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An incredible journey and honor working with @thenewcompany: @stevenolimpio & @rhomas_ormsby on the @usnikefootball Super Bowl LX Visual Center. Making SF proud🌁🏈

CREDITS LIST
The New Company @thenewcompany
Creative Director: Steven Olimpio @stevenolimpio
Sr. Designer, Art Director: Ryan Ormsby @rhomas_ormsby
Designer: Cecily Li @cec.ilyli
Motion Design: Ismael Picardi @ismapic
Sr. Project Manager: Morgan Lee @morrganlee
Co-Founder, ECD: Matthew Luckhurst @mattluckhurst

Nike Football @usnikefootball
Brand Creative Producer: Bri Cubelo @bricubelo
Digital Design Lead: Koji Yamamoto @koojjjiiii
Sr. Designer: Lulubi Garcia @lulubi_garcia
Sr. Creative Director: Jenny Tondera @jennytondera
Brand Marketing: Carlos Martinez @carlosmtz_iii

Additional Nike Team:
Alex Sorell, Allison Kong, Gianna Carrabotta, Kris Cantrell, Ryan Lynch

Case Study Photography
Bryson Malone @brysonmalone
Gian Icatar @g.icatar

An incredible journey and honor working with @thenewcompany: @stevenolimpio & @rhomas_ormsby on the @usnikefootball Super Bowl LX Visual Center. Making SF proud🌁🏈

CREDITS LIST
The New Company @thenewcompany
Creative Director: Steven Olimpio @stevenolimpio
Sr. Designer, Art Director: Ryan Ormsby @rhomas_ormsby
Designer: Cecily Li @cec.ilyli
Motion Design: Ismael Picardi @ismapic
Sr. Project Manager: Morgan Lee @morrganlee
Co-Founder, ECD: Matthew Luckhurst @mattluckhurst

Nike Football @usnikefootball
Brand Creative Producer: Bri Cubelo @bricubelo
Digital Design Lead: Koji Yamamoto @koojjjiiii
Sr. Designer: Lulubi Garcia @lulubi_garcia
Sr. Creative Director: Jenny Tondera @jennytondera
Brand Marketing: Carlos Martinez @carlosmtz_iii

Additional Nike Team:
Alex Sorell, Allison Kong, Gianna Carrabotta, Kris Cantrell, Ryan Lynch

Case Study Photography
Bryson Malone @brysonmalone
Gian Icatar @g.icatar

An incredible journey and honor working with @thenewcompany: @stevenolimpio & @rhomas_ormsby on the @usnikefootball Super Bowl LX Visual Center. Making SF proud🌁🏈

CREDITS LIST
The New Company @thenewcompany
Creative Director: Steven Olimpio @stevenolimpio
Sr. Designer, Art Director: Ryan Ormsby @rhomas_ormsby
Designer: Cecily Li @cec.ilyli
Motion Design: Ismael Picardi @ismapic
Sr. Project Manager: Morgan Lee @morrganlee
Co-Founder, ECD: Matthew Luckhurst @mattluckhurst

Nike Football @usnikefootball
Brand Creative Producer: Bri Cubelo @bricubelo
Digital Design Lead: Koji Yamamoto @koojjjiiii
Sr. Designer: Lulubi Garcia @lulubi_garcia
Sr. Creative Director: Jenny Tondera @jennytondera
Brand Marketing: Carlos Martinez @carlosmtz_iii

Additional Nike Team:
Alex Sorell, Allison Kong, Gianna Carrabotta, Kris Cantrell, Ryan Lynch

Case Study Photography
Bryson Malone @brysonmalone
Gian Icatar @g.icatar

An incredible journey and honor working with @thenewcompany: @stevenolimpio & @rhomas_ormsby on the @usnikefootball Super Bowl LX Visual Center. Making SF proud🌁🏈

CREDITS LIST
The New Company @thenewcompany
Creative Director: Steven Olimpio @stevenolimpio
Sr. Designer, Art Director: Ryan Ormsby @rhomas_ormsby
Designer: Cecily Li @cec.ilyli
Motion Design: Ismael Picardi @ismapic
Sr. Project Manager: Morgan Lee @morrganlee
Co-Founder, ECD: Matthew Luckhurst @mattluckhurst

