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Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Venice. Rain, queues, baby bottles hanging from trees, a coat that says everything. Five days moving through the Giardini and Arsenale the kind of looking that makes you want to go back to work.
#Venicepostcards @labiennale
#VeniceBiennale2026 #inminorkeys #koyokouoh #biennalearte2026

Meravigliose @ccanziani e @chiara.camoni ♥️🔥
Un Padiglione Italia poetico, potente e profondamente emozionante, quasi sacrale: uno spazio che si attraversa come una cattedrale contemporanea.
Felice di aver avuto il privilegio di raccontarlo attraverso la mia video intervista che uscirà prossimamente per @artribune

#BiennaleArte2026 #BiennaleDiVenezia #PadiglioneItalia #KoyoKouoh #Artribune

Meravigliose @ccanziani e @chiara.camoni ♥️🔥
Un Padiglione Italia poetico, potente e profondamente emozionante, quasi sacrale: uno spazio che si attraversa come una cattedrale contemporanea.
Felice di aver avuto il privilegio di raccontarlo attraverso la mia video intervista che uscirà prossimamente per @artribune

#BiennaleArte2026 #BiennaleDiVenezia #PadiglioneItalia #KoyoKouoh #Artribune

Meravigliose @ccanziani e @chiara.camoni ♥️🔥
Un Padiglione Italia poetico, potente e profondamente emozionante, quasi sacrale: uno spazio che si attraversa come una cattedrale contemporanea.
Felice di aver avuto il privilegio di raccontarlo attraverso la mia video intervista che uscirà prossimamente per @artribune

#BiennaleArte2026 #BiennaleDiVenezia #PadiglioneItalia #KoyoKouoh #Artribune

Meravigliose @ccanziani e @chiara.camoni ♥️🔥
Un Padiglione Italia poetico, potente e profondamente emozionante, quasi sacrale: uno spazio che si attraversa come una cattedrale contemporanea.
Felice di aver avuto il privilegio di raccontarlo attraverso la mia video intervista che uscirà prossimamente per @artribune

#BiennaleArte2026 #BiennaleDiVenezia #PadiglioneItalia #KoyoKouoh #Artribune

Meravigliose @ccanziani e @chiara.camoni ♥️🔥
Un Padiglione Italia poetico, potente e profondamente emozionante, quasi sacrale: uno spazio che si attraversa come una cattedrale contemporanea.
Felice di aver avuto il privilegio di raccontarlo attraverso la mia video intervista che uscirà prossimamente per @artribune

#BiennaleArte2026 #BiennaleDiVenezia #PadiglioneItalia #KoyoKouoh #Artribune

Meravigliose @ccanziani e @chiara.camoni ♥️🔥
Un Padiglione Italia poetico, potente e profondamente emozionante, quasi sacrale: uno spazio che si attraversa come una cattedrale contemporanea.
Felice di aver avuto il privilegio di raccontarlo attraverso la mia video intervista che uscirà prossimamente per @artribune

#BiennaleArte2026 #BiennaleDiVenezia #PadiglioneItalia #KoyoKouoh #Artribune

Meravigliose @ccanziani e @chiara.camoni ♥️🔥
Un Padiglione Italia poetico, potente e profondamente emozionante, quasi sacrale: uno spazio che si attraversa come una cattedrale contemporanea.
Felice di aver avuto il privilegio di raccontarlo attraverso la mia video intervista che uscirà prossimamente per @artribune

#BiennaleArte2026 #BiennaleDiVenezia #PadiglioneItalia #KoyoKouoh #Artribune

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

On the occasion of “Con te con tutto (With You, With Everything),” the Italian Pavilion at the 61st Venice Biennale, artist Chiara Camoni (@chiara.camoni) and curator Cecilia Canziani (@ccanziani) reflect, together with Alessandro Rabottini (@alessandro.rabottini), on a project that grew organically out of years of mutual friendship, collaboration, and “thinking with.”

