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REBRAND 2.0 | PHASE TWO

I’m rebranding to reflect growth, evolution and a clearer vision for who I am as an artist and producer. Over the years I’ve worked across Grime, Garage, House and TV productions, building a sound and identity that’s bigger than just one scene. This rebrand marks a new chapter refining the Carty S brand into something more intentional, cinematic and future-focused.

It’s not about starting again, it’s about elevating everything I’ve already built. New visuals, new energy, new releases and a stronger creative direction that represents both my journey so far and where I’m heading next.

📸 by @odecreatives

REBRAND 2.0 | PHASE TWO

I’m rebranding to reflect growth, evolution and a clearer vision for who I am as an artist and producer. Over the years I’ve worked across Grime, Garage, House and TV productions, building a sound and identity that’s bigger than just one scene. This rebrand marks a new chapter refining the Carty S brand into something more intentional, cinematic and future-focused.

It’s not about starting again, it’s about elevating everything I’ve already built. New visuals, new energy, new releases and a stronger creative direction that represents both my journey so far and where I’m heading next.

📸 by @odecreatives

REBRAND 2.0 | PHASE TWO

I’m rebranding to reflect growth, evolution and a clearer vision for who I am as an artist and producer. Over the years I’ve worked across Grime, Garage, House and TV productions, building a sound and identity that’s bigger than just one scene. This rebrand marks a new chapter refining the Carty S brand into something more intentional, cinematic and future-focused.

It’s not about starting again, it’s about elevating everything I’ve already built. New visuals, new energy, new releases and a stronger creative direction that represents both my journey so far and where I’m heading next.

📸 by @odecreatives

REBRAND 2.0 | PHASE TWO

I’m rebranding to reflect growth, evolution and a clearer vision for who I am as an artist and producer. Over the years I’ve worked across Grime, Garage, House and TV productions, building a sound and identity that’s bigger than just one scene. This rebrand marks a new chapter refining the Carty S brand into something more intentional, cinematic and future-focused.

It’s not about starting again, it’s about elevating everything I’ve already built. New visuals, new energy, new releases and a stronger creative direction that represents both my journey so far and where I’m heading next.

📸 by @odecreatives

REBRAND 2.0 | PHASE TWO

I’m rebranding to reflect growth, evolution and a clearer vision for who I am as an artist and producer. Over the years I’ve worked across Grime, Garage, House and TV productions, building a sound and identity that’s bigger than just one scene. This rebrand marks a new chapter refining the Carty S brand into something more intentional, cinematic and future-focused.

It’s not about starting again, it’s about elevating everything I’ve already built. New visuals, new energy, new releases and a stronger creative direction that represents both my journey so far and where I’m heading next.

📸 by @odecreatives

REBRAND 2.0 | PHASE TWO

I’m rebranding to reflect growth, evolution and a clearer vision for who I am as an artist and producer. Over the years I’ve worked across Grime, Garage, House and TV productions, building a sound and identity that’s bigger than just one scene. This rebrand marks a new chapter refining the Carty S brand into something more intentional, cinematic and future-focused.

It’s not about starting again, it’s about elevating everything I’ve already built. New visuals, new energy, new releases and a stronger creative direction that represents both my journey so far and where I’m heading next.

📸 by @odecreatives

We’re proud to announce YAH💙DNB
13/06 @firelondon — Protocol 🔥@yahlovepre7ents

2nd room shellings going off!! @iamlostsouljah @skengtenni1 @compzofficialinsta with Carty S + more… shelling down the grime set!!
Oi this is gonna be special… 🙌💯

There’s also a next gospel grime set, coupla man shelling down the place with real solid, conscious gospel bars with substance 🔥@feedemartist @feedemsession #active

We even have man like @shizzmcnaughty spinning some house riddims with big @markradford_ ya nah!! You never know, he may even jump on mic and spit a couple bars 👀🔥

Keep a look out for more info & grab your tickets now 🎟️ Link in bio

Stacked line-up across both rooms! Solid people, real vibes... gonna be a blessed time 💙

This is the culture, this is community — YAH LOVE

One not to be missed !!!

