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I’m always happy to stand on the shoulders of giants when I share projects like these, a recent project for Boss featuring Jamie Campell Bower (shoutout the Volturi)

Directors: @nxhugo & @hager.daniel
DoP: @morgan_k._spencer
Sound Design: @lukashasiba 
Set Design: @leonardopapini 
CGI: anthe.cr3 

Art Direction: @lebaz75 & @stephandimu 
Production: @_studiolou_ 
EP: Louise Lund
Production: Darren Sintes, Ryan James
1st AD: Daniel Castro Garcia @foreignerdigital

1st AC: Mike Linforth @mikelinforth
2nd AC: Liam Reardon @liammrac
Key Grip: Joshua Bull @gorgeous.bull
Grip Assistant: Connor Hartridge @connorhartridge
Gaffer: Robert Shears @robboshears
Sparks: Marian Cojocaru, Tison Bailey
Phantom Cam Op: Stephen Price @ Love High Speed
DIT: Kato Murphy @copycatdit
Sound Recordist: Olly Jennings

Groomer: Brady Lea
Manicurist: Jenni Draper
Tailor: Veronica Pompilii

Set Designer: Leonardo Papini
Set Assistant: Sophia Willcox
Carpenter: Louis Neville
Carpenter/Painter: Rupert Mead

Camera Kit: McX @mcx_films
Studio: Park Royal @parkroyalstudios

#JamieCampbellBower #Boss #AppleVisionPro #AppleVision #BehindTheScenes #FashionFilm #CreativeDirection #OnSet #Cinematography #AppleVisionProShoot #LuxuryFashion #DigitalCinema #FilmProduction #ModernElegance #VisionaryStyle #InnovationMeetsStyle

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

Today marks Copycat’s first birthday.

Thank you to everyone who’s supported the business and also me by extension, believed in what we’re building, and helped shape the journey so far.

Here are some cats to say thank you

’Never meet your heroes’ is a phrase that doesn’t really apply here. We shot this nearly a year ago on one of the hottest days June had to offer.
It was incredible to see so much get done in a single day, but managing the data across two units (interview & editorial) meant I had little time to truly appreciate some of the creatives who shaped my childhood.

Creative Director: Ferdinando Verderi @ferdinandoverder
Director of Photography: @morgan_k._spencer
Steadicam Operator: @steadibrooks
1st AC: @tobyjmckay
2nd AC: @fabcastle15
Key Grip: @discopearl
Grip Trainee: Lily Drake
B-Cam Operator: @jackch_
B-Cam 1st AC: @chris_king
B-Cam 2nd AC: @jaysonroy
B-Cam Grip: @joshmg08
B-Cam Trainee: @dawson._.morris

Gaffer: @robboshears
Sparks: @mariancojocar2024, @haydencfjones, @olaaworetan, @jameswlytton

DIT: @chinesekato @copycatdit
Playback: Jack Driver @rsvp.london
Sound Mixer: Paul O’Hare

1st AD: George Every
2nd AD: Caspar Campbell
3rd AD: Oliver Waters
Floor Runners: Hugo Foley, Will Clayton, Danny Zarne, Zarife Sevin
Pipe and Drape Riggers: Fred Faulkner, Jack Banks

#NeverMeetYourHeroes #DITLife #OnSet #FilmCrew #ProductionLife #Filmmaking #SetLife #BehindTheScenes #Cinematography #CreativeDirection #DataWrangler #ShootDay #CrewLove #CameraDepartment #GripAndElectric #SoundDepartment #BTS #FilmSet #PostProduction #EditorialShoot #RespectTheCrew

Really grateful to have worked with The Cornershop for Autistica; a nice bonus when a job is fulfilling as well as fun.

Things can feel a bit up in the air these days, but being on set with a lovely team was a reminder that the camaraderie and community is something that can't be automated out.

