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🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

🦦 Slow down. Log off.

In a world full of distractions, focusing your attention on a single screen is a form of self-care. You slow down, you lose yourself, and you even allow yourself to feel bored: all of these are survival skills we’ve lost.

With the film program Slackers & Drifters, we’re reclaiming your full attention. No algorithms on the small screen dictating what you see, but real people who have carefully selected films specifically for the big screen. No images screaming for your attention, but films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and getting bored in SLACKER, we demand our attention back in every way.

Come visit us from late April into the summer and wander through time.

⤷ Tickets and more info via decinema.be!

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

“Singing is like going to a party at someone else’s house. Acting is like having the party at your own house.” – Cher

With her recognizable voice, an icon of the counterculture and a progressive voice known for her outspoken views and fearless fashion choices, Cher has become the Goddess of Pop. She had, however, also a remarkable acting career. For her 80th birthday, De Cinema celebrates her remarkable acting with CHER: GODDESS OF THE SCREEN.

From her Oscar-winning performance in MOONSTRUCK to her convincing performance as a single mother in MERMAIDS and acting alongside Hollywood stars like Jack Nicholson, Susan Sarandon and Michelle Pfeiffer in THE WITCHES OF EASTWICK, Cher does and can do it all. As the icing on the birthday cake, Drag Collective SEND IN THE CLOWNS celebrates the Goddess of the Screen and Pop with a live drag performance during the screening of BURLESQUE.

⤷ Swipe for the screening dates! Info and tickets via decinema.be.

#DeCinema #DeCinemaAntwerp #Cher #GoddessOfTheScreen @sendintheclowns.antwerp

“Singing is like going to a party at someone else’s house. Acting is like having the party at your own house.” – Cher

With her recognizable voice, an icon of the counterculture and a progressive voice known for her outspoken views and fearless fashion choices, Cher has become the Goddess of Pop. She had, however, also a remarkable acting career. For her 80th birthday, De Cinema celebrates her remarkable acting with CHER: GODDESS OF THE SCREEN.

From her Oscar-winning performance in MOONSTRUCK to her convincing performance as a single mother in MERMAIDS and acting alongside Hollywood stars like Jack Nicholson, Susan Sarandon and Michelle Pfeiffer in THE WITCHES OF EASTWICK, Cher does and can do it all. As the icing on the birthday cake, Drag Collective SEND IN THE CLOWNS celebrates the Goddess of the Screen and Pop with a live drag performance during the screening of BURLESQUE.

⤷ Swipe for the screening dates! Info and tickets via decinema.be.

#DeCinema #DeCinemaAntwerp #Cher #GoddessOfTheScreen @sendintheclowns.antwerp

“Singing is like going to a party at someone else’s house. Acting is like having the party at your own house.” – Cher

With her recognizable voice, an icon of the counterculture and a progressive voice known for her outspoken views and fearless fashion choices, Cher has become the Goddess of Pop. She had, however, also a remarkable acting career. For her 80th birthday, De Cinema celebrates her remarkable acting with CHER: GODDESS OF THE SCREEN.

From her Oscar-winning performance in MOONSTRUCK to her convincing performance as a single mother in MERMAIDS and acting alongside Hollywood stars like Jack Nicholson, Susan Sarandon and Michelle Pfeiffer in THE WITCHES OF EASTWICK, Cher does and can do it all. As the icing on the birthday cake, Drag Collective SEND IN THE CLOWNS celebrates the Goddess of the Screen and Pop with a live drag performance during the screening of BURLESQUE.

⤷ Swipe for the screening dates! Info and tickets via decinema.be.

#DeCinema #DeCinemaAntwerp #Cher #GoddessOfTheScreen @sendintheclowns.antwerp

“Singing is like going to a party at someone else’s house. Acting is like having the party at your own house.” – Cher

With her recognizable voice, an icon of the counterculture and a progressive voice known for her outspoken views and fearless fashion choices, Cher has become the Goddess of Pop. She had, however, also a remarkable acting career. For her 80th birthday, De Cinema celebrates her remarkable acting with CHER: GODDESS OF THE SCREEN.

From her Oscar-winning performance in MOONSTRUCK to her convincing performance as a single mother in MERMAIDS and acting alongside Hollywood stars like Jack Nicholson, Susan Sarandon and Michelle Pfeiffer in THE WITCHES OF EASTWICK, Cher does and can do it all. As the icing on the birthday cake, Drag Collective SEND IN THE CLOWNS celebrates the Goddess of the Screen and Pop with a live drag performance during the screening of BURLESQUE.

⤷ Swipe for the screening dates! Info and tickets via decinema.be.

#DeCinema #DeCinemaAntwerp #Cher #GoddessOfTheScreen @sendintheclowns.antwerp

“Singing is like going to a party at someone else’s house. Acting is like having the party at your own house.” – Cher

With her recognizable voice, an icon of the counterculture and a progressive voice known for her outspoken views and fearless fashion choices, Cher has become the Goddess of Pop. She had, however, also a remarkable acting career. For her 80th birthday, De Cinema celebrates her remarkable acting with CHER: GODDESS OF THE SCREEN.

From her Oscar-winning performance in MOONSTRUCK to her convincing performance as a single mother in MERMAIDS and acting alongside Hollywood stars like Jack Nicholson, Susan Sarandon and Michelle Pfeiffer in THE WITCHES OF EASTWICK, Cher does and can do it all. As the icing on the birthday cake, Drag Collective SEND IN THE CLOWNS celebrates the Goddess of the Screen and Pop with a live drag performance during the screening of BURLESQUE.

⤷ Swipe for the screening dates! Info and tickets via decinema.be.

#DeCinema #DeCinemaAntwerp #Cher #GoddessOfTheScreen @sendintheclowns.antwerp

“Singing is like going to a party at someone else’s house. Acting is like having the party at your own house.” – Cher

With her recognizable voice, an icon of the counterculture and a progressive voice known for her outspoken views and fearless fashion choices, Cher has become the Goddess of Pop. She had, however, also a remarkable acting career. For her 80th birthday, De Cinema celebrates her remarkable acting with CHER: GODDESS OF THE SCREEN.

From her Oscar-winning performance in MOONSTRUCK to her convincing performance as a single mother in MERMAIDS and acting alongside Hollywood stars like Jack Nicholson, Susan Sarandon and Michelle Pfeiffer in THE WITCHES OF EASTWICK, Cher does and can do it all. As the icing on the birthday cake, Drag Collective SEND IN THE CLOWNS celebrates the Goddess of the Screen and Pop with a live drag performance during the screening of BURLESQUE.

