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WHAT IS DAMPMAGAZINES?

A magazine? No. A digital learning space for scanned books, magazines, catalogs and more? Yes.

What started as a personal curiosity to find the original source of images I found online, I began collecting, learning, scanning, and sharing along my journey. In an increasingly digital era, credit and context to the images and information we consume on a daily basis has become almost entirely left out. Algorithmically tailored feeds of content all “for you” don’t heed to the natural discovery of new ideas or topics you find by picking up a book or magazine.

As an archivist and researcher, I wanted to create something that I myself would have found amazing in high school or even college and that has turned in to DampMagazines.com.

The website is currently home to over 15 books, 100 magazines, 5 catalogs, and 10 timelines that are progressively added to. Become a paid subscriber today to access full scans.

Service Inquiries: DampMagazines@gmail.com

WHAT IS DAMPMAGAZINES?

A magazine? No. A digital learning space for scanned books, magazines, catalogs and more? Yes.

What started as a personal curiosity to find the original source of images I found online, I began collecting, learning, scanning, and sharing along my journey. In an increasingly digital era, credit and context to the images and information we consume on a daily basis has become almost entirely left out. Algorithmically tailored feeds of content all “for you” don’t heed to the natural discovery of new ideas or topics you find by picking up a book or magazine.

As an archivist and researcher, I wanted to create something that I myself would have found amazing in high school or even college and that has turned in to DampMagazines.com.

The website is currently home to over 15 books, 100 magazines, 5 catalogs, and 10 timelines that are progressively added to. Become a paid subscriber today to access full scans.

Service Inquiries: DampMagazines@gmail.com

WHAT IS DAMPMAGAZINES?

A magazine? No. A digital learning space for scanned books, magazines, catalogs and more? Yes.

What started as a personal curiosity to find the original source of images I found online, I began collecting, learning, scanning, and sharing along my journey. In an increasingly digital era, credit and context to the images and information we consume on a daily basis has become almost entirely left out. Algorithmically tailored feeds of content all “for you” don’t heed to the natural discovery of new ideas or topics you find by picking up a book or magazine.

As an archivist and researcher, I wanted to create something that I myself would have found amazing in high school or even college and that has turned in to DampMagazines.com.

The website is currently home to over 15 books, 100 magazines, 5 catalogs, and 10 timelines that are progressively added to. Become a paid subscriber today to access full scans.

Service Inquiries: DampMagazines@gmail.com

WHAT IS DAMPMAGAZINES?

A magazine? No. A digital learning space for scanned books, magazines, catalogs and more? Yes.

What started as a personal curiosity to find the original source of images I found online, I began collecting, learning, scanning, and sharing along my journey. In an increasingly digital era, credit and context to the images and information we consume on a daily basis has become almost entirely left out. Algorithmically tailored feeds of content all “for you” don’t heed to the natural discovery of new ideas or topics you find by picking up a book or magazine.

As an archivist and researcher, I wanted to create something that I myself would have found amazing in high school or even college and that has turned in to DampMagazines.com.

The website is currently home to over 15 books, 100 magazines, 5 catalogs, and 10 timelines that are progressively added to. Become a paid subscriber today to access full scans.

Service Inquiries: DampMagazines@gmail.com

WHAT IS DAMPMAGAZINES?

A magazine? No. A digital learning space for scanned books, magazines, catalogs and more? Yes.

What started as a personal curiosity to find the original source of images I found online, I began collecting, learning, scanning, and sharing along my journey. In an increasingly digital era, credit and context to the images and information we consume on a daily basis has become almost entirely left out. Algorithmically tailored feeds of content all “for you” don’t heed to the natural discovery of new ideas or topics you find by picking up a book or magazine.

As an archivist and researcher, I wanted to create something that I myself would have found amazing in high school or even college and that has turned in to DampMagazines.com.

The website is currently home to over 15 books, 100 magazines, 5 catalogs, and 10 timelines that are progressively added to. Become a paid subscriber today to access full scans.

Service Inquiries: DampMagazines@gmail.com

FOR SALE: KAWS “Companion” 14’

Introducing @shop.dampmags, rare vinyl toys, magazines, collectibles, ephemera, and more.

- KAWS Five Years Later “Companion” 14’ (2004)
- KAWS OriginalFake “Companion - Dissected” 14’ (2006)

DM if interested, lowballs will be ignored. From the @loosen_yer_grip estate.

