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𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝑭𝑬𝑹𝑨𝑳
₂₀₂₆
₂₀ₓ₁₀ₓ₃₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘓𝘦𝘰𝘱𝘢𝘳𝘥 𝘱𝘳𝘪𝘯𝘵𝘦𝘥 𝘵𝘦𝘹𝘵𝘪𝘭𝘦, 𝘵𝘦𝘹𝘵𝘪𝘭𝘦 𝘳𝘶𝘧𝘧𝘭𝘦, 𝘕𝘦𝘦𝘥𝘭𝘦𝘴

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝕷𝖔𝖓𝖌𝖎𝖓𝖌 𝕭𝖊𝖑𝖔𝖓𝖌𝖎𝖓𝖌
₂₀₂₆
⁵⁰ˣ²⁰⁰ˣ³⁰⁰
Airdrying clay, Cotton tank tops

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

𝔖𝔢 𝔩𝔢 𝔰𝔬𝔩𝔱𝔞𝔯𝔬𝔫 𝔩𝔞𝔰 𝔱𝔯𝔢𝔫𝔷𝔞𝔰/
𝔗𝔥𝔢𝔦𝔯 𝔟𝔯𝔞𝔦𝔡𝔰 𝔠𝔞𝔪𝔢 𝔲𝔫𝔡𝔬𝔫𝔢
₂₀₂₆
₃₀ₓ₃₀ₓ₇₀
Airdrying clay, Hair extensions, Plexiglass, Leopard print textile, Textile ruffle, Steel details

Work was part of group exhibition ”Technology of desire” @scopebln curated by @boris_kostadinov

”Alejandro Montero Bravo’s two works explore the idea of how the internet in the past
created an illusory space for unlimited queer freedom. At the same time, the works reflect
on how today’s digital world is increasingly shaped by real forces of power and conservative
norms, transforming what once felt like an escape from reality into a controlled and often
toxic extension of reality.” Text by Boris Kostadinov

TECHNOLOGY OF DESIRE
Queer Relations in the Posthuman Age
Scope BLN Project Space

The icon by Anton Stoianov merges medieval painting techniques with gender as biopolitics, deconstructing patriarchal iconography through insectoid forms and female biological markers. In this posthuman future, gender becomes a fluid, hybrid force of resilience.

Alejandro Montero Bravo explores how the early internet promised unlimited queer freedom, while today’s digital space is shaped by power structures and conservative norms — transforming escape into a controlled extension of reality.

Viktor Petrov reinterprets “Scouting for Boys,” tracing its racist, militaristic and machismo roots to the present: chemical desire, dating platforms, and digital “cloning” of gay male appearance from Fire Island to Rio, Berlin and Tel Aviv.

Jane Garbert’s glass objects suggest connection — lemon as battery, cable as conductor — yet the “copulation” remains impossible. Their non-functional, fragile nature hints at imagined and often unreachable contact.

Jakob Urban’s monochromes collect screenshots from the queer dating platform ROMEO, exploring anonymity, hidden desire and self-censorship within digital intimacy.

Curated by Boris Kostadinov
Photos: @chroma.studioberlin

TECHNOLOGY OF DESIRE
Queer Relations in the Posthuman Age
Scope BLN Project Space

The icon by Anton Stoianov merges medieval painting techniques with gender as biopolitics, deconstructing patriarchal iconography through insectoid forms and female biological markers. In this posthuman future, gender becomes a fluid, hybrid force of resilience.

Alejandro Montero Bravo explores how the early internet promised unlimited queer freedom, while today’s digital space is shaped by power structures and conservative norms — transforming escape into a controlled extension of reality.

Viktor Petrov reinterprets “Scouting for Boys,” tracing its racist, militaristic and machismo roots to the present: chemical desire, dating platforms, and digital “cloning” of gay male appearance from Fire Island to Rio, Berlin and Tel Aviv.

