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New @athletics ballpark loading…🏗️⚾

Set to open for the 2028 @MLB season, the new ballpark will sit between Tropicana and Reno Avenues and hold 33,000 fans, featuring an expansive cable-net glass wall that frames panoramic views of the Las Vegas Strip. Designed by BIG in collaboration with @hntbcorp, the covered ballpark is accentuated by five overlapping roofs resembling baseball pennants, shielding fans and players from direct sunlight while still allowing filtered natural light to stream in through clerestory windows. Inspired by the intimacy of historic ballparks like Fenway and Wrigley, the tiered design brings fans closer to home plate, with clear sight lines from every seat in the split upper and lower bowls.

🎥 @athletics

@thorntontomasetti @hendersonengineers @creativeartistsagency ICON @mortenson_construction @mccarthybuild @atelier_ten RWDI @kimleyhorn Systematica WJHW @jensen_hughes HKA @wspglobal FP&C ChicagoFlyhouse @durayfoodservice EdRoetherConsulting @morean.gmbh @mir.no

#Athletics #MLB #AthleticsBallpark #LasVegas #BjarkeIngelsGroup

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

The @tirpitzmuseum transforms a former German WWII bunker into a cultural destination embedded within the protected dune landscape of Blåvand on the Danish west coast. While the historic bunker remains the site’s central artefact, the new 2,800-m² museum unfolds from it through a series of precise incisions in the terrain. Subtly integrated into the landscape, the extension preserves the surrounding shorelands while integrating the bunker into the broader visitor experience. Together, the bunker and museum house four exhibitions within a single continuous structure.

Coined ‘the invisible museum’, Tirpitz attracted a record number of visitors following its opening in 2017 and remains a key cultural anchor in the area, which has since seen the opening of the BIG-designed Marsk Tower and @flugtrefugeemuseumofdenmark.

📸 @rasmus_hjortshoj

#BIG #BjarkeIngels #Architecture #MuseumArchitecture #AdaptiveReuse

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

We’re proud to share that our East Side Coastal Resiliency project has received an AIANY and @asla_ny Transportation + Infrastructure Design Excellence Award!

Emerging from @hudgov’s Rebuild by Design competition, ESCR’s ribbon of green spaces along Manhattan’s east side protect over 110,000 New Yorkers from future storms while strengthening the neighborhood’s connection to the East River. Bringing together new areas for play and gathering with layered flood protection and new pedestrian bridges, the ‘parkipelago’ transforms the waterfront into a more vibrant, resilient, and accessible public space. And with warm weather arriving in New York, there’s no better time to enjoy the new parkland! 🌳

ESCR was designed and developed under the leadership of the @nycddc in collaboration with @mnla_landscape_architects, @one_arch_urb, @akrfinc, @arcadisglobal, @jacobsconnects, Lower East Side residents, and our many partners.

📷 @iwanbaan, NYCDDC/Matthew Lapiska, @field_condition/Jonathan Morefield

@centerforarch @hardestyhanover @siteworkscm @oftn_nyc #WeslerCohen #HazenandSawyer @pentagramdesign #EastRiverPark #BjarkeIngelsGroup #NewYorkCity

BIG Atlas, the first comprehensive monograph of our completed work, is now available worldwide.

A massive thank you to @phaidonpress, @studiovedet, @valentinaciuffi, @josephgrima, Kent Martinussen, and @andrimagnason, as well as everyone who has been on the journey with us so far - including our clients, collaborators, architects, designers, engineers, urbanists, inventors, and researchers who brought the projects in BIG Atlas to life. Here’s to the next 25 years!

Get your copy through the link in bio or in person at your favorite bookstore.

📸 @kasap.rocky @studiovedet

@bjarkeingels #BIGAtlas #BjarkeIngelsGroup #BIGArchitects #Phaidon

BIG Atlas, the first comprehensive monograph of our completed work, is now available worldwide.

A massive thank you to @phaidonpress, @studiovedet, @valentinaciuffi, @josephgrima, Kent Martinussen, and @andrimagnason, as well as everyone who has been on the journey with us so far - including our clients, collaborators, architects, designers, engineers, urbanists, inventors, and researchers who brought the projects in BIG Atlas to life. Here’s to the next 25 years!

Get your copy through the link in bio or in person at your favorite bookstore.

📸 @kasap.rocky @studiovedet

@bjarkeingels #BIGAtlas #BjarkeIngelsGroup #BIGArchitects #Phaidon

BIG Atlas, the first comprehensive monograph of our completed work, is now available worldwide.

A massive thank you to @phaidonpress, @studiovedet, @valentinaciuffi, @josephgrima, Kent Martinussen, and @andrimagnason, as well as everyone who has been on the journey with us so far - including our clients, collaborators, architects, designers, engineers, urbanists, inventors, and researchers who brought the projects in BIG Atlas to life. Here’s to the next 25 years!

Get your copy through the link in bio or in person at your favorite bookstore.