FOR SALE: KAWS “Companion” 14’

Introducing @shop.dampmags, rare vinyl toys, magazines, collectibles, ephemera, and more.

- KAWS Five Years Later “Companion” 14’ (2004)
- KAWS OriginalFake “Companion - Dissected” 14’ (2006)

DM if interested, lowballs will be ignored. From the @loosen_yer_grip estate.

FOR SALE: KAWS “Companion” 14’

Introducing @shop.dampmags, rare vinyl toys, magazines, collectibles, ephemera, and more.

- KAWS Five Years Later “Companion” 14’ (2004)
- KAWS OriginalFake “Companion - Dissected” 14’ (2006)

DM if interested, lowballs will be ignored. From the @loosen_yer_grip estate.

FOR SALE: KAWS “Companion” 14’

Introducing @shop.dampmags, rare vinyl toys, magazines, collectibles, ephemera, and more.

- KAWS Five Years Later “Companion” 14’ (2004)
- KAWS OriginalFake “Companion - Dissected” 14’ (2006)

DM if interested, lowballs will be ignored. From the @loosen_yer_grip estate.

FOR SALE: KAWS “Companion” 14’

Introducing @shop.dampmags, rare vinyl toys, magazines, collectibles, ephemera, and more.

- KAWS Five Years Later “Companion” 14’ (2004)
- KAWS OriginalFake “Companion - Dissected” 14’ (2006)

DM if interested, lowballs will be ignored. From the @loosen_yer_grip estate.

FOR SALE: KAWS “Companion” 14’

Introducing @shop.dampmags, rare vinyl toys, magazines, collectibles, ephemera, and more.

- KAWS Five Years Later “Companion” 14’ (2004)
- KAWS OriginalFake “Companion - Dissected” 14’ (2006)

DM if interested, lowballs will be ignored. From the @loosen_yer_grip estate.

FOR SALE: KAWS “Companion” 14’

Introducing @shop.dampmags, rare vinyl toys, magazines, collectibles, ephemera, and more.

- KAWS Five Years Later “Companion” 14’ (2004)
- KAWS OriginalFake “Companion - Dissected” 14’ (2006)

DM if interested, lowballs will be ignored. From the @loosen_yer_grip estate.

NEW UPLOAD: James Jebbia interview from Educated Community Issue 2

The other day @alltrueandliving graciously reached out to send me some scans to add to the Final Home timeline on my site. He also mentioned that he was the only west coast distributor for Educated Community! Next he sent me scans from their second issue which features an in-depth interview with James Jebbia. Definitely check out his page if you’re interested in old-school hip-hop and records.

“Though his name is not as famous as some of the brands he’s associated with, he’s the man who started Union, one of the city’s first streetwear shops, before going on to open Stussy and Supreme. EC caught up with him for a few minutes between hustling.”

Read the full interview and view scans from Educated Community Issue 2 from 2000 on my website. www.dampmagazines.com

NEW UPLOAD: James Jebbia interview from Educated Community Issue 2

The other day @alltrueandliving graciously reached out to send me some scans to add to the Final Home timeline on my site. He also mentioned that he was the only west coast distributor for Educated Community! Next he sent me scans from their second issue which features an in-depth interview with James Jebbia. Definitely check out his page if you’re interested in old-school hip-hop and records.

“Though his name is not as famous as some of the brands he’s associated with, he’s the man who started Union, one of the city’s first streetwear shops, before going on to open Stussy and Supreme. EC caught up with him for a few minutes between hustling.”

Read the full interview and view scans from Educated Community Issue 2 from 2000 on my website. www.dampmagazines.com

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

WHY? BE-KAWS ITS TIME.

A few more rare KAWS toys up for sale.
- KAWS “Accomplice” 10in figure in black (2002)
- KAWS X Todd James REAS “Twins” 8in set (2006)
- KAWS X Medicom Toy Bearbrick 400%

All open boxes, toys are all in good condition. Message @shop.dampmags if interested in purchasing.

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

Inception (1976): Punk Takes Over Omotesando Hills

The exhibit’s title celebrates 50 years since the lightning rod release of the Sex Pistols debut album, “Anarchy in the UK” in 1976; the exhibitions curator, Hiroshi Fujiwara, was in high school in the late 70s when he began collecting Seditionaries clothing and listening to The Sex Pistols. Eager to break out of the confines of a traditional Japanese society, Fujiwara first met Vivienne Westwood and Malcolm McLaren in 1981 on a trip to London, where he won a punk themed fashion competition. Winning over the likes of his idols, Fujiwara worked at their shop “World’s End” in London for a year. While McLaren and Westwood later went their separate ways, this period left a lasting impression on the young creative mind of Hiroshi Fujiwara.

