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Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Nuvei X Mercedes F1 “The DNA of Performance”

Featuring:
Drivers Lewis Hamilton, George Russell, Team Principle Toto Wolff.

This was a really special shoot for me. I love my F1 and focus pulling a big sponsor video for Nuvei and Mercedes. What a great experience.

For the shoot we used two Arri 35 Cameras, shooting 2:1 anamorphic on the Viltrox Epic lenses.

As 1AC on the shoot, my job was to support the awesome @halfordfilms the best I could in providing fast turnaround for our camera setups. Working with high profile talent can be a real struggle as plans can change, and you are only ever given a small window of time.

Shooting interviews, a piece to cameras, and B-roll/pac shots - required pit-stop like changes of our own. We planned and practiced our setup changes from two-cam interviews, to a floating eye-direct (teleprompter) setup, and then finally getting to the easyrig and or slider for closeups and 50fps shots of the helmets.

What really helped me on this shoot was the use of the @arri companion app for A Cam/B Cam, and Hi-5 camera control. I could control runstop and see the status and settings of both cameras, ensuring we’re always matched up and ready to go. Running a reduced crew is always tough, but being able to give confidence to the dop and operator that both cameras have a second pair of eyes was reassuring, and kept the running of the day as smooth as possible.

Most importantly we all worked as a team and really smashed it. I’m really thankful to @_georgiebrown , @aidagarciavega for doing such a great job supporting in the camera dept.

Dir: @emma.scott.uk
Dop: @halfordfilms
Gaffer: @dabbs_josepho
Operator: @camera_tee
1AC: Kieran coyne 👍🏻
2AC: @_georgiebrown , @aidagarciavega
Sound: @sound_designed
DIT: @chinesekato

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Walkers X Ghostbusters Frozen Empire TVC

This was super exciting shoot! We shot all through the evening until the morning for this one. Shooting with the Sony Venice in Rialto mode was a great example of how versatile builds can speed up turnaround. Ian uses the Sony Venice in Rialto mode, for quick movements and ease of operating, but also versatility and scalability. We were able to place the Rialto block into a shelving unit without any re-rigging of camera. Perfect for the fast paced nature of commercials. This is where the Cforce mini RF motor really shines. Having control of my focus with just the motor. Sometimes as a focus puller less is more.

The real challenge we faced in the camera dept for this one was keeping out of the way for other departments and keeping efficient. We were shooting to storyboard, and therefore could anticipate what Ian and team would need from us in camera. @floriwatts and @jarodkemp did a great job of helping us keep on top of this, keeping everything close enough, but also clearing the way for Art and Lighting.

Headset coms were essential to our communication. Talking across the supermarket, as we had to move across the isles, whilst also keeping close to ian and the camera. Without them I think it would have been a real struggle for us to keep as well organised as we were.

Finally, keeping a good moral on set and making sure all of us in the department were feeling good and not overwhelmed, was paramount to a good shoot.

DIRECTOR TOM ANDREWS
PRODUCER SAM EDWARDS
PRODUCTION ASSISTANT DENNIS ABWAKAT
1ST ASSISTANT DIRECTOR MICKI COLKER PEARLMAN
RUNNER LEWIS HADEN
RUNNER DRIVER JAKE HUXTABLE
DIRECIOR OF PHOTOGRAPHY IAN MURRAY @ianmurraydop
FOCUS PULLER KIERAN COYNE
2nd AC FLORI WATTS @floriwatts
TRAINEE JAROD KEMP @jarodkemp
PLAYBACK OPERATOR LIAM COLES
DIT VLAD MARTINS
GAFFER JOSH MCLAREN
LIGHTING TECHNICIAN JOE GREENE
LIGHTING TECHNICIAN KRIS GRIGONIS @grigoniskristijonas
LIGHTING TECHNICIAN MAT NOLAN
RASCAL EXEC PRODUCER COLIN OATEN
VEX SUPERVISOR ANDREW BARNES
PROPS MASTER CALLUM HADEN
PROPS HAND OLI HADEN
WARDROBE STYLIST BOBBIE EDWARDS
HMU ARTIST FRAGGLE JURY
BIS VIDEOGRAPHER DAVID LEDGER

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Behind the Scenes - Starbucks Winter/Spring.

In cam stills may not reflect final shot/product.

This was a super fun and interesting two day shoot with Ian Murray. Ian decided to use the ‘skater scope’ to create a probe perspective. Allowing him to keep his creative choice of lensing - using Canon K35’s for each of the Starbucks Vignettes.

This was a fun and new challenge for me, as I had to build the camera for dolly with the skate scope, whilst also keeping everything easily swappable for when we didn’t need the scope - and needed some extra light. I decided to keep the cinetape on here as it helped greatly with keeping track of distances when on repeated dolly movements. Although with the scope you have to shoot at T.5.6, there’s no room for error with such shoots. Usually in mixed stills video shoots, you’re allocated a short time to get all your storyboard, meaning focus marks and rehearsals can be lost. With so many moving parts, you can’t afford for the one take that works to miss on sharps.