Tap the link in bio to read the conversation.

At the Venice Biennale 2026, the Italian Pavilion unfolds as a living, breathing ecosystem.
@chiara.camoni @ccanziani

With “Con te con tutto,” Chiara Camoni, curated by Cecilia Canziani, invites us to rethink how we exist together with others, with nature, and with the materials that shape our world. Rooted in slowness, care, and collective making, the installation transforms the Arsenale into a space of connection and quiet transformation.

Supported by @zegna , the project bridges art, craftsmanship, and landscape, extending beyond Venice into Oasi Zegna itself.

A reminder that art does not just represent the world, it grows with it.

#VeniceBiennale #BiennaleArte2026

At the Venice Biennale 2026, the Italian Pavilion unfolds as a living, breathing ecosystem.
@chiara.camoni @ccanziani

With “Con te con tutto,” Chiara Camoni, curated by Cecilia Canziani, invites us to rethink how we exist together with others, with nature, and with the materials that shape our world. Rooted in slowness, care, and collective making, the installation transforms the Arsenale into a space of connection and quiet transformation.

Supported by @zegna , the project bridges art, craftsmanship, and landscape, extending beyond Venice into Oasi Zegna itself.

A reminder that art does not just represent the world, it grows with it.

#VeniceBiennale #BiennaleArte2026

At the Venice Biennale 2026, the Italian Pavilion unfolds as a living, breathing ecosystem.
@chiara.camoni @ccanziani

With “Con te con tutto,” Chiara Camoni, curated by Cecilia Canziani, invites us to rethink how we exist together with others, with nature, and with the materials that shape our world. Rooted in slowness, care, and collective making, the installation transforms the Arsenale into a space of connection and quiet transformation.

Supported by @zegna , the project bridges art, craftsmanship, and landscape, extending beyond Venice into Oasi Zegna itself.

A reminder that art does not just represent the world, it grows with it.

#VeniceBiennale #BiennaleArte2026

At the Venice Biennale 2026, the Italian Pavilion unfolds as a living, breathing ecosystem.
@chiara.camoni @ccanziani

With “Con te con tutto,” Chiara Camoni, curated by Cecilia Canziani, invites us to rethink how we exist together with others, with nature, and with the materials that shape our world. Rooted in slowness, care, and collective making, the installation transforms the Arsenale into a space of connection and quiet transformation.

Supported by @zegna , the project bridges art, craftsmanship, and landscape, extending beyond Venice into Oasi Zegna itself.

A reminder that art does not just represent the world, it grows with it.

#VeniceBiennale #BiennaleArte2026

At the Venice Biennale 2026, the Italian Pavilion unfolds as a living, breathing ecosystem.
@chiara.camoni @ccanziani

With “Con te con tutto,” Chiara Camoni, curated by Cecilia Canziani, invites us to rethink how we exist together with others, with nature, and with the materials that shape our world. Rooted in slowness, care, and collective making, the installation transforms the Arsenale into a space of connection and quiet transformation.

Supported by @zegna , the project bridges art, craftsmanship, and landscape, extending beyond Venice into Oasi Zegna itself.

A reminder that art does not just represent the world, it grows with it.

#VeniceBiennale #BiennaleArte2026

At the Venice Biennale 2026, the Italian Pavilion unfolds as a living, breathing ecosystem.
@chiara.camoni @ccanziani

With “Con te con tutto,” Chiara Camoni, curated by Cecilia Canziani, invites us to rethink how we exist together with others, with nature, and with the materials that shape our world. Rooted in slowness, care, and collective making, the installation transforms the Arsenale into a space of connection and quiet transformation.

Supported by @zegna , the project bridges art, craftsmanship, and landscape, extending beyond Venice into Oasi Zegna itself.

A reminder that art does not just represent the world, it grows with it.