Also an avid collector, Fujiwara has amassed one of the largest privately held archives of early Seditionaries and Vivienne Westwood clothing, as well as countless other pieces of ephemera related to The Sex Pistols. The exhibit at Omotesando Hills held from May 2nd through May 17th offered a rare in-person look at some of the highlights of Fujiwara’s collection. 

If you weren’t able to make it to Tokyo, we have scans of “Seditionaries,” a book created by Fujiwara and Jun Takahashi, featuring over 350 items from their personal collections, link in bio. 

Writer & Visual Curator: @dampmagazines
Exhibit Photos: @alexgonzalezstudio / @jintakunn 
Seditionaries Scans: @riv.ig

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 3)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @nastyneckface, @hyperstoic, @steveespopowers, @mcfetridge, @struggle_inc, @kaws, @koadzn, @brentronic, @flyingfortress5410, Mark Gonzales, Kegr, @taka_hayashi

Curated by @paulmittleman, more coming soon.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

‘Decked Up’ featuring @steviewilliams and friends.

Another great editorial from VIBE magazine, this one skateboarding themed with the highlight being the models. Stevie Williams, founder of @dgk, and his friends, whose names are unfortunately not listed, can be seen skating around an open photo studio wearing items from a variety of brands/designers like Supreme, A Bathing Ape, Martin Margiela, Y’s by Yohji Yamamoto, Raf Simons, Hussein Chalayan, and Kim Jones to name a few.

Photos: @kennethcappello
Stylist: @jasonfarrer
Hair: Joseph Bartucci
MUA: Muneme
Casting: @evangelinenyc & Lizzy McChesney.

Scans from VIBE magazine October 2005.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: Final Home / Kosuke Tsumura Timeline

I’ll start by making it clear that for the purpose of this timeline, I’ve combined the works of Kosuke Tsumura’s namesake label and Final Home. Tsumura won the SO-EN prize at age 23 and began working at the Miyake Design Studio soon after. Final Home essentially stemmed from the survival jacket, which features 48 pockets, and Tsumura initially made for a MoMa Exhibit. The post apocalyptic world of Final Home focuses on functionality and utility more than style.

“Final Home is a shelter on wheels, the garment equivalent of an ambulance.”

The brands international success came and went unfortunately quite quickly. Being stocked at stores like Brown’s in London in the late 90s, they even opened a NYC flagship store in 1999, ultimately closing sometime in the early 00s.

Browse the Final Home Timeline on my website. www.dampmagazines.com/timelines-final-home/

All timelines will be progressively added to as new content is archived. If you would like to contribute to the timeline, DM me.

NEW UPLOAD: smart max March 26th, 2002.

This cool issue of smart max, like many others, highlights a mixture of interior design and menswear items. This editorial with actor Jun Murakami features a look at Louis Vuitton menswear items shown at the S/S 2002 show by Marc Jacobs.

[Translation Excerpt] “Since the debut of the 1998–99 Fall/Winter womenswear collection, the prêt-à-porter creations of Marc Jacobs have consistently captivated audiences and acted as a driving force within the fashion world. Compared to the womenswear collections—which delivered defining keywords season after season—the menswear line had previously leaned more toward the conservative and classic. But for Spring/Summer 2002, its creativity suddenly accelerated.

Inspired by My Own Private Idaho, the season unfolded through a romantic yet kinetic runway presentation, pairing gentle, sensual riders-style looks with the hard rock of Guns N’ Roses. Supported by the refined craftsmanship and luxurious materials long associated with Louis Vuitton, Marc Jacobs’ radical sensibility was elevated into a perfect balance, breathing new life into the image of road travel.“

Photos: Osamu Miura
Hair & Makeup: Hiroshi Hashimoto (SHIMA)
Direction / Model: Jun Murakami
Words: Kazue Koyajima

Full scans of this issue of smart max Vol. 5 from March 26th, 2002 can be viewed on my website. www.dampmagazines.com

*Please note that the Vivienne Westwood Louis Vuitton waist bag is labeled as stylists own and is obviously not from this season.

NEW UPLOAD: smart max March 26th, 2002.

