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We maken ons klaar voor de expo BORDERS. Jullie ook?

In de nieuwe expo BORDERS van het Gents Universiteitsmuseum GUM & Plantentuin onderzoeken kunstenaars en wetenschappers wat grenzen zijn, wat ze betekenen en hoe ze verschuiven.

Is een grens iets dat je oversteekt, tegenhoudt, beschermt of net vastzet? Wat zijn grenzen echt, als we ze allemaal anders ervaren? Zijn ze gebetonneerd of griezelig onvast?

Kunstenaars en wetenschappers brengen hun perspectieven samen en verkennen waar grenzen botsen, verschuiven en opnieuw vorm krijgen.

🎉 Opening 26.03.2026
ℹ️ & 🎟️ via link in bio
📚 Gratis toegang voor UGent-studenten & personeel

🎥 Mario De Munck & @pjotrgrafischontwerp

#TransgenderDayofVisibility

In de serres van GUM & Plantentuin verschijnen ingetogen portretten van fotograaf Lieve Blancquaert, gemaakt voor het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? van auteurs prof. Piet Hoebeke en Marijke Libert.

Hoe is het om als trans persoon authentiek te willen leven in een samenleving die gender nog vaak strikt afbakent? In woord en beeld vertellen twaalf mensen over de grenzen die zij hebben doorbroken.

De portretten maken deel uit van de expo BORDERS – een tentoonstelling die onderzoekt hoe grenzen ontstaan, verschuiven en doorbroken worden, ook in hoe we naar gender en identiteit kijken.

Blancquaert toont mensen in hun kwetsbaarheid én kracht. Niet als labels, maar als levens. Haar beelden nodigen uit om te vertragen, om vragen te stellen over identiteit, over het lichaam, over wie bepaalt waar grenzen liggen.

Bezoek BORDERS in het museum en de serres van de plantentuin. Wie verder wil lezen: het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? is beschikbaar in onze museumshop.

📷 @lieve_blancquaert

#borders #transetalors #gumgent #plantentuin
@piet_hoebeke @lieve_blancquaert @marijkelibert @pelckmans.be @transgenderinfopunt @uzgent@ugent @fact.ge.wijs

#TransgenderDayofVisibility

In de serres van GUM & Plantentuin verschijnen ingetogen portretten van fotograaf Lieve Blancquaert, gemaakt voor het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? van auteurs prof. Piet Hoebeke en Marijke Libert.

Hoe is het om als trans persoon authentiek te willen leven in een samenleving die gender nog vaak strikt afbakent? In woord en beeld vertellen twaalf mensen over de grenzen die zij hebben doorbroken.

De portretten maken deel uit van de expo BORDERS – een tentoonstelling die onderzoekt hoe grenzen ontstaan, verschuiven en doorbroken worden, ook in hoe we naar gender en identiteit kijken.

Blancquaert toont mensen in hun kwetsbaarheid én kracht. Niet als labels, maar als levens. Haar beelden nodigen uit om te vertragen, om vragen te stellen over identiteit, over het lichaam, over wie bepaalt waar grenzen liggen.

Bezoek BORDERS in het museum en de serres van de plantentuin. Wie verder wil lezen: het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? is beschikbaar in onze museumshop.

📷 @lieve_blancquaert

#borders #transetalors #gumgent #plantentuin
@piet_hoebeke @lieve_blancquaert @marijkelibert @pelckmans.be @transgenderinfopunt @uzgent@ugent @fact.ge.wijs

#TransgenderDayofVisibility

In de serres van GUM & Plantentuin verschijnen ingetogen portretten van fotograaf Lieve Blancquaert, gemaakt voor het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? van auteurs prof. Piet Hoebeke en Marijke Libert.

Hoe is het om als trans persoon authentiek te willen leven in een samenleving die gender nog vaak strikt afbakent? In woord en beeld vertellen twaalf mensen over de grenzen die zij hebben doorbroken.

De portretten maken deel uit van de expo BORDERS – een tentoonstelling die onderzoekt hoe grenzen ontstaan, verschuiven en doorbroken worden, ook in hoe we naar gender en identiteit kijken.

