Bolid System | Type Design Studio
Fonts for the win
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🍑 BS Abriko 🏝️ BS Acapulko 🥤 BS Milkshake
BS Notion 🎰 BS Resort ⚙️ BS Staahl
🛰️ BS Synthetik

🔮 The mystery has lasted long enough. It’s time to finally reveal the faces behind our faces.
🏝️ #BSAcapulko is a stunning copperplate script font that embodies the elegance and formality of the 18th century while incorporating modern digital type design techniques. Designed by Arthur Schwarz, this formal script typeface draws inspiration from Charles Snell’s drawing, “believer in simple and effective form.” While traditional copperplate scripts are drawn with a pointed nib pen, BS Acapulko offers a more versatile and digitally refined approach, resulting in a legible and expressive script typeface that is both classic and contemporary.
This careful though not quiet, calligraphy-inspired typeface features a multitude of strong typographic details such as the terminals of s, v, w, sf and st ligatures, or even a, g, d, q unconnected strokes. The moderate slant of BS Acapulko’s letterforms contributes to its soft and smooth curves, making it a refined script font that is both a pleasure to read and visually distinctive.
Get your 🆓 trial today! Follow our link in bio.
Used this font? We’d love to see it! ✨
Show us your work so we can feature it.

🏖 #BSResortClassic is a typographic hybrid display typeface: its structure follows the clarity of a neo-grotesque, while its strong vertical contrast draws from the Didone tradition. It is not a revival nor an homage: it is an artificial invention, designed to explore what contrast in sans serif design can become when detached from its historical context.
With its steady rhythm, tight spacing, and precise proportions, BS Resort Classic retains the clarity of a grotesque-inspired font, yet introduces details that disrupt expectations such as the forward-leaning S and s, or the dramatic upper stroke of the f.
BS Resort Classic includes several sets of thoughtfully designed alternates to enhance versatility: the a and g offer single-storey forms; the l features a curved terminal at the base; the t has a straight terminal without curl; punctuation marks and dots include rounded shapes; and the uppercase letters Ä, Ö and Ü display distinctive titled terminals.
The typeface exists across three optical styles: upright, Italic (13°) and Super Italic (26°), each available in ten weights for a total of 30 font styles, plus a variable font for greater flexibility.
Get your 🆓 trial today! Follow our link in bio.

🏖 #BSResortClassic is a typographic hybrid display typeface: its structure follows the clarity of a neo-grotesque, while its strong vertical contrast draws from the Didone tradition. It is not a revival nor an homage: it is an artificial invention, designed to explore what contrast in sans serif design can become when detached from its historical context.
With its steady rhythm, tight spacing, and precise proportions, BS Resort Classic retains the clarity of a grotesque-inspired font, yet introduces details that disrupt expectations such as the forward-leaning S and s, or the dramatic upper stroke of the f.
BS Resort Classic includes several sets of thoughtfully designed alternates to enhance versatility: the a and g offer single-storey forms; the l features a curved terminal at the base; the t has a straight terminal without curl; punctuation marks and dots include rounded shapes; and the uppercase letters Ä, Ö and Ü display distinctive titled terminals.
The typeface exists across three optical styles: upright, Italic (13°) and Super Italic (26°), each available in ten weights for a total of 30 font styles, plus a variable font for greater flexibility.
Get your 🆓 trial today! Follow our link in bio.

🛰️ #BSSynthetik is an expressive, minimal geometric sans-serif typeface with generous proportions. Its modern shapes create a dynamic rhythm while remaining grounded in classic geometric models: a contemporary interpretation between Futura and Johnston.
As a geometric humanist with very low contrast and smooth curve connections, BS Synthetik employs vertical-cut terminals that lend both speed and clarity to its voice. This structural logic carries through to other details: the f and t feature asymmetric crossbars that extend only to the right, while the Q balances its circle with a vertically trimmed tail that reaches beyond the bowl. Even the 4 reflects this approach, with a vertical stem that stops cleanly at the horizontal crossbar to create an open triangular counterform. Completing the system, alternates such as a straight-stemmed j and a geometric-cross t provide subtle variations without breaking the overall rhythm.
The family includes ten weights with matching italics and a variable font covering weight and slant.
Get your 🆓 trial today! Follow our link in bio.

🛰️ #BSSynthetik is an expressive, minimal geometric sans-serif typeface with generous proportions. Its modern shapes create a dynamic rhythm while remaining grounded in classic geometric models: a contemporary interpretation between Futura and Johnston.
As a geometric humanist with very low contrast and smooth curve connections, BS Synthetik employs vertical-cut terminals that lend both speed and clarity to its voice. This structural logic carries through to other details: the f and t feature asymmetric crossbars that extend only to the right, while the Q balances its circle with a vertically trimmed tail that reaches beyond the bowl. Even the 4 reflects this approach, with a vertical stem that stops cleanly at the horizontal crossbar to create an open triangular counterform. Completing the system, alternates such as a straight-stemmed j and a geometric-cross t provide subtle variations without breaking the overall rhythm.
The family includes ten weights with matching italics and a variable font covering weight and slant.
Get your 🆓 trial today! Follow our link in bio.

