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Reworked versions of 7 of thevideo clips from the code based generative audio visual dub by @shojiro_nakaoka of CxBxT now available via @objktcom link in bio

Some of the stills from the audio visual generative rework by Shojiro Nakaoka of Shakoo by CxBxT exhibited last night at Timbers @apiarystudios . Thanks to @kinn_dread for performing, @thesquatney for Djing , @tim_exile and everyone who came down. Now available in an edition of 10 stills and 8 videos via @objktcom

Some of the stills from the audio visual generative rework by Shojiro Nakaoka of Shakoo by CxBxT exhibited last night at Timbers @apiarystudios . Thanks to @kinn_dread for performing, @thesquatney for Djing , @tim_exile and everyone who came down. Now available in an edition of 10 stills and 8 videos via @objktcom

Some of the stills from the audio visual generative rework by Shojiro Nakaoka of Shakoo by CxBxT exhibited last night at Timbers @apiarystudios . Thanks to @kinn_dread for performing, @thesquatney for Djing , @tim_exile and everyone who came down. Now available in an edition of 10 stills and 8 videos via @objktcom

Some of the stills from the audio visual generative rework by Shojiro Nakaoka of Shakoo by CxBxT exhibited last night at Timbers @apiarystudios . Thanks to @kinn_dread for performing, @thesquatney for Djing , @tim_exile and everyone who came down. Now available in an edition of 10 stills and 8 videos via @objktcom

Constructive Records Presents...

Wednesday 25th March, 7pm - late. Free.
Timbers at @apiarystudios 458 - 460 Hackney Road, London E2 9EG.

Reminder for this Wednesday's funnies.

Couple of things to note:
• There will be some drinks available but not much, so deffo BYOB.
• It's free to get in but donations will be most grateful. There'll be a card machine around.
• Adrian from Constructive will have some music for sale too on CD and vinyl.
• Rapidly flashing patterns will be used during the @shojiro_nakaoka piece. Please be aware that these effects may trigger seizures in photosensitive individuals.
• I take DJ requests (So long as I have the file as ready in Spatial Audio format)

To mark the release of a new code based generative audio-visual rework of CxBxT by Shojiro Nakaoka and via @objktcomwe will have the piece showing on March 25thfrom 7pm at Timbers in Apiary Studios Hackney. It is free BYOB and also with a live performance from @kinn_dreadand Djing from DJ Mainstream @thesquatney

Tashi Wada’s remix of Aurora Sagashi by CxBxT (Adrian Corker, George Barton and Tujiko Noriko is out today to download and stream. More remixes to follow through the year. Design by @jojikoyama mastered by @studioschwebung Photo by @sergioalbert_

Tashi Wada’s remix of Aurora Sagashi by CxBxT (Adrian Corker, George Barton and Tujiko Noriko is out today to download and stream. More remixes to follow through the year. Design by @jojikoyama mastered by @studioschwebung Photo by @sergioalbert_

Composer Tashi Wada’s remix of “Aurora Sagashi” is the first in a series of remixes from .After by CxBxT (Adrian Corker, George Barton, Tujiko Noriko) to be released throughout 2026. Tujiko Noriko and Wada first met in 2025 when they both played at Public Records in Brooklyn. In his remix, Wada reframes Tujiko’s lilting vocals as a nocturne, rearranging and reharmonizing the lullaby-like lines to the sway of his organ playing. The original track was one of the few not recorded live, but edited from a vocal by Tujiko sung in her garden into a phone. The lyrics touch on Tujiko looking for shooting stars with her children in a forest at night.

Available digitally via Constructive Bandcamp from today and elsewhere from 20.2.

Remixed by @tashiwada
Artwork by @jojikoyama
Mastered by @studioschwebung

Thanks for everyone for the support this year.
Three releases: Jan Jelinek x Oï les Ox, Reptile Reptiles All Things Return to One and .After by CxBxT. Remixes of CxBxT to follow starting January 2026. Hope everyone has a restful Xmas.

