Malcolm Martin
drummer @wearenotsales @pedazodecarneconojo @cloudgem @cleoforshort
some film photography/movies
nyc on that time right now !!!
thespacepit on that time rn.
shout out to @fatnnasty for coming thru and documenting a great day w @croookedhead
black friday sale ends today if u tryna get a session!!!!
link in biooooo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo
Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

Over the last couple of years, in addition to becoming a close friend, Cleo Reed @cleoforshort has also become to me the most important artist out.
Her new (self-released) album, ‘Cuntry’, is the embodiment of using your talent and platform to bear witness to our social and material conditions as a vehicle of both self-expression and for pushing important conversations forward.
Now more than ever, the stories of Black people, especially those who are queer, femme or non-binary, are either being lost to time, reduced and exploited for entertainment or sanitized beyond recognition. Our problems only seem to persist as we refuse to reckon with how this pattern fits into the larger context of colonialism and late capitalism.
I’m immensely grateful for and proud of Cleo for what she does, and for letting me be a part, and I highly recommend diving into this work. I played a little drums at the end of “Wash All Over Me”, engineered by Danny Murillo @murillo_elgrillo

afuera - tomorrow @worldcafelive , @murillo_elgrillo and I with @pedazodecarneconojo , NYC (Ridgewood) @cassettenyc with @sofiainsua ❄️

afuera - tomorrow @worldcafelive , @murillo_elgrillo and I with @pedazodecarneconojo , NYC (Ridgewood) @cassettenyc with @sofiainsua ❄️
afuera - tomorrow @worldcafelive , @murillo_elgrillo and I with @pedazodecarneconojo , NYC (Ridgewood) @cassettenyc with @sofiainsua ❄️

afuera - tomorrow @worldcafelive , @murillo_elgrillo and I with @pedazodecarneconojo , NYC (Ridgewood) @cassettenyc with @sofiainsua ❄️

afuera - tomorrow @worldcafelive , @murillo_elgrillo and I with @pedazodecarneconojo , NYC (Ridgewood) @cassettenyc with @sofiainsua ❄️

afuera - tomorrow @worldcafelive , @murillo_elgrillo and I with @pedazodecarneconojo , NYC (Ridgewood) @cassettenyc with @sofiainsua ❄️
🖤 “Where I’m Going” by @thundercatmusic - @deantoniparks 🥁
#drums #drummer #thundercat
Working on practicing/posting/producing more. Also trying to jam with my Philly/NY ppl.
S/o to @cleoforshort for encouraging me to post this, I look forward to the end of my “coy musician” era lol
#drums #drummer #musician #dwdrums #vicfirth #zildjian
@bkchamberorch performing “Carol of the Brown King”, an original composition by my brother, @brandonmartinmusic , set to a poem by the great Langston Hughes. Thank you @melody_english_ for helping make this happen.

‘PEDAZO’ by pedazo de carne con ojo.
An album by Steven Perez, co-produced by he and myself. Did lots of drums, bass, some samples/fx and helped mix. Grateful to everyone who contributed their talent to this project. Forever grateful to Steven for our friendship, for trusting me with the vision and for venturing into the unknown! Up on all platforms.
art by @emilyburtner
sculpture by @abigaillucien
sculpture photo by Dev Hein
mastering by @murillo_elgrillo
addt’l mixing by @mdreammm
feat. @zekeultra , @thecreaturealfred , and @lewisdelmar
addt’l keys by @blackbuttaflyofficial
addt’l vox by @spiritual_hiatus

‘PEDAZO’ by pedazo de carne con ojo.
An album by Steven Perez, co-produced by he and myself. Did lots of drums, bass, some samples/fx and helped mix. Grateful to everyone who contributed their talent to this project. Forever grateful to Steven for our friendship, for trusting me with the vision and for venturing into the unknown! Up on all platforms.
art by @emilyburtner
sculpture by @abigaillucien
sculpture photo by Dev Hein
mastering by @murillo_elgrillo
addt’l mixing by @mdreammm
feat. @zekeultra , @thecreaturealfred , and @lewisdelmar
addt’l keys by @blackbuttaflyofficial
addt’l vox by @spiritual_hiatus

‘PEDAZO’ by pedazo de carne con ojo.
An album by Steven Perez, co-produced by he and myself. Did lots of drums, bass, some samples/fx and helped mix. Grateful to everyone who contributed their talent to this project. Forever grateful to Steven for our friendship, for trusting me with the vision and for venturing into the unknown! Up on all platforms.
art by @emilyburtner
sculpture by @abigaillucien
sculpture photo by Dev Hein
mastering by @murillo_elgrillo
addt’l mixing by @mdreammm
feat. @zekeultra , @thecreaturealfred , and @lewisdelmar
addt’l keys by @blackbuttaflyofficial
addt’l vox by @spiritual_hiatus
posting for the archive. used to work in a coffee shop in an Urban so this is crazy to see. so grateful to @cloudgem for trusting us. 🌹
@urbanoutfitters x @drmartensofficial presents Orion Sun performing “concrete” live at @silent__partner studios. link in bio
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