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New cover story for @MixmagNL with @tshamusic.

Shot on film in Fiji, then hand printed in the darkroom in London.

The hand prints helped shape the colour, density and feel of the final series.

From the new print issue, out now.

New cover story for @MixmagNL with @tshamusic.

Shot on film in Fiji, then hand printed in the darkroom in London.

The hand prints helped shape the colour, density and feel of the final series.

From the new print issue, out now.

New cover story for @MixmagNL with @tshamusic.

Shot on film in Fiji, then hand printed in the darkroom in London.

The hand prints helped shape the colour, density and feel of the final series.

From the new print issue, out now.

New cover story for @MixmagNL with @tshamusic.

Shot on film in Fiji, then hand printed in the darkroom in London.

The hand prints helped shape the colour, density and feel of the final series.

From the new print issue, out now.

New cover story for @MixmagNL with @tshamusic.

Shot on film in Fiji, then hand printed in the darkroom in London.

The hand prints helped shape the colour, density and feel of the final series.

From the new print issue, out now.

New cover story for @MixmagNL with @tshamusic.

Shot on film in Fiji, then hand printed in the darkroom in London.

The hand prints helped shape the colour, density and feel of the final series.

From the new print issue, out now.

New cover story for @MixmagNL with @tshamusic.

Shot on film in Fiji, then hand printed in the darkroom in London.

The hand prints helped shape the colour, density and feel of the final series.

From the new print issue, out now.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

My Palio photo essay is out now in this month’s @escapismmag.

Shot in Siena during the build-up and aftermath of the race, this series looks beyond the 90 seconds in the Campo. Each contrada carries centuries of rivalry, identity and pride, all condensed into a single moment.

For the people of Siena, it runs deeper than sport.

A small selection from the full series. Be sure to check out the print mag in shops now.

Thanks to @ntsavage for the commission, Andrea for the help organising and also Paolo and @fede.t.ph in Siena.

only went and bought 3 copies @lunacollectivemag 📸

thank you @kyleew11 for the conversation and these dope film shots by @danmedhurst. first mag feature. proud of this one. link in my bio 🌙

only went and bought 3 copies @lunacollectivemag 📸

thank you @kyleew11 for the conversation and these dope film shots by @danmedhurst. first mag feature. proud of this one. link in my bio 🌙

only went and bought 3 copies @lunacollectivemag 📸

thank you @kyleew11 for the conversation and these dope film shots by @danmedhurst. first mag feature. proud of this one. link in my bio 🌙

only went and bought 3 copies @lunacollectivemag 📸

thank you @kyleew11 for the conversation and these dope film shots by @danmedhurst. first mag feature. proud of this one. link in my bio 🌙

only went and bought 3 copies @lunacollectivemag 📸

thank you @kyleew11 for the conversation and these dope film shots by @danmedhurst. first mag feature. proud of this one. link in my bio 🌙

only went and bought 3 copies @lunacollectivemag 📸

thank you @kyleew11 for the conversation and these dope film shots by @danmedhurst. first mag feature. proud of this one. link in my bio 🌙

only went and bought 3 copies @lunacollectivemag 📸

thank you @kyleew11 for the conversation and these dope film shots by @danmedhurst. first mag feature. proud of this one. link in my bio 🌙

Naantawua.
Samburu, Kenya.
Shot on 120 film. Hand printed in the darkroom.

Naantawua.
Samburu, Kenya.
Shot on 120 film. Hand printed in the darkroom.

Naantawua.
Samburu, Kenya.
Shot on 120 film. Hand printed in the darkroom.

Naantawua.
Samburu, Kenya.
Shot on 120 film. Hand printed in the darkroom.

Naantawua.
Samburu, Kenya.
Shot on 120 film. Hand printed in the darkroom.

Scenes from a few days on the road in North Africa.

Scenes from a few days on the road in North Africa.

Scenes from a few days on the road in North Africa.

Scenes from a few days on the road in North Africa.

Scenes from a few days on the road in North Africa.

Scenes from a few days on the road in North Africa.

Scenes from a few days on the road in North Africa.

Scenes from a few days on the road in North Africa.

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

A study of motion. Experiments in exposure and rhythm with @mosesboydexodus. Which image jumps out to you?

Photography @danmedhurst
Drumsolos @mosesboydexodus

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

People of Athens 🇬🇷

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

Photographed at Jan Hendzel Studio as Giles Tettey Nartey and Parti worked with the team to bring two ambitious pieces to life for American Hardwood.

‘Communion’ and ‘Pirouette’ both push what’s possible with solid maple – mixing fine craftsmanship with conceptual design.

Giles’ ‘Communion’ is a black-stained maple table with carved mortars and pestles built into its surface, inspired by the West African tradition of making fufu – a dish prepared through rhythmic pounding and shared labour. Parti’s ‘Pirouette’ takes the opposite approach: a series of twisting, folded maple forms that capture the movement of fabric in wood, shaped through a blend of digital precision and hand finishing.

Thanks to Petr Krejci & American Hardwood Export Council.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I recently shot @alfamist for his new record Roulette, out this month. He wanted a moody, dystopian atmosphere, so we went out after dark and chased the night light.

Grateful to Siofra for all the help and good energy.

Go give the record a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

I had the pleasure of shooting the artwork for the new @Grandbrothers_ record ‘Elsewhere’ earlier this summer... Always great working with them and seeing the visuals come together with the music.

Big thanks to Dominik, Erol, Lukas and Manfred for all your effort and energy on the shoot, as well as ryancarlstudio for the design and layout.

The record is in shops now. Go give it a listen.

May Siu Lim ✨

May Siu Lim ✨

May Siu Lim ✨

May Siu Lim ✨

May Siu Lim ✨

May Siu Lim ✨

May Siu Lim ✨

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle

Gassed to have been asked to shoot another @mixmag cover story! This time with @chaosinthecbd_ - two incredible producers who I’ve followed for a long time.

Read the cover feature via Mixmag’s.net

Photographer: @danmedhurst
Styling: @lucasjnrs
Words: @fooals
Editor & Digital Director: @patrickhinton
Art Director: @nennotnan
Producer & BTS: @beckybuckle