PRODUCTION COMPANY: @thecornershop.tv
CLIENT: @autisticauk
DIRECTOR: @sindhas
EP/FOUNDER: Anna Hashmi
EP: @tessarose
PRODUCER :@westcoastkslice

AGENCY: @house337
CCO: Josh Green
CREATIVES: Mick Coates, Gabriella Kohli
AGENCY PRODUCER: Trent Webster

LOCATION MANAGER:
Ed Michie
1ST AD : @keerthana_raja
DOP: @adamsingodia
1ST AC : @connorjhutton_film
2ND AC: @j0hanna.ty3rs
RUNNER: Nicita Botha
RUNNER: @lilyxm19
PLAYBACK: Charlie Gibson @rsvp.london
DIT: @chinesekato @copycatdit
SOUND OP: @waverlyhudsonsound
GAFFER: @emil_nolan
SPARK: @gabrielemang0
ART DIRECTOR: @kathawker
ART ASSISTANT: @bonniebbhamilton
MUA: @lilyparfittartistry
WARDROBE DESIGNER: @frankgallacher
WARDROBE ASSISTANT: Lorraine Sibanda
CASTING: @autumnjensencasting
CATERING: @braizenkitchen
SPECIAL THANKS: Panavision, Light me Up Limited

EDITOR: @adam_likes_to_edit
EDIT HOUSE: @shiftpostldn
EDIT ASSISTANT: Christina Hill
EXECUTIVE PRODUCER: Kirsty Oldfield
GRADE: @dani_simone_r
POST HOUSE: @timebasedarts
POST PRODUCER: Mia Saunders
SOUND DESIGN: Tony Rapaccioli
SOUND CO: @wavestudios_
MUSIC: George Nicol
SOUND PRODUCER: Caroline Jemirifo

CAST: @mariaelenaking
CAST: @romosikdar
CAST: Elliot Eason @fionacrossmanagement
CAST: David Hepple
CAST: @tiffaniechia

#FilmProduction #BehindTheScenes #OnSetLife
#Filmmaking #CreativeDirection #ProductionTeam #FilmCrew
#DirectorOfPhotography #CommercialProduction #SetLife
#CreativeAgency #PostProduction #ColorGrading
#SoundDesign #ArtDirection #CameraDepartment #BTSFilm
#CrewLove #DreamTeam

FKJ & Yussef Dayes - Live From The Greenhouse

a surreal project to be a part of that hardly felt like work (not sure if Juanjo’s back could say the same), an uninterrupted and magical 4 hour and 19 minute take, working with some lovely friends, boschhhhhhh

FKJ @frenchkiwijuice
Yussef Dayes @yussefdayes

Directors: UNCANNY @uunnccaannyy
Production Company: Smuggler @smugglersite
EP: Joel Spencer @jspenc_r
Producer: Sidney Arthur @squidneyarthur
DOP: Juanjo Salazar @juanjolsalazar

1st AC: James Hills @jamesroberthills
2nd AC:Elizabeth Khan-Grieg @ekhangreig
Cam Trainee: Elliot White @elliot_white
Grip: Mo Abdi @mo.grips
DIT: Kato Murphy @chinesekato @copycatdit

Production Designer: Hugo Harris @hugoharris_art
Art Assistant: Mobolaji Babalola

Gaffer: Esteban Gimpelewicz @gimpefilm
Spark: Ali Celis
Spark: Goncalo Lopes @gonlopess
Spark Trainee: Ross Murrell @ross.m_spark

Audio Playback: Tom Cooksey
Backline Tech: Elliot Russel
Monitor Engineer: Jack Childs
Recording Engineer: Rory Cashmere

Colour Producer: Tomas Katter @tomas_.kat
Colourist: Jamie Noble @jamienoble_colour

Graphics & Edit: @uunnccaannyy

FKJ & Yussef Dayes - Live From The Greenhouse

a surreal project to be a part of that hardly felt like work (not sure if Juanjo’s back could say the same), an uninterrupted and magical 4 hour and 19 minute take, working with some lovely friends, boschhhhhhh

FKJ @frenchkiwijuice
Yussef Dayes @yussefdayes

Directors: UNCANNY @uunnccaannyy
Production Company: Smuggler @smugglersite
EP: Joel Spencer @jspenc_r
Producer: Sidney Arthur @squidneyarthur
DOP: Juanjo Salazar @juanjolsalazar

1st AC: James Hills @jamesroberthills
2nd AC:Elizabeth Khan-Grieg @ekhangreig
Cam Trainee: Elliot White @elliot_white
Grip: Mo Abdi @mo.grips
DIT: Kato Murphy @chinesekato @copycatdit

Production Designer: Hugo Harris @hugoharris_art
Art Assistant: Mobolaji Babalola

