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‘Various Small Whistles and a Song’ by Lia Kohl is out now!16 one-minute tracks which include contributions from claire rousay, Macie Stewart, Patrick Shiroishi among others. As the title suggests, it’s a direct response to Ed Ruscha’s 1964 photographic artist book ‘Various Small Fires and Milk’, and shares the same celebration of ordinariness, deadpan humor and depth.
 
Available now on 10” vinyl and digital – link in bio or at @constellationchicago tonight where Lia will present the album.
 
All music composed and performed by Lia Kohl
Field recordings by Lia Kohl, Macie Stewart (4), Patrick Shiroishi (5), Colin Held (7), Corey Smith, Ellie Mejía, and Anna Fox (8), Jesse Perlstein (10), claire rousay (11), and Steve Rosborough (13)

Mixed by Lia Kohl
Mastered by Stephan Mathieu
Design and layout by Jelle Martens

@studioschwebung @jelle_martens_
@maciestewart @patrickshiroishi @ennui2 @absentwarrior @clairerousay @steve.rosborough
 
The structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces. 

The “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.

‘Various Small Whistles and a Song’ by Lia Kohl is out now!16 one-minute tracks which include contributions from claire rousay, Macie Stewart, Patrick Shiroishi among others. As the title suggests, it’s a direct response to Ed Ruscha’s 1964 photographic artist book ‘Various Small Fires and Milk’, and shares the same celebration of ordinariness, deadpan humor and depth.
 
Available now on 10” vinyl and digital – link in bio or at @constellationchicago tonight where Lia will present the album.
 
All music composed and performed by Lia Kohl
Field recordings by Lia Kohl, Macie Stewart (4), Patrick Shiroishi (5), Colin Held (7), Corey Smith, Ellie Mejía, and Anna Fox (8), Jesse Perlstein (10), claire rousay (11), and Steve Rosborough (13)

Mixed by Lia Kohl
Mastered by Stephan Mathieu
Design and layout by Jelle Martens

@studioschwebung @jelle_martens_
@maciestewart @patrickshiroishi @ennui2 @absentwarrior @clairerousay @steve.rosborough
 
The structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces. 

The “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.

‘Various Small Whistles and a Song’ by Lia Kohl is out now!16 one-minute tracks which include contributions from claire rousay, Macie Stewart, Patrick Shiroishi among others. As the title suggests, it’s a direct response to Ed Ruscha’s 1964 photographic artist book ‘Various Small Fires and Milk’, and shares the same celebration of ordinariness, deadpan humor and depth.
 
Available now on 10” vinyl and digital – link in bio or at @constellationchicago tonight where Lia will present the album.
 
All music composed and performed by Lia Kohl
Field recordings by Lia Kohl, Macie Stewart (4), Patrick Shiroishi (5), Colin Held (7), Corey Smith, Ellie Mejía, and Anna Fox (8), Jesse Perlstein (10), claire rousay (11), and Steve Rosborough (13)

Mixed by Lia Kohl
Mastered by Stephan Mathieu
Design and layout by Jelle Martens

@studioschwebung @jelle_martens_
@maciestewart @patrickshiroishi @ennui2 @absentwarrior @clairerousay @steve.rosborough
 
The structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces. 

The “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.

‘Various Small Whistles and a Song’ by Lia Kohl is out now!16 one-minute tracks which include contributions from claire rousay, Macie Stewart, Patrick Shiroishi among others. As the title suggests, it’s a direct response to Ed Ruscha’s 1964 photographic artist book ‘Various Small Fires and Milk’, and shares the same celebration of ordinariness, deadpan humor and depth.
 
Available now on 10” vinyl and digital – link in bio or at @constellationchicago tonight where Lia will present the album.
 
All music composed and performed by Lia Kohl
Field recordings by Lia Kohl, Macie Stewart (4), Patrick Shiroishi (5), Colin Held (7), Corey Smith, Ellie Mejía, and Anna Fox (8), Jesse Perlstein (10), claire rousay (11), and Steve Rosborough (13)

Mixed by Lia Kohl
Mastered by Stephan Mathieu
Design and layout by Jelle Martens

@studioschwebung @jelle_martens_
@maciestewart @patrickshiroishi @ennui2 @absentwarrior @clairerousay @steve.rosborough
 
The structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces. 

