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christineflintsato
Christine Flint Sato
cflintsato .com/profile
二人展のお知らせです
陶芸家の谷本あけみさんと一緒に
奈良のギャラリー五風舎で
5月20日ー25日
毎日ギャラリーにいます
どうぞいらしてください！
Two Person Exhibition
with Ceramic artist Akemi Tanimoto
Gallery Gofusha, Nara
May 20th - 25th
I'll be at the gallery every day
Everyone welcome!
Looking forward to seeing you there!
二人展のお知らせです
陶芸家の谷本あけみさんと一緒に
奈良のギャラリー五風舎で
5月20日ー25日
毎日ギャラリーにいます
どうぞいらしてください！
Two Person Exhibition
with Ceramic artist Akemi Tanimoto
Gallery Gofusha, Nara
May 20th - 25th
I'll be at the gallery every day
Everyone welcome!
Looking forward to seeing you there!
#NOWNESSASIAPicks NEW: Director Sybilla Patrizia captures Taiwanese artist Ching Ya Lin's immersion into the traditional crafts of hyōgu (mounting) and kakejiku (scroll-making) in Nara, Japan. 📜
Nara, the ancient capital of Japan and heart of sumi ink production, acts as an essential collaborator in this film. As Lin seeks to "absorb the spirit of the environment", the boundary between nature and studio becomes porous. This film also uncovers Lin's deep sensitivity to materials like washi fibres, treating them not as passive objects, but as entities that carry memory, time, and life within them.
Patrizia's fluid cinematography mirrors the sensoriality of ink itself, exploring the philosophy of scrolls as 'nomadic' objects that embody a quiet acceptance of impermanence. As Patrizia expresses, "I wanted the film itself to mirror this quality, moving fluidly between moments rather than adhering to a rigid structure."
Tap the link in bio to watch the full #PrivateView film on NOWNESS ASIA 🎥
Featuring @vanialalalala @christineflintsato
Director & Producer @sybillapatrizia
Cinematographer @shunshun1312
1st AC @makoto_mk26
Gaffer @tetsuya_kusu
Editor @holly__thomso @trimediting
Edit Supervision @nanako_kawasaki_
Colorist @torn_studios.ltd
Thank You
@toma_unrestored
@kinkoenjp
@boku_undo1805
#NOWNESSASIAPicks NEW: Director Sybilla Patrizia captures Taiwanese artist Ching Ya Lin's immersion into the traditional crafts of hyōgu (mounting) and kakejiku (scroll-making) in Nara, Japan. 📜
Nara, the ancient capital of Japan and heart of sumi ink production, acts as an essential collaborator in this film. As Lin seeks to "absorb the spirit of the environment", the boundary between nature and studio becomes porous. This film also uncovers Lin's deep sensitivity to materials like washi fibres, treating them not as passive objects, but as entities that carry memory, time, and life within them.
Patrizia's fluid cinematography mirrors the sensoriality of ink itself, exploring the philosophy of scrolls as 'nomadic' objects that embody a quiet acceptance of impermanence. As Patrizia expresses, "I wanted the film itself to mirror this quality, moving fluidly between moments rather than adhering to a rigid structure."
Tap the link in bio to watch the full #PrivateView film on NOWNESS ASIA 🎥
Featuring @vanialalalala @christineflintsato
Director & Producer @sybillapatrizia
Cinematographer @shunshun1312
1st AC @makoto_mk26
Gaffer @tetsuya_kusu
Editor @holly__thomso @trimediting
Edit Supervision @nanako_kawasaki_
Colorist @torn_studios.ltd
Thank You
@toma_unrestored
@kinkoenjp
@boku_undo1805
#NOWNESSASIAPicks NEW: Director Sybilla Patrizia captures Taiwanese artist Ching Ya Lin's immersion into the traditional crafts of hyōgu (mounting) and kakejiku (scroll-making) in Nara, Japan. 📜
Nara, the ancient capital of Japan and heart of sumi ink production, acts as an essential collaborator in this film. As Lin seeks to "absorb the spirit of the environment", the boundary between nature and studio becomes porous. This film also uncovers Lin's deep sensitivity to materials like washi fibres, treating them not as passive objects, but as entities that carry memory, time, and life within them.
Patrizia's fluid cinematography mirrors the sensoriality of ink itself, exploring the philosophy of scrolls as 'nomadic' objects that embody a quiet acceptance of impermanence. As Patrizia expresses, "I wanted the film itself to mirror this quality, moving fluidly between moments rather than adhering to a rigid structure."