Gaffer: Esteban Gimpelewicz @gimpefilm
Spark: Ali Celis
Spark: Goncalo Lopes @gonlopess
Spark Trainee: Ross Murrell @ross.m_spark

Audio Playback: Tom Cooksey
Backline Tech: Elliot Russel
Monitor Engineer: Jack Childs
Recording Engineer: Rory Cashmere

Colour Producer: Tomas Katter @tomas_.kat
Colourist: Jamie Noble @jamienoble_colour

Graphics & Edit: @uunnccaannyy

FKJ & Yussef Dayes - Live From The Greenhouse

a surreal project to be a part of that hardly felt like work (not sure if Juanjo’s back could say the same), an uninterrupted and magical 4 hour and 19 minute take, working with some lovely friends, boschhhhhhh

FKJ @frenchkiwijuice
Yussef Dayes @yussefdayes

Directors: UNCANNY @uunnccaannyy
Production Company: Smuggler @smugglersite
EP: Joel Spencer @jspenc_r
Producer: Sidney Arthur @squidneyarthur
DOP: Juanjo Salazar @juanjolsalazar

1st AC: James Hills @jamesroberthills
2nd AC:Elizabeth Khan-Grieg @ekhangreig
Cam Trainee: Elliot White @elliot_white
Grip: Mo Abdi @mo.grips
DIT: Kato Murphy @chinesekato @copycatdit

Production Designer: Hugo Harris @hugoharris_art
Art Assistant: Mobolaji Babalola

Gaffer: Esteban Gimpelewicz @gimpefilm
Spark: Ali Celis
Spark: Goncalo Lopes @gonlopess
Spark Trainee: Ross Murrell @ross.m_spark

Audio Playback: Tom Cooksey
Backline Tech: Elliot Russel
Monitor Engineer: Jack Childs
Recording Engineer: Rory Cashmere

Colour Producer: Tomas Katter @tomas_.kat
Colourist: Jamie Noble @jamienoble_colour

Graphics & Edit: @uunnccaannyy

I’ve been enjoying using the Set Link Nanos by @oz_color.fr for the past couple of weeks. These camera control boxes have proved instrumental in improving how I work, allowing me to quickly flash the false colour or log whilst at my cart (without having to annoy the assistants) means I can easily check highlights or see how much we actually have to play with in the shadows, even if we have a custom LUT doing all sorts (which would typically make monitoring exposure pretty unreliable).

Looking forward to seeing other ways I can use this wireless ethernet magic tech.

Credit goes to @filmfix_bernard for telling me about this snazzy alternative to the bitbox.
#cameratech #SetLinkNanos #filmproduction #wirelessmonitoring #techinnovation #filmmakingtools

I’ve been enjoying using the Set Link Nanos by @oz_color.fr for the past couple of weeks. These camera control boxes have proved instrumental in improving how I work, allowing me to quickly flash the false colour or log whilst at my cart (without having to annoy the assistants) means I can easily check highlights or see how much we actually have to play with in the shadows, even if we have a custom LUT doing all sorts (which would typically make monitoring exposure pretty unreliable).

Looking forward to seeing other ways I can use this wireless ethernet magic tech.

Credit goes to @filmfix_bernard for telling me about this snazzy alternative to the bitbox.
#cameratech #SetLinkNanos #filmproduction #wirelessmonitoring #techinnovation #filmmakingtools

I’ve been enjoying using the Set Link Nanos by @oz_color.fr for the past couple of weeks. These camera control boxes have proved instrumental in improving how I work, allowing me to quickly flash the false colour or log whilst at my cart (without having to annoy the assistants) means I can easily check highlights or see how much we actually have to play with in the shadows, even if we have a custom LUT doing all sorts (which would typically make monitoring exposure pretty unreliable).

Looking forward to seeing other ways I can use this wireless ethernet magic tech.

Credit goes to @filmfix_bernard for telling me about this snazzy alternative to the bitbox.
#cameratech #SetLinkNanos #filmproduction #wirelessmonitoring #techinnovation #filmmakingtools

I’ve been enjoying using the Set Link Nanos by @oz_color.fr for the past couple of weeks. These camera control boxes have proved instrumental in improving how I work, allowing me to quickly flash the false colour or log whilst at my cart (without having to annoy the assistants) means I can easily check highlights or see how much we actually have to play with in the shadows, even if we have a custom LUT doing all sorts (which would typically make monitoring exposure pretty unreliable).