⤷ Swipe for the screening dates! Info and tickets via decinema.be.

#DeCinema #DeCinemaAntwerp #Cher #GoddessOfTheScreen @sendintheclowns.antwerp

“Singing is like going to a party at someone else’s house. Acting is like having the party at your own house.” – Cher

With her recognizable voice, an icon of the counterculture and a progressive voice known for her outspoken views and fearless fashion choices, Cher has become the Goddess of Pop. She had, however, also a remarkable acting career. For her 80th birthday, De Cinema celebrates her remarkable acting with CHER: GODDESS OF THE SCREEN.

From her Oscar-winning performance in MOONSTRUCK to her convincing performance as a single mother in MERMAIDS and acting alongside Hollywood stars like Jack Nicholson, Susan Sarandon and Michelle Pfeiffer in THE WITCHES OF EASTWICK, Cher does and can do it all. As the icing on the birthday cake, Drag Collective SEND IN THE CLOWNS celebrates the Goddess of the Screen and Pop with a live drag performance during the screening of BURLESQUE.

⤷ Swipe for the screening dates! Info and tickets via decinema.be.

#DeCinema #DeCinemaAntwerp #Cher #GoddessOfTheScreen @sendintheclowns.antwerp

“Singing is like going to a party at someone else’s house. Acting is like having the party at your own house.” – Cher

With her recognizable voice, an icon of the counterculture and a progressive voice known for her outspoken views and fearless fashion choices, Cher has become the Goddess of Pop. She had, however, also a remarkable acting career. For her 80th birthday, De Cinema celebrates her remarkable acting with CHER: GODDESS OF THE SCREEN.

From her Oscar-winning performance in MOONSTRUCK to her convincing performance as a single mother in MERMAIDS and acting alongside Hollywood stars like Jack Nicholson, Susan Sarandon and Michelle Pfeiffer in THE WITCHES OF EASTWICK, Cher does and can do it all. As the icing on the birthday cake, Drag Collective SEND IN THE CLOWNS celebrates the Goddess of the Screen and Pop with a live drag performance during the screening of BURLESQUE.

⤷ Swipe for the screening dates! Info and tickets via decinema.be.

#DeCinema #DeCinemaAntwerp #Cher #GoddessOfTheScreen @sendintheclowns.antwerp

Join @cinea_be and @decinema_ in early July for ZOMERFILMCOLLEGE 2026: a week of in-depth lectures by internationally renowned critics and academics, Q&As with filmmakers, and screenings of both original 35mm copies and recent digital restorations!

This 31st (!) edition features two diverse programme strands. HEARTS OF THE WORLD: GLOBAL FLOWS OF MELODRAMA, presented in collaboration with the University of Antwerp, and demonstrates how melodrama’s versatility allowed it to travel the world. With lectures by Professor Ben Singer (University of Wisconsin, Madison) and Dr. Viola Shafik (freelance filmmaker/lecturer/researcher).

In CINEMA OF POETRY: TEXTURE AND MOOD IN NARRATIVE FILM, we look for the elusive qualities—mystery, mood, texture, sensuality, etc.—that constitute ‘the poetic’ in narrative film. Guest speakers include ZFC habitués and film critics Adrian Martin and Cristina Álvarez López.

⤷ PASSES ARE NOW ON SALE via cinea.be! You can attend both programmes or either sub-programme. Tickets for separate lectures and screenings will become available at a later date. Film students and unemployed people can book their tickets at the reduced rate.

The lectures will be entirely in English, and all screenings will have English subtitles. More practical info via cinea.be!

Subscribe to our newsletter(s) to receive a notification when the full line-up of screenings and lectures is released.

***

ZOMERFILMCOLLEGE 2026 is an initiative by CINEA, co-produced and hosted by DE CINEMA, and funded by VLAAMS AUDIOVISUEEL FONDS (VAF). With the support of CINEMATEK and UNIVERSITEIT ANTWERPEN.

[1] 𝘓𝘢 𝘝𝘪𝘭𝘭𝘦 𝘥𝘦𝘴 𝘱𝘪𝘳𝘢𝘵𝘦𝘴 [City of Pirates] (Raúl Ruiz, 1983)
[3] 𝘎𝘢𝘣𝘣𝘦𝘩 [گبه] (Mohsen Makhmalbaf, 1996)
[4] 𝘔𝘰𝘵𝘩𝘦𝘳 𝘐𝘯𝘥𝘪𝘢 [मदर इण्डिया] (Mehboob Khan, 1957)
[6] 𝘍𝘭𝘰𝘢𝘵𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴 [浮雲] (Mikio Naruse, 1955)

#zomerfilmcollege #filmstudies #filmschool #summerfilmschool @vlaamsaudiovisueelfonds @cinematekbe @uantwerpen @mhkamuseum @de_studio @shafik.viola

Join @cinea_be and @decinema_ in early July for ZOMERFILMCOLLEGE 2026: a week of in-depth lectures by internationally renowned critics and academics, Q&As with filmmakers, and screenings of both original 35mm copies and recent digital restorations!

This 31st (!) edition features two diverse programme strands. HEARTS OF THE WORLD: GLOBAL FLOWS OF MELODRAMA, presented in collaboration with the University of Antwerp, and demonstrates how melodrama’s versatility allowed it to travel the world. With lectures by Professor Ben Singer (University of Wisconsin, Madison) and Dr. Viola Shafik (freelance filmmaker/lecturer/researcher).

In CINEMA OF POETRY: TEXTURE AND MOOD IN NARRATIVE FILM, we look for the elusive qualities—mystery, mood, texture, sensuality, etc.—that constitute ‘the poetic’ in narrative film. Guest speakers include ZFC habitués and film critics Adrian Martin and Cristina Álvarez López.

⤷ PASSES ARE NOW ON SALE via cinea.be! You can attend both programmes or either sub-programme. Tickets for separate lectures and screenings will become available at a later date. Film students and unemployed people can book their tickets at the reduced rate.

The lectures will be entirely in English, and all screenings will have English subtitles. More practical info via cinea.be!

Subscribe to our newsletter(s) to receive a notification when the full line-up of screenings and lectures is released.

***

ZOMERFILMCOLLEGE 2026 is an initiative by CINEA, co-produced and hosted by DE CINEMA, and funded by VLAAMS AUDIOVISUEEL FONDS (VAF). With the support of CINEMATEK and UNIVERSITEIT ANTWERPEN.