Tap the link in bio to watch the full #PrivateView film on NOWNESS ASIA 🎥
Featuring @vanialalalala @christineflintsato
Director & Producer @sybillapatrizia
Cinematographer @shunshun1312
1st AC @makoto_mk26
Gaffer @tetsuya_kusu
Editor @holly__thomso @trimediting
Edit Supervision @nanako_kawasaki_
Colorist @torn_studios.ltd
Thank You
@toma_unrestored
@kinkoenjp
@boku_undo1805
#NOWNESSASIAPicks NEW: Director Sybilla Patrizia captures Taiwanese artist Ching Ya Lin's immersion into the traditional crafts of hyōgu (mounting) and kakejiku (scroll-making) in Nara, Japan. 📜
Nara, the ancient capital of Japan and heart of sumi ink production, acts as an essential collaborator in this film. As Lin seeks to "absorb the spirit of the environment", the boundary between nature and studio becomes porous. This film also uncovers Lin's deep sensitivity to materials like washi fibres, treating them not as passive objects, but as entities that carry memory, time, and life within them.
Patrizia's fluid cinematography mirrors the sensoriality of ink itself, exploring the philosophy of scrolls as 'nomadic' objects that embody a quiet acceptance of impermanence. As Patrizia expresses, "I wanted the film itself to mirror this quality, moving fluidly between moments rather than adhering to a rigid structure."
Tap the link in bio to watch the full #PrivateView film on NOWNESS ASIA 🎥
Featuring @vanialalalala @christineflintsato
Director & Producer @sybillapatrizia
Cinematographer @shunshun1312
1st AC @makoto_mk26
Gaffer @tetsuya_kusu
Editor @holly__thomso @trimediting
Edit Supervision @nanako_kawasaki_
Colorist @torn_studios.ltd
Thank You
@toma_unrestored
@kinkoenjp
@boku_undo1805
#NOWNESSASIAPicks NEW: Director Sybilla Patrizia captures Taiwanese artist Ching Ya Lin's immersion into the traditional crafts of hyōgu (mounting) and kakejiku (scroll-making) in Nara, Japan. 📜
Nara, the ancient capital of Japan and heart of sumi ink production, acts as an essential collaborator in this film. As Lin seeks to "absorb the spirit of the environment", the boundary between nature and studio becomes porous. This film also uncovers Lin's deep sensitivity to materials like washi fibres, treating them not as passive objects, but as entities that carry memory, time, and life within them.
Patrizia's fluid cinematography mirrors the sensoriality of ink itself, exploring the philosophy of scrolls as 'nomadic' objects that embody a quiet acceptance of impermanence. As Patrizia expresses, "I wanted the film itself to mirror this quality, moving fluidly between moments rather than adhering to a rigid structure."
Tap the link in bio to watch the full #PrivateView film on NOWNESS ASIA 🎥
Featuring @vanialalalala @christineflintsato
Director & Producer @sybillapatrizia
Cinematographer @shunshun1312
1st AC @makoto_mk26
Gaffer @tetsuya_kusu
Editor @holly__thomso @trimediting
Edit Supervision @nanako_kawasaki_
Colorist @torn_studios.ltd
Thank You
@toma_unrestored
@kinkoenjp
@boku_undo1805
車輪梅の煤で墨を作る実験！
Experimenting with making sumi ink from Japanese hawthorn soot
#すみ#sumi #sumiinkpainting #suibokuga
車輪梅の煤で墨を作る実験！
Experimenting with making sumi ink from Japanese hawthorn soot
#すみ#sumi #sumiinkpainting #suibokuga
車輪梅の煤で墨を作る実験！
Experimenting with making sumi ink from Japanese hawthorn soot
#すみ#sumi #sumiinkpainting #suibokuga
車輪梅の煤で墨を作る実験！
Experimenting with making sumi ink from Japanese hawthorn soot
#すみ#sumi #sumiinkpainting #suibokuga
車輪梅の煤で墨を作る実験！
Experimenting with making sumi ink from Japanese hawthorn soot
#すみ#sumi #sumiinkpainting #suibokuga
I managed to make indigo paint!
藍の絵の具を作ることができましました!
#sumie #suibokuga #indigo #ink painting
I managed to make indigo paint!
藍の絵の具を作ることができましました!
#sumie #suibokuga #indigo #ink painting
I managed to make indigo paint!
藍の絵の具を作ることができましました!
#sumie #suibokuga #indigo #ink painting
作品「石雲」は新しい家の床の間にぴったりですね！
ありがとうございます！
‘Stone Cloud’ is in its new home. It fits perfectly in the tokonoma!Thankyou!