Nike Football @usnikefootball
Brand Creative Producer: Bri Cubelo @bricubelo
Digital Design Lead: Koji Yamamoto @koojjjiiii
Sr. Designer: Lulubi Garcia @lulubi_garcia
Sr. Creative Director: Jenny Tondera @jennytondera
Brand Marketing: Carlos Martinez @carlosmtz_iii

Additional Nike Team:
Alex Sorell, Allison Kong, Gianna Carrabotta, Kris Cantrell, Ryan Lynch

Case Study Photography
Bryson Malone @brysonmalone
Gian Icatar @g.icatar

An incredible journey and honor working with @thenewcompany: @stevenolimpio & @rhomas_ormsby on the @usnikefootball Super Bowl LX Visual Center. Making SF proud🌁🏈

CREDITS LIST
The New Company @thenewcompany
Creative Director: Steven Olimpio @stevenolimpio
Sr. Designer, Art Director: Ryan Ormsby @rhomas_ormsby
Designer: Cecily Li @cec.ilyli
Motion Design: Ismael Picardi @ismapic
Sr. Project Manager: Morgan Lee @morrganlee
Co-Founder, ECD: Matthew Luckhurst @mattluckhurst

Nike Football @usnikefootball
Brand Creative Producer: Bri Cubelo @bricubelo
Digital Design Lead: Koji Yamamoto @koojjjiiii
Sr. Designer: Lulubi Garcia @lulubi_garcia
Sr. Creative Director: Jenny Tondera @jennytondera
Brand Marketing: Carlos Martinez @carlosmtz_iii

Additional Nike Team:
Alex Sorell, Allison Kong, Gianna Carrabotta, Kris Cantrell, Ryan Lynch

Case Study Photography
Bryson Malone @brysonmalone
Gian Icatar @g.icatar

An incredible journey and honor working with @thenewcompany: @stevenolimpio & @rhomas_ormsby on the @usnikefootball Super Bowl LX Visual Center. Making SF proud🌁🏈

CREDITS LIST
The New Company @thenewcompany
Creative Director: Steven Olimpio @stevenolimpio
Sr. Designer, Art Director: Ryan Ormsby @rhomas_ormsby
Designer: Cecily Li @cec.ilyli
Motion Design: Ismael Picardi @ismapic
Sr. Project Manager: Morgan Lee @morrganlee
Co-Founder, ECD: Matthew Luckhurst @mattluckhurst

Nike Football @usnikefootball
Brand Creative Producer: Bri Cubelo @bricubelo
Digital Design Lead: Koji Yamamoto @koojjjiiii
Sr. Designer: Lulubi Garcia @lulubi_garcia
Sr. Creative Director: Jenny Tondera @jennytondera
Brand Marketing: Carlos Martinez @carlosmtz_iii

Additional Nike Team:
Alex Sorell, Allison Kong, Gianna Carrabotta, Kris Cantrell, Ryan Lynch

Case Study Photography
Bryson Malone @brysonmalone
Gian Icatar @g.icatar

An incredible journey and honor working with @thenewcompany: @stevenolimpio & @rhomas_ormsby on the @usnikefootball Super Bowl LX Visual Center. Making SF proud🌁🏈

CREDITS LIST
The New Company @thenewcompany
Creative Director: Steven Olimpio @stevenolimpio
Sr. Designer, Art Director: Ryan Ormsby @rhomas_ormsby
Designer: Cecily Li @cec.ilyli
Motion Design: Ismael Picardi @ismapic
Sr. Project Manager: Morgan Lee @morrganlee
Co-Founder, ECD: Matthew Luckhurst @mattluckhurst

Nike Football @usnikefootball
Brand Creative Producer: Bri Cubelo @bricubelo
Digital Design Lead: Koji Yamamoto @koojjjiiii
Sr. Designer: Lulubi Garcia @lulubi_garcia
Sr. Creative Director: Jenny Tondera @jennytondera
Brand Marketing: Carlos Martinez @carlosmtz_iii

Additional Nike Team:
Alex Sorell, Allison Kong, Gianna Carrabotta, Kris Cantrell, Ryan Lynch

Case Study Photography
Bryson Malone @brysonmalone
Gian Icatar @g.icatar

Sharing one last piece before the year ends❣️
Ambedo in use on the book jacket of afra eisma’s artist book ‘splashdown tender’.