Another challenge we had on the shoot was working in such narrow spaces such as the Fenchurch Starbucks shop. @floriwatts and I had to communicate effectively and keep out of the way, and when our time came to jump in, we had to be speedy and purposeful - to make sure Ian could focus on the composition and creative elements of the shot. Working with VFX, variable frame rates, lazy Susan’s - can all be a lot to piece together - hence why it’s so important for us assistants to keep the technical problems away from our creative HOD’s.

For those with a keen eye we shot 6K to accommodate for a 9:16 delivery.

Director Joseph Ford
1AD Rose Lucas
2nd AD Alishia Shaw
Runner Collette Burke
Director of Photography Ian Murray
1st AC Kieran Covne
2nd AC Flori Watts
Dig Operator / DIT Giles Smith
Driver Dusty
Gaffer Josh Mclaren
Lighting Assistant Chris Parsons
Spark Kristof Szentgyorgyvary
Spark Kris Grigonis
Wardrobe Stylist Amy Thompson
Wardrobe Assistant Alex Smith
Wardrobe Assistant Lucy Mann
HMU Sogol Razi
HMU Assistant Afsha Kabani
Art Director Anna Papa
Art Assistant Laurie Tristram
Drinks Stylist Dagmar Vesely
Drinks Stylist Assistant Emily Murayama

Dance Film: Gazelle

Featured on @nowness

@benny_wynn and I like to mix formats when we work, however we don’t always get access to large budgets.

Luckily I own a variety of mish mash lenses, including these two featured here:

The Angenieux 11.5-138mm S16 HR and my Kowa DIY 2x Anamorphic.

The Angenieux has an impressive 12x zoom, look particularly at slide 3 for how cool you can do a dolly zoom with it.

Dancer/Choreography: @jamalsterrett
Director: @benny_wynn
DOP: 👋
1AC: @coynecamera
Gaffer: @stuartswindelldp
Composer: @tlsylvest

Shoutout to @jamalsterrett for his immense talent.

Camera: Arri Alexa 35

#angenieuxlenses #kowa #anamorphic #zoomlens #arri

Dance Film: Gazelle

Featured on @nowness

@benny_wynn and I like to mix formats when we work, however we don’t always get access to large budgets.

Luckily I own a variety of mish mash lenses, including these two featured here:

The Angenieux 11.5-138mm S16 HR and my Kowa DIY 2x Anamorphic.

The Angenieux has an impressive 12x zoom, look particularly at slide 3 for how cool you can do a dolly zoom with it.

Dancer/Choreography: @jamalsterrett
Director: @benny_wynn
DOP: 👋
1AC: @coynecamera
Gaffer: @stuartswindelldp
Composer: @tlsylvest

Shoutout to @jamalsterrett for his immense talent.

Camera: Arri Alexa 35

#angenieuxlenses #kowa #anamorphic #zoomlens #arri

Dance Film: Gazelle

Featured on @nowness

@benny_wynn and I like to mix formats when we work, however we don’t always get access to large budgets.

Luckily I own a variety of mish mash lenses, including these two featured here:

The Angenieux 11.5-138mm S16 HR and my Kowa DIY 2x Anamorphic.

The Angenieux has an impressive 12x zoom, look particularly at slide 3 for how cool you can do a dolly zoom with it.

Dancer/Choreography: @jamalsterrett
Director: @benny_wynn
DOP: 👋
1AC: @coynecamera
Gaffer: @stuartswindelldp
Composer: @tlsylvest

Shoutout to @jamalsterrett for his immense talent.

Camera: Arri Alexa 35

#angenieuxlenses #kowa #anamorphic #zoomlens #arri

Dance Film: Gazelle

Featured on @nowness

@benny_wynn and I like to mix formats when we work, however we don’t always get access to large budgets.

Luckily I own a variety of mish mash lenses, including these two featured here:

The Angenieux 11.5-138mm S16 HR and my Kowa DIY 2x Anamorphic.

The Angenieux has an impressive 12x zoom, look particularly at slide 3 for how cool you can do a dolly zoom with it.

Dancer/Choreography: @jamalsterrett
Director: @benny_wynn
DOP: 👋
1AC: @coynecamera
Gaffer: @stuartswindelldp
Composer: @tlsylvest

Shoutout to @jamalsterrett for his immense talent.

Camera: Arri Alexa 35

#angenieuxlenses #kowa #anamorphic #zoomlens #arri

Dance Film: Gazelle

Featured on @nowness

@benny_wynn and I like to mix formats when we work, however we don’t always get access to large budgets.