[1] 𝘓𝘢 𝘝𝘪𝘭𝘭𝘦 𝘥𝘦𝘴 𝘱𝘪𝘳𝘢𝘵𝘦𝘴 [City of Pirates] (Raúl Ruiz, 1983)
[3] 𝘎𝘢𝘣𝘣𝘦𝘩 [گبه] (Mohsen Makhmalbaf, 1996)
[4] 𝘔𝘰𝘵𝘩𝘦𝘳 𝘐𝘯𝘥𝘪𝘢 [मदर इण्डिया] (Mehboob Khan, 1957)
[6] 𝘍𝘭𝘰𝘢𝘵𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴 [浮雲] (Mikio Naruse, 1955)

#zomerfilmcollege #filmstudies #filmschool #summerfilmschool @vlaamsaudiovisueelfonds @cinematekbe @uantwerpen @mhkamuseum @de_studio @shafik.viola

Join @cinea_be and @decinema_ in early July for ZOMERFILMCOLLEGE 2026: a week of in-depth lectures by internationally renowned critics and academics, Q&As with filmmakers, and screenings of both original 35mm copies and recent digital restorations!

This 31st (!) edition features two diverse programme strands. HEARTS OF THE WORLD: GLOBAL FLOWS OF MELODRAMA, presented in collaboration with the University of Antwerp, and demonstrates how melodrama’s versatility allowed it to travel the world. With lectures by Professor Ben Singer (University of Wisconsin, Madison) and Dr. Viola Shafik (freelance filmmaker/lecturer/researcher).

In CINEMA OF POETRY: TEXTURE AND MOOD IN NARRATIVE FILM, we look for the elusive qualities—mystery, mood, texture, sensuality, etc.—that constitute ‘the poetic’ in narrative film. Guest speakers include ZFC habitués and film critics Adrian Martin and Cristina Álvarez López.

⤷ PASSES ARE NOW ON SALE via cinea.be! You can attend both programmes or either sub-programme. Tickets for separate lectures and screenings will become available at a later date. Film students and unemployed people can book their tickets at the reduced rate.

The lectures will be entirely in English, and all screenings will have English subtitles. More practical info via cinea.be!

Subscribe to our newsletter(s) to receive a notification when the full line-up of screenings and lectures is released.

***

ZOMERFILMCOLLEGE 2026 is an initiative by CINEA, co-produced and hosted by DE CINEMA, and funded by VLAAMS AUDIOVISUEEL FONDS (VAF). With the support of CINEMATEK and UNIVERSITEIT ANTWERPEN.

[1] 𝘓𝘢 𝘝𝘪𝘭𝘭𝘦 𝘥𝘦𝘴 𝘱𝘪𝘳𝘢𝘵𝘦𝘴 [City of Pirates] (Raúl Ruiz, 1983)
[3] 𝘎𝘢𝘣𝘣𝘦𝘩 [گبه] (Mohsen Makhmalbaf, 1996)
[4] 𝘔𝘰𝘵𝘩𝘦𝘳 𝘐𝘯𝘥𝘪𝘢 [मदर इण्डिया] (Mehboob Khan, 1957)
[6] 𝘍𝘭𝘰𝘢𝘵𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴 [浮雲] (Mikio Naruse, 1955)

#zomerfilmcollege #filmstudies #filmschool #summerfilmschool @vlaamsaudiovisueelfonds @cinematekbe @uantwerpen @mhkamuseum @de_studio @shafik.viola

Join @cinea_be and @decinema_ in early July for ZOMERFILMCOLLEGE 2026: a week of in-depth lectures by internationally renowned critics and academics, Q&As with filmmakers, and screenings of both original 35mm copies and recent digital restorations!

This 31st (!) edition features two diverse programme strands. HEARTS OF THE WORLD: GLOBAL FLOWS OF MELODRAMA, presented in collaboration with the University of Antwerp, and demonstrates how melodrama’s versatility allowed it to travel the world. With lectures by Professor Ben Singer (University of Wisconsin, Madison) and Dr. Viola Shafik (freelance filmmaker/lecturer/researcher).

In CINEMA OF POETRY: TEXTURE AND MOOD IN NARRATIVE FILM, we look for the elusive qualities—mystery, mood, texture, sensuality, etc.—that constitute ‘the poetic’ in narrative film. Guest speakers include ZFC habitués and film critics Adrian Martin and Cristina Álvarez López.

⤷ PASSES ARE NOW ON SALE via cinea.be! You can attend both programmes or either sub-programme. Tickets for separate lectures and screenings will become available at a later date. Film students and unemployed people can book their tickets at the reduced rate.

The lectures will be entirely in English, and all screenings will have English subtitles. More practical info via cinea.be!

Subscribe to our newsletter(s) to receive a notification when the full line-up of screenings and lectures is released.

***

ZOMERFILMCOLLEGE 2026 is an initiative by CINEA, co-produced and hosted by DE CINEMA, and funded by VLAAMS AUDIOVISUEEL FONDS (VAF). With the support of CINEMATEK and UNIVERSITEIT ANTWERPEN.

[1] 𝘓𝘢 𝘝𝘪𝘭𝘭𝘦 𝘥𝘦𝘴 𝘱𝘪𝘳𝘢𝘵𝘦𝘴 [City of Pirates] (Raúl Ruiz, 1983)
[3] 𝘎𝘢𝘣𝘣𝘦𝘩 [گبه] (Mohsen Makhmalbaf, 1996)
[4] 𝘔𝘰𝘵𝘩𝘦𝘳 𝘐𝘯𝘥𝘪𝘢 [मदर इण्डिया] (Mehboob Khan, 1957)
[6] 𝘍𝘭𝘰𝘢𝘵𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴 [浮雲] (Mikio Naruse, 1955)

#zomerfilmcollege #filmstudies #filmschool #summerfilmschool @vlaamsaudiovisueelfonds @cinematekbe @uantwerpen @mhkamuseum @de_studio @shafik.viola

Join @cinea_be and @decinema_ in early July for ZOMERFILMCOLLEGE 2026: a week of in-depth lectures by internationally renowned critics and academics, Q&As with filmmakers, and screenings of both original 35mm copies and recent digital restorations!

This 31st (!) edition features two diverse programme strands. HEARTS OF THE WORLD: GLOBAL FLOWS OF MELODRAMA, presented in collaboration with the University of Antwerp, and demonstrates how melodrama’s versatility allowed it to travel the world. With lectures by Professor Ben Singer (University of Wisconsin, Madison) and Dr. Viola Shafik (freelance filmmaker/lecturer/researcher).