#Grime #Dnb #House #Events

NOW STREAMING • BRILLIANT GEAR ⚙️

“Brilliant Gear” sees myself and Nottingham MC Fangol (@fangol_nottingham join forces on a UK Garage release, reworking a 2009 freestyle originally performed on Logan Sama’s (@djlogansama) Kiss FM show

The track brings Fangol’s vocal back into a new setting, paired with a modern garage production. Originally created in 2023, it reflects a collaboration that bridges eras, combining grime roots with a contemporary UKG sound for both radio and club play

STREAM NOW ALL PLATFORMS, LINK VIA MY BIO 🔗

GRIME SESSIONV001 • CYBERTRON x TDI

Make sure you grab your tickets for Yah Love Presents: Yah DnB (@yahlovepre7ents @alifeofgrime ) on June 13th, where I’ll be DJing live for the very first time. Expect nothing but pure Grime from me 🔊🔊

TICKET LINK IN BIO 🔗

All beats produced by me @cartybotb

P.s. Need Grime riddems? DM me lets work

#Grime #grimemusic #Instrumental #UKMusic #UKProducer GrimeBeats Grimesession001

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Randoms word to Rrowntree..

Since you lot have been flooding my DM’s for this instrumental, I’ve finally decided to release “Sony Ericsson” via my Bandcamp 📲

This Drill x Grime hybrid instrumental has already been making noise across the RedBull Mic Flex (@redbullgmt) series, with artists like JAMMZ, Duppy, Layyah, Subten & Jolie P all shelling it properly

Now it’s your turn… 👀

Link in my bio 🔗

REBRAND 2.0 | PHASE ONE

WHO IS CARTY S
UK producer blending Grime, Garage & House
Built from the underground, creating for artists, clubs & screen

IDENTITY
Raw energy meets refined, broadcast-ready sound
Versatile. Consistent. Intentional.

CREDITS
BBC • Red Bull • The Rap Game UK
Worked with artists across the UK scene

THE JOURNEY
From underground studios to national TV
Shaping sound across radio, platforms & live moments

WHAT’S NEXT?
New music. New visuals. Bigger collaborations
A stronger, more defined Carty S

BEAT ID • THE SPIRIT OF DOT ROTTEN prod by @cartybotb
BTS PHOTOSHOOT • @odecreatives
GARMENTS • @boohoomanofficial @neweraeurope @nikelondon

Carty S x Fangol (@fangol_nottingham) - Brilliant Gear

• NOW STREAMING

• LINK IN BIO 🔗

who’s gunna tell them it was one round each???

New episode of Red Bull Mic Flex is LIVE 🔗 @thecocouk & @slowie_1 go against @nbposted & @snowski667

Beat: @cartybotb

#redbullmicflex #ukrap

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

As some of you may have heard, The Rap Game UK has officially come to an end after 6 incredible series. It’s a sad moment because shows like this genuinely helped push new, upcoming talent and gave the culture a real platform on TV.

Back in 2019, myself, Marley @soundslikemarl & Farai @only1farai had the honour of composing all the music for Series 1 from the opening and ending credits, to the beds, and producing the beats for every single challenge. The deadlines were tight, pressure was high, but we delivered.

Across Series 2 and 3, myself and Marley continued building on that foundation, creating even more music for new contestants and challenges. By the end of Series 3, we had produced over 200+ beats, many of which went on to be used across Series 4–6 for beds, stings, and pre-title sequences.

Working on The Rap Game UK has been a huge part of my journey. It opened doors, gave me real hands-on experience in television, and allowed me to grow creatively in a completely different space. From meeting contestants, collaborating with talented creatives, to composing a full TV theme it’s something I’ll always be proud of.

The show went on to win and be nominated for multiple awards, and to know I played a part in that is a blessing. If you told me at the start of my career I’d be doing this, I probably wouldn’t have believed you.

Massive thank you to everyone who supported over the years the contestants, cast, presenters @krept @konan @djtarget, and the whole team behind the scenes.

Here are some my highlights from the show

What were your favourite moments from the show? 👇

GRIME SESSIONV001 • ADHD x ANTI

I had to jack this one because the mix was too clean 😮‍💨

All beats produced by me @cartybotb

P.s. Need Grime riddems? DM me lets work

#Grime #grimemusic #Instrumental #Grimesession001

DJ dropped some UKG 🤝

@chaos_pbp was feeling the wildcard round! @cartybotb on the beat too

Thanks to @damnshaq on the decks as always