Rather than a fixed retrospective, the monograph pubication splashdown tender by visual artist afra eisma (b. 1993, NL) unfolds like an exhibition itself: a constellation of works, notes, sketches, and contributions from friends, writers, and fellow artists. Readers are invited to wander through its pages without a prescribed route, encountering tenderness as a form of knowledge and a mode of assembly. 

@aframarciel
Designed by @dayna.casey assisted by @minnept
Textually edited by @tuff_n_tender

Published by @____page_not_found____
Distributed internationally by @ideabooksnl and in NL and BE by @jessepresse 
Printed by @diekeureprinting

Text Typefaces by  @jung_lee_type_foundry and Estefanía Sánchez

Sharing one last piece before the year ends❣️
Ambedo in use on the book jacket of afra eisma’s artist book ‘splashdown tender’.

Rather than a fixed retrospective, the monograph pubication splashdown tender by visual artist afra eisma (b. 1993, NL) unfolds like an exhibition itself: a constellation of works, notes, sketches, and contributions from friends, writers, and fellow artists. Readers are invited to wander through its pages without a prescribed route, encountering tenderness as a form of knowledge and a mode of assembly. 

@aframarciel
Designed by @dayna.casey assisted by @minnept
Textually edited by @tuff_n_tender

Published by @____page_not_found____
Distributed internationally by @ideabooksnl and in NL and BE by @jessepresse 
Printed by @diekeureprinting

Text Typefaces by  @jung_lee_type_foundry and Estefanía Sánchez

Sharing one last piece before the year ends❣️
Ambedo in use on the book jacket of afra eisma’s artist book ‘splashdown tender’.

Rather than a fixed retrospective, the monograph pubication splashdown tender by visual artist afra eisma (b. 1993, NL) unfolds like an exhibition itself: a constellation of works, notes, sketches, and contributions from friends, writers, and fellow artists. Readers are invited to wander through its pages without a prescribed route, encountering tenderness as a form of knowledge and a mode of assembly. 

@aframarciel
Designed by @dayna.casey assisted by @minnept
Textually edited by @tuff_n_tender

Published by @____page_not_found____
Distributed internationally by @ideabooksnl and in NL and BE by @jessepresse 
Printed by @diekeureprinting

Text Typefaces by  @jung_lee_type_foundry and Estefanía Sánchez

Sharing one last piece before the year ends❣️
Ambedo in use on the book jacket of afra eisma’s artist book ‘splashdown tender’.

Rather than a fixed retrospective, the monograph pubication splashdown tender by visual artist afra eisma (b. 1993, NL) unfolds like an exhibition itself: a constellation of works, notes, sketches, and contributions from friends, writers, and fellow artists. Readers are invited to wander through its pages without a prescribed route, encountering tenderness as a form of knowledge and a mode of assembly. 

@aframarciel
Designed by @dayna.casey assisted by @minnept
Textually edited by @tuff_n_tender

Published by @____page_not_found____
Distributed internationally by @ideabooksnl and in NL and BE by @jessepresse 
Printed by @diekeureprinting

Text Typefaces by  @jung_lee_type_foundry and Estefanía Sánchez

Sharing one last piece before the year ends❣️
Ambedo in use on the book jacket of afra eisma’s artist book ‘splashdown tender’.

Rather than a fixed retrospective, the monograph pubication splashdown tender by visual artist afra eisma (b. 1993, NL) unfolds like an exhibition itself: a constellation of works, notes, sketches, and contributions from friends, writers, and fellow artists. Readers are invited to wander through its pages without a prescribed route, encountering tenderness as a form of knowledge and a mode of assembly. 

@aframarciel
Designed by @dayna.casey assisted by @minnept
Textually edited by @tuff_n_tender

Published by @____page_not_found____
Distributed internationally by @ideabooksnl and in NL and BE by @jessepresse 
Printed by @diekeureprinting

Text Typefaces by  @jung_lee_type_foundry and Estefanía Sánchez

Sharing one last piece before the year ends❣️
Ambedo in use on the book jacket of afra eisma’s artist book ‘splashdown tender’.