#VeniceBiennale #BiennaleArte2026

At the Venice Biennale 2026, the Italian Pavilion unfolds as a living, breathing ecosystem.
@chiara.camoni @ccanziani

With “Con te con tutto,” Chiara Camoni, curated by Cecilia Canziani, invites us to rethink how we exist together with others, with nature, and with the materials that shape our world. Rooted in slowness, care, and collective making, the installation transforms the Arsenale into a space of connection and quiet transformation.

Supported by @zegna , the project bridges art, craftsmanship, and landscape, extending beyond Venice into Oasi Zegna itself.

A reminder that art does not just represent the world, it grows with it.

#VeniceBiennale #BiennaleArte2026

Da bambina mi portavano spesso al cimitero e ho sempre pensato che questa sia una delle ragioni per cui mi sono poi interessata alla scultura e ai monumenti. Oggi sono tornata al Verano dopo tanto tempo e ho pensato che la poca cura che abbiamo per i morti riflette la poca cura che abbiamo per i vivi. Ma ho anche visto che anche qui le piante si appropriano con molta facilità dello spazio che noi abbandoniamo, e questo mi ha messo allegria.

Da bambina mi portavano spesso al cimitero e ho sempre pensato che questa sia una delle ragioni per cui mi sono poi interessata alla scultura e ai monumenti. Oggi sono tornata al Verano dopo tanto tempo e ho pensato che la poca cura che abbiamo per i morti riflette la poca cura che abbiamo per i vivi. Ma ho anche visto che anche qui le piante si appropriano con molta facilità dello spazio che noi abbandoniamo, e questo mi ha messo allegria.

Da bambina mi portavano spesso al cimitero e ho sempre pensato che questa sia una delle ragioni per cui mi sono poi interessata alla scultura e ai monumenti. Oggi sono tornata al Verano dopo tanto tempo e ho pensato che la poca cura che abbiamo per i morti riflette la poca cura che abbiamo per i vivi. Ma ho anche visto che anche qui le piante si appropriano con molta facilità dello spazio che noi abbandoniamo, e questo mi ha messo allegria.

Società delle Api hosts Chiara Camoni (@chiara.camoni) and Il Centro di Sperimentazione - her group of collaborators - at Palazzo Lezze Michiel, its Venetian venue, for the first phase of Con te con tutto (@contecontutto), Camoni’s solo exhibition for the Italian Pavilion at the 61st International Art Exhibition – La Biennale di Venezia (@labiennale), promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture (@creativita_contemporanea @mic_italia), curated by Cecilia Canziani (@ccanziani).
As preparations continue, we begin to share the early stages of the project.

Chiara Camoni (1974, Piacenza) lives and works in a small village in the Apuan Alps. Her practice spans drawing, plant-based printing, video, and above all sculpture, with a particular focus on ceramics. Her works often emerge through collaborations with informal, spontaneous groups, as well as through more structured seminars and workshops. In recent years, Il Centro di Sperimentazione has developed alongside her as a shared authorship practice.

Ph. Camilla Maria Santini (@camilla_maria_santini_ph)

#societadelleapi #BiennaleArte2026 #ItalianPavilion2026 #contecontutto

Società delle Api hosts Chiara Camoni (@chiara.camoni) and Il Centro di Sperimentazione - her group of collaborators - at Palazzo Lezze Michiel, its Venetian venue, for the first phase of Con te con tutto (@contecontutto), Camoni’s solo exhibition for the Italian Pavilion at the 61st International Art Exhibition – La Biennale di Venezia (@labiennale), promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture (@creativita_contemporanea @mic_italia), curated by Cecilia Canziani (@ccanziani).
As preparations continue, we begin to share the early stages of the project.

Chiara Camoni (1974, Piacenza) lives and works in a small village in the Apuan Alps. Her practice spans drawing, plant-based printing, video, and above all sculpture, with a particular focus on ceramics. Her works often emerge through collaborations with informal, spontaneous groups, as well as through more structured seminars and workshops. In recent years, Il Centro di Sperimentazione has developed alongside her as a shared authorship practice.