In CINEMA OF POETRY: TEXTURE AND MOOD IN NARRATIVE FILM, we look for the elusive qualities—mystery, mood, texture, sensuality, etc.—that constitute ‘the poetic’ in narrative film. Guest speakers include ZFC habitués and film critics Adrian Martin and Cristina Álvarez López.

⤷ PASSES ARE NOW ON SALE via cinea.be! You can attend both programmes or either sub-programme. Tickets for separate lectures and screenings will become available at a later date. Film students and unemployed people can book their tickets at the reduced rate.

The lectures will be entirely in English, and all screenings will have English subtitles. More practical info via cinea.be!

Subscribe to our newsletter(s) to receive a notification when the full line-up of screenings and lectures is released.

***

ZOMERFILMCOLLEGE 2026 is an initiative by CINEA, co-produced and hosted by DE CINEMA, and funded by VLAAMS AUDIOVISUEEL FONDS (VAF). With the support of CINEMATEK and UNIVERSITEIT ANTWERPEN.

[1] 𝘓𝘢 𝘝𝘪𝘭𝘭𝘦 𝘥𝘦𝘴 𝘱𝘪𝘳𝘢𝘵𝘦𝘴 [City of Pirates] (Raúl Ruiz, 1983)
[3] 𝘎𝘢𝘣𝘣𝘦𝘩 [گبه] (Mohsen Makhmalbaf, 1996)
[4] 𝘔𝘰𝘵𝘩𝘦𝘳 𝘐𝘯𝘥𝘪𝘢 [मदर इण्डिया] (Mehboob Khan, 1957)
[6] 𝘍𝘭𝘰𝘢𝘵𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴 [浮雲] (Mikio Naruse, 1955)

#zomerfilmcollege #filmstudies #filmschool #summerfilmschool @vlaamsaudiovisueelfonds @cinematekbe @uantwerpen @mhkamuseum @de_studio @shafik.viola

Join @cinea_be and @decinema_ in early July for ZOMERFILMCOLLEGE 2026: a week of in-depth lectures by internationally renowned critics and academics, Q&As with filmmakers, and screenings of both original 35mm copies and recent digital restorations!

This 31st (!) edition features two diverse programme strands. HEARTS OF THE WORLD: GLOBAL FLOWS OF MELODRAMA, presented in collaboration with the University of Antwerp, and demonstrates how melodrama’s versatility allowed it to travel the world. With lectures by Professor Ben Singer (University of Wisconsin, Madison) and Dr. Viola Shafik (freelance filmmaker/lecturer/researcher).

In CINEMA OF POETRY: TEXTURE AND MOOD IN NARRATIVE FILM, we look for the elusive qualities—mystery, mood, texture, sensuality, etc.—that constitute ‘the poetic’ in narrative film. Guest speakers include ZFC habitués and film critics Adrian Martin and Cristina Álvarez López.

⤷ PASSES ARE NOW ON SALE via cinea.be! You can attend both programmes or either sub-programme. Tickets for separate lectures and screenings will become available at a later date. Film students and unemployed people can book their tickets at the reduced rate.

The lectures will be entirely in English, and all screenings will have English subtitles. More practical info via cinea.be!

Subscribe to our newsletter(s) to receive a notification when the full line-up of screenings and lectures is released.

***

ZOMERFILMCOLLEGE 2026 is an initiative by CINEA, co-produced and hosted by DE CINEMA, and funded by VLAAMS AUDIOVISUEEL FONDS (VAF). With the support of CINEMATEK and UNIVERSITEIT ANTWERPEN.

[1] 𝘓𝘢 𝘝𝘪𝘭𝘭𝘦 𝘥𝘦𝘴 𝘱𝘪𝘳𝘢𝘵𝘦𝘴 [City of Pirates] (Raúl Ruiz, 1983)
[3] 𝘎𝘢𝘣𝘣𝘦𝘩 [گبه] (Mohsen Makhmalbaf, 1996)
[4] 𝘔𝘰𝘵𝘩𝘦𝘳 𝘐𝘯𝘥𝘪𝘢 [मदर इण्डिया] (Mehboob Khan, 1957)
[6] 𝘍𝘭𝘰𝘢𝘵𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴 [浮雲] (Mikio Naruse, 1955)

#zomerfilmcollege #filmstudies #filmschool #summerfilmschool @vlaamsaudiovisueelfonds @cinematekbe @uantwerpen @mhkamuseum @de_studio @shafik.viola

Join @cinea_be and @decinema_ in early July for ZOMERFILMCOLLEGE 2026: a week of in-depth lectures by internationally renowned critics and academics, Q&As with filmmakers, and screenings of both original 35mm copies and recent digital restorations!

This 31st (!) edition features two diverse programme strands. HEARTS OF THE WORLD: GLOBAL FLOWS OF MELODRAMA, presented in collaboration with the University of Antwerp, and demonstrates how melodrama’s versatility allowed it to travel the world. With lectures by Professor Ben Singer (University of Wisconsin, Madison) and Dr. Viola Shafik (freelance filmmaker/lecturer/researcher).

In CINEMA OF POETRY: TEXTURE AND MOOD IN NARRATIVE FILM, we look for the elusive qualities—mystery, mood, texture, sensuality, etc.—that constitute ‘the poetic’ in narrative film. Guest speakers include ZFC habitués and film critics Adrian Martin and Cristina Álvarez López.

⤷ PASSES ARE NOW ON SALE via cinea.be! You can attend both programmes or either sub-programme. Tickets for separate lectures and screenings will become available at a later date. Film students and unemployed people can book their tickets at the reduced rate.

The lectures will be entirely in English, and all screenings will have English subtitles. More practical info via cinea.be!

Subscribe to our newsletter(s) to receive a notification when the full line-up of screenings and lectures is released.

***

ZOMERFILMCOLLEGE 2026 is an initiative by CINEA, co-produced and hosted by DE CINEMA, and funded by VLAAMS AUDIOVISUEEL FONDS (VAF). With the support of CINEMATEK and UNIVERSITEIT ANTWERPEN.