Blancquaert toont mensen in hun kwetsbaarheid én kracht. Niet als labels, maar als levens. Haar beelden nodigen uit om te vertragen, om vragen te stellen over identiteit, over het lichaam, over wie bepaalt waar grenzen liggen.

Bezoek BORDERS in het museum en de serres van de plantentuin. Wie verder wil lezen: het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? is beschikbaar in onze museumshop.

📷 @lieve_blancquaert

#borders #transetalors #gumgent #plantentuin
@piet_hoebeke @lieve_blancquaert @marijkelibert @pelckmans.be @transgenderinfopunt @uzgent@ugent @fact.ge.wijs

#TransgenderDayofVisibility

In de serres van GUM & Plantentuin verschijnen ingetogen portretten van fotograaf Lieve Blancquaert, gemaakt voor het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? van auteurs prof. Piet Hoebeke en Marijke Libert.

Hoe is het om als trans persoon authentiek te willen leven in een samenleving die gender nog vaak strikt afbakent? In woord en beeld vertellen twaalf mensen over de grenzen die zij hebben doorbroken.

De portretten maken deel uit van de expo BORDERS – een tentoonstelling die onderzoekt hoe grenzen ontstaan, verschuiven en doorbroken worden, ook in hoe we naar gender en identiteit kijken.

Blancquaert toont mensen in hun kwetsbaarheid én kracht. Niet als labels, maar als levens. Haar beelden nodigen uit om te vertragen, om vragen te stellen over identiteit, over het lichaam, over wie bepaalt waar grenzen liggen.

Bezoek BORDERS in het museum en de serres van de plantentuin. Wie verder wil lezen: het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? is beschikbaar in onze museumshop.

📷 @lieve_blancquaert

#borders #transetalors #gumgent #plantentuin
@piet_hoebeke @lieve_blancquaert @marijkelibert @pelckmans.be @transgenderinfopunt @uzgent@ugent @fact.ge.wijs

#TransgenderDayofVisibility

In de serres van GUM & Plantentuin verschijnen ingetogen portretten van fotograaf Lieve Blancquaert, gemaakt voor het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? van auteurs prof. Piet Hoebeke en Marijke Libert.

Hoe is het om als trans persoon authentiek te willen leven in een samenleving die gender nog vaak strikt afbakent? In woord en beeld vertellen twaalf mensen over de grenzen die zij hebben doorbroken.

De portretten maken deel uit van de expo BORDERS – een tentoonstelling die onderzoekt hoe grenzen ontstaan, verschuiven en doorbroken worden, ook in hoe we naar gender en identiteit kijken.

Blancquaert toont mensen in hun kwetsbaarheid én kracht. Niet als labels, maar als levens. Haar beelden nodigen uit om te vertragen, om vragen te stellen over identiteit, over het lichaam, over wie bepaalt waar grenzen liggen.

Bezoek BORDERS in het museum en de serres van de plantentuin. Wie verder wil lezen: het boek 𝑻𝒓𝒂𝒏𝒔 – 𝑬𝒕 𝒂𝒍𝒐𝒓𝒔? is beschikbaar in onze museumshop.

📷 @lieve_blancquaert

#borders #transetalors #gumgent #plantentuin
@piet_hoebeke @lieve_blancquaert @marijkelibert @pelckmans.be @transgenderinfopunt @uzgent@ugent @fact.ge.wijs

Who profits when pain goes viral?

The exhibition BORDERS is on view from 26 March 2026 at GUM & Botanical Garden.

NOIR PERFORMANCE by Luanda Casella for #borders is glitching across Ghent.
You’ve seen it. Follow the glitches.

📽️ @lorew.mov / @pjotrgrafischontwerp
🫟 @wallin_9000

Première van ‘Ik ben een boom’ in het Palmarium ❤️
@fien.mombaerts

This 💆‍♀️
#gumgent #gumandbotanicalgarden

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

PALMARIUM is SO back! We are still not over last week’s very first concert night 😮‍💨

Amid tropical leaves, fading evening light, murmuring voices and the glow of the Palmarium after hours, Friendship (@friendship_tm) and Félicette (@felicette.outthere) unfolded a set drifting between folk, haze and stillness.