Looking forward to seeing other ways I can use this wireless ethernet magic tech.

Credit goes to @filmfix_bernard for telling me about this snazzy alternative to the bitbox.
#cameratech #SetLinkNanos #filmproduction #wirelessmonitoring #techinnovation #filmmakingtools

Capturing the places that shaped her journey. @jasminejobson for @i_d @rangerover

Following up with more from this project, this time highlighting Jasmine’s foster carer, Valerie. Showcasing how far nurture and support can go and what opportunities it creates.

Featuring @directedbykoby & @paddingtonarts

Thanks to @we.love.hue for bringing me onto this project and providing the equipment.

—

Director: @hector_aponysus
Creative: @adlerose
Executive Producer: @elsyyyxx
Producer: @mccraymartin
Account Manager: @kaygraylay
DOP: @jack_exton_
1st AC: @nowthenpete
2nd AC: Jimmy Woodmass
Trainee: Josh Wildsmith
DIT: @chinesekato @copycatdit
1st AD: @keerthana_raja
2nd AD: @maya_armon
Production Manager: @hiervisions
Gaffer: Greg Probert
Sparks: James Leech & Vainius Kotovas
Grip: @cali_grip
Sound Recordist: Callum Bentley @soundnode
Location Manager: Robert Hamilton
Unit Manager: Jake Collins
Medic: Paul Mawson
Drivers: James Lamb, Clayton Nare, Mark Holden
Security: Tony Singh, Lee Foley
Runners: Jack Driscoll, Edie Kelly, Meron Ayele
Camera Kit: @mcx_films
Editor: @fedbarni
Colourist: @johnlowe.xyz
Composer: @helicalsound
Soundmix: @soundnode

#JasmineJobson #TreshamCrescent #Resilience #FilmProduction #CreativeTeam #BehindTheScenes

Capturing the places that shaped her journey. @jasminejobson for @i_d @rangerover

Following up with more from this project, this time highlighting Jasmine’s foster carer, Valerie. Showcasing how far nurture and support can go and what opportunities it creates.

Featuring @directedbykoby & @paddingtonarts

Thanks to @we.love.hue for bringing me onto this project and providing the equipment.

—

Director: @hector_aponysus
Creative: @adlerose
Executive Producer: @elsyyyxx
Producer: @mccraymartin
Account Manager: @kaygraylay
DOP: @jack_exton_
1st AC: @nowthenpete
2nd AC: Jimmy Woodmass
Trainee: Josh Wildsmith
DIT: @chinesekato @copycatdit
1st AD: @keerthana_raja
2nd AD: @maya_armon
Production Manager: @hiervisions
Gaffer: Greg Probert
Sparks: James Leech & Vainius Kotovas
Grip: @cali_grip
Sound Recordist: Callum Bentley @soundnode
Location Manager: Robert Hamilton
Unit Manager: Jake Collins
Medic: Paul Mawson
Drivers: James Lamb, Clayton Nare, Mark Holden
Security: Tony Singh, Lee Foley
Runners: Jack Driscoll, Edie Kelly, Meron Ayele
Camera Kit: @mcx_films
Editor: @fedbarni
Colourist: @johnlowe.xyz
Composer: @helicalsound
Soundmix: @soundnode

#JasmineJobson #TreshamCrescent #Resilience #FilmProduction #CreativeTeam #BehindTheScenes

Capturing the places that shaped her journey. @jasminejobson for @i_d @rangerover

Following up with more from this project, this time highlighting Jasmine’s foster carer, Valerie. Showcasing how far nurture and support can go and what opportunities it creates.

Featuring @directedbykoby & @paddingtonarts

Thanks to @we.love.hue for bringing me onto this project and providing the equipment.