Jane Garbert’s glass objects suggest connection — lemon as battery, cable as conductor — yet the “copulation” remains impossible. Their non-functional, fragile nature hints at imagined and often unreachable contact.

Jakob Urban’s monochromes collect screenshots from the queer dating platform ROMEO, exploring anonymity, hidden desire and self-censorship within digital intimacy.

Curated by Boris Kostadinov
Photos: @chroma.studioberlin

TECHNOLOGY OF DESIRE
Queer Relations in the Posthuman Age
Scope BLN Project Space

The icon by Anton Stoianov merges medieval painting techniques with gender as biopolitics, deconstructing patriarchal iconography through insectoid forms and female biological markers. In this posthuman future, gender becomes a fluid, hybrid force of resilience.

Alejandro Montero Bravo explores how the early internet promised unlimited queer freedom, while today’s digital space is shaped by power structures and conservative norms — transforming escape into a controlled extension of reality.

Viktor Petrov reinterprets “Scouting for Boys,” tracing its racist, militaristic and machismo roots to the present: chemical desire, dating platforms, and digital “cloning” of gay male appearance from Fire Island to Rio, Berlin and Tel Aviv.

Jane Garbert’s glass objects suggest connection — lemon as battery, cable as conductor — yet the “copulation” remains impossible. Their non-functional, fragile nature hints at imagined and often unreachable contact.

Jakob Urban’s monochromes collect screenshots from the queer dating platform ROMEO, exploring anonymity, hidden desire and self-censorship within digital intimacy.

Curated by Boris Kostadinov
Photos: @chroma.studioberlin

TECHNOLOGY OF DESIRE
Queer Relations in the Posthuman Age
Scope BLN Project Space

The icon by Anton Stoianov merges medieval painting techniques with gender as biopolitics, deconstructing patriarchal iconography through insectoid forms and female biological markers. In this posthuman future, gender becomes a fluid, hybrid force of resilience.

Alejandro Montero Bravo explores how the early internet promised unlimited queer freedom, while today’s digital space is shaped by power structures and conservative norms — transforming escape into a controlled extension of reality.

Viktor Petrov reinterprets “Scouting for Boys,” tracing its racist, militaristic and machismo roots to the present: chemical desire, dating platforms, and digital “cloning” of gay male appearance from Fire Island to Rio, Berlin and Tel Aviv.

Jane Garbert’s glass objects suggest connection — lemon as battery, cable as conductor — yet the “copulation” remains impossible. Their non-functional, fragile nature hints at imagined and often unreachable contact.

Jakob Urban’s monochromes collect screenshots from the queer dating platform ROMEO, exploring anonymity, hidden desire and self-censorship within digital intimacy.

Curated by Boris Kostadinov
Photos: @chroma.studioberlin

TECHNOLOGY OF DESIRE
Queer Relations in the Posthuman Age
Scope BLN Project Space

The icon by Anton Stoianov merges medieval painting techniques with gender as biopolitics, deconstructing patriarchal iconography through insectoid forms and female biological markers. In this posthuman future, gender becomes a fluid, hybrid force of resilience.

Alejandro Montero Bravo explores how the early internet promised unlimited queer freedom, while today’s digital space is shaped by power structures and conservative norms — transforming escape into a controlled extension of reality.

Viktor Petrov reinterprets “Scouting for Boys,” tracing its racist, militaristic and machismo roots to the present: chemical desire, dating platforms, and digital “cloning” of gay male appearance from Fire Island to Rio, Berlin and Tel Aviv.

Jane Garbert’s glass objects suggest connection — lemon as battery, cable as conductor — yet the “copulation” remains impossible. Their non-functional, fragile nature hints at imagined and often unreachable contact.

Jakob Urban’s monochromes collect screenshots from the queer dating platform ROMEO, exploring anonymity, hidden desire and self-censorship within digital intimacy.