Ph. Camilla Maria Santini (@camilla_maria_santini_ph)

#societadelleapi #BiennaleArte2026 #ItalianPavilion2026 #contecontutto

Società delle Api hosts Chiara Camoni (@chiara.camoni) and Il Centro di Sperimentazione - her group of collaborators - at Palazzo Lezze Michiel, its Venetian venue, for the first phase of Con te con tutto (@contecontutto), Camoni’s solo exhibition for the Italian Pavilion at the 61st International Art Exhibition – La Biennale di Venezia (@labiennale), promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture (@creativita_contemporanea @mic_italia), curated by Cecilia Canziani (@ccanziani).
As preparations continue, we begin to share the early stages of the project.

Chiara Camoni (1974, Piacenza) lives and works in a small village in the Apuan Alps. Her practice spans drawing, plant-based printing, video, and above all sculpture, with a particular focus on ceramics. Her works often emerge through collaborations with informal, spontaneous groups, as well as through more structured seminars and workshops. In recent years, Il Centro di Sperimentazione has developed alongside her as a shared authorship practice.

Ph. Camilla Maria Santini (@camilla_maria_santini_ph)

#societadelleapi #BiennaleArte2026 #ItalianPavilion2026 #contecontutto

Società delle Api hosts Chiara Camoni (@chiara.camoni) and Il Centro di Sperimentazione - her group of collaborators - at Palazzo Lezze Michiel, its Venetian venue, for the first phase of Con te con tutto (@contecontutto), Camoni’s solo exhibition for the Italian Pavilion at the 61st International Art Exhibition – La Biennale di Venezia (@labiennale), promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture (@creativita_contemporanea @mic_italia), curated by Cecilia Canziani (@ccanziani).
As preparations continue, we begin to share the early stages of the project.

Chiara Camoni (1974, Piacenza) lives and works in a small village in the Apuan Alps. Her practice spans drawing, plant-based printing, video, and above all sculpture, with a particular focus on ceramics. Her works often emerge through collaborations with informal, spontaneous groups, as well as through more structured seminars and workshops. In recent years, Il Centro di Sperimentazione has developed alongside her as a shared authorship practice.

Ph. Camilla Maria Santini (@camilla_maria_santini_ph)

#societadelleapi #BiennaleArte2026 #ItalianPavilion2026 #contecontutto

Società delle Api hosts Chiara Camoni (@chiara.camoni) and Il Centro di Sperimentazione - her group of collaborators - at Palazzo Lezze Michiel, its Venetian venue, for the first phase of Con te con tutto (@contecontutto), Camoni’s solo exhibition for the Italian Pavilion at the 61st International Art Exhibition – La Biennale di Venezia (@labiennale), promoted by the Directorate-General for Contemporary Creativity of the Italian Ministry of Culture (@creativita_contemporanea @mic_italia), curated by Cecilia Canziani (@ccanziani).
As preparations continue, we begin to share the early stages of the project.

Chiara Camoni (1974, Piacenza) lives and works in a small village in the Apuan Alps. Her practice spans drawing, plant-based printing, video, and above all sculpture, with a particular focus on ceramics. Her works often emerge through collaborations with informal, spontaneous groups, as well as through more structured seminars and workshops. In recent years, Il Centro di Sperimentazione has developed alongside her as a shared authorship practice.

