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Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Proud to present the first stills of ‘Le Stanze Rosse’
It’s 1961 at The Gaslight Café in New York, when Tom Levi, a kid from Jackson Heights trying to get his life together while washing dishes at the Gaslight, meets Louis de Bretteville, an art history student at Princeton University.
Their unusual bond takes them from New York to Rome and back to the Gaslight, where Tom steals the only thing he remembers from the time he was sleeping on the benches at the MoMA, which happens to be one of the most controversial paintings of all time, ‘L’Atelier Rouge’. Louis is left to deal with the consequences—if there are any. But just like L’Atelier, hidden behind a layer of red, their relationship begins to unravel as everything falls apart.
@aldila.pictures @davidtorozoff @louis_lambeaux
Fraticelli’s Super 8, my waltz, Cinecittà stage. @cesfrati #cinema #film #archive#filmarchive
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
“Can you hear it?” on glorious 35mm for @audiogenmusic
Full link in bio 🐒
Written by @davidtorozoff @cesfrati
Director @cesfrati
DP @natasha.abdul
Producers @davidtorozoff @jenny_zjy
Prod Company @25cfilms
AD @khd_valentina
Prod coordinator @oscarllodra
1st AC @xavieroms
2nd AC @carmen.dv
VTR @esquirol_volador
Gaffer @alex_narnet
Lighting tech @cristobalmarincastro @masniceone
Crane tech @santitorme
Grip @jesuspageshurtado_
PA @paolo_garcia__
Crew support @yiling_zhao_
Set design @jou_with_flou
Set deco @marcopennasilicoventura
Set dresser @julius.westra
SFX make up & costume @raphael.arcadios
SFX assist @kubaivvan
Main cast @davidtorozoff @louis_lambeaux @marcopennasilicoventura
SA @emi_pasca @elyxlz @jacopomadaluni
Film dev lab @kafardfilms
Colour & VFX @washldn
Colourist @ikohchung
Colour producer @disfordisco
Sound design @bambamaudio_
Location support: ACTIVA experience
Special thanks to @servicevision_scorpio @napalmrentals @kodak_shootfilm
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
@cesfrati and I had the chance to talk to New York Magazine about cinema, Tolstoy, Dostoevsky, and our Jeanne Dielman video. Take a look if you haven't yet. And yes, the magazine cover is iconic. The rest? Just Bourdaining and cooking up an upcoming project in the desert
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