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connerreddan
Conner Reddan
New EP is out, it’s called When I Feel Better.
It was produced by Scott Zschomler and myself, engineered and mixed by Scott and mastered by Mark Chalecki.
My cousin Conner Reddan drew the album art. There were a few different versions and I loved them all but I loved this one right away and stuck with my gut.
When I picked up the guitar a few years ago I just wanted to be able to play some chords so I could mess with them in my MPC, but then I started to really love learning it and playing just to play. I remember calling out sick to work and driving to the movies listening to Joni Mitchell, thinking how nice it’d be to connect with an instrument in that way, and to not be using one just as a means of getting to a song. It felt like such a faraway goal, but it was a big moment and I’ve basically played every day since.
I still get a little embarrassed every time someone introduces me as a musician, and for years I’d correct people that I was “a songwriter but not a very good musician.” That insecurity has faded a lot in recent years, thankfully, but it still exists in me in places and maybe always will, and that’s ok. Writing on the guitar and playing not as a means to an end but just to play has been the greatest gift I’ve ever gotten from music. And luckily the songs still come.
When I started playing some of these ideas with Scott and talked about making something more acoustic, I was a little nervous about it. I felt like I wanted to stay in the cocoon as long as possible, to just keep learning and writing, but he added great things right away and played me the idea of what eventually became the title track and we were off recording again. I’m very happy we did, and to have this moment in time recorded. It’s one of my favorite things we’ve ever made. Maybe that’s the case every time but it’s definitely true this time.
Thank you to everybody who has listened all these years. If you’ve written and said something nice, you’ve affected me more than you probably realize. Except you Louise Morris.
New EP is out, it’s called When I Feel Better.
It was produced by Scott Zschomler and myself, engineered and mixed by Scott and mastered by Mark Chalecki.
My cousin Conner Reddan drew the album art. There were a few different versions and I loved them all but I loved this one right away and stuck with my gut.
When I picked up the guitar a few years ago I just wanted to be able to play some chords so I could mess with them in my MPC, but then I started to really love learning it and playing just to play. I remember calling out sick to work and driving to the movies listening to Joni Mitchell, thinking how nice it’d be to connect with an instrument in that way, and to not be using one just as a means of getting to a song. It felt like such a faraway goal, but it was a big moment and I’ve basically played every day since.
I still get a little embarrassed every time someone introduces me as a musician, and for years I’d correct people that I was “a songwriter but not a very good musician.” That insecurity has faded a lot in recent years, thankfully, but it still exists in me in places and maybe always will, and that’s ok. Writing on the guitar and playing not as a means to an end but just to play has been the greatest gift I’ve ever gotten from music. And luckily the songs still come.
When I started playing some of these ideas with Scott and talked about making something more acoustic, I was a little nervous about it. I felt like I wanted to stay in the cocoon as long as possible, to just keep learning and writing, but he added great things right away and played me the idea of what eventually became the title track and we were off recording again. I’m very happy we did, and to have this moment in time recorded. It’s one of my favorite things we’ve ever made. Maybe that’s the case every time but it’s definitely true this time.
Thank you to everybody who has listened all these years. If you’ve written and said something nice, you’ve affected me more than you probably realize. Except you Louise Morris.
New EP is out, it’s called When I Feel Better.
It was produced by Scott Zschomler and myself, engineered and mixed by Scott and mastered by Mark Chalecki.
My cousin Conner Reddan drew the album art. There were a few different versions and I loved them all but I loved this one right away and stuck with my gut.
When I picked up the guitar a few years ago I just wanted to be able to play some chords so I could mess with them in my MPC, but then I started to really love learning it and playing just to play. I remember calling out sick to work and driving to the movies listening to Joni Mitchell, thinking how nice it’d be to connect with an instrument in that way, and to not be using one just as a means of getting to a song. It felt like such a faraway goal, but it was a big moment and I’ve basically played every day since.
I still get a little embarrassed every time someone introduces me as a musician, and for years I’d correct people that I was “a songwriter but not a very good musician.” That insecurity has faded a lot in recent years, thankfully, but it still exists in me in places and maybe always will, and that’s ok. Writing on the guitar and playing not as a means to an end but just to play has been the greatest gift I’ve ever gotten from music. And luckily the songs still come.
When I started playing some of these ideas with Scott and talked about making something more acoustic, I was a little nervous about it. I felt like I wanted to stay in the cocoon as long as possible, to just keep learning and writing, but he added great things right away and played me the idea of what eventually became the title track and we were off recording again. I’m very happy we did, and to have this moment in time recorded. It’s one of my favorite things we’ve ever made. Maybe that’s the case every time but it’s definitely true this time.
Thank you to everybody who has listened all these years. If you’ve written and said something nice, you’ve affected me more than you probably realize. Except you Louise Morris.
New EP is out, it’s called When I Feel Better.
It was produced by Scott Zschomler and myself, engineered and mixed by Scott and mastered by Mark Chalecki.
My cousin Conner Reddan drew the album art. There were a few different versions and I loved them all but I loved this one right away and stuck with my gut.
