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This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

This piece was inspired by one of my dad’s favorite songs “La Jaula de Oro” by Los tigres del Norte. Which translates into The golden cage, this song talks about making the heart wrenching choice to leave your country to pursue stability and the outcomes of that decision.

It speaks on longing, grief, and feeling a disconnection after being in the US for so long. As a first generation Mexican American I bore witness to this deep pain that my parents carry and saw their resilience and perseverance to survive. 

I dedicate this piece to all immigrants in the US but more specifically my dad. I will not know what it feels like to make the choice of leaving your country, your land, your friends, your language, and your comfort in search of security. 

I pray for all immigrants who are currently making the journey and for those who are still healing and grieving. 
 
Fuck boarders, Fuck nations. 

The US stole land from indigenous people. 

America was not discovered, it was colonized.

Naye (Nah-yeh) is a queer, first-generation Mexican artist based in San Francisco’s Mission District. Raised in the San Fernando Valley, they were influenced by the vibrant communities of Los Angeles, which shaped their artistic vision. At 18, they moved to San Francisco for college, where the city’s diversity further inspired their work and commitment to uplifting queer voices. As a multimedia artist, they work in ceramics, printmaking, and photography. Besides being a part of the current Queer Ancestors Project cohort, they are also active in the ceramics community, working part-time at Artillery AG. There, they contribute by teaching, managing social media, and helping create community. They are also a recent recipient of the Regen Artist Fund through Galería de La Raza, where they will be using photography to explore the spectrum of queer love—romantic and platonic. Their work is deeply influenced by their experiences as a queer person, their work as a bilingual peer advocate, and the community that surrounds them. Through their art, they aim to create dialogue, foster connection, and push for greater visibility and inclusion in the art world. @madreti3rra

(continued in comments)

Naye (Nah-yeh) is a queer, first-generation Mexican artist based in San Francisco’s Mission District. Raised in the San Fernando Valley, they were influenced by the vibrant communities of Los Angeles, which shaped their artistic vision. At 18, they moved to San Francisco for college, where the city’s diversity further inspired their work and commitment to uplifting queer voices. As a multimedia artist, they work in ceramics, printmaking, and photography. Besides being a part of the current Queer Ancestors Project cohort, they are also active in the ceramics community, working part-time at Artillery AG. There, they contribute by teaching, managing social media, and helping create community. They are also a recent recipient of the Regen Artist Fund through Galería de La Raza, where they will be using photography to explore the spectrum of queer love—romantic and platonic. Their work is deeply influenced by their experiences as a queer person, their work as a bilingual peer advocate, and the community that surrounds them. Through their art, they aim to create dialogue, foster connection, and push for greater visibility and inclusion in the art world. @madreti3rra

(continued in comments)

Naye (Nah-yeh) is a queer, first-generation Mexican artist based in San Francisco’s Mission District. Raised in the San Fernando Valley, they were influenced by the vibrant communities of Los Angeles, which shaped their artistic vision. At 18, they moved to San Francisco for college, where the city’s diversity further inspired their work and commitment to uplifting queer voices. As a multimedia artist, they work in ceramics, printmaking, and photography. Besides being a part of the current Queer Ancestors Project cohort, they are also active in the ceramics community, working part-time at Artillery AG. There, they contribute by teaching, managing social media, and helping create community. They are also a recent recipient of the Regen Artist Fund through Galería de La Raza, where they will be using photography to explore the spectrum of queer love—romantic and platonic. Their work is deeply influenced by their experiences as a queer person, their work as a bilingual peer advocate, and the community that surrounds them. Through their art, they aim to create dialogue, foster connection, and push for greater visibility and inclusion in the art world. @madreti3rra

(continued in comments)

Naye (Nah-yeh) is a queer, first-generation Mexican artist based in San Francisco’s Mission District. Raised in the San Fernando Valley, they were influenced by the vibrant communities of Los Angeles, which shaped their artistic vision. At 18, they moved to San Francisco for college, where the city’s diversity further inspired their work and commitment to uplifting queer voices. As a multimedia artist, they work in ceramics, printmaking, and photography. Besides being a part of the current Queer Ancestors Project cohort, they are also active in the ceramics community, working part-time at Artillery AG. There, they contribute by teaching, managing social media, and helping create community. They are also a recent recipient of the Regen Artist Fund through Galería de La Raza, where they will be using photography to explore the spectrum of queer love—romantic and platonic. Their work is deeply influenced by their experiences as a queer person, their work as a bilingual peer advocate, and the community that surrounds them. Through their art, they aim to create dialogue, foster connection, and push for greater visibility and inclusion in the art world. @madreti3rra