The “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.

Ahead of its release next month, we’re sharing three new pieces from Lia Kohl her upcoming album ‘Various Small Whistles and a Song’! Available to listen on all platforms while the 10” and digital album are still up for pre-order – link in bio.

“Voting line, Chicago”
“Walking Home, Los Angeles” (feat. Patrick Shiroishi)
“Midewin National Tallgrass Prairie, Illinois” (feat. Corey Smith, Ellie Mejía, and Anna Fox)

Mixed by Lia Kohl
Mastered by Stephan Mathieu
Design and layout by Jelle Martens

@liairenekohl @jelle_martens_ @studioschwebung @patrickshiroishi @ennui2

Various Small Whistles and a Song
by Lia Kohl
 
Out on November 14 on 10” vinyl and digital through Dauw
 
As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes: a collection of 16 micro-songs where whistles are layered with synthesizers, cello, drum loops, and toy instruments.
 
A three-track suite, one of which features claire rousay, is now available to listen alongside a pre-order – link in bio
 
All music composed and performed by Lia Kohl
Mixed by Lia Kohl
Mastered by Stephan Mathieu
Design and layout by Jelle Martens

@clairerousay @studioschwebung @jelle_martens_ @terrorbirdmedia

Various Small Whistles and a Song
by Lia Kohl
 
Out on November 14 on 10” vinyl and digital through Dauw
 
As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes: a collection of 16 micro-songs where whistles are layered with synthesizers, cello, drum loops, and toy instruments.
 
A three-track suite, one of which features claire rousay, is now available to listen alongside a pre-order – link in bio
 
All music composed and performed by Lia Kohl
Mixed by Lia Kohl
Mastered by Stephan Mathieu
Design and layout by Jelle Martens

@clairerousay @studioschwebung @jelle_martens_ @terrorbirdmedia

‘morning music’ by the humble bee is out now! One of the albums that marked a milestone in our own collection so really happy to finally make it available again!
 
Regular 2LP and digital edition available now – link in bio

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:00 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, ‘morning music’ served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to ‘morning music’ - and with it, the hope that it will find its way to new ears as well.
 
(Re)mastered by Ian Hawgood 
Artwork by Zander Raymond 
Design by Jelle Martens

@zanderraymond @jelle_martens_ @anostanost

‘morning music’ by the humble bee is out now! One of the albums that marked a milestone in our own collection so really happy to finally make it available again!
 
Regular 2LP and digital edition available now – link in bio

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:00 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, ‘morning music’ served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to ‘morning music’ - and with it, the hope that it will find its way to new ears as well.
 
(Re)mastered by Ian Hawgood 
Artwork by Zander Raymond 
Design by Jelle Martens

@zanderraymond @jelle_martens_ @anostanost

‘morning music’ by the humble bee is out now! One of the albums that marked a milestone in our own collection so really happy to finally make it available again!
 
Regular 2LP and digital edition available now – link in bio

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:00 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, ‘morning music’ served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to ‘morning music’ - and with it, the hope that it will find its way to new ears as well.
 
(Re)mastered by Ian Hawgood 
Artwork by Zander Raymond 
Design by Jelle Martens

@zanderraymond @jelle_martens_ @anostanost

‘morning music’ by the humble bee is out now! One of the albums that marked a milestone in our own collection so really happy to finally make it available again!
 
Regular 2LP and digital edition available now – link in bio

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:00 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, ‘morning music’ served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to ‘morning music’ - and with it, the hope that it will find its way to new ears as well.
 
(Re)mastered by Ian Hawgood 
Artwork by Zander Raymond 
Design by Jelle Martens

@zanderraymond @jelle_martens_ @anostanost

‘morning music’ by the humble bee is out now! One of the albums that marked a milestone in our own collection so really happy to finally make it available again!
 
Regular 2LP and digital edition available now – link in bio

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:00 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, ‘morning music’ served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to ‘morning music’ - and with it, the hope that it will find its way to new ears as well.
 
(Re)mastered by Ian Hawgood 
Artwork by Zander Raymond 
Design by Jelle Martens

@zanderraymond @jelle_martens_ @anostanost

‘morning music’ by the humble bee is out now! One of the albums that marked a milestone in our own collection so really happy to finally make it available again!
 