Curated by Boris Kostadinov
Photos: @chroma.studioberlin

TECHNOLOGY OF DESIRE
Queer Relations in the Posthuman Age
Scope BLN Project Space

The icon by Anton Stoianov merges medieval painting techniques with gender as biopolitics, deconstructing patriarchal iconography through insectoid forms and female biological markers. In this posthuman future, gender becomes a fluid, hybrid force of resilience.

Alejandro Montero Bravo explores how the early internet promised unlimited queer freedom, while today’s digital space is shaped by power structures and conservative norms — transforming escape into a controlled extension of reality.

Viktor Petrov reinterprets “Scouting for Boys,” tracing its racist, militaristic and machismo roots to the present: chemical desire, dating platforms, and digital “cloning” of gay male appearance from Fire Island to Rio, Berlin and Tel Aviv.

Jane Garbert’s glass objects suggest connection — lemon as battery, cable as conductor — yet the “copulation” remains impossible. Their non-functional, fragile nature hints at imagined and often unreachable contact.

Jakob Urban’s monochromes collect screenshots from the queer dating platform ROMEO, exploring anonymity, hidden desire and self-censorship within digital intimacy.

Curated by Boris Kostadinov
Photos: @chroma.studioberlin

😈

😈

😈

😈

😈

😈

😈

😈

😈

😈

Scope BLN
presents

TECHNOLOGY OF DESIRE
Queer Relations in the Posthuman Age

Alejandro Montero Bravo I Chang Gao I Jane Garbert I Gabriel Gutierrez Morales I Viktor Petrov I Paweł Reczek I Anton Stoianov I Jakob Urban I Lee Mun Wai

Curated by Boris Kostadinov

Opening: Friday, March 13 at 6:00 PM
Lübecker Straße 43 10559 Berlin

The group exhibition TECHNOLOGY OF DESIRE explores how queer subjectivity is shaped within the intertwining of the biological, the digital, and the synthetic. As gender and identity become increasingly fluid, the exhibition asks not who we are, but how we are transformed within the framework of technology.

Inspired by Donna Haraway’s cyborg, the posthuman here is not speculative — it is everyday life. AI, biometric tracking, and hormone therapies expand possibilities while quietly structuring them. The body is organic and coded at once. Virtual presence provides new opportunities, but it also exposes us to surveillance.

The research part of TECHNOLOGY OF DESIRE is supported by Recherchestipendien Bildende Kunst 2025 by Senatsverwaltung für Kultur und Gesellschaftlichen Zusammenhalt - Berlin

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

𝙈𝙟𝙪𝙠𝙖 𝙙𝙧𝙖𝙜/𝙎𝙤𝙛𝙩 𝙜𝙚𝙨𝙩𝙪𝙧𝙚𝙨
₂₀₂₆
𝘚𝘵𝘦𝘦𝘭, 𝘓𝘦𝘥-𝘭𝘪𝘨𝘩𝘵𝘴

𝘜𝘱𝘤𝘰𝘮𝘪𝘯𝘨 𝘱𝘶𝘣𝘭𝘪𝘤 𝘤𝘰𝘮𝘮𝘪𝘴𝘴𝘪𝘰𝘯 𝘧𝘰𝘳 𝘎𝘳ä𝘯𝘣𝘺 𝘱𝘶𝘣𝘭𝘪𝘤 𝘴𝘸𝘪𝘮𝘮𝘪𝘯𝘨 𝘱𝘰𝘰𝘭 𝘪𝘯 𝘜𝘱𝘱𝘴𝘢𝘭𝘢, 𝘚𝘸𝘦𝘥𝘦𝘯.