.After by CxBxT.Boomkat ‘Not exactly pop, it’s not buttoned-up experimental gear either. It sounds like the kind of material that Björk should be eyeing from the sidelines, to be honest - genuinely thoughtful, well-crafted studio biz that’s peppered with half-remembered earworms.’

The Wire ‘There is a studied, exciting nuance to this music. It is both unnerving and disciplined, grounded yet brimming with crackling electronics and an extended temporal flux’

Bandcamp Best Of Electronic Music Oct 2025 ‘ Everything here is created with the gentlest of musical gestures, tiny wisps of song drifting in and out. But while it’s strange and shadowy, it’s also very beautiful, and when a regular pulse pulls it together—as on the seven minutes of levitation “Toku No Minato” or the whimsical-yet-profound “Hoshi o Atsumete”—it feels like you’ve stumbled onto traditional songs by an alien species.’

Electronic Sound ‘ The beauty lies both in the sense of imperfection and also in the very ASMR quality of the sound recording.The effect is intensely beautiful and at times, unexpectedly moving’.

.After by CxBxT.Boomkat ‘Not exactly pop, it’s not buttoned-up experimental gear either. It sounds like the kind of material that Björk should be eyeing from the sidelines, to be honest - genuinely thoughtful, well-crafted studio biz that’s peppered with half-remembered earworms.’

The Wire ‘There is a studied, exciting nuance to this music. It is both unnerving and disciplined, grounded yet brimming with crackling electronics and an extended temporal flux’

Bandcamp Best Of Electronic Music Oct 2025 ‘ Everything here is created with the gentlest of musical gestures, tiny wisps of song drifting in and out. But while it’s strange and shadowy, it’s also very beautiful, and when a regular pulse pulls it together—as on the seven minutes of levitation “Toku No Minato” or the whimsical-yet-profound “Hoshi o Atsumete”—it feels like you’ve stumbled onto traditional songs by an alien species.’

Electronic Sound ‘ The beauty lies both in the sense of imperfection and also in the very ASMR quality of the sound recording.The effect is intensely beautiful and at times, unexpectedly moving’.

.After by CxBxT.Boomkat ‘Not exactly pop, it’s not buttoned-up experimental gear either. It sounds like the kind of material that Björk should be eyeing from the sidelines, to be honest - genuinely thoughtful, well-crafted studio biz that’s peppered with half-remembered earworms.’

The Wire ‘There is a studied, exciting nuance to this music. It is both unnerving and disciplined, grounded yet brimming with crackling electronics and an extended temporal flux’

Bandcamp Best Of Electronic Music Oct 2025 ‘ Everything here is created with the gentlest of musical gestures, tiny wisps of song drifting in and out. But while it’s strange and shadowy, it’s also very beautiful, and when a regular pulse pulls it together—as on the seven minutes of levitation “Toku No Minato” or the whimsical-yet-profound “Hoshi o Atsumete”—it feels like you’ve stumbled onto traditional songs by an alien species.’

Electronic Sound ‘ The beauty lies both in the sense of imperfection and also in the very ASMR quality of the sound recording.The effect is intensely beautiful and at times, unexpectedly moving’.

Thanks to @electronicsoundmag - album available via our Bandcamp and @cargoindependentdistribution

Thanks to @electronicsoundmag - album available via our Bandcamp and @cargoindependentdistribution

Thanks to @joemuggs for including CxBxT “it’s strange and shadowy, it’s also very beautiful,—it feels like you’ve stumbled onto traditional songs by an alien species.”

Thnaks to @xeniab.vlsk for her great and extensive piece on the new CxBxt album in the December @thewiremagazine

We have a guest mix on @dublab tomorrow 12pm Gmt.
Including music from J Dilla,, Morton Feldman, @zohamba , @flyinglotus , @akira.rabelais and the Beach Boys. Link inConstructive bio