[1] 𝘓𝘢 𝘝𝘪𝘭𝘭𝘦 𝘥𝘦𝘴 𝘱𝘪𝘳𝘢𝘵𝘦𝘴 [City of Pirates] (Raúl Ruiz, 1983)
[3] 𝘎𝘢𝘣𝘣𝘦𝘩 [گبه] (Mohsen Makhmalbaf, 1996)
[4] 𝘔𝘰𝘵𝘩𝘦𝘳 𝘐𝘯𝘥𝘪𝘢 [मदर इण्डिया] (Mehboob Khan, 1957)
[6] 𝘍𝘭𝘰𝘢𝘵𝘪𝘯𝘨 𝘊𝘭𝘰𝘶𝘥𝘴 [浮雲] (Mikio Naruse, 1955)

#zomerfilmcollege #filmstudies #filmschool #summerfilmschool @vlaamsaudiovisueelfonds @cinematekbe @uantwerpen @mhkamuseum @de_studio @shafik.viola

With the launch of SLACKERS & DRIFTERS, a new trailer comes along.

Wander through time with De Cinema from May into summer. Slow down and focus your attention on a single screen. Allow yourself to feel bored and lose yourself in the various films of the SLACKERS & DRIFTERS program. De Cinema reclaims your full attention with films that slow down, allow for silence, and leave room to daydream, catch your breath, or dare to look the maddening void straight in the eye.

From getting lost in OLD JOY and THE PASSENGER to slowing down in IKIRU and COLUMBUS, over wandering in WANDA and getting bored in SLACKER, we demand our attention back in every way.

⤷ Discover the full program and tickets via decinema.be!

Trailer made by @natche______

#DeCinema #DeCinemaAntwerp #Slackers&Drifters

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

SAVE THE DATE

🎭 Op woensdag 3 juni presenteren we Soirée Burez, een exclusieve avond waarin de Antwerpse broers Jens Burez (set designer en videograaf) en Athos Burez (fotograaf en kunstenaar) hun cinematografisch universum openen voor het publiek. Als art directors ontwikkelen ze samen een uitgesproken visuele taal op het snijvlak van film, opera en beeldende kunst. Hun eerdere transformatie van De Foyer van Cinema 2, geïnspireerd door David Lynch, CABIRIA en Nicolas Winding Refn, vormt de context voor deze avond.

Ze zullen dit doen met AMADEUS (1984), een exuberant kostuumdrama dat breekt met de klassieke biopic. De film ontvouwt zich als een scherp portret van jaloezie, obsessie en genialiteit door het leven van Wolfgang Amadeus Mozart te vertellen via zijn rivaal Antonio Salieri. Mozart verschijnt niet als verheven genie, maar als grillige, bijna punkachtige outsider.

Na de vertoning op 3 juni volgt een feestelijke receptie en de inauguratie van de foyer, die ze zelf ontwierpen, als moment om de samenwerking tussen de broers Burez en De Cinema te vieren.

#decinema #antwerpen #amadeus @jensburez @athosburez @marieclaire_belgie

😱 Two mysterious masked killers, one summer slasher double bill this June!

We’re pairing the ultra-iconic SCREAM, which sparked the 90s slasher revival, with the underrated I KNOW WHAT YOU DID LAST SUMMER. Two films written by Kevin Williamson, who also wrote numerous SCREAM sequels and THE FACULTY.

Sun’s out, knives (and hooks) out!

𝓘𝓽'𝓼 𝓷𝓸𝓽 𝓳𝓾𝓼𝓽 𝓪 𝓶𝓸𝓿𝓲𝓮𝓷𝓲𝓰𝓱𝓽. 𝓘𝓽'𝓼 𝓪 𝓻𝓲𝓽𝓾𝓪𝓵.

Artwork by @matiascanteros

#cult #horror #ritual

😱 Two mysterious masked killers, one summer slasher double bill this June!

We’re pairing the ultra-iconic SCREAM, which sparked the 90s slasher revival, with the underrated I KNOW WHAT YOU DID LAST SUMMER. Two films written by Kevin Williamson, who also wrote numerous SCREAM sequels and THE FACULTY.

Sun’s out, knives (and hooks) out!

𝓘𝓽'𝓼 𝓷𝓸𝓽 𝓳𝓾𝓼𝓽 𝓪 𝓶𝓸𝓿𝓲𝓮𝓷𝓲𝓰𝓱𝓽. 𝓘𝓽'𝓼 𝓪 𝓻𝓲𝓽𝓾𝓪𝓵.

Artwork by @matiascanteros

#cult #horror #ritual

😱 Two mysterious masked killers, one summer slasher double bill this June!

We’re pairing the ultra-iconic SCREAM, which sparked the 90s slasher revival, with the underrated I KNOW WHAT YOU DID LAST SUMMER. Two films written by Kevin Williamson, who also wrote numerous SCREAM sequels and THE FACULTY.

Sun’s out, knives (and hooks) out!

𝓘𝓽'𝓼 𝓷𝓸𝓽 𝓳𝓾𝓼𝓽 𝓪 𝓶𝓸𝓿𝓲𝓮𝓷𝓲𝓰𝓱𝓽. 𝓘𝓽'𝓼 𝓪 𝓻𝓲𝓽𝓾𝓪𝓵.

Artwork by @matiascanteros

#cult #horror #ritual

😱 Two mysterious masked killers, one summer slasher double bill this June!

We’re pairing the ultra-iconic SCREAM, which sparked the 90s slasher revival, with the underrated I KNOW WHAT YOU DID LAST SUMMER. Two films written by Kevin Williamson, who also wrote numerous SCREAM sequels and THE FACULTY.

Sun’s out, knives (and hooks) out!

𝓘𝓽'𝓼 𝓷𝓸𝓽 𝓳𝓾𝓼𝓽 𝓪 𝓶𝓸𝓿𝓲𝓮𝓷𝓲𝓰𝓱𝓽. 𝓘𝓽'𝓼 𝓪 𝓻𝓲𝓽𝓾𝓪𝓵.

Artwork by @matiascanteros

#cult #horror #ritual

😱 Two mysterious masked killers, one summer slasher double bill this June!

We’re pairing the ultra-iconic SCREAM, which sparked the 90s slasher revival, with the underrated I KNOW WHAT YOU DID LAST SUMMER. Two films written by Kevin Williamson, who also wrote numerous SCREAM sequels and THE FACULTY.

Sun’s out, knives (and hooks) out!

𝓘𝓽'𝓼 𝓷𝓸𝓽 𝓳𝓾𝓼𝓽 𝓪 𝓶𝓸𝓿𝓲𝓮𝓷𝓲𝓰𝓱𝓽. 𝓘𝓽'𝓼 𝓪 𝓻𝓲𝓽𝓾𝓪𝓵.