Ph. Camilla Maria Santini (@camilla_maria_santini_ph)

#societadelleapi #BiennaleArte2026 #ItalianPavilion2026 #contecontutto

O U TN O W 🌔🪐🪨
After a long journey, I am delighted to present my new catalogue “Songs for the Orbs,” published by @hatjecantzverlag.
The book was designed by Petra Lüer @wigel.buero and gives an overview of the past years, with a focus on my ceramic works.
It includes wonderful texts by Cecilia Canziani @ccanziani, Philipp Schönthaler @philipp.schoenthaler, Jörg Scheller, and Laura Helena Wurth @laurahelenawurth.
The first presentation of the book will take place in May, alongside my exhibition “Land Lake Sky” at the Taubenturm in Dießen @taubenturm_diessen. This will be followed in June by a presentation with Hatje Cantz at Art Basel @artbasel. On this occasion, a limited-edition lithograph will be released. Many thanks, dear Petra, for the wonderful graphic concept and its realization.
🙏Many thanks to everyone who contributed to this project, and to Hatje Cantz for the great collaboration. @lisa_reitmeier @juliadraganovic @reitmeiermax @kadelwillborn @monitorgallery @nicolaskrupp_gallery @nouveauxdeuxdeux @galleriapoggiali @obscura_seoul @villamassimo.de

O U TN O W 🌔🪐🪨
After a long journey, I am delighted to present my new catalogue “Songs for the Orbs,” published by @hatjecantzverlag.
The book was designed by Petra Lüer @wigel.buero and gives an overview of the past years, with a focus on my ceramic works.
It includes wonderful texts by Cecilia Canziani @ccanziani, Philipp Schönthaler @philipp.schoenthaler, Jörg Scheller, and Laura Helena Wurth @laurahelenawurth.
The first presentation of the book will take place in May, alongside my exhibition “Land Lake Sky” at the Taubenturm in Dießen @taubenturm_diessen. This will be followed in June by a presentation with Hatje Cantz at Art Basel @artbasel. On this occasion, a limited-edition lithograph will be released. Many thanks, dear Petra, for the wonderful graphic concept and its realization.
🙏Many thanks to everyone who contributed to this project, and to Hatje Cantz for the great collaboration. @lisa_reitmeier @juliadraganovic @reitmeiermax @kadelwillborn @monitorgallery @nicolaskrupp_gallery @nouveauxdeuxdeux @galleriapoggiali @obscura_seoul @villamassimo.de

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

“Anger - Pleasure - Fear” is the inscription on the glass slide that Linda Fregi Nagler displays as a reproduction, which also serves as the title of the exhibition. By the time I discovered the slide depicting three chimpanzees held in captivity, I had already gone through all three of the aforementioned states of physical emotion while walking through the show. The artist confronts us with unsettling images that are often imbued with a sense of melancholy and mystery. She creates this sense of strangeness in the images through small shifts, alterations, and interventions in the visual material, pencildrawing, rephotographing, the use of printing techniques - but also through the combinations and repetition of subjects.
Dear Linda, what an experience, what a wonderful exhibition, and what two magnificent new works. The “Little History of Subjugation” on the subliminal ambiguities of human-animal relationships and your new work on the Mensur “Father.”
GAM Torino, curated by Cecilia Canziani
#photography #lindafregninagler #gamtorino #exhibition #angerpleasurefear torino @lindafregninagler @gamtorino gamtorino @ccanziani

Martedì 24 marzo alle ore 18.00 vi aspettiamo presso l'Associazione IDI - Iotunoivoi Donne Insieme a Udine per la presentazione del catalogo che racconta l'intero percorso di "Fili Continui. Trame e intrecci di cura al confine"!

Il volume, disegnato da Francesca Lucchitta ed edito da Robida, intreccia le voci di chi ha attraversato questo progetto: la narrazione curata da Rachele D'Osualdo ricostruisce ogni fase del percorso, dai laboratori con le donne di S.O.S. Rosa alla creazione dei merletti, dalla performance in Piazza Transalpina alla mostra alla Galerija GONG.

Accanto a questa, i contributi di Cecilia Canziani, curatrice, Lucia Beltramini, psicoterapeuta esperta di violenza di genere, e Antonio Federico Lasalvia, architetto dell'installazione espositiva, approfondiscono il senso artistico, sociale e spaziale del progetto.

