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caitomck
Cait McKinney
Mostly pictures of my gay dog.
join us for the first session of CLUB DISCOURSE with the one and only cait mckinney, professor at simon fraser university. they will be discussing their book ‘i know you are but what am i: on peewee herman’ which looks at how queer people who were children in the 1980s remember and relate to pee-wee now, showing that the moral panic about sexuality, gender, and children from the past can help us refute anti-trans and anti-queer political movements organized today. moderating this event will be the incredible rianka singh, professor at york university!
event starts at 7pm at the @paradisegrapevine winery! 218 geary! please join us for drinks and silliness on tuesday may 26!
see you there and be sure to tell ‘em large marge sent ya! 🤪
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
GIFs from HUSBANDRY, a video @caitomck and I made in 2024 for our exhibition GLAD YOU CLOSER HOME, NEW WHITE WHIsKER MARY @mitchellartgallery with the exquisite invite and assistance of @carolyn_jervis .
As always Alysha Seriani assisted in all things filmic and turkey and GIF.
HUSBANDRY stars our very own Regie Concordia (RIP) as Biscuit and @wyngaardencornelia as the voice of "turkey."
HUSBANDRY, a work of experimental docufiction speculates in the archives of Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979), who operated the first architecture firm run by women in Canada at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River. Significant figures in the history of Canadian modernism, Imrie and Wallbridge’s archives offer abundant documentation of the single-family homes and low-rise apartment buildings they designed but have little to say about the queer lives they built outside of work.
They also kept a brood of 300 turkeys at their home.
🦃 🪜💦
Reprint of the DEEP HORSE Dress Code and Cait's book " I Know You Are, but What Am I- On Pee-wee Herman" all coming to you tonight and this weekendat the Roundhouse for @vancouverartbookfair 💨
#peewee
#deep
#horse
#texts
L👀KING to sublet our very comfy home in "Vancouver" from September 2025 to May 2026. Ad is on Sabbatical homes, there's a link in bio. Come live with the Garfield Sanctuary and my favourite painting ever, @ev.r_icky 's Becoming a Toilet. 💦💦
L👀KING to sublet our very comfy home in "Vancouver" from September 2025 to May 2026. Ad is on Sabbatical homes, there's a link in bio. Come live with the Garfield Sanctuary and my favourite painting ever, @ev.r_icky 's Becoming a Toilet. 💦💦
My most favourite creature, Regie Concordia, is no longer with us, having wandered over that disco-rainbow on March 14th.
So much devastation in the world, it's hard not to have her tucked into the bib of my overalls, trying to move through it all together.
She requested a slice of prosciutto for her last snack, classy b*tch, 4 ever.
💔
My most favourite creature, Regie Concordia, is no longer with us, having wandered over that disco-rainbow on March 14th.
So much devastation in the world, it's hard not to have her tucked into the bib of my overalls, trying to move through it all together.
She requested a slice of prosciutto for her last snack, classy b*tch, 4 ever.
💔
My most favourite creature, Regie Concordia, is no longer with us, having wandered over that disco-rainbow on March 14th.
So much devastation in the world, it's hard not to have her tucked into the bib of my overalls, trying to move through it all together.
She requested a slice of prosciutto for her last snack, classy b*tch, 4 ever.
💔
My most favourite creature, Regie Concordia, is no longer with us, having wandered over that disco-rainbow on March 14th.
So much devastation in the world, it's hard not to have her tucked into the bib of my overalls, trying to move through it all together.
She requested a slice of prosciutto for her last snack, classy b*tch, 4 ever.
💔
My most favourite creature, Regie Concordia, is no longer with us, having wandered over that disco-rainbow on March 14th.
So much devastation in the world, it's hard not to have her tucked into the bib of my overalls, trying to move through it all together.
She requested a slice of prosciutto for her last snack, classy b*tch, 4 ever.
💔
My book I Know You Are, but What Am I? On Pee-wee Herman is an Artforum pic for best criticism of 2024. Thanks Jeremy Lybarger. Link in bio and loving the photo they dug up of Pee-wee “in the studio” @uminnpress
My book I Know You Are, but What Am I? On Pee-wee Herman is an Artforum pic for best criticism of 2024. Thanks Jeremy Lybarger. Link in bio and loving the photo they dug up of Pee-wee “in the studio” @uminnpress
My book I Know You Are, but What Am I? On Pee-wee Herman is an Artforum pic for best criticism of 2024. Thanks Jeremy Lybarger. Link in bio and loving the photo they dug up of Pee-wee “in the studio” @uminnpress
My book I Know You Are, but What Am I? On Pee-wee Herman is an Artforum pic for best criticism of 2024. Thanks Jeremy Lybarger. Link in bio and loving the photo they dug up of Pee-wee “in the studio” @uminnpress
Have a listen to this newly release episode of the @uminnpress podcast in which John Stadler and I break down my new book on the cultural legacies of Pee-wee Herman. Thanks to our PAs/Dolls. Link in bio.