🌊🌊🌊🌊🏊‍♀️🌊🌊🌊🌊🌊

ᴍʏ ʟɪᴛᴛʟᴇ ᴘᴏɴʏ
₂₀₂₅
₂₀ₓ₂₀ₓ₄₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘴𝘢𝘧𝘦𝘵𝘺 𝘱𝘪𝘯𝘴, 𝘩𝘢𝘪𝘳 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯𝘴

ᴍʏ ʟɪᴛᴛʟᴇ ᴘᴏɴʏ
₂₀₂₅
₂₀ₓ₂₀ₓ₄₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘴𝘢𝘧𝘦𝘵𝘺 𝘱𝘪𝘯𝘴, 𝘩𝘢𝘪𝘳 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯𝘴

ᴍʏ ʟɪᴛᴛʟᴇ ᴘᴏɴʏ
₂₀₂₅
₂₀ₓ₂₀ₓ₄₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘴𝘢𝘧𝘦𝘵𝘺 𝘱𝘪𝘯𝘴, 𝘩𝘢𝘪𝘳 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯𝘴

ᴍʏ ʟɪᴛᴛʟᴇ ᴘᴏɴʏ
₂₀₂₅
₂₀ₓ₂₀ₓ₄₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘴𝘢𝘧𝘦𝘵𝘺 𝘱𝘪𝘯𝘴, 𝘩𝘢𝘪𝘳 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯𝘴

ᴍʏ ʟɪᴛᴛʟᴇ ᴘᴏɴʏ
₂₀₂₅
₂₀ₓ₂₀ₓ₄₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘴𝘢𝘧𝘦𝘵𝘺 𝘱𝘪𝘯𝘴, 𝘩𝘢𝘪𝘳 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯𝘴

ᴍʏ ʟɪᴛᴛʟᴇ ᴘᴏɴʏ
₂₀₂₅
₂₀ₓ₂₀ₓ₄₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘴𝘢𝘧𝘦𝘵𝘺 𝘱𝘪𝘯𝘴, 𝘩𝘢𝘪𝘳 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯𝘴

ᴍʏ ʟɪᴛᴛʟᴇ ᴘᴏɴʏ
₂₀₂₅
₂₀ₓ₂₀ₓ₄₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘴𝘢𝘧𝘦𝘵𝘺 𝘱𝘪𝘯𝘴, 𝘩𝘢𝘪𝘳 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯𝘴

ᴍʏ ʟɪᴛᴛʟᴇ ᴘᴏɴʏ
₂₀₂₅
₂₀ₓ₂₀ₓ₄₀
𝘈𝘪𝘳𝘥𝘳𝘺𝘪𝘯𝘨 𝘤𝘭𝘢𝘺, 𝘴𝘢𝘧𝘦𝘵𝘺 𝘱𝘪𝘯𝘴, 𝘩𝘢𝘪𝘳 𝘦𝘹𝘵𝘦𝘯𝘴𝘪𝘰𝘯𝘴

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Some process and installation pictures of public work
”Ripples of dreams” 2025 at Oskarshamn sjukhus, Sweden.💧🟣 more to come…

Im cooking 🍽️

Im cooking 🍽️

Im cooking 🍽️

Im cooking 🍽️

Im cooking 🍽️

Im cooking 🍽️

Im cooking 🍽️

Im cooking 🍽️

Synthetic Seduction for @keyimagazine by @keyistudio

* Photography & Art Direction : @keyistudio ( Greg @eyes_dice & Iza  @berlin_bunny_  )
* Creative Direction & Styling: Julius Forgo & Tanja Forgo-Mettler  @juliusforgo & @untilfull________
* Agencies: Kult Artists  @kultartist & Basics @basicsberlin
* Production: Untilfull ( ≈ ) 
* Model: Yan Ma @wosyan__
* Model Agency: @mirrrsmodels 
* Artist: @bravoalejandro
* Hair & Make Up: @aurelia_braga_de_matos_
* Video: @keyistudio ( Greg @eyes_dice  & Iza  @berlin_bunny_  )
* Light assistant: Benji @getit.art
* Styling assistant: @vivshl
* Location: @scopebln

