivi_photo_aka_ivett_dodd exhibition MAKERS: the process, with a rich conversation between Ivette, her project mentor Martin Mischkulnig, Ben Richardson and Jane Bamford, convened by the wonderful @hnorrie.

Thanks to all those that came along on the eve of Easter.

The book and exhibition are a thing of beauty - make sure to get in to see it by 31 May.

Link in bio for more info.

@janebamford_ceramics
@ridgelinepottery

A great night launching @ivi_photo_aka_ivett_dodd exhibition MAKERS: the process, with a rich conversation between Ivette, her project mentor Martin Mischkulnig, Ben Richardson and Jane Bamford, convened by the wonderful @hnorrie.

Thanks to all those that came along on the eve of Easter.

The book and exhibition are a thing of beauty - make sure to get in to see it by 31 May.

Link in bio for more info.

@janebamford_ceramics
@ridgelinepottery

A great night launching @ivi_photo_aka_ivett_dodd exhibition MAKERS: the process, with a rich conversation between Ivette, her project mentor Martin Mischkulnig, Ben Richardson and Jane Bamford, convened by the wonderful @hnorrie.

Thanks to all those that came along on the eve of Easter.

The book and exhibition are a thing of beauty - make sure to get in to see it by 31 May.

Link in bio for more info.

@janebamford_ceramics
@ridgelinepottery

Congratulations to Tasmanian glass artist Peter Bowles, co-founder of Glass Manifesto, whose artwork Quiescent Object: Kepler 186f won the Tom Malone Prize earlier this month, Australia’s most prestigious acquisitive award for contemporary glass.

We are thrilled to have Peter’s work in the Design Tasmania Store, his works represent the pinnacle of contemporary glass art. Glass Manifesto is the collaborative studio of artists Anne Clifton and Peter Bowles, their work is internationally recognised for its innovation, craftsmanship and excellence in glassmaking.

https://www.tmprize.com.au/

@glassmanifesto

To mark 50 years, Design Tasmania launches a year-long activation of its galleries as The Living Room.

Grounded in founder Gary Cleveland’s original vision, The Living Room will offera shared space for inquiry, making and inspiration, becoming a hub for reflection, reconnection and reimagining design’s role in Tasmania’s future.It will prioritise dialogue, experimentation and engagement within an open, flexible program.

Opening the program is MAKERS: the process, an installation by Tasmanian designer and maker Ivett Dodd, centred on her new book MAKERS Lutrawita/Tasmania. Featuring work in various stages of becoming, the project reveals the journey from idea to object.

Join us on Thursday 2 April, 5.30pm, for an artist panel convened by Dr Helen Norrie (UTAS), with Ivett Dodd, project mentor and architectural photographer Martin Mischkulnig (Sydney), and Tasmanian ceramicists Ben Richardson and Jane Bamford.

MAKERS: the process runs 2 April – 31 May.

Link in bio for more info and to register for the panel event.

Signed copies of the book available on the night.

Photos by Ivett Dodd @ivi_photo_aka_ivett_dodd
(left) book cover featuring work by Gabee Stolp @saintgabbee and
(right) ceramicist Ben Richardson of @ridgelinepottery

To mark 50 years, Design Tasmania launches a year-long activation of its galleries as The Living Room.

Grounded in founder Gary Cleveland’s original vision, The Living Room will offera shared space for inquiry, making and inspiration, becoming a hub for reflection, reconnection and reimagining design’s role in Tasmania’s future.It will prioritise dialogue, experimentation and engagement within an open, flexible program.

Opening the program is MAKERS: the process, an installation by Tasmanian designer and maker Ivett Dodd, centred on her new book MAKERS Lutrawita/Tasmania. Featuring work in various stages of becoming, the project reveals the journey from idea to object.

Join us on Thursday 2 April, 5.30pm, for an artist panel convened by Dr Helen Norrie (UTAS), with Ivett Dodd, project mentor and architectural photographer Martin Mischkulnig (Sydney), and Tasmanian ceramicists Ben Richardson and Jane Bamford.

MAKERS: the process runs 2 April – 31 May.

Link in bio for more info and to register for the panel event.

Signed copies of the book available on the night.

Photos by Ivett Dodd @ivi_photo_aka_ivett_dodd
(left) book cover featuring work by Gabee Stolp @saintgabbee and
(right) ceramicist Ben Richardson of @ridgelinepottery

Heartwood Exhibition | Extended until Sunday 22 March

Our summer exhibition marking ten years of Women and Design at Design Tasmania, celebrates Tasmanian Women in Wood from the arts and craft era to the present. So well received, the exhibition has been extended, allowing more time to experience this significant body of work by masters of their craft Sally Brown, Pippa Dickson, Linda Fredheim, Gaye Hawkes, Laura McCusker, Linda van Niekerk and Ellen Nora Payne.

The extension also aligns with the arrival of a special donated acquisition that will underpin our program of activity as we lean into Design Tasmania’s 50th year in 2026. If you haven’t visited yet, there is still time. In the remaining weeks, we'll be sharing reflections on our ten years of presenting Women in Design colloquiums at Design Tasmania.

#womenindesign
#designtasmania

@theladyinthewhiteute
@lindas_things
@pippadickson
@lindavanniekerkjewellery