Have a listen to this newly release episode of the @uminnpress podcast in which John Stadler and I break down my new book on the cultural legacies of Pee-wee Herman. Thanks to our PAs/Dolls. Link in bio.
Stills from GLAD YOU CLOSER HOME / NEW WHITE WHISKERMARY
@caitomck and my newest project curated by @carolyn_jervis
Opening Thursday September 19th at the @mitchellartgallery
🦃
Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979) operated their architecture firm—the first run by women in Canada—at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River in west Edmonton. When Mary Imrie passed away, she bequeathed the records of their remarkable architectural practice and adventurous life, along with their home, to the province of Alberta. With a title borrowed from a telegram in the collection, GLAD YOU CLOSER HOME / NEW WHITE WHISKER MARY is Cait McKinney and Hazel Meyer’s immersive exhibition that playfully imagines and speculates in the spaces between the correspondence, amateur super-8 recordings, and modernist buildings that Imrie and Wallbridge left behind.
🦃
Video produced with Alysha Seriani, starring @wyngaardencornelia as "Turkey," and Regie Concordia as "Biscuit."
Stills from GLAD YOU CLOSER HOME / NEW WHITE WHISKERMARY
@caitomck and my newest project curated by @carolyn_jervis
Opening Thursday September 19th at the @mitchellartgallery
🦃
Mary Imrie (1918 - 1988) and Jean Wallbridge (1912 - 1979) operated their architecture firm—the first run by women in Canada—at Six Acres, the home they built for their work and life together overlooking the North Saskatchewan River in west Edmonton. When Mary Imrie passed away, she bequeathed the records of their remarkable architectural practice and adventurous life, along with their home, to the province of Alberta. With a title borrowed from a telegram in the collection, GLAD YOU CLOSER HOME / NEW WHITE WHISKER MARY is Cait McKinney and Hazel Meyer’s immersive exhibition that playfully imagines and speculates in the spaces between the correspondence, amateur super-8 recordings, and modernist buildings that Imrie and Wallbridge left behind.
🦃
Video produced with Alysha Seriani, starring @wyngaardencornelia as "Turkey," and Regie Concordia as "Biscuit."
Today is the official publication date for my new book I Know You Are, but What Am I? On Pee-Wee Herman, out with @uminnpress. You can pick up a copy or read the ebook for free on the press website. Get 40% with code MN91270.
This is a book I’ve always wanted to write because I think Pee-wee Herman still matters deeply to queer folks, as an icon, a site of identification, a source of wild play and joy, and an architect of the playhouse of our collective dreaming.
It’s not all fun, games, and secret words (ahhhhhh!!!) though. In the book I read the playhouse as an otherwise space indelibly refracted through Paul Reubens’ queer and AIDS-phobic 1991 arrest in an adult movie theatre. There’s also a chapter on broken talking Pee-wee Dolls and the problem of repair. Pic 2 is my Pee-wee doll, chilling on my bookshelf at home. He’s broken and I like him that way.
Today is the official publication date for my new book I Know You Are, but What Am I? On Pee-Wee Herman, out with @uminnpress. You can pick up a copy or read the ebook for free on the press website. Get 40% with code MN91270.
This is a book I’ve always wanted to write because I think Pee-wee Herman still matters deeply to queer folks, as an icon, a site of identification, a source of wild play and joy, and an architect of the playhouse of our collective dreaming.
It’s not all fun, games, and secret words (ahhhhhh!!!) though. In the book I read the playhouse as an otherwise space indelibly refracted through Paul Reubens’ queer and AIDS-phobic 1991 arrest in an adult movie theatre. There’s also a chapter on broken talking Pee-wee Dolls and the problem of repair. Pic 2 is my Pee-wee doll, chilling on my bookshelf at home. He’s broken and I like him that way.
Working on a performance with @hazelmyr that happens this Weds Dec 2 at 4pm PST “how to build a ruin” organized by EMILIA-AMALIA. Minnie Mouse and a 1 gallon tub of Greek yogurt, what else is there? Link to register is in @hazelmyr ‘s bio.
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