Brands/designers: @mikeska.official @gmbh_official @jeanpaulgaultier @jilsander @pearloctopuss.y @wolford @prada @bvlgari @viviennewestwood @dior @032c @damirdomaofficial @mykitaoffical @giorgioarmani @loewe @trussardi @newbottega @knwlslondon

Synthetic Seduction for @keyimagazine by @keyistudio

* Photography & Art Direction : @keyistudio ( Greg @eyes_dice & Iza  @berlin_bunny_  )
* Creative Direction & Styling: Julius Forgo & Tanja Forgo-Mettler  @juliusforgo & @untilfull________
* Agencies: Kult Artists  @kultartist & Basics @basicsberlin
* Production: Untilfull ( ≈ ) 
* Model: Yan Ma @wosyan__
* Model Agency: @mirrrsmodels 
* Artist: @bravoalejandro
* Hair & Make Up: @aurelia_braga_de_matos_
* Video: @keyistudio ( Greg @eyes_dice  & Iza  @berlin_bunny_  )
* Light assistant: Benji @getit.art
* Styling assistant: @vivshl
* Location: @scopebln

Brands/designers: @mikeska.official @gmbh_official @jeanpaulgaultier @jilsander @pearloctopuss.y @wolford @prada @bvlgari @viviennewestwood @dior @032c @damirdomaofficial @mykitaoffical @giorgioarmani @loewe @trussardi @newbottega @knwlslondon

Synthetic Seduction for @keyimagazine by @keyistudio

* Photography & Art Direction : @keyistudio ( Greg @eyes_dice & Iza  @berlin_bunny_  )
* Creative Direction & Styling: Julius Forgo & Tanja Forgo-Mettler  @juliusforgo & @untilfull________
* Agencies: Kult Artists  @kultartist & Basics @basicsberlin
* Production: Untilfull ( ≈ ) 
* Model: Yan Ma @wosyan__
* Model Agency: @mirrrsmodels 
* Artist: @bravoalejandro
* Hair & Make Up: @aurelia_braga_de_matos_
* Video: @keyistudio ( Greg @eyes_dice  & Iza  @berlin_bunny_  )
* Light assistant: Benji @getit.art
* Styling assistant: @vivshl
* Location: @scopebln

Brands/designers: @mikeska.official @gmbh_official @jeanpaulgaultier @jilsander @pearloctopuss.y @wolford @prada @bvlgari @viviennewestwood @dior @032c @damirdomaofficial @mykitaoffical @giorgioarmani @loewe @trussardi @newbottega @knwlslondon

Synthetic Seduction for @keyimagazine by @keyistudio

* Photography & Art Direction : @keyistudio ( Greg @eyes_dice & Iza  @berlin_bunny_  )
* Creative Direction & Styling: Julius Forgo & Tanja Forgo-Mettler  @juliusforgo & @untilfull________
* Agencies: Kult Artists  @kultartist & Basics @basicsberlin
* Production: Untilfull ( ≈ ) 
* Model: Yan Ma @wosyan__
* Model Agency: @mirrrsmodels 
* Artist: @bravoalejandro
* Hair & Make Up: @aurelia_braga_de_matos_
* Video: @keyistudio ( Greg @eyes_dice  & Iza  @berlin_bunny_  )
* Light assistant: Benji @getit.art
* Styling assistant: @vivshl
* Location: @scopebln

Brands/designers: @mikeska.official @gmbh_official @jeanpaulgaultier @jilsander @pearloctopuss.y @wolford @prada @bvlgari @viviennewestwood @dior @032c @damirdomaofficial @mykitaoffical @giorgioarmani @loewe @trussardi @newbottega @knwlslondon

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵

Documentation from installation of new work ”𝒲𝒜𝒱𝐸𝒮” at Tröingeskolan in Falkenberg, Sweden.
🌊
Thnx to my amazing brother @bravosergito for all the help🩵