‘The sea goes on and on, the sky goes on and on’My work at the ContemporarySumi Ink painting ExhibitionKyoto Furitsu Bunka Geijutsu Kaikan.September 30- October 5th.10:00-18:00(last day 17:00)
I’m in the gallery on October 5th 15:00 - 17:00
Everyone welcome!
海は続くよ どこまでも
空は続くよ どこまでも
京都現代水墨展に出品した作品です
案内状をごらんください！
わたしは10月5日15:00-17:00会場にいます。
どうぞいらしてください！
‘The sea goes on and on, the sky goes on and on’My work at the ContemporarySumi Ink painting ExhibitionKyoto Furitsu Bunka Geijutsu Kaikan.September 30- October 5th.10:00-18:00(last day 17:00)
I’m in the gallery on October 5th 15:00 - 17:00
Everyone welcome!
海は続くよ どこまでも
空は続くよ どこまでも
京都現代水墨展に出品した作品です
案内状をごらんください！
わたしは10月5日15:00-17:00会場にいます。
どうぞいらしてください！
My work at the Suibokuga Exhibition
'Memories of the Sea 1 and 2'
Sumi ink, Mud, Japanese Hawthorn, Xuan paper
水墨画展で私の出品作品
「海の記憶1,2」
墨、泥、車輪梅。宣紙
My work at the Suibokuga Exhibition
'Memories of the Sea 1 and 2'
Sumi ink, Mud, Japanese Hawthorn, Xuan paper
水墨画展で私の出品作品
「海の記憶1,2」
墨、泥、車輪梅。宣紙
この展覧会に参加しています。
7月8日ー7月13日
私は7月8日 13:00から会場にいます。
I'm taking part in this group exhibition 'Kyoto Contemporary Suiboku'
Kyoto City Art Museum Annex 2F
July 8th - 13th
I'll be there on July 8th from 13:00
＃sumie #suibokuga #inkpainting
A few more images from the exhibition
個展の画像をもう少し
6月24 - 30日 11:00-18:00
デザイン ワーク スタジオ
630-8374 奈良市今御門町22
Design Work Studio
22 Imamikado cho Nara 630 8374
作品のいくつかのイメージ
墨、泥、車輪梅、琉球藍
デザイン ワーク スタジオ
630-8374 奈良市今御門町22
6月24日(火) ~30日(月） 11:00 ~ 18:00
Some images of the artwork.
Sumi ink, Mud, Japanese hawthorn and Ryukyu indigo
Design Work Studio
22 Imamikado cho Nara 630 8374
June 24th -30th 11:00 ~18:00
個展のいくつかの写真
初日が賑やかでした！
6月24日ー6月30日 11:00 - 18:00
奈良デザイン ワーク スタジオ
630-8374 奈良市今御門町22
Some photos from my solo exhibition
It was a lively first day
June 24th - 30th 11:00 - 18:00
Design Work Studio
22 Imamikado cho Nara 630 8374
Nara
個展のいくつかの写真
初日が賑やかでした！
6月24日ー6月30日 11:00 - 18:00
奈良デザイン ワーク スタジオ
630-8374 奈良市今御門町22
Some photos from my solo exhibition
It was a lively first day
June 24th - 30th 11:00 - 18:00
Design Work Studio
22 Imamikado cho Nara 630 8374
Nara
個展のいくつかの写真
初日が賑やかでした！
6月24日ー6月30日 11:00 - 18:00
奈良デザイン ワーク スタジオ
630-8374 奈良市今御門町22
Some photos from my solo exhibition
It was a lively first day
June 24th - 30th 11:00 - 18:00
Design Work Studio
22 Imamikado cho Nara 630 8374
Nara
個展のいくつかの写真
初日が賑やかでした！
6月24日ー6月30日 11:00 - 18:00
奈良デザイン ワーク スタジオ
630-8374 奈良市今御門町22
Some photos from my solo exhibition
It was a lively first day
June 24th - 30th 11:00 - 18:00
Design Work Studio
22 Imamikado cho Nara 630 8374
Nara
個展のいくつかの写真
初日が賑やかでした！
6月24日ー6月30日 11:00 - 18:00
奈良デザイン ワーク スタジオ
630-8374 奈良市今御門町22
Some photos from my solo exhibition
It was a lively first day
June 24th - 30th 11:00 - 18:00
Design Work Studio
22 Imamikado cho Nara 630 8374
Nara
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