🛰️ #BSSynthetik is an expressive, minimal geometric sans-serif typeface with generous proportions. Its modern shapes create a dynamic rhythm while remaining grounded in classic geometric models: a contemporary interpretation between Futura and Johnston.
As a geometric humanist with very low contrast and smooth curve connections, BS Synthetik employs vertical-cut terminals that lend both speed and clarity to its voice. This structural logic carries through to other details: the f and t feature asymmetric crossbars that extend only to the right, while the Q balances its circle with a vertically trimmed tail that reaches beyond the bowl. Even the 4 reflects this approach, with a vertical stem that stops cleanly at the horizontal crossbar to create an open triangular counterform. Completing the system, alternates such as a straight-stemmed j and a geometric-cross t provide subtle variations without breaking the overall rhythm.
The family includes ten weights with matching italics and a variable font covering weight and slant.
Get your 🆓 trial today! Follow our link in bio.

🛰️ #BSSynthetik is an expressive, minimal geometric sans-serif typeface with generous proportions. Its modern shapes create a dynamic rhythm while remaining grounded in classic geometric models: a contemporary interpretation between Futura and Johnston.
As a geometric humanist with very low contrast and smooth curve connections, BS Synthetik employs vertical-cut terminals that lend both speed and clarity to its voice. This structural logic carries through to other details: the f and t feature asymmetric crossbars that extend only to the right, while the Q balances its circle with a vertically trimmed tail that reaches beyond the bowl. Even the 4 reflects this approach, with a vertical stem that stops cleanly at the horizontal crossbar to create an open triangular counterform. Completing the system, alternates such as a straight-stemmed j and a geometric-cross t provide subtle variations without breaking the overall rhythm.
The family includes ten weights with matching italics and a variable font covering weight and slant.
Get your 🆓 trial today! Follow our link in bio.
🏁 Just for you, here’s a sneak peek at anything and everything that’s wip or unreleased but we feel like it deserves to be seen.
🚨 BOLID SYSTEM GIVEAWAY 🚨
We’re giving away 3 prizes to our community!
🥇 1st Prize: 500 CHF Store credits 🔤
🥈 2nd Prize: 100 CHF Store credits 🔤
🥉 3rd Prize: FFTW T-Shirt 👕
How to enter?
1️⃣ Follow @bolidsystem
2️⃣ Comment below with your favorite font from our catalogue
3️⃣ Like this post
📅 Ends: Sunday, May 17th at midnight.
📬 Winners will be contacted via DM!
Good luck!
Rules & details → Link in bio.

#BSAbriko is a free-minded display font, an impulsive typeface born from Maël Bächtold’s fascination with geometric drawings and expressive display fonts of the Bauhaus era. With a touch of naivety, it experiments with shapes and contrasts, exploring roundness, counter forms and unexpected proportions to give text a friendly yet unconventional presence. Despite its playful irregularities, every detail is deliberate. Contrasts are carefully balanced to maintain visual unity, even when elements are placed unconventionally or omitted from certain glyphs.
BS Abriko is available as a single display style, offering expressive geometric forms and playful contrasts suited for designs that seek a friendly yet unconventional typeface.
Get your 🆓 trial today! Follow our link in bio.

#BSAbriko is a free-minded display font, an impulsive typeface born from Maël Bächtold’s fascination with geometric drawings and expressive display fonts of the Bauhaus era. With a touch of naivety, it experiments with shapes and contrasts, exploring roundness, counter forms and unexpected proportions to give text a friendly yet unconventional presence. Despite its playful irregularities, every detail is deliberate. Contrasts are carefully balanced to maintain visual unity, even when elements are placed unconventionally or omitted from certain glyphs.
BS Abriko is available as a single display style, offering expressive geometric forms and playful contrasts suited for designs that seek a friendly yet unconventional typeface.
Get your 🆓 trial today! Follow our link in bio.

#BSAbriko is a free-minded display font, an impulsive typeface born from Maël Bächtold’s fascination with geometric drawings and expressive display fonts of the Bauhaus era. With a touch of naivety, it experiments with shapes and contrasts, exploring roundness, counter forms and unexpected proportions to give text a friendly yet unconventional presence. Despite its playful irregularities, every detail is deliberate. Contrasts are carefully balanced to maintain visual unity, even when elements are placed unconventionally or omitted from certain glyphs.
BS Abriko is available as a single display style, offering expressive geometric forms and playful contrasts suited for designs that seek a friendly yet unconventional typeface.
Get your 🆓 trial today! Follow our link in bio.

