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I take a lot of videos on my phone throughout the year and never know what to do with them. Here’s :01 of each of those videos from 2025 with @luredigitalofficial 🤙

Watch for free on YouTube. Link in my bio. #halloween #michaelmyers #horror #shortfilm #horrorfilm #jumpscare #pumpkin #allhollow #johncarpenter

Finally able to share all of the behind-the-scenes goodies from this National Rayovac commercial we shot for the Energizer brand in March. My blog post with all of the nitty gritty details can be found on luredigital.com

Finally able to share all of the behind-the-scenes goodies from this National Rayovac commercial we shot for the Energizer brand in March. My blog post with all of the nitty gritty details can be found on luredigital.com

Finally able to share all of the behind-the-scenes goodies from this National Rayovac commercial we shot for the Energizer brand in March. My blog post with all of the nitty gritty details can be found on luredigital.com

Finally able to share all of the behind-the-scenes goodies from this National Rayovac commercial we shot for the Energizer brand in March. My blog post with all of the nitty gritty details can be found on luredigital.com

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

Music work I shot for the release of @samysharif Three Houses

Everything is handmade with intention, from the sets and the prosthetics to the VFX and editing.
Samy and I love this process and believe in the integrity of this medium whole-heartedly.
It’s most definitely our love language.

With each project we learn a bigger vocabulary and gain more of an appetite to create narrative focused stories.
This next body of work is going to be transformative and epic.
Stay tuned.

Search “Samy Sharif” on YouTube to see all of our work.

Shot on RED Komodo (OG)
Angenieux 30-90mm
Canon CN-E set

39 today. Yay.

A few of my favorite photos from our time in Ireland & England
- Hever Castle
- Cliffs of Moher
- Blarney Castle
- London
- Trinity College
- London
- Windsor Castle
- 100 Acre Forest
- The Shard
- Dublin
- Galway
- Blarney Castle

New work for Hoosier Tires! Shot at @gingermanraceway from sun up to sun down running these cars all day. @luredigital operated as a skeleton crew and we still managed to pull off one of our most ambitious shoots of the year.
Big thanks to @mrjameswall for helping out on camera.
@brialittle directing the chaos.
Additional vfx: @jonathan_blanton_
DP+Edit+Color: @chris_kas

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

The totally intimidating “oner”. Is the risk worth the reward? We certainly tried our best.
Our setup for this week long commercial shoot in Erie, PA. was a dream. We had our own mini studio backlot with about 6 houses all on the same street, backed up against the lake at our disposal. 3 of which were being used as sets and the others as crew housing, production office, holding, etc.
Leading up to Friday, we shot a series of :15 vignettes for the campaign. On Friday we shot the :30 oner, despite mother natures attempt to derail us. The camera travels through a house where each room is a different generation (to simplify the concept). The real challenge of the idea was dressing the entire house in various decades, it required an incredible amount of set decoration. Meanwhile the boys outside had their own challenge of lighting the house for 360 coverage, in the wind and rain.
After rehearsing all day we rolled about 6 takes and the 6th take was the one.
All hands on deck really made this oner possible, thanks to everyone listed below:

Director/ Producer- @jasonbmccann
DP - Chris Kas
Production - @erie_insurance “A Century of Progress”
1st AD - @jessejamesfilm
2nd AD - @radiutori
2nd 2nd AD - @thetiaandrioshow
UPM - @stewnash
Producer - Adam Swartzfager

Steadicam Op - Michael Craven
1st AC - @kimkimcheree
2nd AC/ Additional Camera Op - @jasonts86

Gaffer - @luxelement
Best Boy Electric - @adam_______grant

Key Grip - @jbear8thegrip
Grip - Alex Aligo
Grip/ Driver - @joe_ferds
Swing - @berlinbomber

Stills - @meganciafre
Stills/ Additional gear - @rfrankmedia

Key Set PA - @silly_selisha
Set PA - @biffin.with.the.bifs , @zausey
Set Medic - @hopeboyden