Regular 2LP and digital edition available now – link in bio

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:00 am, before leaving for work — to write, record, mix, and document a piece of music. This daily ritual resulted in 28 pieces, accompanied by drawings of his tape-looping systems and photographs of his setup and the snowy January view from his window.

For many listeners, ‘morning music’ served as a first introduction to his music and sparked a lasting interest in both this alias and his wider body of work. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. As such, this reissue aims to bring renewed attention to ‘morning music’ - and with it, the hope that it will find its way to new ears as well.
 
(Re)mastered by Ian Hawgood 
Artwork by Zander Raymond 
Design by Jelle Martens

@zanderraymond @jelle_martens_ @anostanost

Only one week left until ‘morning music’ is out, so happy to share the third set of compositions before the full album drops. In the meantime, the cassettes arrived from Craig who recorded each tape from the previous tape; a process that resulted in a decayed and erased documentation of the initial master – less than a handful are still available.
 
‘week 3’ is now available to listen alongside the pre-order – link in bio.

@zanderraymond @jelle_martens_ @anostanost
 
Music by Craig Tattersall
Mastered by Ian Hawgood
Artwork by Zander Raymond
Design by Jelle Martens

Only one week left until ‘morning music’ is out, so happy to share the third set of compositions before the full album drops. In the meantime, the cassettes arrived from Craig who recorded each tape from the previous tape; a process that resulted in a decayed and erased documentation of the initial master – less than a handful are still available.
 
‘week 3’ is now available to listen alongside the pre-order – link in bio.

@zanderraymond @jelle_martens_ @anostanost
 
Music by Craig Tattersall
Mastered by Ian Hawgood
Artwork by Zander Raymond
Design by Jelle Martens

the humble bee’s ‘morning music’ is still available to pre-order! A few special editions remain and include a cassette with a full album rework by the artist himself. Decayed and erased traces of what initially was a 4-week long process of making music within the frame of 1 hour each day. 

The pieces of week 2 are now available to listen alongside a pre-order of the album – link in bio.


(Re)mastered by Ian Hawgood
Artwork by Zander Raymond
Design by Jelle Martens

@zanderraymond @jelle_martens_ @anostanost

the humble bee’s ‘morning music’ is still available to pre-order! A few special editions remain and include a cassette with a full album rework by the artist himself. Decayed and erased traces of what initially was a 4-week long process of making music within the frame of 1 hour each day. 

The pieces of week 2 are now available to listen alongside a pre-order of the album – link in bio.


(Re)mastered by Ian Hawgood
Artwork by Zander Raymond
Design by Jelle Martens

@zanderraymond @jelle_martens_ @anostanost

Happy to announce the reissue of the humble bee’s quietly classic ‘morning music’! Now, for the first time ever, the remastered album will be available on vinyl alongside a digital edition, out on September 26, 2025.

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:00 am, before leaving for work — to write, record, mix, and document a piece of music. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. Now available again on a 2LP edition plus a special edition including a full album rework by the humble bee on cassette.

‘week 1’ is now available to listen alongside a pre-order of the album – link in bio.

@zanderraymond @anostanost @jelle_martens_ 

(Re)mastered by Ian Hawgood
Artwork by Zander Raymond
Design by Jelle Martens

Happy to announce the reissue of the humble bee’s quietly classic ‘morning music’! Now, for the first time ever, the remastered album will be available on vinyl alongside a digital edition, out on September 26, 2025.

Originally released in 2010 on Cotton Goods — Craig Tattersall’s own imprint — the extensive album was born from a simple yet committed daily practice: over the course of four weeks, Tattersall set aside an hour each morning — between 6:00 and 7:00 am, before leaving for work — to write, record, mix, and document a piece of music. The original cd edition sold out quickly after its release and only occasionally resurfaced in the form of unofficial uploads. Now available again on a 2LP edition plus a special edition including a full album rework by the humble bee on cassette.

‘week 1’ is now available to listen alongside a pre-order of the album – link in bio.

@zanderraymond @anostanost @jelle_martens_ 

(Re)mastered by Ian Hawgood
Artwork by Zander Raymond
Design by Jelle Martens

‘Pardinyas’ by ghost and tape is out now! Available on limited edition cassette – name your price for the digital version the next two weeks.
 