When I picked up the guitar a few years ago I just wanted to be able to play some chords so I could mess with them in my MPC, but then I started to really love learning it and playing just to play. I remember calling out sick to work and driving to the movies listening to Joni Mitchell, thinking how nice it’d be to connect with an instrument in that way, and to not be using one just as a means of getting to a song. It felt like such a faraway goal, but it was a big moment and I’ve basically played every day since.
I still get a little embarrassed every time someone introduces me as a musician, and for years I’d correct people that I was “a songwriter but not a very good musician.” That insecurity has faded a lot in recent years, thankfully, but it still exists in me in places and maybe always will, and that’s ok. Writing on the guitar and playing not as a means to an end but just to play has been the greatest gift I’ve ever gotten from music. And luckily the songs still come.
When I started playing some of these ideas with Scott and talked about making something more acoustic, I was a little nervous about it. I felt like I wanted to stay in the cocoon as long as possible, to just keep learning and writing, but he added great things right away and played me the idea of what eventually became the title track and we were off recording again. I’m very happy we did, and to have this moment in time recorded. It’s one of my favorite things we’ve ever made. Maybe that’s the case every time but it’s definitely true this time.
Thank you to everybody who has listened all these years. If you’ve written and said something nice, you’ve affected me more than you probably realize. Except you Louise Morris.
New EP is out, it’s called When I Feel Better.
It was produced by Scott Zschomler and myself, engineered and mixed by Scott and mastered by Mark Chalecki.
My cousin Conner Reddan drew the album art. There were a few different versions and I loved them all but I loved this one right away and stuck with my gut.
When I picked up the guitar a few years ago I just wanted to be able to play some chords so I could mess with them in my MPC, but then I started to really love learning it and playing just to play. I remember calling out sick to work and driving to the movies listening to Joni Mitchell, thinking how nice it’d be to connect with an instrument in that way, and to not be using one just as a means of getting to a song. It felt like such a faraway goal, but it was a big moment and I’ve basically played every day since.
I still get a little embarrassed every time someone introduces me as a musician, and for years I’d correct people that I was “a songwriter but not a very good musician.” That insecurity has faded a lot in recent years, thankfully, but it still exists in me in places and maybe always will, and that’s ok. Writing on the guitar and playing not as a means to an end but just to play has been the greatest gift I’ve ever gotten from music. And luckily the songs still come.
When I started playing some of these ideas with Scott and talked about making something more acoustic, I was a little nervous about it. I felt like I wanted to stay in the cocoon as long as possible, to just keep learning and writing, but he added great things right away and played me the idea of what eventually became the title track and we were off recording again. I’m very happy we did, and to have this moment in time recorded. It’s one of my favorite things we’ve ever made. Maybe that’s the case every time but it’s definitely true this time.
Thank you to everybody who has listened all these years. If you’ve written and said something nice, you’ve affected me more than you probably realize. Except you Louise Morris.
New EP is out, it’s called When I Feel Better.
It was produced by Scott Zschomler and myself, engineered and mixed by Scott and mastered by Mark Chalecki.
My cousin Conner Reddan drew the album art. There were a few different versions and I loved them all but I loved this one right away and stuck with my gut.
When I picked up the guitar a few years ago I just wanted to be able to play some chords so I could mess with them in my MPC, but then I started to really love learning it and playing just to play. I remember calling out sick to work and driving to the movies listening to Joni Mitchell, thinking how nice it’d be to connect with an instrument in that way, and to not be using one just as a means of getting to a song. It felt like such a faraway goal, but it was a big moment and I’ve basically played every day since.
I still get a little embarrassed every time someone introduces me as a musician, and for years I’d correct people that I was “a songwriter but not a very good musician.” That insecurity has faded a lot in recent years, thankfully, but it still exists in me in places and maybe always will, and that’s ok. Writing on the guitar and playing not as a means to an end but just to play has been the greatest gift I’ve ever gotten from music. And luckily the songs still come.
When I started playing some of these ideas with Scott and talked about making something more acoustic, I was a little nervous about it. I felt like I wanted to stay in the cocoon as long as possible, to just keep learning and writing, but he added great things right away and played me the idea of what eventually became the title track and we were off recording again. I’m very happy we did, and to have this moment in time recorded. It’s one of my favorite things we’ve ever made. Maybe that’s the case every time but it’s definitely true this time.
Thank you to everybody who has listened all these years. If you’ve written and said something nice, you’ve affected me more than you probably realize. Except you Louise Morris.
New EP is out, it’s called When I Feel Better.
It was produced by Scott Zschomler and myself, engineered and mixed by Scott and mastered by Mark Chalecki.
My cousin Conner Reddan drew the album art. There were a few different versions and I loved them all but I loved this one right away and stuck with my gut.
When I picked up the guitar a few years ago I just wanted to be able to play some chords so I could mess with them in my MPC, but then I started to really love learning it and playing just to play. I remember calling out sick to work and driving to the movies listening to Joni Mitchell, thinking how nice it’d be to connect with an instrument in that way, and to not be using one just as a means of getting to a song. It felt like such a faraway goal, but it was a big moment and I’ve basically played every day since.