(continued in comments)

Naye (Nah-yeh) is a queer, first-generation Mexican artist based in San Francisco’s Mission District. Raised in the San Fernando Valley, they were influenced by the vibrant communities of Los Angeles, which shaped their artistic vision. At 18, they moved to San Francisco for college, where the city’s diversity further inspired their work and commitment to uplifting queer voices. As a multimedia artist, they work in ceramics, printmaking, and photography. Besides being a part of the current Queer Ancestors Project cohort, they are also active in the ceramics community, working part-time at Artillery AG. There, they contribute by teaching, managing social media, and helping create community. They are also a recent recipient of the Regen Artist Fund through Galería de La Raza, where they will be using photography to explore the spectrum of queer love—romantic and platonic. Their work is deeply influenced by their experiences as a queer person, their work as a bilingual peer advocate, and the community that surrounds them. Through their art, they aim to create dialogue, foster connection, and push for greater visibility and inclusion in the art world. @madreti3rra

(continued in comments)

Naye (Nah-yeh) is a queer, first-generation Mexican artist based in San Francisco’s Mission District. Raised in the San Fernando Valley, they were influenced by the vibrant communities of Los Angeles, which shaped their artistic vision. At 18, they moved to San Francisco for college, where the city’s diversity further inspired their work and commitment to uplifting queer voices. As a multimedia artist, they work in ceramics, printmaking, and photography. Besides being a part of the current Queer Ancestors Project cohort, they are also active in the ceramics community, working part-time at Artillery AG. There, they contribute by teaching, managing social media, and helping create community. They are also a recent recipient of the Regen Artist Fund through Galería de La Raza, where they will be using photography to explore the spectrum of queer love—romantic and platonic. Their work is deeply influenced by their experiences as a queer person, their work as a bilingual peer advocate, and the community that surrounds them. Through their art, they aim to create dialogue, foster connection, and push for greater visibility and inclusion in the art world. @madreti3rra

(continued in comments)

Chachayotes

For me, danza is an act of preservation, rebellion, and devotion. I dance for the elements. I fear fire. I admire fire. As an Aries, I am fire. In Danza Mexica, fire burns at the center, sustaining the rhythm and movement. When we dance we are meditating in movement, it becomes a bridge to ancestors, and a vessel for unlearning colonized ways of being. As I dance, I feel the weight of colonization, a deep sadness, and rage. Then, I look up—into the shared warmth of the room—and feel connected. My rage is transformed to motivation.

To me, danza is preservation, rebellion, and devotion.
.
.
.
.
Come see this print on Feb 8th from 7-9 pm <3

Chachayotes

For me, danza is an act of preservation, rebellion, and devotion. I dance for the elements. I fear fire. I admire fire. As an Aries, I am fire. In Danza Mexica, fire burns at the center, sustaining the rhythm and movement. When we dance we are meditating in movement, it becomes a bridge to ancestors, and a vessel for unlearning colonized ways of being. As I dance, I feel the weight of colonization, a deep sadness, and rage. Then, I look up—into the shared warmth of the room—and feel connected. My rage is transformed to motivation.

To me, danza is preservation, rebellion, and devotion.
.
.
.
.
Come see this print on Feb 8th from 7-9 pm <3

Chachayotes

For me, danza is an act of preservation, rebellion, and devotion. I dance for the elements. I fear fire. I admire fire. As an Aries, I am fire. In Danza Mexica, fire burns at the center, sustaining the rhythm and movement. When we dance we are meditating in movement, it becomes a bridge to ancestors, and a vessel for unlearning colonized ways of being. As I dance, I feel the weight of colonization, a deep sadness, and rage. Then, I look up—into the shared warmth of the room—and feel connected. My rage is transformed to motivation.

To me, danza is preservation, rebellion, and devotion.
.
.
.
.
Come see this print on Feb 8th from 7-9 pm <3

Chachayotes

For me, danza is an act of preservation, rebellion, and devotion. I dance for the elements. I fear fire. I admire fire. As an Aries, I am fire. In Danza Mexica, fire burns at the center, sustaining the rhythm and movement. When we dance we are meditating in movement, it becomes a bridge to ancestors, and a vessel for unlearning colonized ways of being. As I dance, I feel the weight of colonization, a deep sadness, and rage. Then, I look up—into the shared warmth of the room—and feel connected. My rage is transformed to motivation.