With this new work, Heine Christensen continues his explorations into the world of Eurorack. This ever-changing instrument has had a profound impact on his practice, pushing the boundaries of his (re)sampling and sound construction techniques. On Pardinyas, we hear the most minimal and abstract ghost and tape to date. Snippets of melody come and go, almost as if they’re playing a game of hide and seek, but before you even realize it, the abstraction has turned into a meaningful reality. Pardinyas marks a new chapter for ghost and tape, offering a subtle yet focused evolution of his sound, and once again, an ode to composing with sound.

Artwork by Eva Vermeiren
Design by Jelle Martens

@ghostandtape
@evavermeiren_
@jelle_martens_

‘Pardinyas’ by ghost and tape is out now! Available on limited edition cassette – name your price for the digital version the next two weeks.
 
With this new work, Heine Christensen continues his explorations into the world of Eurorack. This ever-changing instrument has had a profound impact on his practice, pushing the boundaries of his (re)sampling and sound construction techniques. On Pardinyas, we hear the most minimal and abstract ghost and tape to date. Snippets of melody come and go, almost as if they’re playing a game of hide and seek, but before you even realize it, the abstraction has turned into a meaningful reality. Pardinyas marks a new chapter for ghost and tape, offering a subtle yet focused evolution of his sound, and once again, an ode to composing with sound.

Artwork by Eva Vermeiren
Design by Jelle Martens

@ghostandtape
@evavermeiren_
@jelle_martens_

‘Pardinyas’ by ghost and tape is out now! Available on limited edition cassette – name your price for the digital version the next two weeks.
 
With this new work, Heine Christensen continues his explorations into the world of Eurorack. This ever-changing instrument has had a profound impact on his practice, pushing the boundaries of his (re)sampling and sound construction techniques. On Pardinyas, we hear the most minimal and abstract ghost and tape to date. Snippets of melody come and go, almost as if they’re playing a game of hide and seek, but before you even realize it, the abstraction has turned into a meaningful reality. Pardinyas marks a new chapter for ghost and tape, offering a subtle yet focused evolution of his sound, and once again, an ode to composing with sound.

Artwork by Eva Vermeiren
Design by Jelle Martens

@ghostandtape
@evavermeiren_
@jelle_martens_

Dauw welcomes ghost and tape to the label with his new album ‘Pardinyas’! Out on June 20 and available on limited edition cassette and digital formats.

First track ‘Over rivers into calm’ is now available through all platforms. 

Artwork by Eva Vermeiren

Only 10 days left for our label night at Palmarium with Will Samson and Ulla! 

Will Samson returns to Ghent after eight years with his special ambient set, presenting his latest ‘Songs of Beginning and Belonging’. Beatrijs De Clerck joins on violin for what will probably be their last instrumental performance for a while. Final copies of the album will be for sale too! 

As a longtime fan of her work, we invited Ulla for the evening. Known for her glitchy electronica to experiments with electro-acoustic sounds, the Berlin based artist blurs the line between the organic and the digital. A perfect fit for this location we thought, no?

Tickets are running low they said - link in bio!

@will.samson @beatrijsdeklerck.violin @ull___________________________
@democrazy_ @viernulvier.gent @gumgent @kunstmestgent

Picture 2 by @viernulvier.gent

Only 10 days left for our label night at Palmarium with Will Samson and Ulla! 

Will Samson returns to Ghent after eight years with his special ambient set, presenting his latest ‘Songs of Beginning and Belonging’. Beatrijs De Clerck joins on violin for what will probably be their last instrumental performance for a while. Final copies of the album will be for sale too! 

As a longtime fan of her work, we invited Ulla for the evening. Known for her glitchy electronica to experiments with electro-acoustic sounds, the Berlin based artist blurs the line between the organic and the digital. A perfect fit for this location we thought, no?

Tickets are running low they said - link in bio!

@will.samson @beatrijsdeklerck.violin @ull___________________________
@democrazy_ @viernulvier.gent @gumgent @kunstmestgent

Picture 2 by @viernulvier.gent

Only 10 days left for our label night at Palmarium with Will Samson and Ulla! 