Editor/ colorist - Mike Grimm
VFX - @gnormanlippert

Set Dresser - @justusac
Art Dept. - @sovisky, @ashleyrjackson_

Lead Hair & Makeup - @ehg.marcy
HMU Assist - Allyson Magee, @hervibes_arepretty

Wardrobe - godragonfly14
On Set Costumer - @strawberryjulz

Location Mgr - @jdifuccia
Craft Services - @lale.lela
Catering - Heather Hill

Thanks to @tellyawards for the Silver Award in the “online commercials, branding” category. @film.erie

VHS BTS. WE 🫶 YOU!

-

Executive Producer - @kyschultz
Creative Director & VHS Cam - @brialittle
Producer - @raspbjam
DoP & Editor - @chris_kas
Gaffer - @sergiocregodop
1st AC - @sleepingbear.joe
Stylist - @danikhanunez
HMU - @camercado6
Photographer & Production Design - @loyal.oliveoil

Mint & Lily
Chief Marketing Officer - Anuj Vedak
Creative Director - Angela Bertalotto
CEO, Co-Founder - Arjun Ohri
Co-Founder - Andrew Huang

Talent
Laticia Lee - @laticia.rolle
Jailyn Matthews - @jaifit
Skylar Quist - @Skylar.quist

Special Thanks
Zach Ingram & @thehausofpalms

#Gratitude #LureDigital #MintAndLily #JewelryAd #CommercialProduction #OnSet #Nostalgia #BTS #BehindTheScenes #VHS #VHSedits

🎃🔪 Watch “All Hollow” for free on YouTube. Link in bio. #halloween #michaelmyers #jackolantern #pumpkin #trickortreat🎃 #slasher #horror #haddonfield

Our new horror short film "ALL HOLLOW" is now free to watch on Youtube! Head to the link in my bio to check out @chris_kas and I's love letter to @johncarpenterofficial 's masterpiece "Halloween." While on set we knew we had to recreate the @nickcastle299 BTS photo from the original shoot with @mikeclifford44 (swipe to see the OG). Photo courtesy of the incredible @elisewine . HAPPY HALLOWEEN!

#halloween #mikemyers #michaelmyers #horror #horrormovie #johncarpenter #nickcastle #behindthescenes #filmmaking #moviemaking #spooky #horrorcommunity

Our new horror short film "ALL HOLLOW" is now free to watch on Youtube! Head to the link in my bio to check out @chris_kas and I's love letter to @johncarpenterofficial 's masterpiece "Halloween." While on set we knew we had to recreate the @nickcastle299 BTS photo from the original shoot with @mikeclifford44 (swipe to see the OG). Photo courtesy of the incredible @elisewine . HAPPY HALLOWEEN!

#halloween #mikemyers #michaelmyers #horror #horrormovie #johncarpenter #nickcastle #behindthescenes #filmmaking #moviemaking #spooky #horrorcommunity

"ALL HOLLOW" Premieres today on YouTube at 2pm PT! Hit the link in my bio to watch our love letter to @johncarpenterofficial 's iconic "Halloween". In just under two months we wrote, storyboarded, shot, edited, shot again, edited some more, added in original score, sound design and VFX and we are so unbelievably proud of this spooky season passion project. We had a blast making it and hope it puts you all in the Halloween spirit!

Special thanks to @elisewine @loyal.oliveoil @bough_tie @mikeclifford44 @samysharif @juliette_cecile @sarahlomke @sleepingbear.joe @dillb0b @cbakes02 @calliemaxson @joshgacita @thegeorgesupreme

#halloween #michaelmyers #johncarpenter #mikemyers #horror #horrormovie #horrorcommunity #scarymovie #shortfilm #jackolanterns #slasher #shortfilm #film #filmmaking #october #spooky #halloweenmovies #gore #finalgirl