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burnstorm
Amelia Burns
I had this style ever since I was a child 👽🔥 Neurodivergent Artist and Educator in Detroit #blm
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
Thanks to all who came out to the show last night! Open hours are 12-5pm Sat and Sunday and Fridays @buffaloprescott until June 27th!
In conjunction with my Evil Eye work in the Vernal Exhibituon @buffaloprescott , I am also selling a 100% silk twill scarf of the image on the website! Please consider purchasing one, the proceeds go to the artist and to the organization. There is also a downloadable catalogue ofall the work in the show with a price list! Link in Bio. Thank you @samara.furlong for partnering with me on this! Also, thank you to @lakesnlakes for being such a lovely model:)
In conjunction with my Evil Eye work in the Vernal Exhibituon @buffaloprescott , I am also selling a 100% silk twill scarf of the image on the website! Please consider purchasing one, the proceeds go to the artist and to the organization. There is also a downloadable catalogue ofall the work in the show with a price list! Link in Bio. Thank you @samara.furlong for partnering with me on this! Also, thank you to @lakesnlakes for being such a lovely model:)
In conjunction with my Evil Eye work in the Vernal Exhibituon @buffaloprescott , I am also selling a 100% silk twill scarf of the image on the website! Please consider purchasing one, the proceeds go to the artist and to the organization. There is also a downloadable catalogue ofall the work in the show with a price list! Link in Bio. Thank you @samara.furlong for partnering with me on this! Also, thank you to @lakesnlakes for being such a lovely model:)
In conjunction with my Evil Eye work in the Vernal Exhibituon @buffaloprescott , I am also selling a 100% silk twill scarf of the image on the website! Please consider purchasing one, the proceeds go to the artist and to the organization. There is also a downloadable catalogue ofall the work in the show with a price list! Link in Bio. Thank you @samara.furlong for partnering with me on this! Also, thank you to @lakesnlakes for being such a lovely model:)
In conjunction with my Evil Eye work in the Vernal Exhibituon @buffaloprescott , I am also selling a 100% silk twill scarf of the image on the website! Please consider purchasing one, the proceeds go to the artist and to the organization. There is also a downloadable catalogue ofall the work in the show with a price list! Link in Bio. Thank you @samara.furlong for partnering with me on this! Also, thank you to @lakesnlakes for being such a lovely model:)
In conjunction with my Evil Eye work in the Vernal Exhibituon @buffaloprescott , I am also selling a 100% silk twill scarf of the image on the website! Please consider purchasing one, the proceeds go to the artist and to the organization. There is also a downloadable catalogue ofall the work in the show with a price list! Link in Bio. Thank you @samara.furlong for partnering with me on this! Also, thank you to @lakesnlakes for being such a lovely model:)
What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (@burnstorm) explores this question and more: “Through my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.”
Featured here are ‘Evil Eye Transmuted onto Organza’ and ‘Evil Eye,’ two works by the artist currently on view in Buffalo Prescott’s 𝙑𝙚𝙧𝙣𝙖𝙡 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibition’s public opening later this month.
—
Featured works:
1) Amelia Burns, ‘Evil Eye Transmuted onto Organza,’ 2026, digital image on organza, steel rods or acrylic, 118 × 124 × 70 1/2 in / 299.7 × 315 × 179.1 cm.
2) Amelia Burns, ‘Evil Eye,’ 2026, digital collage on photo rag, 30 × 36 in / 76.2 × 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm
What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (@burnstorm) explores this question and more: “Through my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.”
Featured here are ‘Evil Eye Transmuted onto Organza’ and ‘Evil Eye,’ two works by the artist currently on view in Buffalo Prescott’s 𝙑𝙚𝙧𝙣𝙖𝙡 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibition’s public opening later this month.
—
Featured works:
1) Amelia Burns, ‘Evil Eye Transmuted onto Organza,’ 2026, digital image on organza, steel rods or acrylic, 118 × 124 × 70 1/2 in / 299.7 × 315 × 179.1 cm.
2) Amelia Burns, ‘Evil Eye,’ 2026, digital collage on photo rag, 30 × 36 in / 76.2 × 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm
What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (@burnstorm) explores this question and more: “Through my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.”
Featured here are ‘Evil Eye Transmuted onto Organza’ and ‘Evil Eye,’ two works by the artist currently on view in Buffalo Prescott’s 𝙑𝙚𝙧𝙣𝙖𝙡 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibition’s public opening later this month.
—
Featured works:
1) Amelia Burns, ‘Evil Eye Transmuted onto Organza,’ 2026, digital image on organza, steel rods or acrylic, 118 × 124 × 70 1/2 in / 299.7 × 315 × 179.1 cm.
2) Amelia Burns, ‘Evil Eye,’ 2026, digital collage on photo rag, 30 × 36 in / 76.2 × 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm
What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (@burnstorm) explores this question and more: “Through my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.”