Artwork by @matiascanteros

#cult #horror #ritual

🎞️ 𝙒𝙚 𝙖𝙧𝙚 𝙜𝙤𝙣𝙣𝙖 𝙨𝙘𝙧𝙚𝙚𝙣 𝙮𝙤𝙪𝙧 𝙛𝙖𝙫𝙤𝙪𝙧𝙞𝙩𝙚 𝙢𝙤𝙫𝙞𝙚!

On October 4th, De Cinema is opening its programme for a full day of audience favourites once again! Let us know which films you are dying to finally see on the big screen.

The three most popular titles will be screened on the occasion of Open Cinema, in collaboration with Flanders Audiovisual Fund (VAF).

Submit your choices before the 12th of July via the website.

#cinema #antwerp @vlaamsaudiovisueelfonds

🎞️ 𝙒𝙚 𝙖𝙧𝙚 𝙜𝙤𝙣𝙣𝙖 𝙨𝙘𝙧𝙚𝙚𝙣 𝙮𝙤𝙪𝙧 𝙛𝙖𝙫𝙤𝙪𝙧𝙞𝙩𝙚 𝙢𝙤𝙫𝙞𝙚!

On October 4th, De Cinema is opening its programme for a full day of audience favourites once again! Let us know which films you are dying to finally see on the big screen.

The three most popular titles will be screened on the occasion of Open Cinema, in collaboration with Flanders Audiovisual Fund (VAF).

Submit your choices before the 12th of July via the website.

#cinema #antwerp @vlaamsaudiovisueelfonds

🎞️ 𝙒𝙚 𝙖𝙧𝙚 𝙜𝙤𝙣𝙣𝙖 𝙨𝙘𝙧𝙚𝙚𝙣 𝙮𝙤𝙪𝙧 𝙛𝙖𝙫𝙤𝙪𝙧𝙞𝙩𝙚 𝙢𝙤𝙫𝙞𝙚!

On October 4th, De Cinema is opening its programme for a full day of audience favourites once again! Let us know which films you are dying to finally see on the big screen.

The three most popular titles will be screened on the occasion of Open Cinema, in collaboration with Flanders Audiovisual Fund (VAF).

Submit your choices before the 12th of July via the website.

#cinema #antwerp @vlaamsaudiovisueelfonds

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

Xander De Rycke komt naar De Cinema en neemt mee... zijn grote liefde voor Jackie Chan en diens grondlegende martial arts-films.

Omdat er weinig beter is dan samen kijken hoe Jackie zichzelf kapot maakt voor ons entertainment, koos Xander voor de actieklassieker POLICE STORY (1985, in een 4K restauratie) die de sterrencarrière van Jackie Chan definitief lanceerde.

In deze film speelt Chan een politieagent die een drugsnetwerk moet oprollen, maar hierdoor diep in de problemen komt. Fysieke comedy, legendarische stunts en een roekeloze actieheld: het zit allemaal in deze iconische jaren 1980-film!

Voor de film doet Xander zijn liefde voor Jackie Chan nog uit de doeken!

WOE 27 MEI, 20:00
📍De Cinema

#DeCinema #DeCinemaAntwerp #PoliceStory #JackieChan @xanderycke

📼 VIDEO/TAKE, a brand-new joint series by De Cinema and M HKA, transfers video art and artist moving image works from the small to the big screen.

For this first installment during Antwerp Art Weekend, graphic designer Jelle Jespers will present a selection of Belgian and Argentine video works that were shown in Antwerp fifty years ago. Now presented on the big screen for the first time, VIDEO/TAKE #1 features contributions by Jorge Glusberg, González Mir, Alberto Pellegrino, Mirtha Dermisache, Gregorio Klimovsky, Leo Copers, Filip Francis, Pierre Courtois, Hubert Van Es, Lili Dujourie, Roger Steylaerts, and Chris Goyvaerts.

This screening connects to the ongoing archival display “Nueva Visión. Printed Matter as Artistic Practice (1940—1976)”, currently at @mhkamuseum, in which Jespers explores graphic design and printed matter in Argentina as a space for experimentation, exchange, and social engagement.

FRIDAY 15 MAY, 18:15
📍De Cinema
⤷ More info and tickets via decinema.be!

#videotake #video #movingimage #videoart @mhkamuseum @antwerpart @jelle_jespers

📼 VIDEO/TAKE, a brand-new joint series by De Cinema and M HKA, transfers video art and artist moving image works from the small to the big screen.

For this first installment during Antwerp Art Weekend, graphic designer Jelle Jespers will present a selection of Belgian and Argentine video works that were shown in Antwerp fifty years ago. Now presented on the big screen for the first time, VIDEO/TAKE #1 features contributions by Jorge Glusberg, González Mir, Alberto Pellegrino, Mirtha Dermisache, Gregorio Klimovsky, Leo Copers, Filip Francis, Pierre Courtois, Hubert Van Es, Lili Dujourie, Roger Steylaerts, and Chris Goyvaerts.

This screening connects to the ongoing archival display “Nueva Visión. Printed Matter as Artistic Practice (1940—1976)”, currently at @mhkamuseum, in which Jespers explores graphic design and printed matter in Argentina as a space for experimentation, exchange, and social engagement.

FRIDAY 15 MAY, 18:15
📍De Cinema
⤷ More info and tickets via decinema.be!

#videotake #video #movingimage #videoart @mhkamuseum @antwerpart @jelle_jespers

📼 VIDEO/TAKE, a brand-new joint series by De Cinema and M HKA, transfers video art and artist moving image works from the small to the big screen.

For this first installment during Antwerp Art Weekend, graphic designer Jelle Jespers will present a selection of Belgian and Argentine video works that were shown in Antwerp fifty years ago. Now presented on the big screen for the first time, VIDEO/TAKE #1 features contributions by Jorge Glusberg, González Mir, Alberto Pellegrino, Mirtha Dermisache, Gregorio Klimovsky, Leo Copers, Filip Francis, Pierre Courtois, Hubert Van Es, Lili Dujourie, Roger Steylaerts, and Chris Goyvaerts.

This screening connects to the ongoing archival display “Nueva Visión. Printed Matter as Artistic Practice (1940—1976)”, currently at @mhkamuseum, in which Jespers explores graphic design and printed matter in Argentina as a space for experimentation, exchange, and social engagement.

FRIDAY 15 MAY, 18:15
📍De Cinema
⤷ More info and tickets via decinema.be!