A heartfelt thank you to everyone who joined us for this opening night. And make sure to swipe through to enjoy these stunning photographs by Jules Stallaerts (@jules_stallaerts)

What’s next?

21/05 ✮ Felbm + La Zza Ro
28/05 ✮ Zé Ibarra + Tatête
04/06 ✮ Fuzzy Bears + Adia Vanheerentals
11/06 ✮ blickwinkel presents L. Jacobs + Suzan Peeters
18/06 ✮ Mary Ocher + gala dragot
25/06 ✮ Fenne Kuppens + Laura De Jongh

Tickets via link in bio.

PALMARIUM is a collaboration between @gumgent , @viernulvier.gent and @democrazy_

Vandaag is IDAHOT: de Internationale Dag tegen Holebifobie, Transfobie en Interseksefobie.

Een dag die ons eraan herinnert dat jezelf kunnen zijn nog altijd niet voor iedereen vanzelfsprekend is.

In onze serres zijn momenteel de portretten van Lieve Blancquaert te zien uit Trans – Et alors?, het boek van Piet Hoebeke en Marijke Libert. Twaalf mensen delen daarin hun verhaal over identiteit, lichaam en de grenzen die zij als trans persoon hebben moeten doorbreken.

🏳️‍⚧️🏳️‍🌈 Omdat iedereen recht heeft op veiligheid, erkenning en de vrijheid om zichzelf te zijn – zonder angst, uitsluiting of haat.

Herbert heeft duidelijk een favoriet. Of twee. 👁️🔩
Stem vóór 24 mei op jouw Museumstuk van het Jaar via de link in bio.

@museumpassmusees
#weekvandebelgischemusea

Did you know this Chinese acupuncture model was made to look European?

This striking object was gifted by China to Germany in 1961. More than a medical model, it was a way to connect two different views on science and medicine.
For a long time, Western science often dismissed knowledge from other parts of the world as ‘unscientific’. At the same time, practices like acupuncture continued to spark curiosity across Europe. This model reflects that fascination. Its European facial features are highly unusual for traditional Chinese acupuncture figures and were intentionally chosen to make Chinese medicine feel more familiar to Western audiences.
This acupuncture model became a bridge between two medical traditions.

Acupuncture model, China, 20th century, Stiftung Deutsches Hygiene-Museum @dhmdresden

Now on view in the exhibition BORDERS at GUM & Botanical Garden.

📷 @corlazzzoli

Did you know this Chinese acupuncture model was made to look European?

This striking object was gifted by China to Germany in 1961. More than a medical model, it was a way to connect two different views on science and medicine.
For a long time, Western science often dismissed knowledge from other parts of the world as ‘unscientific’. At the same time, practices like acupuncture continued to spark curiosity across Europe. This model reflects that fascination. Its European facial features are highly unusual for traditional Chinese acupuncture figures and were intentionally chosen to make Chinese medicine feel more familiar to Western audiences.
This acupuncture model became a bridge between two medical traditions.

Acupuncture model, China, 20th century, Stiftung Deutsches Hygiene-Museum @dhmdresden

Now on view in the exhibition BORDERS at GUM & Botanical Garden.

📷 @corlazzzoli

Did you know this Chinese acupuncture model was made to look European?

This striking object was gifted by China to Germany in 1961. More than a medical model, it was a way to connect two different views on science and medicine.
For a long time, Western science often dismissed knowledge from other parts of the world as ‘unscientific’. At the same time, practices like acupuncture continued to spark curiosity across Europe. This model reflects that fascination. Its European facial features are highly unusual for traditional Chinese acupuncture figures and were intentionally chosen to make Chinese medicine feel more familiar to Western audiences.
This acupuncture model became a bridge between two medical traditions.

