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Rahmenprogramm zur Ausstellung IN SCHICHTEN

DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.

***Eintritt auf Spendenbasis***

Rahmenprogramm zur Ausstellung IN SCHICHTEN

DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.

***Eintritt auf Spendenbasis***

Rahmenprogramm zur Ausstellung IN SCHICHTEN

DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.

***Eintritt auf Spendenbasis***

Rahmenprogramm zur Ausstellung IN SCHICHTEN

DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.

***Eintritt auf Spendenbasis***

Rahmenprogramm zur Ausstellung IN SCHICHTEN

DELPHI_space/cinema
***********************
Samstag, 25.04.2026, ab 19:00 Uhr
DELPHI_space, Brombergstraße 17C (Hinterhof)
„CORTE“ von Magdalena Mitterhofer & „Nach Saison“ von Mirjam Quinte und Pepe Danquart
Im Anschluss laden wir Euch vor Ort zu einem Austausch mit Magdalena Mitterhofer ein. Pepe Danquart wird sich live aus Palermo hinzuschalten.

***Eintritt auf Spendenbasis***

Corte
screening on 25.04.26
19.00 - Delphi Freiburg @delphi_space
as part of „In Schichten“
I’ll be there too!

Corte
screening on 25.04.26
19.00 - Delphi Freiburg @delphi_space
as part of „In Schichten“
I’ll be there too!

Corte
screening on 25.04.26
19.00 - Delphi Freiburg @delphi_space
as part of „In Schichten“
I’ll be there too!

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

1_ Graham Hamilton, “14 Fresh Starts”, 2026
2_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm
3_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
4_ Franciis Frings, “less A-B”, , 2025, silkscreen, paper mounted on aluminium Dibond, diptych, 65 × 94 cm each
5_ Installation view, “IN SCHICHTEN”, 2026

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”

1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”

1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”

1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”

1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”

1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”

1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”

1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“The past remains active; it settles in the material and reveals itself as a muted sheen, as a trace, as a return. […] Duration becomes visible in routines, in the ongoing ordering of tasks. It inscribes itself into surfaces and wears them down. The exhibition brings together works that make perceptible that every image has an edge, every present a before, and every form carries more than one time within it.”

1_ Installation view, “IN SCHICHTEN”, 2026
2_ Installation view, “IN SCHICHTEN”, 2026
3_ Graham Hamilton, “14 Fresh Starts”, 2026
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
6_ Rafał Skoczek, “Pure Model”, 2026, painted and laminated chipboard, wood, found elements
7_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
8_ Philipp Farra, “Bomonti negatives”, diptych, 2025, framed B/W contact prints, 17.8 × 12.8 × 5.6 cm

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

“Layering names a process of material and social sedimentation. It settles into habits, leaves traces, and continues to operate through forms of organisation. Folds and doublings direct attention to the image as a configuration, to its edges, blind spots and repetitions. […] The exhibition engages Michel Foucault’s understanding of historical analysis as work on discursive strata, as well as Gilles Deleuze’s reflections on strata and the fold, in which form emerges through inflection and difference and never fully closes. Not everything belongs to the same time, even when it appears before us simultaneously.”

1_ Mania Godarzani Bakhtiari, “Strecke (flora I faune)”, 2024, laser print on A4 paper, book-cover film, 300 × 29.7 cm
2_ Graham Hamilton, “14 Fresh Starts”, 2026
3_ Patricia L. Boyd, “Sweepings”, 2019, HD video, loop
4_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
5_ Marietta Mavrokordatou, “Bus ride to the city”, 2025, pigment print on archival paper, 12 × 12 cm
6_ Installation view, “IN SCHICHTEN”, 2026
7_ Installation view, “IN SCHICHTEN”, 2026
8_ Franciis Frings, “Untitled”, 2024, baryta paper
9_ Installation view, “IN SCHICHTEN”, 2026
10_ Philipp Farra, “Longing for S.”, 2025, video, loop

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

Impressions from the opening of IN SCHICHTEN with works by Patricia L. Boyd (@pllllb), Philipp Farra (@philippfarra), Franciis Frings (@franciisfrings), Mania Godarzani Bakhtiari (@mancomania_), Graham Hamilton (@graham__hamilton), Marietta Mavrokordatou (@mariettamvr), and Rafał Skoczek (@rufiodoom).