This cool issue of smart max, like many others, highlights a mixture of interior design and menswear items. This editorial with actor Jun Murakami features a look at Louis Vuitton menswear items shown at the S/S 2002 show by Marc Jacobs.

[Translation Excerpt] “Since the debut of the 1998–99 Fall/Winter womenswear collection, the prêt-à-porter creations of Marc Jacobs have consistently captivated audiences and acted as a driving force within the fashion world. Compared to the womenswear collections—which delivered defining keywords season after season—the menswear line had previously leaned more toward the conservative and classic. But for Spring/Summer 2002, its creativity suddenly accelerated.

Inspired by My Own Private Idaho, the season unfolded through a romantic yet kinetic runway presentation, pairing gentle, sensual riders-style looks with the hard rock of Guns N’ Roses. Supported by the refined craftsmanship and luxurious materials long associated with Louis Vuitton, Marc Jacobs’ radical sensibility was elevated into a perfect balance, breathing new life into the image of road travel.“

Photos: Osamu Miura
Hair & Makeup: Hiroshi Hashimoto (SHIMA)
Direction / Model: Jun Murakami
Words: Kazue Koyajima

Full scans of this issue of smart max Vol. 5 from March 26th, 2002 can be viewed on my website. www.dampmagazines.com

*Please note that the Vivienne Westwood Louis Vuitton waist bag is labeled as stylists own and is obviously not from this season.

NEW UPLOAD: smart max March 26th, 2002.

This cool issue of smart max, like many others, highlights a mixture of interior design and menswear items. This editorial with actor Jun Murakami features a look at Louis Vuitton menswear items shown at the S/S 2002 show by Marc Jacobs.

[Translation Excerpt] “Since the debut of the 1998–99 Fall/Winter womenswear collection, the prêt-à-porter creations of Marc Jacobs have consistently captivated audiences and acted as a driving force within the fashion world. Compared to the womenswear collections—which delivered defining keywords season after season—the menswear line had previously leaned more toward the conservative and classic. But for Spring/Summer 2002, its creativity suddenly accelerated.

Inspired by My Own Private Idaho, the season unfolded through a romantic yet kinetic runway presentation, pairing gentle, sensual riders-style looks with the hard rock of Guns N’ Roses. Supported by the refined craftsmanship and luxurious materials long associated with Louis Vuitton, Marc Jacobs’ radical sensibility was elevated into a perfect balance, breathing new life into the image of road travel.“

Photos: Osamu Miura
Hair & Makeup: Hiroshi Hashimoto (SHIMA)
Direction / Model: Jun Murakami
Words: Kazue Koyajima

Full scans of this issue of smart max Vol. 5 from March 26th, 2002 can be viewed on my website. www.dampmagazines.com

*Please note that the Vivienne Westwood Louis Vuitton waist bag is labeled as stylists own and is obviously not from this season.

NEW UPLOAD: smart max March 26th, 2002.

This cool issue of smart max, like many others, highlights a mixture of interior design and menswear items. This editorial with actor Jun Murakami features a look at Louis Vuitton menswear items shown at the S/S 2002 show by Marc Jacobs.

[Translation Excerpt] “Since the debut of the 1998–99 Fall/Winter womenswear collection, the prêt-à-porter creations of Marc Jacobs have consistently captivated audiences and acted as a driving force within the fashion world. Compared to the womenswear collections—which delivered defining keywords season after season—the menswear line had previously leaned more toward the conservative and classic. But for Spring/Summer 2002, its creativity suddenly accelerated.

Inspired by My Own Private Idaho, the season unfolded through a romantic yet kinetic runway presentation, pairing gentle, sensual riders-style looks with the hard rock of Guns N’ Roses. Supported by the refined craftsmanship and luxurious materials long associated with Louis Vuitton, Marc Jacobs’ radical sensibility was elevated into a perfect balance, breathing new life into the image of road travel.“

Photos: Osamu Miura
Hair & Makeup: Hiroshi Hashimoto (SHIMA)
Direction / Model: Jun Murakami
Words: Kazue Koyajima

Full scans of this issue of smart max Vol. 5 from March 26th, 2002 can be viewed on my website. www.dampmagazines.com

*Please note that the Vivienne Westwood Louis Vuitton waist bag is labeled as stylists own and is obviously not from this season.

NEW UPLOAD: smart max March 26th, 2002.

This cool issue of smart max, like many others, highlights a mixture of interior design and menswear items. This editorial with actor Jun Murakami features a look at Louis Vuitton menswear items shown at the S/S 2002 show by Marc Jacobs.