#videotake #video #movingimage #videoart @mhkamuseum @antwerpart @jelle_jespers

📼 VIDEO/TAKE, a brand-new joint series by De Cinema and M HKA, transfers video art and artist moving image works from the small to the big screen.

For this first installment during Antwerp Art Weekend, graphic designer Jelle Jespers will present a selection of Belgian and Argentine video works that were shown in Antwerp fifty years ago. Now presented on the big screen for the first time, VIDEO/TAKE #1 features contributions by Jorge Glusberg, González Mir, Alberto Pellegrino, Mirtha Dermisache, Gregorio Klimovsky, Leo Copers, Filip Francis, Pierre Courtois, Hubert Van Es, Lili Dujourie, Roger Steylaerts, and Chris Goyvaerts.

This screening connects to the ongoing archival display “Nueva Visión. Printed Matter as Artistic Practice (1940—1976)”, currently at @mhkamuseum, in which Jespers explores graphic design and printed matter in Argentina as a space for experimentation, exchange, and social engagement.

FRIDAY 15 MAY, 18:15
📍De Cinema
⤷ More info and tickets via decinema.be!

#videotake #video #movingimage #videoart @mhkamuseum @antwerpart @jelle_jespers

📼 VIDEO/TAKE, a brand-new joint series by De Cinema and M HKA, transfers video art and artist moving image works from the small to the big screen.

For this first installment during Antwerp Art Weekend, graphic designer Jelle Jespers will present a selection of Belgian and Argentine video works that were shown in Antwerp fifty years ago. Now presented on the big screen for the first time, VIDEO/TAKE #1 features contributions by Jorge Glusberg, González Mir, Alberto Pellegrino, Mirtha Dermisache, Gregorio Klimovsky, Leo Copers, Filip Francis, Pierre Courtois, Hubert Van Es, Lili Dujourie, Roger Steylaerts, and Chris Goyvaerts.

This screening connects to the ongoing archival display “Nueva Visión. Printed Matter as Artistic Practice (1940—1976)”, currently at @mhkamuseum, in which Jespers explores graphic design and printed matter in Argentina as a space for experimentation, exchange, and social engagement.

FRIDAY 15 MAY, 18:15
📍De Cinema
⤷ More info and tickets via decinema.be!

#videotake #video #movingimage #videoart @mhkamuseum @antwerpart @jelle_jespers

📼 VIDEO/TAKE, a brand-new joint series by De Cinema and M HKA, transfers video art and artist moving image works from the small to the big screen.

For this first installment during Antwerp Art Weekend, graphic designer Jelle Jespers will present a selection of Belgian and Argentine video works that were shown in Antwerp fifty years ago. Now presented on the big screen for the first time, VIDEO/TAKE #1 features contributions by Jorge Glusberg, González Mir, Alberto Pellegrino, Mirtha Dermisache, Gregorio Klimovsky, Leo Copers, Filip Francis, Pierre Courtois, Hubert Van Es, Lili Dujourie, Roger Steylaerts, and Chris Goyvaerts.

This screening connects to the ongoing archival display “Nueva Visión. Printed Matter as Artistic Practice (1940—1976)”, currently at @mhkamuseum, in which Jespers explores graphic design and printed matter in Argentina as a space for experimentation, exchange, and social engagement.

FRIDAY 15 MAY, 18:15
📍De Cinema
⤷ More info and tickets via decinema.be!

#videotake #video #movingimage #videoart @mhkamuseum @antwerpart @jelle_jespers

🎶 𝘔𝘦𝘵𝘳𝘰𝘱𝘰𝘭𝘪𝘴 meets 𝘕𝘰𝘴𝘧𝘦𝘳𝘢𝘵𝘶: in Garin Nugroho’s SETAN JAWA (2017), the visual language of German Expressionism is blended with Javanese shadow theatre and mysticism. Filmed in stark black-and-white, this Indonesian take on 𝘍𝘢𝘶𝘴𝘵 is not a retro experiment but a wonderful re-interpretation of silent cinema as a contemporary art form.

This is a unique opportunity to experience this internationally presented work in Antwerp for the first time. For this film concert, leading Javanese singer and composer Peni Candra Rini is joined by musician Indrė Jurgelevičiūtė and by multi-instrumentalist and Prof. Dr. Andy McGraw. Reborn through voice, percussion, and sound, Rini’s new score revitalises gamelan traditions.

In the film, poor mat weaver Setio makes a pact with dark forces to gain wealth so he can marry Asih, a woman from a higher class. But power comes at a price. When his ambition spirals out of control, love becomes a sacrifice…

A co-production of Het Bos and De Cinema. With thanks to the Embassy of the Republic of Indonesia in Brussels.

THURSDAY MAY 14, 20:15
⤷ Tickets are now available via decinema.be!

#SetanJawa #GarinNugroho #PeniCandraRini #rescored #DeCinemaAntwerp @het_bos @garin_film @amcgrawrva @indre____ @penicandrarini

🎶 𝘔𝘦𝘵𝘳𝘰𝘱𝘰𝘭𝘪𝘴 meets 𝘕𝘰𝘴𝘧𝘦𝘳𝘢𝘵𝘶: in Garin Nugroho’s SETAN JAWA (2017), the visual language of German Expressionism is blended with Javanese shadow theatre and mysticism. Filmed in stark black-and-white, this Indonesian take on 𝘍𝘢𝘶𝘴𝘵 is not a retro experiment but a wonderful re-interpretation of silent cinema as a contemporary art form.

This is a unique opportunity to experience this internationally presented work in Antwerp for the first time. For this film concert, leading Javanese singer and composer Peni Candra Rini is joined by musician Indrė Jurgelevičiūtė and by multi-instrumentalist and Prof. Dr. Andy McGraw. Reborn through voice, percussion, and sound, Rini’s new score revitalises gamelan traditions.

In the film, poor mat weaver Setio makes a pact with dark forces to gain wealth so he can marry Asih, a woman from a higher class. But power comes at a price. When his ambition spirals out of control, love becomes a sacrifice…

A co-production of Het Bos and De Cinema. With thanks to the Embassy of the Republic of Indonesia in Brussels.

THURSDAY MAY 14, 20:15
⤷ Tickets are now available via decinema.be!