Will Samson returns to Ghent after eight years with his special ambient set, presenting his latest ‘Songs of Beginning and Belonging’. Beatrijs De Clerck joins on violin for what will probably be their last instrumental performance for a while. Final copies of the album will be for sale too! 

As a longtime fan of her work, we invited Ulla for the evening. Known for her glitchy electronica to experiments with electro-acoustic sounds, the Berlin based artist blurs the line between the organic and the digital. A perfect fit for this location we thought, no?

Tickets are running low they said - link in bio!

@will.samson @beatrijsdeklerck.violin @ull___________________________
@democrazy_ @viernulvier.gent @gumgent @kunstmestgent

Picture 2 by @viernulvier.gent

Only 10 days left for our label night at Palmarium with Will Samson and Ulla! 

Will Samson returns to Ghent after eight years with his special ambient set, presenting his latest ‘Songs of Beginning and Belonging’. Beatrijs De Clerck joins on violin for what will probably be their last instrumental performance for a while. Final copies of the album will be for sale too! 

As a longtime fan of her work, we invited Ulla for the evening. Known for her glitchy electronica to experiments with electro-acoustic sounds, the Berlin based artist blurs the line between the organic and the digital. A perfect fit for this location we thought, no?

Tickets are running low they said - link in bio!

@will.samson @beatrijsdeklerck.violin @ull___________________________
@democrazy_ @viernulvier.gent @gumgent @kunstmestgent

Picture 2 by @viernulvier.gent

Only 10 days left for our label night at Palmarium with Will Samson and Ulla! 

Will Samson returns to Ghent after eight years with his special ambient set, presenting his latest ‘Songs of Beginning and Belonging’. Beatrijs De Clerck joins on violin for what will probably be their last instrumental performance for a while. Final copies of the album will be for sale too! 

As a longtime fan of her work, we invited Ulla for the evening. Known for her glitchy electronica to experiments with electro-acoustic sounds, the Berlin based artist blurs the line between the organic and the digital. A perfect fit for this location we thought, no?

Tickets are running low they said - link in bio!

@will.samson @beatrijsdeklerck.violin @ull___________________________
@democrazy_ @viernulvier.gent @gumgent @kunstmestgent

Picture 2 by @viernulvier.gent

Sold out quickly after its release but now available again – ‘Domes’ by Heather Woods Broderick. A new edition of 300 copies on black vinyl is shipping now! To celebrate this repress you can name your price for the digital version through Bandcamp for the next 2 weeks – link in bio.

Artwork & design by @femkestrijbol

Sold out quickly after its release but now available again – ‘Domes’ by Heather Woods Broderick. A new edition of 300 copies on black vinyl is shipping now! To celebrate this repress you can name your price for the digital version through Bandcamp for the next 2 weeks – link in bio.

Artwork & design by @femkestrijbol

Sold out quickly after its release but now available again – ‘Domes’ by Heather Woods Broderick. A new edition of 300 copies on black vinyl is shipping now! To celebrate this repress you can name your price for the digital version through Bandcamp for the next 2 weeks – link in bio.

Artwork & design by @femkestrijbol

Sold out quickly after its release but now available again – ‘Domes’ by Heather Woods Broderick. A new edition of 300 copies on black vinyl is shipping now! To celebrate this repress you can name your price for the digital version through Bandcamp for the next 2 weeks – link in bio.

Artwork & design by @femkestrijbol

Dudal / Adriaan de Roover split tour tape - 50 numbered copies available at our shows!

DAUW077

Design by Jelle Martens

@p.dudal
@adriaanderoover
@jelle_martens_

Dudal / Adriaan de Roover split tour tape - 50 numbered copies available at our shows!

DAUW077

Design by Jelle Martens

@p.dudal
@adriaanderoover
@jelle_martens_

Dudal / Adriaan de Roover split tour tape - 50 numbered copies available at our shows!

DAUW077

Design by Jelle Martens

@p.dudal
@adriaanderoover
@jelle_martens_

Dudal / Adriaan de Roover split tour tape - 50 numbered copies available at our shows!

DAUW077

Design by Jelle Martens

@p.dudal
@adriaanderoover
@jelle_martens_

Dudal / Adriaan de Roover split tour tape - 50 numbered copies available at our shows!

DAUW077

Design by Jelle Martens

@p.dudal
@adriaanderoover
@jelle_martens_