Rather than a fixed retrospective, the monograph pubication splashdown tender by visual artist afra eisma (b. 1993, NL) unfolds like an exhibition itself: a constellation of works, notes, sketches, and contributions from friends, writers, and fellow artists. Readers are invited to wander through its pages without a prescribed route, encountering tenderness as a form of knowledge and a mode of assembly. 

@aframarciel
Designed by @dayna.casey assisted by @minnept
Textually edited by @tuff_n_tender

Published by @____page_not_found____
Distributed internationally by @ideabooksnl and in NL and BE by @jessepresse 
Printed by @diekeureprinting

Text Typefaces by  @jung_lee_type_foundry and Estefanía Sánchez

Sharing one last piece before the year ends❣️
Ambedo in use on the book jacket of afra eisma’s artist book ‘splashdown tender’.

Rather than a fixed retrospective, the monograph pubication splashdown tender by visual artist afra eisma (b. 1993, NL) unfolds like an exhibition itself: a constellation of works, notes, sketches, and contributions from friends, writers, and fellow artists. Readers are invited to wander through its pages without a prescribed route, encountering tenderness as a form of knowledge and a mode of assembly. 

@aframarciel
Designed by @dayna.casey assisted by @minnept
Textually edited by @tuff_n_tender

Published by @____page_not_found____
Distributed internationally by @ideabooksnl and in NL and BE by @jessepresse 
Printed by @diekeureprinting

Text Typefaces by  @jung_lee_type_foundry and Estefanía Sánchez

Sharing one last piece before the year ends❣️
Ambedo in use on the book jacket of afra eisma’s artist book ‘splashdown tender’.

Rather than a fixed retrospective, the monograph pubication splashdown tender by visual artist afra eisma (b. 1993, NL) unfolds like an exhibition itself: a constellation of works, notes, sketches, and contributions from friends, writers, and fellow artists. Readers are invited to wander through its pages without a prescribed route, encountering tenderness as a form of knowledge and a mode of assembly. 

@aframarciel
Designed by @dayna.casey assisted by @minnept
Textually edited by @tuff_n_tender

Published by @____page_not_found____
Distributed internationally by @ideabooksnl and in NL and BE by @jessepresse 
Printed by @diekeureprinting

Text Typefaces by  @jung_lee_type_foundry and Estefanía Sánchez

Kleren is a practice of everyday life that translates the language of clothing and textiles, interweaving the care, labor, and love of clothes makers with close observation of fashion culture.

Based on translational construction, the typeface traces the movement of a broad-nib pen. Balancing clarity and softness, it explores a neutral, low contrast expression inspired by clothing as soft sculpture. Serif details echo fabric folds, expressing a gentle and slow-living ethos.

#typedesign#typeface#typeinuse#graphicdesign#typography#letterforms

Kleren is a practice of everyday life that translates the language of clothing and textiles, interweaving the care, labor, and love of clothes makers with close observation of fashion culture.

Based on translational construction, the typeface traces the movement of a broad-nib pen. Balancing clarity and softness, it explores a neutral, low contrast expression inspired by clothing as soft sculpture. Serif details echo fabric folds, expressing a gentle and slow-living ethos.

#typedesign#typeface#typeinuse#graphicdesign#typography#letterforms

Kleren is a practice of everyday life that translates the language of clothing and textiles, interweaving the care, labor, and love of clothes makers with close observation of fashion culture.

Based on translational construction, the typeface traces the movement of a broad-nib pen. Balancing clarity and softness, it explores a neutral, low contrast expression inspired by clothing as soft sculpture. Serif details echo fabric folds, expressing a gentle and slow-living ethos.

#typedesign#typeface#typeinuse#graphicdesign#typography#letterforms

Kleren is a practice of everyday life that translates the language of clothing and textiles, interweaving the care, labor, and love of clothes makers with close observation of fashion culture.

Based on translational construction, the typeface traces the movement of a broad-nib pen. Balancing clarity and softness, it explores a neutral, low contrast expression inspired by clothing as soft sculpture. Serif details echo fabric folds, expressing a gentle and slow-living ethos.

#typedesign#typeface#typeinuse#graphicdesign#typography#letterforms

Kleren is a practice of everyday life that translates the language of clothing and textiles, interweaving the care, labor, and love of clothes makers with close observation of fashion culture.