—

Director: @hector_aponysus
Creative: @adlerose
Executive Producer: @elsyyyxx
Producer: @mccraymartin
Account Manager: @kaygraylay
DOP: @jack_exton_
1st AC: @nowthenpete
2nd AC: Jimmy Woodmass
Trainee: Josh Wildsmith
DIT: @chinesekato @copycatdit
1st AD: @keerthana_raja
2nd AD: @maya_armon
Production Manager: @hiervisions
Gaffer: Greg Probert
Sparks: James Leech & Vainius Kotovas
Grip: @cali_grip
Sound Recordist: Callum Bentley @soundnode
Location Manager: Robert Hamilton
Unit Manager: Jake Collins
Medic: Paul Mawson
Drivers: James Lamb, Clayton Nare, Mark Holden
Security: Tony Singh, Lee Foley
Runners: Jack Driscoll, Edie Kelly, Meron Ayele
Camera Kit: @mcx_films
Editor: @fedbarni
Colourist: @johnlowe.xyz
Composer: @helicalsound
Soundmix: @soundnode

#JasmineJobson #TreshamCrescent #Resilience #FilmProduction #CreativeTeam #BehindTheScenes

Spending the weekend on this project with @youthbeyondborders was intense, but also incredibly rewarding.

Overseeing two units as DIT meant balancing technical precision with the fast pace of the shoot, making sure everything ran smoothly while capturing something that really matters.

It’s always a challenge, but that’s what makes it exciting. Collaboration at this level pushes everyone to bring their best.

Seeing the final piece come together, and knowing it’s part of a project that’s already raised £1.3 million to create real opportunities for marginalised young people, is a reminder of why this work matters.

Here’s to a year of putting young people’s dreams and aspirations first!

CLIENT: Impetus
CLIENT LEAD: Robin Lanfear
CLIENT ASSISTANT: Akhil Vasudevan

AGENCY: @youthbeyondborders
EXECUTIVE PRODUCER: @jasperkain
EXECUTIVE PRODUCER: @georgeryanuk
AGENCY PRODUCER: @diegofcg94

PRODUCTION COMPANY: @thecornershop.tv
DIRECTOR: @akwasi
EP/FOUNDER: Anna Hashmi
EP: Tess Mitchell
PRODUCER: Alicia Stratford
PM: Lara Olutunmogun
DOP: @hunterdalydp
2ND UNIT DIRECTOR: Jermaine Hillman
1ST AD: @kashmanharris
2nd AD: @maximjelliot
RUNNER: Shannon Adomeit, Elliot JA Lewis
CAMERA OPERATOR: @singledadonline
1ST AC: @ruperthornstein1966
2ND AC: @joemedlock
STEADYCAM: @michaelhobdell_
DIT: @chinesekato @copycatdit
GRIP: @jordancaheath
SOUND RECORDIST: @zak.sound
PLAYBACK: Jack Preston
GAFFER: Beau Wilkinson
SPARK: Morgan Elliot, Kurtis Bernard, Michael Kedracki
ART DIRECTOR: @lottienot
ART ASSISTANTS: Mielissa Baugh, Jorda Chandler, Emily Nkanga
FOOTBALL CHOREOGRAPHER: @kimfootball
VFX Supervisor: Phil Oldham
WARDROBE: Auda Sakho
WARDROBE ASSIST: Ana Silva
MUA: Beya Angelova
SOUND: Diana Amado, @kinglearlondon
MUSIC SUPERVISOR: @house.of.dane
EDIT: @workeditorial
GRADE: Andrew Francis, @gabhastudios

Let’s keep pushing for positive change! ⚽

#YouthEmpowerment #Collaboration #BehindTheScenes #FilmProduction #DIT #Impact #MakingADifference #CreativeTeam #YouthBeyondBorders #CreatingOpportunities #FilmIndustry

A project for Royal Enfieldfrom last yearthat blended real-world elements with virtual production on an LED screen. As with most VP shoots, we had to hit the ground running—only to realise the ground was actually an LED wall and we needed to tweak it before anyone noticed.

Plenty of on-the-day problem-solving, but seeing it all come together in the end made it worth it.

Also a highlight to see @nicoleetsin reaching the heights she has—especially considering the last time we crossed paths, we were both trainees still figuring out in the industry what was up & what was down.