Acupuncture model, China, 20th century, Stiftung Deutsches Hygiene-Museum @dhmdresden

Now on view in the exhibition BORDERS at GUM & Botanical Garden.

📷 @corlazzzoli

Did you know this Chinese acupuncture model was made to look European?

This striking object was gifted by China to Germany in 1961. More than a medical model, it was a way to connect two different views on science and medicine.
For a long time, Western science often dismissed knowledge from other parts of the world as ‘unscientific’. At the same time, practices like acupuncture continued to spark curiosity across Europe. This model reflects that fascination. Its European facial features are highly unusual for traditional Chinese acupuncture figures and were intentionally chosen to make Chinese medicine feel more familiar to Western audiences.
This acupuncture model became a bridge between two medical traditions.

Acupuncture model, China, 20th century, Stiftung Deutsches Hygiene-Museum @dhmdresden

Now on view in the exhibition BORDERS at GUM & Botanical Garden.

📷 @corlazzzoli

Did you know this Chinese acupuncture model was made to look European?

This striking object was gifted by China to Germany in 1961. More than a medical model, it was a way to connect two different views on science and medicine.
For a long time, Western science often dismissed knowledge from other parts of the world as ‘unscientific’. At the same time, practices like acupuncture continued to spark curiosity across Europe. This model reflects that fascination. Its European facial features are highly unusual for traditional Chinese acupuncture figures and were intentionally chosen to make Chinese medicine feel more familiar to Western audiences.
This acupuncture model became a bridge between two medical traditions.

Acupuncture model, China, 20th century, Stiftung Deutsches Hygiene-Museum @dhmdresden

Now on view in the exhibition BORDERS at GUM & Botanical Garden.

📷 @corlazzzoli

Vandaag gaat Floraliën van start!
De Plantentuin vormt het beginpunt van het Floraliënparcours en maakt deel uit van dit bijzondere bloemenfestival.

Gedurende tien dagen ontpopt de Plantentuin zich tot een plek voor ontmoeting, inspiratie en uitwisseling. Met meer dan 12.000 planten biedt de tuin een parcours langs microserres met recente ontwikkelingen in de sierteelt, tot diep in het Palmarium, dat voor deze gelegenheid is ingericht als een groene oase rond nieuwe cultivars en duurzame teelttechnieken.

De Plantentuin is gratis toegankelijk.

Praktisch (aangepaste uren!)
– Serres open van 8 tot 18 uur
– GUM dagelijks open van 10 tot 18 uur
– Late Donderdag op 7 mei, open tot 22 uur

Meer info via link in bio📎
#Floralien #floraliengent #gumgent #botanicalgarden #plantentuingent

The most wonderful time of the year 💜

#gumgent #ghent #botanicalgardens #botanicalgardengent #purplerain @visitgent

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer

A futuristic mask emerging from a complex network of lines, volumes and translucent layers. TANATILSUR materializes at the intersection of digital imagination and physical reality — a sculptural form that could only exist through advanced 3D printing technologies.

Originating from an extensive digital research process, this work reflects on the shifting notion of authorship and craftsmanship in contemporary art. Where the hand once defined the object, today it is the algorithm, the software, and the machine that co-shape the final form. The result is a hybrid sculpture: precise, intricate, and almost impossible to fabricate through traditional means.

Within the MASK series, these forms function as speculative identities — portraits of a future human condition, where biology, technology, and culture merge into new aesthetic languages. TANATILSUR embodies this transition: both artifact and prototype, both relic and projection.

Currently on view
Wonderkamer van de Waarheid
Rijksmuseum Boerhaave, Leiden, NL
24/04/2026 — 04/01/2027

—

#nickervinck #gniri #maskseries #3dprintedsculpture
#contemporaryart #belgianart #digitalcraft #futureforms
#hybridsculpture #posthuman #artandtechnology
#sculpturalresearch #europeanart #museumexhibition

@kunsthalle_ervinck @galleryysebaert @nqgallerybe @connersmithdc @verduyngallery
@gumgent @marjandoom @rijksmuseumboerhaave @stratasys @nkaempfer