Featured here are ‘Evil Eye Transmuted onto Organza’ and ‘Evil Eye,’ two works by the artist currently on view in Buffalo Prescott’s 𝙑𝙚𝙧𝙣𝙖𝙡 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibition’s public opening later this month.
—
Featured works:
1) Amelia Burns, ‘Evil Eye Transmuted onto Organza,’ 2026, digital image on organza, steel rods or acrylic, 118 × 124 × 70 1/2 in / 299.7 × 315 × 179.1 cm.
2) Amelia Burns, ‘Evil Eye,’ 2026, digital collage on photo rag, 30 × 36 in / 76.2 × 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm
What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (@burnstorm) explores this question and more: “Through my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.”
Featured here are ‘Evil Eye Transmuted onto Organza’ and ‘Evil Eye,’ two works by the artist currently on view in Buffalo Prescott’s 𝙑𝙚𝙧𝙣𝙖𝙡 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibition’s public opening later this month.
—
Featured works:
1) Amelia Burns, ‘Evil Eye Transmuted onto Organza,’ 2026, digital image on organza, steel rods or acrylic, 118 × 124 × 70 1/2 in / 299.7 × 315 × 179.1 cm.
2) Amelia Burns, ‘Evil Eye,’ 2026, digital collage on photo rag, 30 × 36 in / 76.2 × 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm
What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (@burnstorm) explores this question and more: “Through my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.”
Featured here are ‘Evil Eye Transmuted onto Organza’ and ‘Evil Eye,’ two works by the artist currently on view in Buffalo Prescott’s 𝙑𝙚𝙧𝙣𝙖𝙡 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibition’s public opening later this month.
—
Featured works:
1) Amelia Burns, ‘Evil Eye Transmuted onto Organza,’ 2026, digital image on organza, steel rods or acrylic, 118 × 124 × 70 1/2 in / 299.7 × 315 × 179.1 cm.
2) Amelia Burns, ‘Evil Eye,’ 2026, digital collage on photo rag, 30 × 36 in / 76.2 × 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm
What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (@burnstorm) explores this question and more: “Through my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.”
Featured here are ‘Evil Eye Transmuted onto Organza’ and ‘Evil Eye,’ two works by the artist currently on view in Buffalo Prescott’s 𝙑𝙚𝙧𝙣𝙖𝙡 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibition’s public opening later this month.
—
Featured works:
1) Amelia Burns, ‘Evil Eye Transmuted onto Organza,’ 2026, digital image on organza, steel rods or acrylic, 118 × 124 × 70 1/2 in / 299.7 × 315 × 179.1 cm.
2) Amelia Burns, ‘Evil Eye,’ 2026, digital collage on photo rag, 30 × 36 in / 76.2 × 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm
What do contradictions in cultural landscapes reveal about authenticity?
Detroit-based photographer Amelia Burns (@burnstorm) explores this question and more: “Through my travels across nearly every U.S. state, I document not only the natural world but also its entanglement with human influence. The landscapes I create—whether photographic or collage-based—are imbued with a visceral connection to the physical environments I’ve passed through. They are a reprocessing of the cultural detritus that surrounds me, transforming fragments into vignettes that explore both the darkness and resilience of humanity.”
Featured here are ‘Evil Eye Transmuted onto Organza’ and ‘Evil Eye,’ two works by the artist currently on view in Buffalo Prescott’s 𝙑𝙚𝙧𝙣𝙖𝙡 2026 exhibition. Opening to the public on Friday, May 22, exhibition visitors are invited to step between the pieces of organza, moving through the work as image, material, and space come into alignment.
Learn more about the works on view by tapping the link in bio and RSVP for the exhibition’s public opening later this month.
—
Featured works:
1) Amelia Burns, ‘Evil Eye Transmuted onto Organza,’ 2026, digital image on organza, steel rods or acrylic, 118 × 124 × 70 1/2 in / 299.7 × 315 × 179.1 cm.
2) Amelia Burns, ‘Evil Eye,’ 2026, digital collage on photo rag, 30 × 36 in / 76.2 × 91.4 cm.
Video courtesy of Amelia Burns; images by Jimel Primm
Happy Mother’s Day to my mom @annie_burns9 ! I post this every year for odvious reasons.
Thank you to @deardavemag for highlighting my work as the Portfolio of the Week on Sunstack today! Link in bio.
Thank you to @deardavemag for highlighting my work as the Portfolio of the Week on Sunstack today! Link in bio.
Thank you to @deardavemag for highlighting my work as the Portfolio of the Week on Sunstack today! Link in bio.
Thank you to @deardavemag for highlighting my work as the Portfolio of the Week on Sunstack today! Link in bio.
Thank you to @deardavemag for highlighting my work as the Portfolio of the Week on Sunstack today! Link in bio.
Thank you to @deardavemag for highlighting my work as the Portfolio of the Week on Sunstack today! Link in bio.
I will be at the @detzinefest May 16th! Selling my latest Natureland Zine among other zines! Come visit:)
I will be at the @detzinefest May 16th! Selling my latest Natureland Zine among other zines! Come visit:)
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