#DIT #VirtualProduction #RoyalEnfield #stress

Creative Director - @king_seabass
Senior Art Director - @ruca.verde
Creative Strategist - @notyourbb
Account Director - @livvymcdaid
Agency - @slapscreative

Director: @nicoleetsin
Prod Co: @tk_fx_studios
Exec Prod: @_johan_barrios
Producer: @fkamd00
Prod Manager:@bykevincheung

1st AD: @chris_malin
2nd AD: @samueljamesfullerton
Runner: @daisyimogenbanner, @wilsonnn_tam, @sinandreww

DP: @et.ng_
1st AC: @peteyjt
2nd AC: @solmosoli
Playback Op: Ryan Booth
DIT: @chinesekato

Key Grip: @jensengrip
Grip: @tomstansfield_grip
Grip / Crane Op: @loumatech1

Gaffer: @krabbenorbert
Spark: @bryanlim
Spark: @charlie.ring

Production Designer: @sashahilton
Props: @will.olds
Art Assistant: @piper.ashworth
Art Assistant: @christinecave

Casting Assistant: @casting.vng

VFX Studio: @tk_fx_studios
VFX Supervisor: @greezus.christ
VFX Producer: @_johan_barrios
VFX Production manger: @mrlazykun
VFX Compositor: @sal.lc
VFX Artist: @harrylindleyfilm
VFX Artist: @ivodeymon
VFX Artists: @axio.world
VFX Artist: Anurag
FX Artists: @axio.world
CG Environment Supervisor: Prashant Verma
Coordinator: Meenu Shekhawat
Unreal artist: Mohd Abdullah Wahidi
Unreal artist: Ravi Teja
Lighting and Comp: Aniket Goyal
Lighting and Comp: Vipin A

Offline edit: @amyydone at @avenues.studio
Online edit: @sebastiangolos @filmbyseun
Edit producer: @reidad
Colour: @nadia.khairat at @mapberlin
Music: @harrybrokensha
Sound design: @_inesadriana_

Hero: @joshuajs91

@uunnccaannyy for Nike Tech.

Justifying your presence sometimes on set is already quite tricky as a DIT, but with jobs that are 99% on 35mm. 16mm & miniDV, this becomes even harder.

Though, I partially bend the truth to say I was on this solely as a DIT, there was the odd atomos to ingest but frankly, I was dipping my toes as a Video Engineer on this project, putting digital signals into old RF CRT TVs (pre-RCA) and vice-versa.

However, the fundamentals of my role still applied; troubleshooting, patience & getting into weird pedantic conversations with people who live and breathe these old devices and technologies.

Did any of my persistent efforts make it into the edit? This I am uncertain of.

managing director - @stevncollngs
creative director - @mattb0lton
art director - @vilde.rt
head of production - @fberchiellijones
director - @uunnccaannyy
photographer - @aidanzamiri
producer - @ersanbeskardes
production manager (video) - @bykevincheung
production manager (stills) - @lydiamartland

1st ad - @rose_esme_lucas
1st ad (2nd unit) - @billy__french
2nd ad - @alishiamaria_shaw
runner - @alexlawlor, @hannahschupp_, @brogancowieferron, @rory.kp
movement director - @joegreyadams

1st assistant Stills - @fruit__looop
2nd assistant Stills - @okfloki
digi op - paul allister

dop - @joaodebotelho
executive camera whacker - @gmuncey
1st ac - @oliver_bingham
2nd ac - @williamcrafts
dit - @chinesekato @copycatdit

gaffer - @cb_lighting
spark - huw garratt
spark - alec duff
desk op - andy walton
rigger - paul king
rigger - c/o paul king

led / ambien - ashley sales
led / ambien - kristof mazia

stylist - @matthew_josephs
stylist assistant - @lulaproctor
stylist assistant - @nl.fox

production designer - @samuel.overs
props - @henryhawksworth
props - @catalogue_crepes
stills supplier - direct digital

editor - @tobyheard @pundersonsgardens
post-producer - @pundersonsgardens
colourist - @dantegiani

studio - @londonfilmstudios
motion camera supplier - @panavision
lighting supplier - shl film lighting
film lab - @cinelabuk
catering supplier - wolf & lamb
casting director - @castandelect
talent - joao & theo

@uunnccaannyy for Nike Tech.

Justifying your presence sometimes on set is already quite tricky as a DIT, but with jobs that are 99% on 35mm. 16mm & miniDV, this becomes even harder.

Though, I partially bend the truth to say I was on this solely as a DIT, there was the odd atomos to ingest but frankly, I was dipping my toes as a Video Engineer on this project, putting digital signals into old RF CRT TVs (pre-RCA) and vice-versa.

