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brodskyseth
Seth Brodsky
music, modernism, psychoanalysis@UChicago, Gray Center for Arts & Inquiry, mostly unconscious
https://www.journals.uchicago.edu/toc/pog/current/
For the kids: old school handout construction c1999, uphill, both ways, scissors and glue sticks in both hands
I am now exactly the midpoint of these two beings, nel mezzo del cammin della mia vita etc
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
OK, it's become clear far too few of you know about Luciano Berio's very weird wonderful *extremely early 70s* Italian network tv show *C'è Musica e Musica* [There's Music and Then There's Music]. I don't know if you can watch it outside Italy, but try to get your hands on it. The first episode is quite wild, a who's who of the European contemporary music scene, weirdly moving (and aggravating: sooo many dudes, good christ). But even if you don't speak Italian, it's worth watching. Link in first comment. I will probably take it down at some point, so get it while you can!
Every 20 years or so someone gets a photo of me that counteracts my spiritual dysmorphia and I suppose I should share it, see you in 20 years!
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
Happy All Saints Day! The revenants are out, actually they never left. Also out: Portable Gray 15, Sounding the Spectral (Link in bio)
Co-edited by Martha Feldman and me, our fifteenth issue features a truly hollerable crew of thinkers and writers. It tries to set loose the spectral in a new acoustic: more colonial, global, and planetary, taking stock of new spatial and temporal displacements and new forms of repression, secrecy, surveillance, and disavowal. It turns out sound and music are exceptionally amenable to this task! They sympathize with the spectral at its most manifold and elusive; reverberate with the spectral’s radical scalability; mediate its indifference to distance and barrier. Music, sound, spectrality: all strange mediums for the otherwise unbridgeable, for mapping otherwise inaccessible terrain.
Featuring contributions by: Carolyn Abbate, Jessica Swanston Baker, Seth Brodsky, Kameryn Alexa Carter, Chris Batterman Cháirez, Amy Cimini, J. Martin Daughtry, Martha Feldman, Bonnie Gordon, Eli Greene, Jairo Moreno, Fumi Okiji, Jess Peritz, Abigail Taubman, and Gary Tomlinson.
The issue also features our latest reviews in PGR by Stephanie Cristello, Thomas Love, Matthew Metzger, Nicky Ni, Pia Singh, and Ellen Wiese.
On the cover:
Abigail Taubman, for silky, through the loupe, 2022. Silver gelatin prints. Courtesy of the artist.
@uchicagoahddos @uchicagoarts @uchicagomusic #graycenterforartsandinquiry #soundingthespectral #portablegray #portablegrayreview @avt9294 @jessicaswanstonbaker @amymariecimini @jessy_pizza @scristello @bongordon
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