Based on translational construction, the typeface traces the movement of a broad-nib pen. Balancing clarity and softness, it explores a neutral, low contrast expression inspired by clothing as soft sculpture. Serif details echo fabric folds, expressing a gentle and slow-living ethos.

#typedesign#typeface#typeinuse#graphicdesign#typography#letterforms

Kleren is a practice of everyday life that translates the language of clothing and textiles, interweaving the care, labor, and love of clothes makers with close observation of fashion culture.

Based on translational construction, the typeface traces the movement of a broad-nib pen. Balancing clarity and softness, it explores a neutral, low contrast expression inspired by clothing as soft sculpture. Serif details echo fabric folds, expressing a gentle and slow-living ethos.

#typedesign#typeface#typeinuse#graphicdesign#typography#letterforms

Kleren is a practice of everyday life that translates the language of clothing and textiles, interweaving the care, labor, and love of clothes makers with close observation of fashion culture.

Based on translational construction, the typeface traces the movement of a broad-nib pen. Balancing clarity and softness, it explores a neutral, low contrast expression inspired by clothing as soft sculpture. Serif details echo fabric folds, expressing a gentle and slow-living ethos.

#typedesign#typeface#typeinuse#graphicdesign#typography#letterforms

Kleren is a practice of everyday life that translates the language of clothing and textiles, interweaving the care, labor, and love of clothes makers with close observation of fashion culture.

Based on translational construction, the typeface traces the movement of a broad-nib pen. Balancing clarity and softness, it explores a neutral, low contrast expression inspired by clothing as soft sculpture. Serif details echo fabric folds, expressing a gentle and slow-living ethos.

#typedesign#typeface#typeinuse#graphicdesign#typography#letterforms

The clothing label 🏷️ is often overlooked, yet it holds the maker’s love and care in a tiny form. It may go unnoticed, but once you notice it, you feel truly appreciated

To share my typeface made at Type@Cooper, I made labels describing my typeface Kleren, which means “textile worn/carried on the body” in Dutch, attached them to bits of fabric, and gave them to friends as keepsakes. I hoped they’d feel a quiet connection between the fabric in their hands and the words beside it 💌

The clothing label 🏷️ is often overlooked, yet it holds the maker’s love and care in a tiny form. It may go unnoticed, but once you notice it, you feel truly appreciated

To share my typeface made at Type@Cooper, I made labels describing my typeface Kleren, which means “textile worn/carried on the body” in Dutch, attached them to bits of fabric, and gave them to friends as keepsakes. I hoped they’d feel a quiet connection between the fabric in their hands and the words beside it 💌

The clothing label 🏷️ is often overlooked, yet it holds the maker’s love and care in a tiny form. It may go unnoticed, but once you notice it, you feel truly appreciated

To share my typeface made at Type@Cooper, I made labels describing my typeface Kleren, which means “textile worn/carried on the body” in Dutch, attached them to bits of fabric, and gave them to friends as keepsakes. I hoped they’d feel a quiet connection between the fabric in their hands and the words beside it 💌

The clothing label 🏷️ is often overlooked, yet it holds the maker’s love and care in a tiny form. It may go unnoticed, but once you notice it, you feel truly appreciated

To share my typeface made at Type@Cooper, I made labels describing my typeface Kleren, which means “textile worn/carried on the body” in Dutch, attached them to bits of fabric, and gave them to friends as keepsakes. I hoped they’d feel a quiet connection between the fabric in their hands and the words beside it 💌

The clothing label 🏷️ is often overlooked, yet it holds the maker’s love and care in a tiny form. It may go unnoticed, but once you notice it, you feel truly appreciated

To share my typeface made at Type@Cooper, I made labels describing my typeface Kleren, which means “textile worn/carried on the body” in Dutch, attached them to bits of fabric, and gave them to friends as keepsakes. I hoped they’d feel a quiet connection between the fabric in their hands and the words beside it 💌

The clothing label 🏷️ is often overlooked, yet it holds the maker’s love and care in a tiny form. It may go unnoticed, but once you notice it, you feel truly appreciated