However, the fundamentals of my role still applied; troubleshooting, patience & getting into weird pedantic conversations with people who live and breathe these old devices and technologies.

Did any of my persistent efforts make it into the edit? This I am uncertain of.

managing director - @stevncollngs
creative director - @mattb0lton
art director - @vilde.rt
head of production - @fberchiellijones
director - @uunnccaannyy
photographer - @aidanzamiri
producer - @ersanbeskardes
production manager (video) - @bykevincheung
production manager (stills) - @lydiamartland

1st ad - @rose_esme_lucas
1st ad (2nd unit) - @billy__french
2nd ad - @alishiamaria_shaw
runner - @alexlawlor, @hannahschupp_, @brogancowieferron, @rory.kp
movement director - @joegreyadams

1st assistant Stills - @fruit__looop
2nd assistant Stills - @okfloki
digi op - paul allister

dop - @joaodebotelho
executive camera whacker - @gmuncey
1st ac - @oliver_bingham
2nd ac - @williamcrafts
dit - @chinesekato @copycatdit

gaffer - @cb_lighting
spark - huw garratt
spark - alec duff
desk op - andy walton
rigger - paul king
rigger - c/o paul king

led / ambien - ashley sales
led / ambien - kristof mazia

stylist - @matthew_josephs
stylist assistant - @lulaproctor
stylist assistant - @nl.fox

production designer - @samuel.overs
props - @henryhawksworth
props - @catalogue_crepes
stills supplier - direct digital

editor - @tobyheard @pundersonsgardens
post-producer - @pundersonsgardens
colourist - @dantegiani

studio - @londonfilmstudios
motion camera supplier - @panavision
lighting supplier - shl film lighting
film lab - @cinelabuk
catering supplier - wolf & lamb
casting director - @castandelect
talent - joao & theo

@uunnccaannyy for Nike Tech.

Justifying your presence sometimes on set is already quite tricky as a DIT, but with jobs that are 99% on 35mm. 16mm & miniDV, this becomes even harder.

Though, I partially bend the truth to say I was on this solely as a DIT, there was the odd atomos to ingest but frankly, I was dipping my toes as a Video Engineer on this project, putting digital signals into old RF CRT TVs (pre-RCA) and vice-versa.

However, the fundamentals of my role still applied; troubleshooting, patience & getting into weird pedantic conversations with people who live and breathe these old devices and technologies.

Did any of my persistent efforts make it into the edit? This I am uncertain of.

managing director - @stevncollngs
creative director - @mattb0lton
art director - @vilde.rt
head of production - @fberchiellijones
director - @uunnccaannyy
photographer - @aidanzamiri
producer - @ersanbeskardes
production manager (video) - @bykevincheung
production manager (stills) - @lydiamartland

1st ad - @rose_esme_lucas
1st ad (2nd unit) - @billy__french
2nd ad - @alishiamaria_shaw
runner - @alexlawlor, @hannahschupp_, @brogancowieferron, @rory.kp
movement director - @joegreyadams

1st assistant Stills - @fruit__looop
2nd assistant Stills - @okfloki
digi op - paul allister

dop - @joaodebotelho
executive camera whacker - @gmuncey
1st ac - @oliver_bingham
2nd ac - @williamcrafts
dit - @chinesekato @copycatdit

gaffer - @cb_lighting
spark - huw garratt
spark - alec duff
desk op - andy walton
rigger - paul king
rigger - c/o paul king

led / ambien - ashley sales
led / ambien - kristof mazia

stylist - @matthew_josephs
stylist assistant - @lulaproctor
stylist assistant - @nl.fox

production designer - @samuel.overs
props - @henryhawksworth
props - @catalogue_crepes
stills supplier - direct digital

editor - @tobyheard @pundersonsgardens
post-producer - @pundersonsgardens
colourist - @dantegiani

studio - @londonfilmstudios
motion camera supplier - @panavision
lighting supplier - shl film lighting
film lab - @cinelabuk
catering supplier - wolf & lamb
casting director - @castandelect
talent - joao & theo

@uunnccaannyy for Nike Tech.

Justifying your presence sometimes on set is already quite tricky as a DIT, but with jobs that are 99% on 35mm. 16mm & miniDV, this becomes even harder.