Luckily I own a variety of mish mash lenses, including these two featured here:

The Angenieux 11.5-138mm S16 HR and my Kowa DIY 2x Anamorphic.

The Angenieux has an impressive 12x zoom, look particularly at slide 3 for how cool you can do a dolly zoom with it.

Dancer/Choreography: @jamalsterrett
Director: @benny_wynn
DOP: 👋
1AC: @coynecamera
Gaffer: @stuartswindelldp
Composer: @tlsylvest

Shoutout to @jamalsterrett for his immense talent.

Camera: Arri Alexa 35

#angenieuxlenses #kowa #anamorphic #zoomlens #arri

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

‘Return to Blue’ - Joshua Shea Music Video

https://youtu.be/PQhtE9np6FQ?si=mobYkulg4H_LH0vy

This was a great passion project and labour of love, with 1 shoot day and multiple locations.
I’m so thankful to the wonderful people who made the video what it is.

Got to experiment with lots of cool techniques on this one, including VFX floating orbs with fish wire, slow shutter effects, a couple of match cuts and working with gaffer josh on using Dedo lightstream mirror system.

Cam kit:
Camera: Sony Venice.
Lenses: Tribe7 T-Tuned
Filtration: Glimmerglass 1

Wouldn’t be possible without the help from Ian Murray & @theunitbag 🙏

Directed by: @neosebastian3 & @joshua_shea
DOP: @coynecamera
Cast: @gracestewarxt & @max.beken
Produced by @tin.manproductions
Assistant producer: @amy.z56
1st AD: @indiabarnesx_
Gaffer: @joshmclaren_gaffer
Focus puller: @jarodkemp
Steadicam Op: @nicolas_di_matteo
AC’s/ Sparks: @elishahunterr & @oliviamooneygriffiths
Production Assistant: @oliver_pw
Editor & Offline VFX: @jester_meh
Additional VFX: @roberteharold
Assistant editor: @chatchan.ck

Ladoomail brand film for @mattgillan @ozarshad

Arri SR3 🎞️

Had the opportunity to use a split diopter for this one, and lots of cool moves.

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Ladoomail brand film BTS 🔥

Written by @daleepsr @sneh.kr &@ozarshad
Directed & Edited by @ozarshad
Producer @daleepsr
Producer @guy.lindley
Production Manager @bearalston
1st AC @coynecamera
2nd AC @dimi_vakrilov_
Gaffer @shaunwaldie
Spark @caseygrosso
Spark @xavier_nolan
Set Design & Build @daleepsr
Scenic Artist@scenic.dara
Set Dec @utace
HMUA @rubysartistry_
Wardrobe @hardeepn
Performer @mattybarkley4
Performer @ruchikaj2000
Grading@sarabuxtoncolourist
VFX @francoislips
Music @benstandbridgemusic
Cameo @mpaddap
Thanks@sanvirchana
Thanks @hannahbackshall

Virgin Media x ‘Critters’. Ireland TVC.
Scale Model Studios.


DIRECTOR Conor Finnegan
EXECUTIVE PRODUCER Mags Levingstone
PRODUCER Keeva Bolger
1ST AD Philips Nortey
DOP Peter Elmore @peter_ellmore
1AC, FOCUS PULLER Kieran Coyne
2AC, CLAPPER LOADER Jarod Kemp @jarodkemp
VIDEO ASSIST Jack Driver
DIT Oliver Nelson @nelsonoliver_uk
GRIP Emmet Cahill
GAFFER Jono Yates @ginboat
ELECTRICIAN Dexter Lovely
ELECTRICIAN Jimmy Bollinger
PROP MAKER Jenny Kidd @scalemodelstudios_
PUPPET FABRICATOR Rachel Olga Lloyd
MODEL MAKER Tanya Guryel
PUPPETEER Kim Scopes
PUPPETEER Josh Elwell
SET BUILDER Lidia Stepien
PROP MAKER Emma Niemis
SET BUILDER Jay

Virgin Media x ‘Critters’. Ireland TVC Behind the Scenes.

Really nice to return to some more tabletop work. Live action puppetry can be really technical at times and needs fast turnarounds from the camera dept.

We were using the Century low angle prism on this one to get as low as possible to the floor. Massive thank you to @jarodkemp for prepping this one. And of course thank you @peter_ellmore for trusting us with this.

Virgin Media x ‘Critters’. Ireland TVC Behind the Scenes.

Really nice to return to some more tabletop work. Live action puppetry can be really technical at times and needs fast turnarounds from the camera dept.

We were using the Century low angle prism on this one to get as low as possible to the floor. Massive thank you to @jarodkemp for prepping this one. And of course thank you @peter_ellmore for trusting us with this.

Virgin Media x ‘Critters’. Ireland TVC Behind the Scenes.

Really nice to return to some more tabletop work. Live action puppetry can be really technical at times and needs fast turnarounds from the camera dept.