To me, danza is preservation, rebellion, and devotion.
.
.
.
.
Come see this print on Feb 8th from 7-9 pm <3

Chachayotes

For me, danza is an act of preservation, rebellion, and devotion. I dance for the elements. I fear fire. I admire fire. As an Aries, I am fire. In Danza Mexica, fire burns at the center, sustaining the rhythm and movement. When we dance we are meditating in movement, it becomes a bridge to ancestors, and a vessel for unlearning colonized ways of being. As I dance, I feel the weight of colonization, a deep sadness, and rage. Then, I look up—into the shared warmth of the room—and feel connected. My rage is transformed to motivation.

To me, danza is preservation, rebellion, and devotion.
.
.
.
.
Come see this print on Feb 8th from 7-9 pm <3

Chachayotes

For me, danza is an act of preservation, rebellion, and devotion. I dance for the elements. I fear fire. I admire fire. As an Aries, I am fire. In Danza Mexica, fire burns at the center, sustaining the rhythm and movement. When we dance we are meditating in movement, it becomes a bridge to ancestors, and a vessel for unlearning colonized ways of being. As I dance, I feel the weight of colonization, a deep sadness, and rage. Then, I look up—into the shared warmth of the room—and feel connected. My rage is transformed to motivation.

To me, danza is preservation, rebellion, and devotion.
.
.
.
.
Come see this print on Feb 8th from 7-9 pm <3

Thank you to everyone who came out to our artist talk with Nicolas Gonzalez-Medina and students Faustina Ngo, Nayelli Rosas, and Jojo Ty this weekend. ✨

It is really beautiful getting to hold space for conversations around migration, identity, resistance, storytelling, and the importance of printmaking within our communities.

Huge thanks to Lucia Obregón for moderating such a thoughtful conversation, and to everyone who shared their experiences and questions with us.

These gatherings remind us why community spaces for art and dialogue matter so much. ❤️

You can still catch De Aquí y De Allá at Acción Latina through June 26th. Gallery hours are Thursdays and Fridays from 1PM–5PM, and private showings are also available by email appointment.

Thank you to everyone who came out to our artist talk with Nicolas Gonzalez-Medina and students Faustina Ngo, Nayelli Rosas, and Jojo Ty this weekend. ✨

It is really beautiful getting to hold space for conversations around migration, identity, resistance, storytelling, and the importance of printmaking within our communities.

Huge thanks to Lucia Obregón for moderating such a thoughtful conversation, and to everyone who shared their experiences and questions with us.

These gatherings remind us why community spaces for art and dialogue matter so much. ❤️

You can still catch De Aquí y De Allá at Acción Latina through June 26th. Gallery hours are Thursdays and Fridays from 1PM–5PM, and private showings are also available by email appointment.

Thank you to everyone who came out to our artist talk with Nicolas Gonzalez-Medina and students Faustina Ngo, Nayelli Rosas, and Jojo Ty this weekend. ✨

It is really beautiful getting to hold space for conversations around migration, identity, resistance, storytelling, and the importance of printmaking within our communities.

Huge thanks to Lucia Obregón for moderating such a thoughtful conversation, and to everyone who shared their experiences and questions with us.

These gatherings remind us why community spaces for art and dialogue matter so much. ❤️

You can still catch De Aquí y De Allá at Acción Latina through June 26th. Gallery hours are Thursdays and Fridays from 1PM–5PM, and private showings are also available by email appointment.

Thank you to everyone who came out to our artist talk with Nicolas Gonzalez-Medina and students Faustina Ngo, Nayelli Rosas, and Jojo Ty this weekend. ✨

It is really beautiful getting to hold space for conversations around migration, identity, resistance, storytelling, and the importance of printmaking within our communities.

Huge thanks to Lucia Obregón for moderating such a thoughtful conversation, and to everyone who shared their experiences and questions with us.

These gatherings remind us why community spaces for art and dialogue matter so much. ❤️

You can still catch De Aquí y De Allá at Acción Latina through June 26th. Gallery hours are Thursdays and Fridays from 1PM–5PM, and private showings are also available by email appointment.

Thank you to everyone who came out to our artist talk with Nicolas Gonzalez-Medina and students Faustina Ngo, Nayelli Rosas, and Jojo Ty this weekend. ✨

It is really beautiful getting to hold space for conversations around migration, identity, resistance, storytelling, and the importance of printmaking within our communities.