Though, I partially bend the truth to say I was on this solely as a DIT, there was the odd atomos to ingest but frankly, I was dipping my toes as a Video Engineer on this project, putting digital signals into old RF CRT TVs (pre-RCA) and vice-versa.

However, the fundamentals of my role still applied; troubleshooting, patience & getting into weird pedantic conversations with people who live and breathe these old devices and technologies.

Did any of my persistent efforts make it into the edit? This I am uncertain of.

managing director - @stevncollngs
creative director - @mattb0lton
art director - @vilde.rt
head of production - @fberchiellijones
director - @uunnccaannyy
photographer - @aidanzamiri
producer - @ersanbeskardes
production manager (video) - @bykevincheung
production manager (stills) - @lydiamartland

1st ad - @rose_esme_lucas
1st ad (2nd unit) - @billy__french
2nd ad - @alishiamaria_shaw
runner - @alexlawlor, @hannahschupp_, @brogancowieferron, @rory.kp
movement director - @joegreyadams

1st assistant Stills - @fruit__looop
2nd assistant Stills - @okfloki
digi op - paul allister

dop - @joaodebotelho
executive camera whacker - @gmuncey
1st ac - @oliver_bingham
2nd ac - @williamcrafts
dit - @chinesekato @copycatdit

gaffer - @cb_lighting
spark - huw garratt
spark - alec duff
desk op - andy walton
rigger - paul king
rigger - c/o paul king

led / ambien - ashley sales
led / ambien - kristof mazia

stylist - @matthew_josephs
stylist assistant - @lulaproctor
stylist assistant - @nl.fox

production designer - @samuel.overs
props - @henryhawksworth
props - @catalogue_crepes
stills supplier - direct digital

editor - @tobyheard @pundersonsgardens
post-producer - @pundersonsgardens
colourist - @dantegiani

studio - @londonfilmstudios
motion camera supplier - @panavision
lighting supplier - shl film lighting
film lab - @cinelabuk
catering supplier - wolf & lamb
casting director - @castandelect
talent - joao & theo

@uunnccaannyy for Nike Tech.

Justifying your presence sometimes on set is already quite tricky as a DIT, but with jobs that are 99% on 35mm. 16mm & miniDV, this becomes even harder.

Though, I partially bend the truth to say I was on this solely as a DIT, there was the odd atomos to ingest but frankly, I was dipping my toes as a Video Engineer on this project, putting digital signals into old RF CRT TVs (pre-RCA) and vice-versa.

However, the fundamentals of my role still applied; troubleshooting, patience & getting into weird pedantic conversations with people who live and breathe these old devices and technologies.

Did any of my persistent efforts make it into the edit? This I am uncertain of.

managing director - @stevncollngs
creative director - @mattb0lton
art director - @vilde.rt
head of production - @fberchiellijones
director - @uunnccaannyy
photographer - @aidanzamiri
producer - @ersanbeskardes
production manager (video) - @bykevincheung
production manager (stills) - @lydiamartland

1st ad - @rose_esme_lucas
1st ad (2nd unit) - @billy__french
2nd ad - @alishiamaria_shaw
runner - @alexlawlor, @hannahschupp_, @brogancowieferron, @rory.kp
movement director - @joegreyadams

1st assistant Stills - @fruit__looop
2nd assistant Stills - @okfloki
digi op - paul allister

dop - @joaodebotelho
executive camera whacker - @gmuncey
1st ac - @oliver_bingham
2nd ac - @williamcrafts
dit - @chinesekato @copycatdit

gaffer - @cb_lighting
spark - huw garratt
spark - alec duff
desk op - andy walton
rigger - paul king
rigger - c/o paul king

led / ambien - ashley sales
led / ambien - kristof mazia

stylist - @matthew_josephs
stylist assistant - @lulaproctor
stylist assistant - @nl.fox

production designer - @samuel.overs
props - @henryhawksworth
props - @catalogue_crepes
stills supplier - direct digital

editor - @tobyheard @pundersonsgardens
post-producer - @pundersonsgardens
colourist - @dantegiani

studio - @londonfilmstudios
motion camera supplier - @panavision
lighting supplier - shl film lighting
film lab - @cinelabuk
catering supplier - wolf & lamb
casting director - @castandelect
talent - joao & theo