On view at DELPHI_space until 17 May 2026.
Open Fridays, 5–8 pm; Saturdays and Sundays, 3–6 pm; or by appointment.

With the kind support of Kulturamt der Stadt Freiburg (@stadt_freiburg), Sparkasse Freiburg-Nördlicher Breisgau (@sparkasse.sfnb), and Regierungspräsidium Freiburg (@regierung_bw).

📸: Dario Kieffer (@dariokieffer)

Opening at DELPHI_Space in Freiburg im Breisgau

Group exhibition with Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou and Rafał Skoczek

#delphispacefreiburg #ArtFreiburg #kunstinfreiburg #FreiburgArtGuide #kunstfreiburg

IN SCHICHTEN
mit Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou und Rafał Skoczek

Eröffnung am 27. März 2026, 18 Uhr
Geöffnet vom 28. März bis zum 17. Mai 2026

In IN SCHICHTEN ist Schichtung materielle und soziale Ablagerung. Geschichte erscheint als Verdichtung institutioneller Ordnungen und Bewegungsbahnen. Spiegelungen, Faltungen und Dopplungen lenken den Blick auf das Bild als Gefüge, auf seine Ränder, seine blinden Flecken und Wiederholungen. Zeit zeigt sich in Routine, in der fortlaufenden Ordnung von Aufgaben und in der Spur im Material. Orte sind Konstellationen heterogener Trajektorien, deren Zusammenkommen eine Gegenwart bildet.

kuratiert von Lou von der Heyde
__

IN SCHICHTEN
with Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou and Rafał Skoczek

Opening 27 March 2026, 6 pm
Open 28 March to 17 May 2026

In IN SCHICHTEN, stratification is material and social accretion. History appears as a compression of institutional configurations and pathways of movement. Reflections, folds, and doublings draw attention to the image as an arrangement, to its edges, its blind spots, and its repetitions. Time becomes apparent in routine, in the ongoing ordering of tasks, and in material trace. Places are constellations of heterogeneous trajectories whose convergence forms a present.

Curated by Lou von der Heyde
@_louvdh

Artists:
@pllllb
@philippfarra
@franciisfrings
@mancomania_
@graham__hamilton
@mariettamvr
@rufiodoom

Design:
@max_schropp
@ctms.studio

With the kind support by
@stadt_freiburg
@sparkasse.sfnb
@regierung_bw

IN SCHICHTEN
mit Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou und Rafał Skoczek

Eröffnung am 27. März 2026, 18 Uhr
Geöffnet vom 28. März bis zum 17. Mai 2026

In IN SCHICHTEN ist Schichtung materielle und soziale Ablagerung. Geschichte erscheint als Verdichtung institutioneller Ordnungen und Bewegungsbahnen. Spiegelungen, Faltungen und Dopplungen lenken den Blick auf das Bild als Gefüge, auf seine Ränder, seine blinden Flecken und Wiederholungen. Zeit zeigt sich in Routine, in der fortlaufenden Ordnung von Aufgaben und in der Spur im Material. Orte sind Konstellationen heterogener Trajektorien, deren Zusammenkommen eine Gegenwart bildet.

kuratiert von Lou von der Heyde
__

IN SCHICHTEN
with Patricia L. Boyd, Philipp Farra, Franciis Frings, Mania Godarzani Bakhtiari, Graham Hamilton, Marietta Mavrokordatou and Rafał Skoczek

Opening 27 March 2026, 6 pm
Open 28 March to 17 May 2026

In IN SCHICHTEN, stratification is material and social accretion. History appears as a compression of institutional configurations and pathways of movement. Reflections, folds, and doublings draw attention to the image as an arrangement, to its edges, its blind spots, and its repetitions. Time becomes apparent in routine, in the ongoing ordering of tasks, and in material trace. Places are constellations of heterogeneous trajectories whose convergence forms a present.