#BSAbriko is a free-minded display font, an impulsive typeface born from Maël Bächtold’s fascination with geometric drawings and expressive display fonts of the Bauhaus era. With a touch of naivety, it experiments with shapes and contrasts, exploring roundness, counter forms and unexpected proportions to give text a friendly yet unconventional presence. Despite its playful irregularities, every detail is deliberate. Contrasts are carefully balanced to maintain visual unity, even when elements are placed unconventionally or omitted from certain glyphs.
BS Abriko is available as a single display style, offering expressive geometric forms and playful contrasts suited for designs that seek a friendly yet unconventional typeface.
Get your 🆓 trial today! Follow our link in bio.

#BSAbriko is a free-minded display font, an impulsive typeface born from Maël Bächtold’s fascination with geometric drawings and expressive display fonts of the Bauhaus era. With a touch of naivety, it experiments with shapes and contrasts, exploring roundness, counter forms and unexpected proportions to give text a friendly yet unconventional presence. Despite its playful irregularities, every detail is deliberate. Contrasts are carefully balanced to maintain visual unity, even when elements are placed unconventionally or omitted from certain glyphs.
BS Abriko is available as a single display style, offering expressive geometric forms and playful contrasts suited for designs that seek a friendly yet unconventional typeface.
Get your 🆓 trial today! Follow our link in bio.

#BSAbriko is a free-minded display font, an impulsive typeface born from Maël Bächtold’s fascination with geometric drawings and expressive display fonts of the Bauhaus era. With a touch of naivety, it experiments with shapes and contrasts, exploring roundness, counter forms and unexpected proportions to give text a friendly yet unconventional presence. Despite its playful irregularities, every detail is deliberate. Contrasts are carefully balanced to maintain visual unity, even when elements are placed unconventionally or omitted from certain glyphs.
BS Abriko is available as a single display style, offering expressive geometric forms and playful contrasts suited for designs that seek a friendly yet unconventional typeface.
Get your 🆓 trial today! Follow our link in bio.

#BSAbriko is a free-minded display font, an impulsive typeface born from Maël Bächtold’s fascination with geometric drawings and expressive display fonts of the Bauhaus era. With a touch of naivety, it experiments with shapes and contrasts, exploring roundness, counter forms and unexpected proportions to give text a friendly yet unconventional presence. Despite its playful irregularities, every detail is deliberate. Contrasts are carefully balanced to maintain visual unity, even when elements are placed unconventionally or omitted from certain glyphs.
BS Abriko is available as a single display style, offering expressive geometric forms and playful contrasts suited for designs that seek a friendly yet unconventional typeface.
Get your 🆓 trial today! Follow our link in bio.
🧠 Font licensing should be the easiest part of your project, not the most complicated.
🌐 With our Universal License, we removed any complexity to buying fonts; no counting page views, no tracking app downloads and no separate fees for print, web, or broadcast. We use a single metric that’s easily sharable: the total size of your client’s company.
✨ This one license covers all media. From the logo and social media to the website, mobile app and even TV commercials.
✅ Essentially, if you have our font files, you get to use them. This means you can focus on design instead of legal details.
⏳ Need flexibility for a short-term campaign or event? We also offer an Annual option at -50% with the same conditions.
ℹ️ If you have any questions, head to our FAQ → link in bio.

📍Come say hi! 🗓️
🔤 @bolidsystem will participate in this year's @p.a.g.e.s_artbook_fair event.
👥 Both co-founders Arthur Schwarz & Maël Bächtold will represent their type design studio launched earlier this year.
Both graduates of HEAD and ÉCAL, they built a design practice that combines precision with forward-looking ideas.
Together, they create typefaces ranging from bold display styles to extensive text families, always crafted with precision, purpose and care.
They see type as a material that shapes how ideas are seen, read and understood.
📍Come say hi! 🗓️
🔤 @bolidsystem will participate in this year's @p.a.g.e.s_artbook_fair event.
👥 Both co-founders Arthur Schwarz & Maël Bächtold will represent their type design studio launched earlier this year.
Both graduates of HEAD and ÉCAL, they built a design practice that combines precision with forward-looking ideas.
Together, they create typefaces ranging from bold display styles to extensive text families, always crafted with precision, purpose and care.
They see type as a material that shapes how ideas are seen, read and understood.

📍Come say hi! 🗓️
🔤 @bolidsystem will participate in this year's @p.a.g.e.s_artbook_fair event.
👥 Both co-founders Arthur Schwarz & Maël Bächtold will represent their type design studio launched earlier this year.
Both graduates of HEAD and ÉCAL, they built a design practice that combines precision with forward-looking ideas.
Together, they create typefaces ranging from bold display styles to extensive text families, always crafted with precision, purpose and care.
They see type as a material that shapes how ideas are seen, read and understood.
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