Huge thanks to Lucia Obregón for moderating such a thoughtful conversation, and to everyone who shared their experiences and questions with us.

These gatherings remind us why community spaces for art and dialogue matter so much. ❤️

You can still catch De Aquí y De Allá at Acción Latina through June 26th. Gallery hours are Thursdays and Fridays from 1PM–5PM, and private showings are also available by email appointment.

Thank you to everyone who came out to our artist talk with Nicolas Gonzalez-Medina and students Faustina Ngo, Nayelli Rosas, and Jojo Ty this weekend. ✨

It is really beautiful getting to hold space for conversations around migration, identity, resistance, storytelling, and the importance of printmaking within our communities.

Huge thanks to Lucia Obregón for moderating such a thoughtful conversation, and to everyone who shared their experiences and questions with us.

These gatherings remind us why community spaces for art and dialogue matter so much. ❤️

You can still catch De Aquí y De Allá at Acción Latina through June 26th. Gallery hours are Thursdays and Fridays from 1PM–5PM, and private showings are also available by email appointment.

Thank you to everyone who came out to our artist talk with Nicolas Gonzalez-Medina and students Faustina Ngo, Nayelli Rosas, and Jojo Ty this weekend. ✨

It is really beautiful getting to hold space for conversations around migration, identity, resistance, storytelling, and the importance of printmaking within our communities.

Huge thanks to Lucia Obregón for moderating such a thoughtful conversation, and to everyone who shared their experiences and questions with us.

These gatherings remind us why community spaces for art and dialogue matter so much. ❤️

You can still catch De Aquí y De Allá at Acción Latina through June 26th. Gallery hours are Thursdays and Fridays from 1PM–5PM, and private showings are also available by email appointment.

Thank you to everyone who came out to our artist talk with Nicolas Gonzalez-Medina and students Faustina Ngo, Nayelli Rosas, and Jojo Ty this weekend. ✨

It is really beautiful getting to hold space for conversations around migration, identity, resistance, storytelling, and the importance of printmaking within our communities.

Huge thanks to Lucia Obregón for moderating such a thoughtful conversation, and to everyone who shared their experiences and questions with us.

These gatherings remind us why community spaces for art and dialogue matter so much. ❤️

You can still catch De Aquí y De Allá at Acción Latina through June 26th. Gallery hours are Thursdays and Fridays from 1PM–5PM, and private showings are also available by email appointment.

Join us for the second activation of De Aquí y De Allá: Resistance & Resilience, an artist talk centered on the stories, politics, and creative practices behind the exhibition.

Moderated by Lucia Obregon, the conversation will feature lead artist Nicolas Gonzalez-Medina alongside exhibiting artists Nayelli Rosas, Faustina Ngo, and Jojo, whose works explore culture, identity, resistance, and community through woodblock printing and activism.

Together, the artists will discuss the why, how, and importance of their work, offering insight into the process, history, and revolutionary roots of printmaking traditions.

Join us!
Saturday, May 16
6PM–8PM
Acción Latina
2958 24th Street

Join us for the second activation of De Aquí y De Allá: Resistance & Resilience, an artist talk centered on the stories, politics, and creative practices behind the exhibition.

Moderated by Lucia Obregon, the conversation will feature lead artist Nicolas Gonzalez-Medina alongside exhibiting artists Nayelli Rosas, Faustina Ngo, and Jojo, whose works explore culture, identity, resistance, and community through woodblock printing and activism.

Together, the artists will discuss the why, how, and importance of their work, offering insight into the process, history, and revolutionary roots of printmaking traditions.

Join us!
Saturday, May 16
6PM–8PM
Acción Latina
2958 24th Street

Join us for the second activation of De Aquí y De Allá: Resistance & Resilience, an artist talk centered on the stories, politics, and creative practices behind the exhibition.

Moderated by Lucia Obregon, the conversation will feature lead artist Nicolas Gonzalez-Medina alongside exhibiting artists Nayelli Rosas, Faustina Ngo, and Jojo, whose works explore culture, identity, resistance, and community through woodblock printing and activism.

Together, the artists will discuss the why, how, and importance of their work, offering insight into the process, history, and revolutionary roots of printmaking traditions.