Curated by Lou von der Heyde
@_louvdh

Artists:
@pllllb
@philippfarra
@franciisfrings
@mancomania_
@graham__hamilton
@mariettamvr
@rufiodoom

Design:
@max_schropp
@ctms.studio

With the kind support by
@stadt_freiburg
@sparkasse.sfnb
@regierung_bw

"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday artist

"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday artist

"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday artist

"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday artist

"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday artist

"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday artist

"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday artist

"DREAMS:WORK"
Artists: Lizzy Ellbrück, Sara Gassmann, Cyril Tyrone Hübscher, Rafael Jörger, Rose Le Goff, Olga Hohmann (Text), Natascha Moschini (Performance), Camillo Paravicini, Alexandre-Takuya Kato, Noémie Vidonne @lizzyellbrueck @saragassmann @healthy_huebscher 0383672827277727827jddm @offrselgr @olgahohoh @nataschamoschini @camilloparavicini @alexandretakuyakato @noemievdn
Curated by: Katharina Grün, Max Siebenhaar, Daniel Vollmer @_kthrngrn_ @max_7haar #danielvollmer
📍DELPHI_space, Brombergstr. 17c, 79102 Freiburg, Germany @delphi_space
29.11.2025-04.01.2026

Read the complete text on lowgroundpressure.blog web platform (🔗 in stories).

📸 Dario Kieffer @dariokieffer, courtesy the artist and the gallery;

#contemporaryart #artisttoday #lowgroundpressure #arttoday artist

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

DREAMS:WORK

Den Moment, in dem man einschläft, hat man immer schon verpasst. Man verschläft ihn,
ganz buchstäblich. Es ist ein Logikproblem - denn selbst wenn man ganz bewusst auf den
Moment hinarbeitet (weil man, zum Beispiel, Atemtechniken anwendet oder „Schäfchen
zählt“), ist das Einschlafen selbst etwas, das man nicht bewusst wahrnehmen kann. Das
liegt in seiner Natur - denn es ist ja eben die andere Seite, nach der man sucht - und von
der es einem manchmal schwer fällt, sie zu erreichen.

*Den ganzen Text von @olgahohoh könnt ihr in der Ausstellung dem Saaltext entnehmen

*************************************
You always miss the moment when you fall asleep. You literally sleep through it. It’s a
logical problem—because even if you consciously work toward that moment (by using
breathing techniques or counting sheep, for example), falling asleep itself is something
you can’t consciously perceive. That is in its nature—because it is precisely the other side
of consciousness that you are looking for—and which is sometimes difficult to reach.

*the whole text by @olgahohoh you can read in the exhibition

@lizzyellbrueck
@saragassmann
@healthy_huebscher
@0383672827277727827jddm
@offrselgr
@camilloparavicini
@alexandretakuyakato
@noemievdn

With a Performance on January 4th by @nataschamoschini

Curated by @_kthrngrn_ @max_7haar #danielvollmer

Photos @dariokieffer

JAHRESGABEN 25 | WINTERAUKTION
**************************************
AM 13. DEZEMBER VERSTEIGERT DELPHI_SPACE ÜBER 50 WERKE ZEITGENÖSSISCHER KÜNSTLER*INNEN. AM 12. DEZEMBER KÖNNEN DIE ARBEITEN BEI EINER OFFENEN PREVIEW BESICHTIGT WERDEN. DIE STARTGEBOTE DER KUNSTWERKE LIEGEN ZWISCHEN 20€ UND 2000€.
EINEN AUKTIONSKATALOG FINDEST DU UNTER WWW.DELPHI-SPACE.COM *(LINK IN BIO)
******************************************
AUF VIEL FREU(N)DE!!!