[Translation Excerpt] “Since the debut of the 1998–99 Fall/Winter womenswear collection, the prêt-à-porter creations of Marc Jacobs have consistently captivated audiences and acted as a driving force within the fashion world. Compared to the womenswear collections—which delivered defining keywords season after season—the menswear line had previously leaned more toward the conservative and classic. But for Spring/Summer 2002, its creativity suddenly accelerated.

Inspired by My Own Private Idaho, the season unfolded through a romantic yet kinetic runway presentation, pairing gentle, sensual riders-style looks with the hard rock of Guns N’ Roses. Supported by the refined craftsmanship and luxurious materials long associated with Louis Vuitton, Marc Jacobs’ radical sensibility was elevated into a perfect balance, breathing new life into the image of road travel.“

Photos: Osamu Miura
Hair & Makeup: Hiroshi Hashimoto (SHIMA)
Direction / Model: Jun Murakami
Words: Kazue Koyajima

Full scans of this issue of smart max Vol. 5 from March 26th, 2002 can be viewed on my website. www.dampmagazines.com

*Please note that the Vivienne Westwood Louis Vuitton waist bag is labeled as stylists own and is obviously not from this season.

NEW UPLOAD: smart max March 26th, 2002.

This cool issue of smart max, like many others, highlights a mixture of interior design and menswear items. This editorial with actor Jun Murakami features a look at Louis Vuitton menswear items shown at the S/S 2002 show by Marc Jacobs.

[Translation Excerpt] “Since the debut of the 1998–99 Fall/Winter womenswear collection, the prêt-à-porter creations of Marc Jacobs have consistently captivated audiences and acted as a driving force within the fashion world. Compared to the womenswear collections—which delivered defining keywords season after season—the menswear line had previously leaned more toward the conservative and classic. But for Spring/Summer 2002, its creativity suddenly accelerated.

Inspired by My Own Private Idaho, the season unfolded through a romantic yet kinetic runway presentation, pairing gentle, sensual riders-style looks with the hard rock of Guns N’ Roses. Supported by the refined craftsmanship and luxurious materials long associated with Louis Vuitton, Marc Jacobs’ radical sensibility was elevated into a perfect balance, breathing new life into the image of road travel.“

Photos: Osamu Miura
Hair & Makeup: Hiroshi Hashimoto (SHIMA)
Direction / Model: Jun Murakami
Words: Kazue Koyajima

Full scans of this issue of smart max Vol. 5 from March 26th, 2002 can be viewed on my website. www.dampmagazines.com

*Please note that the Vivienne Westwood Louis Vuitton waist bag is labeled as stylists own and is obviously not from this season.

NEW UPLOAD: smart max March 26th, 2002.

This cool issue of smart max, like many others, highlights a mixture of interior design and menswear items. This editorial with actor Jun Murakami features a look at Louis Vuitton menswear items shown at the S/S 2002 show by Marc Jacobs.

[Translation Excerpt] “Since the debut of the 1998–99 Fall/Winter womenswear collection, the prêt-à-porter creations of Marc Jacobs have consistently captivated audiences and acted as a driving force within the fashion world. Compared to the womenswear collections—which delivered defining keywords season after season—the menswear line had previously leaned more toward the conservative and classic. But for Spring/Summer 2002, its creativity suddenly accelerated.

Inspired by My Own Private Idaho, the season unfolded through a romantic yet kinetic runway presentation, pairing gentle, sensual riders-style looks with the hard rock of Guns N’ Roses. Supported by the refined craftsmanship and luxurious materials long associated with Louis Vuitton, Marc Jacobs’ radical sensibility was elevated into a perfect balance, breathing new life into the image of road travel.“

Photos: Osamu Miura
Hair & Makeup: Hiroshi Hashimoto (SHIMA)
Direction / Model: Jun Murakami
Words: Kazue Koyajima

Full scans of this issue of smart max Vol. 5 from March 26th, 2002 can be viewed on my website. www.dampmagazines.com

*Please note that the Vivienne Westwood Louis Vuitton waist bag is labeled as stylists own and is obviously not from this season.

NEW UPLOAD: smart max March 26th, 2002.

This cool issue of smart max, like many others, highlights a mixture of interior design and menswear items. This editorial with actor Jun Murakami features a look at Louis Vuitton menswear items shown at the S/S 2002 show by Marc Jacobs.