I still get a little embarrassed every time someone introduces me as a musician, and for years I’d correct people that I was “a songwriter but not a very good musician.” That insecurity has faded a lot in recent years, thankfully, but it still exists in me in places and maybe always will, and that’s ok. Writing on the guitar and playing not as a means to an end but just to play has been the greatest gift I’ve ever gotten from music. And luckily the songs still come.
When I started playing some of these ideas with Scott and talked about making something more acoustic, I was a little nervous about it. I felt like I wanted to stay in the cocoon as long as possible, to just keep learning and writing, but he added great things right away and played me the idea of what eventually became the title track and we were off recording again. I’m very happy we did, and to have this moment in time recorded. It’s one of my favorite things we’ve ever made. Maybe that’s the case every time but it’s definitely true this time.
Thank you to everybody who has listened all these years. If you’ve written and said something nice, you’ve affected me more than you probably realize. Except you Louise Morris.
August Morning
Gouache on watercolor board, 9x12”
Plein air painting I worked on during Bill Nagle’s Studio Practice class at @damico_institute.art last week.
Happy to say it will be shown this weekend at Ashawagh Hall in Springs, NY. Show hours and other details on the last slide. If you’re out east this weekend stop by!
@ashawaghhall
August Morning
Gouache on watercolor board, 9x12”
Plein air painting I worked on during Bill Nagle’s Studio Practice class at @damico_institute.art last week.
Happy to say it will be shown this weekend at Ashawagh Hall in Springs, NY. Show hours and other details on the last slide. If you’re out east this weekend stop by!
@ashawaghhall
August Morning
Gouache on watercolor board, 9x12”
Plein air painting I worked on during Bill Nagle’s Studio Practice class at @damico_institute.art last week.
Happy to say it will be shown this weekend at Ashawagh Hall in Springs, NY. Show hours and other details on the last slide. If you’re out east this weekend stop by!
@ashawaghhall
August Morning
Gouache on watercolor board, 9x12”
Plein air painting I worked on during Bill Nagle’s Studio Practice class at @damico_institute.art last week.
Happy to say it will be shown this weekend at Ashawagh Hall in Springs, NY. Show hours and other details on the last slide. If you’re out east this weekend stop by!
@ashawaghhall
August Morning
Gouache on watercolor board, 9x12”
Plein air painting I worked on during Bill Nagle’s Studio Practice class at @damico_institute.art last week.
Happy to say it will be shown this weekend at Ashawagh Hall in Springs, NY. Show hours and other details on the last slide. If you’re out east this weekend stop by!
@ashawaghhall
August Morning
Gouache on watercolor board, 9x12”
Plein air painting I worked on during Bill Nagle’s Studio Practice class at @damico_institute.art last week.
Happy to say it will be shown this weekend at Ashawagh Hall in Springs, NY. Show hours and other details on the last slide. If you’re out east this weekend stop by!
@ashawaghhall
August Morning
Gouache on watercolor board, 9x12”
Plein air painting I worked on during Bill Nagle’s Studio Practice class at @damico_institute.art last week.
Happy to say it will be shown this weekend at Ashawagh Hall in Springs, NY. Show hours and other details on the last slide. If you’re out east this weekend stop by!
@ashawaghhall
@connerreddan talks to us a bit about his collage piece in our current Summer Showcase which is on display now through August 21st.
You can also purchase this piece in our online store at www.print.nyc
#artforsale #collageartwork #nycartgallery
Just one more thing…
Gouache on watercolor paper, 8x8”
#columbo #gouache
Some JAWS inspired/adjacent art from over the years.
#jaws50thanniversary
Some JAWS inspired/adjacent art from over the years.
#jaws50thanniversary
Some JAWS inspired/adjacent art from over the years.
#jaws50thanniversary
World Collage Day 2025
NYCE x CPHL Collab
Analog collage, 9x12”
Thanks to @nycollageensemble and @collagephiladelphia for organizing this crossover collaboration for world collage day. And extra thanks to @linnie.greenberg for sending the great materials.
#NYCExCPHL #worldcollageday #analogcollage #papercollage
Painting commission for @dee_hugs_ & @s_hugs_ of a wintery view from the kitchen window in their first home. Fun one to work on and a thoughtful Christmas gift. Sorry to see you leave NY but now you have a little slice of Oceanside to take with you.
5x7” gouache and watercolor on cold press illustration board
Analog collage, 8x10”
#analogcollageart #analogcollage #papercollageart #papercollage #cutandpaste #cutmagazinesandglue #cutandpastecollage #handcutcollage #collageartwork #collageoftheday #collagedesign #collagework #collageclub #collagewave #collageanalogico #openduuck @visual_duuck
Analog collage
#analogcollage #collage #collageart #sketchbook #collageoftheday #collagewave #minimalcollage #juxtapose #papercollage #cutandpaste #cutandpastecollage
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
Things I saw in Savannah. January 2025.
*Not pictured: Judd Nelson
Kono Delight 400 35mm
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