Join us!
Saturday, May 16
6PM–8PM
Acción Latina
2958 24th Street

Join us for the second activation of De Aquí y De Allá: Resistance & Resilience, an artist talk centered on the stories, politics, and creative practices behind the exhibition.

Moderated by Lucia Obregon, the conversation will feature lead artist Nicolas Gonzalez-Medina alongside exhibiting artists Nayelli Rosas, Faustina Ngo, and Jojo, whose works explore culture, identity, resistance, and community through woodblock printing and activism.

Together, the artists will discuss the why, how, and importance of their work, offering insight into the process, history, and revolutionary roots of printmaking traditions.

Join us!
Saturday, May 16
6PM–8PM
Acción Latina
2958 24th Street

"De Aquí y De Allá" by @nicotheartivist open at @accionlatinasf now!!!

Opening night April 4 from 2-8pm 🥳

Featuring art by his students JoJo, Cristina @lachiquis_art, Nayelli @con.amor4, and Faustina @muddylotusart.

Vendors:
@ancestraldreamsco
@gitana_creations
@winsorkinkade_

Music:
@guamuchil28
@nataliaalafavi

Had so much fun teaching my first 5 week series <3

Thank you to these folks for being so warm and supportive with each other and for the trusting me !!
@one.mohit
@licheeeros
@rashmicrossing
@fragile.mp3
@jessicafreakingp_
@sophiachan228

If you are interested in learning ceramics I am teaching lindos recuerdos - a BIPOC only 5 week ceramic series starting April 22nd. There are still a couple spots open,DMs are open for any questions <3

So happy to announce that I will be teaching Lindos Recuerdos 🤎 a BIPOC only ceramics series.

In an effort to make ceramics more accessible discounts are available when signing up, please dm me if finances are a barrier to taking this series.

You can sign up through the QR code or through artillery-ag.com

Con amor,
Naye

📸: @1998_av

Come find me at lovers lane this year <3 will be vending with my Lino cut bbys @ancestraldreamsco and have limited corazon de melon prints for sale.

Will also be giving away stickers with each print and have a couple old print designs for sale too

Come find me at lovers lane this year <3 will be vending with my Lino cut bbys @ancestraldreamsco and have limited corazon de melon prints for sale.

Will also be giving away stickers with each print and have a couple old print designs for sale too

Come find me at lovers lane this year <3 will be vending with my Lino cut bbys @ancestraldreamsco and have limited corazon de melon prints for sale.

Will also be giving away stickers with each print and have a couple old print designs for sale too

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

bring some home with you, ancestral dreams collective, 2025. linoleum relief print, paper mache, ceramics, mosaic, and found objects  in installation. 12’ x 14’ x 12’

Our ancestors carry the values of the different communities we were raised in — Mexican, Filipino, Vietnamese, Chinese, Chamorro, Hunkpapa Lakota, and Ihanktonwan-Dakota — and we call on their spirits to share full and whole versions of ourselves in this communal space. Our ancestors offer up their learnings and guide us to the precolonial values that grounded the safety of their communities. We bring their teachings to the present, defining our table by our own values of liberation and care and love for all people in contrast to the ethos of the settler-colonial state. An invitation into our “home” is a beckoning to find ourselves, our history, and each other through the building of relationships and the weaving of shared love/common struggle.

ancestral dreams collective - @abalone.zzz @fine.art.fabi @percyshroom @madreti3rra @naf___ @lagrimaya @muddylotusartand Jojo ⛓️‍💥🍵❤️‍🩹

find us at @understoryoakland this friday vending with @restoreoakland from 6-9pm — w some of the feature prints from this install 🥳

Hey!~ You’re invited to our installation, “Bring some home with you”, at SOMArts for their 26th annual Día de los Muertos show. 🧡💀🌼

Our exhibit is a dining room and kitchen altar where we as trans and queer artists can share space with our ancestors and chosen families in our own home.

The exhibit has been up since the opening reception in October, and is open for viewing anytime @somarts is open.

There is closing reception featuring a drag show on Friday, November 7 from 6-9pm, and we will be vending our prints again. We hope to see you there!

Ancestral Dreams Collective: @madreti3rra, @percyshroom, @fine.art.fabi, @naf___, @lycheelibrah, @lagrimaya, @abalone.zzz, JoJo, @muddylotusart

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !

My heart feels so full when I think of my Lino cut family, what an honor to work alongside all these talented artists <3

Our group altar is up at soma arts cultural center now until the closing ceremony on Nov 7th !