#SetanJawa #GarinNugroho #PeniCandraRini #rescored #DeCinemaAntwerp @het_bos @garin_film @amcgrawrva @indre____ @penicandrarini

🎶 𝘔𝘦𝘵𝘳𝘰𝘱𝘰𝘭𝘪𝘴 meets 𝘕𝘰𝘴𝘧𝘦𝘳𝘢𝘵𝘶: in Garin Nugroho’s SETAN JAWA (2017), the visual language of German Expressionism is blended with Javanese shadow theatre and mysticism. Filmed in stark black-and-white, this Indonesian take on 𝘍𝘢𝘶𝘴𝘵 is not a retro experiment but a wonderful re-interpretation of silent cinema as a contemporary art form.

This is a unique opportunity to experience this internationally presented work in Antwerp for the first time. For this film concert, leading Javanese singer and composer Peni Candra Rini is joined by musician Indrė Jurgelevičiūtė and by multi-instrumentalist and Prof. Dr. Andy McGraw. Reborn through voice, percussion, and sound, Rini’s new score revitalises gamelan traditions.

In the film, poor mat weaver Setio makes a pact with dark forces to gain wealth so he can marry Asih, a woman from a higher class. But power comes at a price. When his ambition spirals out of control, love becomes a sacrifice…

A co-production of Het Bos and De Cinema. With thanks to the Embassy of the Republic of Indonesia in Brussels.

THURSDAY MAY 14, 20:15
⤷ Tickets are now available via decinema.be!

#SetanJawa #GarinNugroho #PeniCandraRini #rescored #DeCinemaAntwerp @het_bos @garin_film @amcgrawrva @indre____ @penicandrarini

@micha.volders en @mutropia_ presenteren SǒN met live soundtrack 🎬🎶 SǒN is een kortfilm die documentaire en fictie vermengt en een voormalige Muay Thai-vechter volgt die worstelt met persoonlijke grenzen, familiale druk en zijn plaats in de samenleving.

De SǒN-soundtrack combineert hoekige orkestrale texturen, scherpe en transgressieve percussie met minimalistische patronen en soundscapes. Deze klankwereld wordt live tot leven gebracht door een trio met Tsubasa Hori (percussie, koto, stem), Andrew Claes (saxofoons, fluiten, elektronica) en Micha Volders (elektronica, elektro-akoestische instrumenten) zelf.

wo 3 jun om 20u30
info & tickets: destudio.com

SCREENING 4: SAFE (TODD HAYNES) met @persephone.vzw ❤️‍🩹

Op 12 mei screenen we onze laatste film van dit voorjaar, en dat is er eentje die ongetwijfeld een indruk zal nalaten. 💜 Dit beklemmend portret van angst en eenzaamheid in deze maatschappij bespreken we met @persephone.vzw, een prachtige vzw die zich inzet voor vrouwen met een handicap of chronische ziekte.

Carol leidt het perfect luxeleventje in LA: ze woont in een zotte villa, heeft een loving husband en vult haar dagen met fitness & garden parties waar ze haar sociale rol met glans speelt. Tot ze plots vreemde klachten krijgt waar geen verklaring voor lijken te zijn, maar Carol weet het zeker - ze is allergisch aan de moderne wereld waar geen plaats is voor kwetsbaarheid.

Waar daar wél plaats voor is? Bij ons in @decinema_ op dinsdag 12 mei natuurlijk! Dus haal je tickets in huis via de 🔗 in bio en let’s talk over dit gelaagde pareltje uit de 90’s.

SCREENING 4: SAFE (TODD HAYNES) met @persephone.vzw ❤️‍🩹

Op 12 mei screenen we onze laatste film van dit voorjaar, en dat is er eentje die ongetwijfeld een indruk zal nalaten. 💜 Dit beklemmend portret van angst en eenzaamheid in deze maatschappij bespreken we met @persephone.vzw, een prachtige vzw die zich inzet voor vrouwen met een handicap of chronische ziekte.

Carol leidt het perfect luxeleventje in LA: ze woont in een zotte villa, heeft een loving husband en vult haar dagen met fitness & garden parties waar ze haar sociale rol met glans speelt. Tot ze plots vreemde klachten krijgt waar geen verklaring voor lijken te zijn, maar Carol weet het zeker - ze is allergisch aan de moderne wereld waar geen plaats is voor kwetsbaarheid.

Waar daar wél plaats voor is? Bij ons in @decinema_ op dinsdag 12 mei natuurlijk! Dus haal je tickets in huis via de 🔗 in bio en let’s talk over dit gelaagde pareltje uit de 90’s.

SCREENING 4: SAFE (TODD HAYNES) met @persephone.vzw ❤️‍🩹

Op 12 mei screenen we onze laatste film van dit voorjaar, en dat is er eentje die ongetwijfeld een indruk zal nalaten. 💜 Dit beklemmend portret van angst en eenzaamheid in deze maatschappij bespreken we met @persephone.vzw, een prachtige vzw die zich inzet voor vrouwen met een handicap of chronische ziekte.

Carol leidt het perfect luxeleventje in LA: ze woont in een zotte villa, heeft een loving husband en vult haar dagen met fitness & garden parties waar ze haar sociale rol met glans speelt. Tot ze plots vreemde klachten krijgt waar geen verklaring voor lijken te zijn, maar Carol weet het zeker - ze is allergisch aan de moderne wereld waar geen plaats is voor kwetsbaarheid.

Waar daar wél plaats voor is? Bij ons in @decinema_ op dinsdag 12 mei natuurlijk! Dus haal je tickets in huis via de 🔗 in bio en let’s talk over dit gelaagde pareltje uit de 90’s.

SCREENING 4: SAFE (TODD HAYNES) met @persephone.vzw ❤️‍🩹

Op 12 mei screenen we onze laatste film van dit voorjaar, en dat is er eentje die ongetwijfeld een indruk zal nalaten. 💜 Dit beklemmend portret van angst en eenzaamheid in deze maatschappij bespreken we met @persephone.vzw, een prachtige vzw die zich inzet voor vrouwen met een handicap of chronische ziekte.

Carol leidt het perfect luxeleventje in LA: ze woont in een zotte villa, heeft een loving husband en vult haar dagen met fitness & garden parties waar ze haar sociale rol met glans speelt. Tot ze plots vreemde klachten krijgt waar geen verklaring voor lijken te zijn, maar Carol weet het zeker - ze is allergisch aan de moderne wereld waar geen plaats is voor kwetsbaarheid.

Waar daar wél plaats voor is? Bij ons in @decinema_ op dinsdag 12 mei natuurlijk! Dus haal je tickets in huis via de 🔗 in bio en let’s talk over dit gelaagde pareltje uit de 90’s.