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Honoured to have my model 3468 chair in the inaugural presentation of the new Fondazione Dries Van Noten

‘The Only True Protest Is Beauty’
Curated by Dries Van Noten with Geert Bruloot
From April 25 to October 4
Palazzo Pisani Moretta, Venice

Thank you @fondazionedriesvannoten & @uppercut.space

Photos @samuelpasquier

Honoured to have my model 3468 chair in the inaugural presentation of the new Fondazione Dries Van Noten

‘The Only True Protest Is Beauty’
Curated by Dries Van Noten with Geert Bruloot
From April 25 to October 4
Palazzo Pisani Moretta, Venice

Thank you @fondazionedriesvannoten & @uppercut.space

Photos @samuelpasquier

Honoured to have my model 3468 chair in the inaugural presentation of the new Fondazione Dries Van Noten

‘The Only True Protest Is Beauty’
Curated by Dries Van Noten with Geert Bruloot
From April 25 to October 4
Palazzo Pisani Moretta, Venice

Thank you @fondazionedriesvannoten & @uppercut.space

Photos @samuelpasquier

Honoured to have my model 3468 chair in the inaugural presentation of the new Fondazione Dries Van Noten

‘The Only True Protest Is Beauty’
Curated by Dries Van Noten with Geert Bruloot
From April 25 to October 4
Palazzo Pisani Moretta, Venice

Thank you @fondazionedriesvannoten & @uppercut.space

Photos @samuelpasquier

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

New rigatoni works

Each rigatoni is individually cast and welded together 1 by 1.
A construction process led by intuition and the proportions of the pasta.

Stool/ side table is patinated bronze
Chair is plain brass, which will oxidize and develop a darker colour over time

Presented at @matterandshape and @collectiblefair with @uppercut.space

Table and stool for the booth of @verredonge at the 3rd edition of @matterandshape last week

Photography @opheliemrs

Table and stool for the booth of @verredonge at the 3rd edition of @matterandshape last week

Photography @opheliemrs

Table and stool for the booth of @verredonge at the 3rd edition of @matterandshape last week

Photography @opheliemrs

Table and stool for the booth of @verredonge at the 3rd edition of @matterandshape last week

Photography @opheliemrs

Table and stool for the booth of @verredonge at the 3rd edition of @matterandshape last week

Photography @opheliemrs

Table and stool for the booth of @verredonge at the 3rd edition of @matterandshape last week

Photography @opheliemrs

Le salon

New unique glass vase collection for the 3rd edition of MATTER and SHAPE (@matterandshape) in Paris. The vase in its multitude of scales, shapes and shades. An exercise in variation, repetition.

Table and stool by Chris Fusaro (@chrisfusaro)
Artworks by Laurence Veri (@louveri)
Photography by Ophélie Maurus (@opheliemrs)

Le salon

New unique glass vase collection for the 3rd edition of MATTER and SHAPE (@matterandshape) in Paris. The vase in its multitude of scales, shapes and shades. An exercise in variation, repetition.

Table and stool by Chris Fusaro (@chrisfusaro)
Artworks by Laurence Veri (@louveri)
Photography by Ophélie Maurus (@opheliemrs)

Star chair prototype, bent stainless steel tube with pvc sling seat
photographed by @alexlesage__ at my Montreal studio in 2022
need to revisit this one..

Star chair prototype, bent stainless steel tube with pvc sling seat
photographed by @alexlesage__ at my Montreal studio in 2022
need to revisit this one..

Small series of bronze pasta crosses for Christmas, wall mountable. Available in ziti, rigatoni, and tortiglioni.

Profits will be donated to @operasanfrancesco to support their holiday food program.

120 euros each.
DM to purchase, shipping or local pickup in Milan.

Small series of bronze pasta crosses for Christmas, wall mountable. Available in ziti, rigatoni, and tortiglioni.

Profits will be donated to @operasanfrancesco to support their holiday food program.

120 euros each.
DM to purchase, shipping or local pickup in Milan.

Small series of bronze pasta crosses for Christmas, wall mountable. Available in ziti, rigatoni, and tortiglioni.

Profits will be donated to @operasanfrancesco to support their holiday food program.

120 euros each.
DM to purchase, shipping or local pickup in Milan.

Small series of bronze pasta crosses for Christmas, wall mountable. Available in ziti, rigatoni, and tortiglioni.

Profits will be donated to @operasanfrancesco to support their holiday food program.

120 euros each.
DM to purchase, shipping or local pickup in Milan.

Small series of bronze pasta crosses for Christmas, wall mountable. Available in ziti, rigatoni, and tortiglioni.

Profits will be donated to @operasanfrancesco to support their holiday food program.

120 euros each.
DM to purchase, shipping or local pickup in Milan.

Small series of bronze pasta crosses for Christmas, wall mountable. Available in ziti, rigatoni, and tortiglioni.

Profits will be donated to @operasanfrancesco to support their holiday food program.

120 euros each.
DM to purchase, shipping or local pickup in Milan.