To share my typeface made at Type@Cooper, I made labels describing my typeface Kleren, which means “textile worn/carried on the body” in Dutch, attached them to bits of fabric, and gave them to friends as keepsakes. I hoped they’d feel a quiet connection between the fabric in their hands and the words beside it 💌

The clothing label 🏷️ is often overlooked, yet it holds the maker’s love and care in a tiny form. It may go unnoticed, but once you notice it, you feel truly appreciated

To share my typeface made at Type@Cooper, I made labels describing my typeface Kleren, which means “textile worn/carried on the body” in Dutch, attached them to bits of fabric, and gave them to friends as keepsakes. I hoped they’d feel a quiet connection between the fabric in their hands and the words beside it 💌

The clothing label 🏷️ is often overlooked, yet it holds the maker’s love and care in a tiny form. It may go unnoticed, but once you notice it, you feel truly appreciated

To share my typeface made at Type@Cooper, I made labels describing my typeface Kleren, which means “textile worn/carried on the body” in Dutch, attached them to bits of fabric, and gave them to friends as keepsakes. I hoped they’d feel a quiet connection between the fabric in their hands and the words beside it 💌

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

Kleren — A text typeface for clothes & makers 🪡👚👕 More to come!

Join us for the @typeatcooper2025 exhibition opening on October 2nd, 6pm at Cooper Union 🫶

Image & Text via
@auralee_tokyo
@baserange
@extreme.cashmere
@laurenmanoogian
@lostjcrew

#typedesign#typography#graphicdesign

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

LAeXit! Always a good time⚾️

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Breathing in the bay 🦦

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Turnip is a serif typeface revived from the 1938 book The Williamsburg Art of Cookery, found at @bonnieslotnickcookbooks. With flared terminals, softened edges, and bracketed serifs, it reflects the warmth and imperfections of traditional letterpress, offering an inviting aesthetic for cookbook lovers.

This project with @coopertype is my first dive into letterforms from the roots. It’s been a journey of being faithful to what I see, and deciding what to keep and let go. Big thanks to Hannes, the TAs, and my classmates for all the guidance.

#type#typedesign#typeface#typerevival#graphicdesign#editorialdesign#cookbook#letterforms#typography#typespecimen#contemporarytype

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Walking in car city 🛺

Salut🖐️👋🖐️

Salut🖐️👋🖐️

Salut🖐️👋🖐️

Salut🖐️👋🖐️

Salut🖐️👋🖐️

Salut🖐️👋🖐️

Salut🖐️👋🖐️

Salut🖐️👋🖐️

Salut🖐️👋🖐️

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

An emblem for @happeningsny, representing the shared communal experience of food and art, artist and chef, audience and space, friend and friend.

Happenings presents ongoing iterations of an ‘exhibition dinner’ featuring an artist’s work paired with a chef’s menu, hosted in a gallery space in New York City.

Thanks to the wonderful duo behind Happenings 🫰@kelly081810 and @annabolaner

#graphicdesign#identitydesign#emblem#logo#culinaryarts

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub

Ambedo - draws inspiration from Old Style fonts like Palatino, prioritizing refined tips and tails while maintaining a neutral body and moderate stroke contrast. It comes in Regular, Italic and Swash Caps styles.

The journey began in a @typeelectives crash course with instructors Libbie Bischoff @typedunord and Jo Malinis @aniciaclean in early spring. After the month-long class, I continued refining and evolving the typeface from scratch.
Matt Alagiah’s article, “How to Approach Design as Ecology,” on It’s Nice That gave me a new perspective, motivating me to bridge design with nature, evoke ecological consciousness, and practice sustainability.
Quote on Image 10 sourced from Lexi Visco, @companion_____platform
@atmos magazine has always been a source of inspiration, so I created the type specimen using titles and images from the publications.

Ambedo
n. A kind of melancholic trance in which you become completely absorbed in vivid sensory details—raindrops skittering down a window, tall trees leaning in the wind, clouds of cream swirling in your coffee—which leads to a dawning awareness of the haunting fragility of life. A mood whose only known cure is the vuvuzela.🕸️🌱🫧
This word is derived from The Dictionary of Obscure Sorrows, a collection of made-up words for emotions we all feel but don’t have the words to express.

#typedesign#typeface#typespecimen #womentypeclub