We were using the Century low angle prism on this one to get as low as possible to the floor. Massive thank you to @jarodkemp for prepping this one. And of course thank you @peter_ellmore for trusting us with this.

Virgin Media x ‘Critters’. Ireland TVC Behind the Scenes.

Really nice to return to some more tabletop work. Live action puppetry can be really technical at times and needs fast turnarounds from the camera dept.

We were using the Century low angle prism on this one to get as low as possible to the floor. Massive thank you to @jarodkemp for prepping this one. And of course thank you @peter_ellmore for trusting us with this.

Virgin Media x ‘Critters’. Ireland TVC Behind the Scenes.

Really nice to return to some more tabletop work. Live action puppetry can be really technical at times and needs fast turnarounds from the camera dept.

We were using the Century low angle prism on this one to get as low as possible to the floor. Massive thank you to @jarodkemp for prepping this one. And of course thank you @peter_ellmore for trusting us with this.

Virgin Media x ‘Critters’. Ireland TVC Behind the Scenes.

Really nice to return to some more tabletop work. Live action puppetry can be really technical at times and needs fast turnarounds from the camera dept.

We were using the Century low angle prism on this one to get as low as possible to the floor. Massive thank you to @jarodkemp for prepping this one. And of course thank you @peter_ellmore for trusting us with this.

Virgin Media x ‘Critters’. Ireland TVC Behind the Scenes.

Really nice to return to some more tabletop work. Live action puppetry can be really technical at times and needs fast turnarounds from the camera dept.

We were using the Century low angle prism on this one to get as low as possible to the floor. Massive thank you to @jarodkemp for prepping this one. And of course thank you @peter_ellmore for trusting us with this.

Testing the 16mm camera with a fun short about runningwith @pearce_martin_ 🤝

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Two Steps by @yazminlaceyBehind the Scenes in cam monitor stills.

@folaabatan Dop 🔥
@theunitbag supplied 🤝❤️
@jarodkemp with me in camera dept.

Production Company @anoncontent
Executive Producer @hackett17
Producer@brooke.lagana
Director @planetfrances
DP @folaabatan
Steadicam @nicolas_di_matteo
Gaffer @jedclist_lighting
1st AC @coynecamera
2nd AC @jarodkemp
Spark @arjunvellcattaree @amelia.alexandra_films
PM/on-set Producer @alishiamaria_shaw
1st AD @billy__french
2nd AD Carmen du Perez
Production Runner @cal.freeman @swissamy.knif
Art Director @mickoconn
Artist MUA @ayopoabiri
HMUA @domsl00ks
Stylist @juicylames
Cast MUA @nickyharringtonmakeup
Stylist Assist @buoysound @elsie.vincent.stylist
Wig Stylist @neciashairstyling
Choreographers @strapinlinedance
Casting @talent_talks
Equipment - The Unit Bag Catering - Honest Foods
Edit @absolute_post
Editor @thiggii
Edit Producer @thegreensgram
Colour RM studio_rm
Colorist @juleswcolour
Colour Executive Producer @mikecoley_culkin
Colour Producer @ellahill.jpg

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault

Pet Plan TVC - ITV, Channel 4.

Thank you @jackboothfreelancer for having us on this one 🤝❤️. Focus pulling with animals isn’t always easy but this one was great fun.

@jarodkemp @jessicatimbs smashed it! 📸
@crewatvision

DIRECTOR
PRODUCER
Michael O’Kelly
Bea Perez
PRODUCTION MANAGER
Lily Doswell
PRODUCTION ASSISTANT
Stella Umezaki
SEN. ACCOUNT MANAGER
Katie Weymouth
CREATIVE DIRECTOR
Dom Sykes
1st AD
Lucas Harding
2nd AD
Laura Carrion Del Pozo
RUNNER
Jess Matthews
RUNNER
Jack Freeman-Bell
DOP
Jack Booth
1st AC
Kieran Coyne
2nd AC
Jarod Kemp
CAMERA TRAINEE
Jessica Timbs
DIT/ EDITOR
Anu Gopalakrishnan
GAFFER
Kevin Gardner
ELECTRICIAN
Kevan Noble
ELECTRICIAN
Neil Blackman
ELECTRICIAN
James Knight
ART DIRECTOR PROP BUYER
Steve Oakes
Hunnigan Webster

PROP MAN
Toby Sykes
TRANSPORT
Phil
CONSTRUCTION
Alexander King
STYLIST*
Gayle Rinkoff

STYLIST ASSISTANT
MUA
Millie Kaye
Lisa Asprey
LOCATION MANAGER
Darren Pratt
SECURITY
Paul % Movie Guard
ANIMAL HANDLER

ANIMAL HANDLER
Laura Ingall
Jeanna
ANIMAL HANDLER
Tilly
VET
Ali Foucault