Saranno presenti all'incontro:

• Arianna Facchini, Assessora per le Pari Opportunità del Comune di Udine

• Roberta Nunin, Presidente della Commissione per le Pari opportunità del Comune di Udine

• Giulia Iacolutti, artista 

• Rachele D'Osualdo, curatrice

• Le editrici dell'Associazione Robida

Un momento per ripercorrere insieme come l'arte possa farsi cura. E la cura, resistenza.

📍 Associazione IDI - Iotunoivoi Donne Insieme Via Pradamano 41/B, Udine
📅 Martedì 24 marzo 2026
🕕 Ore 18.00

👀 Prima della presentazione del catalogo, puoi rivivere le fasi del progetto visitando la pagina Instagram o Facebook di Etrarte o il sito associazionetrarte.it/fili-continui/

________

“Fili Continui. Trame e intrecci di cura al confine” è un progetto di Giulia Iacolutti, a cura di Rachele D'Osualdo. Prodotto da Etrarte, in partnership con S.O.S. Rosa ODV, ERPAC / Scuola Merletti di Gorizia, Galerija GONG, Robida, Gruppo Folcloristico Santa Gorizia, Arearea, IOTUNOIVOI Donneinsieme. Con il sostegno di Regione Friuli Venezia Giulia, #iosonofriuliveneziagiulia GO!2025 e della Commissione Pari Opportunità del Comune di Udine.

#artecontemporanea #filicontinui #udine

Martedì 24 marzo alle ore 18.00 vi aspettiamo presso l'Associazione IDI - Iotunoivoi Donne Insieme a Udine per la presentazione del catalogo che racconta l'intero percorso di "Fili Continui. Trame e intrecci di cura al confine"!

Il volume, disegnato da Francesca Lucchitta ed edito da Robida, intreccia le voci di chi ha attraversato questo progetto: la narrazione curata da Rachele D'Osualdo ricostruisce ogni fase del percorso, dai laboratori con le donne di S.O.S. Rosa alla creazione dei merletti, dalla performance in Piazza Transalpina alla mostra alla Galerija GONG.

Accanto a questa, i contributi di Cecilia Canziani, curatrice, Lucia Beltramini, psicoterapeuta esperta di violenza di genere, e Antonio Federico Lasalvia, architetto dell'installazione espositiva, approfondiscono il senso artistico, sociale e spaziale del progetto.

Saranno presenti all'incontro:

• Arianna Facchini, Assessora per le Pari Opportunità del Comune di Udine

• Roberta Nunin, Presidente della Commissione per le Pari opportunità del Comune di Udine

• Giulia Iacolutti, artista 

• Rachele D'Osualdo, curatrice

• Le editrici dell'Associazione Robida

Un momento per ripercorrere insieme come l'arte possa farsi cura. E la cura, resistenza.

📍 Associazione IDI - Iotunoivoi Donne Insieme Via Pradamano 41/B, Udine
📅 Martedì 24 marzo 2026
🕕 Ore 18.00

👀 Prima della presentazione del catalogo, puoi rivivere le fasi del progetto visitando la pagina Instagram o Facebook di Etrarte o il sito associazionetrarte.it/fili-continui/

________

“Fili Continui. Trame e intrecci di cura al confine” è un progetto di Giulia Iacolutti, a cura di Rachele D'Osualdo. Prodotto da Etrarte, in partnership con S.O.S. Rosa ODV, ERPAC / Scuola Merletti di Gorizia, Galerija GONG, Robida, Gruppo Folcloristico Santa Gorizia, Arearea, IOTUNOIVOI Donneinsieme. Con il sostegno di Regione Friuli Venezia Giulia, #iosonofriuliveneziagiulia GO!2025 e della Commissione Pari Opportunità del Comune di Udine.

#artecontemporanea #filicontinui #udine