[Translation Excerpt] “Since the debut of the 1998–99 Fall/Winter womenswear collection, the prêt-à-porter creations of Marc Jacobs have consistently captivated audiences and acted as a driving force within the fashion world. Compared to the womenswear collections—which delivered defining keywords season after season—the menswear line had previously leaned more toward the conservative and classic. But for Spring/Summer 2002, its creativity suddenly accelerated.

Inspired by My Own Private Idaho, the season unfolded through a romantic yet kinetic runway presentation, pairing gentle, sensual riders-style looks with the hard rock of Guns N’ Roses. Supported by the refined craftsmanship and luxurious materials long associated with Louis Vuitton, Marc Jacobs’ radical sensibility was elevated into a perfect balance, breathing new life into the image of road travel.“

Photos: Osamu Miura
Hair & Makeup: Hiroshi Hashimoto (SHIMA)
Direction / Model: Jun Murakami
Words: Kazue Koyajima

Full scans of this issue of smart max Vol. 5 from March 26th, 2002 can be viewed on my website. www.dampmagazines.com

*Please note that the Vivienne Westwood Louis Vuitton waist bag is labeled as stylists own and is obviously not from this season.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

NEW UPLOAD: ‘L’Altra Hollywood - Celebrity’ by Steven Meisel

You’ve likely seen a few of these images before but probably not the full 70+ page editorial. Together with @fuorimodafuorimoda, we present the ‘Celebrity’ editorial, shot by Steven Meisel, emulates the TMZ/Tabloid era of early 00s paparazzi photography. Models are seen taking on day to day tasks in casual yet stylized ‘model-off-duty’ looks similar to those seen on celebrities on their days off. Couples going grocery shopping, people walking their dogs, eating food, or holding their children, some of the models even appear to be pregnant. The baggy, low cut pants, sometimes sagging, were also a staple of this fashion era and can be seen throughout the editorial.

Models wear items from a ton of different brands, a handful include; Y-3, Triple5Soul, Ann Demeulemeester, Rocawear, Ralph Lauren, Givenchy, Guess Jeans, Tommy Hilfiger, Jean Paul Gaultier, and many more.

View the full ‘Celebrity’ editorial from Vogue US January 2005 on www.dampmagazines.com.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 2)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @easerock, @elmselms, @futuradosmil, @cousinfrank_ris, @erichazenyc, @klyonsnatborn, @drrevoltrtw, @ra__mmcxii, @boris_tellegen, @pvc_grey, @kseremetis, @wtaps_tokyo

Curated by @paulmittleman, more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.

20 Years Later: Stüssy’s 2006 World Tour Collaborations (Part 1)

[Text from website] The fall of 1989 was remembered for the first release of the Stussy World Tour t-shirt. Shawn Stussy created what would become an enduring concept in graphic t-shirt designs. The idea and execution were simple: juxtapose two cultures from traditionally different worlds – a style device that had been used in art and music.

On the front of the tee, names of cities associated with giants of high-end fashion and glamour are written in a stoic and formal Helvetica type. London, Paris, Los Angeles, New York, Tokyo – these were the cities considered to be the style capitals of the contemporary world. The back of the shirt was printed with names of boroughs where our kind of street culture was actually thriving. Considered dark and underground, these untapped urban areas were about to shake up the world.Scrawled in a hand drawn manuscript, the back of the t-shirt clashed with the front in style, look and meaning. The graffiti was a shout-out to this band of outsiders - Brooklyn, Bronx, Compton, Santa Ana and Venice - that is reppin’ a new vibe, direction and attitude.

This year, Stussy has reinvented this classic and iconic t-Shirt with the World Tour Project. A group of over 40 artists were handpicked and invited to do their rendition of the World Tour T-shirt. They may be graphic designers, graffiti artists, clothing designers or comic book artists – but their unique hand writing style and artistic vision were specifically chosen to fit with our ethos and identity.

The t-shirts will be released in small groups starting in March and new designs will be cropping up throughout the year. The second half of the year will also see some special events and collaborations for this project. All building and creating new pages in a never-ending history. Stay tuned.

“It ain’t where ya from, its where ya at……”

Artists featured: @123klan, @misterctoons, @einelondon, @lemighariokwu, Bulldog, @trustmelondon, @itsandyjenkins, @jimphillipsart, @rostarrstudios, @craigcostellonyc, @marok_tm, @mode2official

Concept by @paulmittleman more coming soon.