Fusilli and Penne trivets in the new Dec/ Jan issue of @elledecorationuk
Photography: @mark_anthony_fox
Styling: @oliviagregorystylist

Fusilli and Penne trivets in the new Dec/ Jan issue of @elledecorationuk
Photography: @mark_anthony_fox
Styling: @oliviagregorystylist

Fusilli and Penne trivets in the new Dec/ Jan issue of @elledecorationuk
Photography: @mark_anthony_fox
Styling: @oliviagregorystylist

Custom radiator cover in brass.
Star hole pattern was inspired by Giotto’s cielo stellato fresco from the ceiling of the Scrovegni chapel in Padua

Custom radiator cover in brass.
Star hole pattern was inspired by Giotto’s cielo stellato fresco from the ceiling of the Scrovegni chapel in Padua

Custom radiator cover in brass.
Star hole pattern was inspired by Giotto’s cielo stellato fresco from the ceiling of the Scrovegni chapel in Padua

Custom radiator cover in brass.
Star hole pattern was inspired by Giotto’s cielo stellato fresco from the ceiling of the Scrovegni chapel in Padua

Custom radiator cover in brass.
Star hole pattern was inspired by Giotto’s cielo stellato fresco from the ceiling of the Scrovegni chapel in Padua

Custom radiator cover in brass.
Star hole pattern was inspired by Giotto’s cielo stellato fresco from the ceiling of the Scrovegni chapel in Padua

Custom radiator cover in brass.
Star hole pattern was inspired by Giotto’s cielo stellato fresco from the ceiling of the Scrovegni chapel in Padua

Dalù lamp, by Vico Magistretti for Artemide, alphabet pasta version in silver-plated brass.

Made for AGAINST NATURE, the debut showcase from Bureau of Innovation @bureau.of.innovation , staged last month on the occasion of PAD / Frieze London.

For this exhibition, I applied my pasta casting technique to reinterpret some iconic vintage lamp designs, introducing a new material grammar to the innovative and nostalgic forms of mid-century Italian lighting.

Many thanks to Sam @agglomerati for the inclusion and support.

Images: Thomas Farries

Dalù lamp, by Vico Magistretti for Artemide, alphabet pasta version in silver-plated brass.

Made for AGAINST NATURE, the debut showcase from Bureau of Innovation @bureau.of.innovation , staged last month on the occasion of PAD / Frieze London.

For this exhibition, I applied my pasta casting technique to reinterpret some iconic vintage lamp designs, introducing a new material grammar to the innovative and nostalgic forms of mid-century Italian lighting.

Many thanks to Sam @agglomerati for the inclusion and support.

Images: Thomas Farries

Dalù lamp, by Vico Magistretti for Artemide, alphabet pasta version in silver-plated brass.

Made for AGAINST NATURE, the debut showcase from Bureau of Innovation @bureau.of.innovation , staged last month on the occasion of PAD / Frieze London.

For this exhibition, I applied my pasta casting technique to reinterpret some iconic vintage lamp designs, introducing a new material grammar to the innovative and nostalgic forms of mid-century Italian lighting.

Many thanks to Sam @agglomerati for the inclusion and support.

Images: Thomas Farries

Wax model of the Dalù lamp by Vico Magistretti for Artemide. My version, made with alphabet pasta

Wax model of the Dalù lamp by Vico Magistretti for Artemide. My version, made with alphabet pasta

Wax model of the Dalù lamp by Vico Magistretti for Artemide. My version, made with alphabet pasta

Genio table, 2025
73 x 83 x 194 cm

Called Genio (Italian for genius) because of certain design details I think are clever, and for the person who commissioned it, named Eugenio.

This idea had been in my head for a while, thank you to @eugeniomassetti for trusting me to bring it to life, and to @marcello.calvi and Luciano Calvi for the fabrication support.

photos @alessiokeilty

Genio table, 2025
73 x 83 x 194 cm

Called Genio (Italian for genius) because of certain design details I think are clever, and for the person who commissioned it, named Eugenio.

This idea had been in my head for a while, thank you to @eugeniomassetti for trusting me to bring it to life, and to @marcello.calvi and Luciano Calvi for the fabrication support.

photos @alessiokeilty

Genio table, 2025
73 x 83 x 194 cm

Called Genio (Italian for genius) because of certain design details I think are clever, and for the person who commissioned it, named Eugenio.

This idea had been in my head for a while, thank you to @eugeniomassetti for trusting me to bring it to life, and to @marcello.calvi and Luciano Calvi for the fabrication support.

photos @alessiokeilty

Genio table, 2025
stainless steel tubing, bronze tempered glass

The tubes are laser cut to remove sections of material, allowing them to bend to a precise radius. They’re curved along their edges rather than their faces, so each part connects at a 45° angle. This provides an angled ledge that supports the glass along its beveled edge, allowing it to sit flush within the frame, creating the effect of looking through a window.

The glass was the most challenging part. Many manufacturers said rounded corners with a beveled edge couldn’t be done, until we found one who could, who also happens to produce windows for Ferrari.

photos @alessiokeilty

Genio table, 2025
stainless steel tubing, bronze tempered glass

The tubes are laser cut to remove sections of material, allowing them to bend to a precise radius. They’re curved along their edges rather than their faces, so each part connects at a 45° angle. This provides an angled ledge that supports the glass along its beveled edge, allowing it to sit flush within the frame, creating the effect of looking through a window.

The glass was the most challenging part. Many manufacturers said rounded corners with a beveled edge couldn’t be done, until we found one who could, who also happens to produce windows for Ferrari.

photos @alessiokeilty

Genio table, 2025
stainless steel tubing, bronze tempered glass

The tubes are laser cut to remove sections of material, allowing them to bend to a precise radius. They’re curved along their edges rather than their faces, so each part connects at a 45° angle. This provides an angled ledge that supports the glass along its beveled edge, allowing it to sit flush within the frame, creating the effect of looking through a window.

The glass was the most challenging part. Many manufacturers said rounded corners with a beveled edge couldn’t be done, until we found one who could, who also happens to produce windows for Ferrari.

photos @alessiokeilty