📸 @kasap.rocky @studiovedet

@bjarkeingels #BIGAtlas #BjarkeIngelsGroup #BIGArchitects #Phaidon

BIG Atlas, the first comprehensive monograph of our completed work, is now available worldwide.

A massive thank you to @phaidonpress, @studiovedet, @valentinaciuffi, @josephgrima, Kent Martinussen, and @andrimagnason, as well as everyone who has been on the journey with us so far - including our clients, collaborators, architects, designers, engineers, urbanists, inventors, and researchers who brought the projects in BIG Atlas to life. Here’s to the next 25 years!

Get your copy through the link in bio or in person at your favorite bookstore.

📸 @kasap.rocky @studiovedet

@bjarkeingels #BIGAtlas #BjarkeIngelsGroup #BIGArchitects #Phaidon

BIG Atlas, the first comprehensive monograph of our completed work, is now available worldwide.

A massive thank you to @phaidonpress, @studiovedet, @valentinaciuffi, @josephgrima, Kent Martinussen, and @andrimagnason, as well as everyone who has been on the journey with us so far - including our clients, collaborators, architects, designers, engineers, urbanists, inventors, and researchers who brought the projects in BIG Atlas to life. Here’s to the next 25 years!

Get your copy through the link in bio or in person at your favorite bookstore.

📸 @kasap.rocky @studiovedet

@bjarkeingels #BIGAtlas #BjarkeIngelsGroup #BIGArchitects #Phaidon

BIG Atlas, the first comprehensive monograph of our completed work, is now available worldwide.

A massive thank you to @phaidonpress, @studiovedet, @valentinaciuffi, @josephgrima, Kent Martinussen, and @andrimagnason, as well as everyone who has been on the journey with us so far - including our clients, collaborators, architects, designers, engineers, urbanists, inventors, and researchers who brought the projects in BIG Atlas to life. Here’s to the next 25 years!

Get your copy through the link in bio or in person at your favorite bookstore.

📸 @kasap.rocky @studiovedet

@bjarkeingels #BIGAtlas #BjarkeIngelsGroup #BIGArchitects #Phaidon

CityWave is already making its mark on the Milan skyline 🌇

“CityWave is conceived not as a single tower, but as two buildings connected by a sweeping catenary canopy, forming a gateway into CityLife. The architecture carries a distinctly Italian duality: rational and disciplined in its clarity yet unexpectedly majestic when all the elements come together. The canopy not only generates energy, but also creates a generous public realm beneath as a gift to the city of Milan providing shade from the sun and shelter from the rain. As the canopy climbs the buildings, it also extends the life of the workplace to the outside onto terraces at every level. In this way, the project condenses the qualities of CityLife into a single architectural gesture. To contribute to a city with such an extraordinary architectural heritage is a great privilege, and after visiting the site today, I feel both optimistic and excited for CityWave’s opening by New Year.” - @BjarkeIngels, Founder and Creative Director, BIG

🎥 @Alberto_Fanelli

@generaligroup @citylifemilano @atelier_verticale Manens Holzner & Bertagnolli Engineering @faces_engineering Castiglioni @gadstudio.eu @agep_greenscape Systematica Studio Mistretta & Co.

#CityWaveMilan #CityLifeMilan #BjarkeIngelsGroup #Architecture #Milan

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

We’re excited to unveil the new home for the Tennessee Performing Arts Center, the future of performance in Music City! 🎶

Designed by BIG, @rawnarch, and @hastingsarchitecture, the new TPAC is situated on a riverfront site in Nashville’s reenergized East Bank. The 307,000-sq-ft center invites the community in from every direction, with four performance venues clustered at its core: the multi-function Grand Broadway theater, a dance and opera hall, a flexible black box theater, and an intimate cabaret space, as well as rehearsal studios and classrooms. Extending the city’s rich legacy in the arts, the new building will serve as the home of the Nashville Ballet, Nashville Opera, and Nashville Repertory Theatre while creating venues for traveling Broadway shows, dance performances, and community events.

“The new home for the Tennessee Performing Arts Center is designed like an urban and cultural connection – between the east and west bank of the Cumberland River, between the old and the new Nashville, and between all of the performing arts. Visually, it bookends Broadway as a beacon from across the river, drawing the cultural life of downtown across to the East Bank. Designed to be welcoming on all sides, the center is accessible from above and below the bridge, making the lobby a cascading public space for the daily life of the neighborhood. The façade is composed of aluminum tubes bundled like organ pipes or steel chimes, undulating from vertical to horizontal to provide openings and canopies for the audience and performers passing through. The result is like a flowing public pavilion in the park that, as the new home for TPAC, provides the inclusive and inviting character that its program and performances deserve.” - @bjarkeingels, Founder & Creative Director, BIG

🖼️ @bloomimages, BIG

@TennesseePAC @Apeiro_Design @TYLinInternational @Altieri.LLC @JaffeHolden @KimleyHorn @Front.Global @ThorntonTomasetti @VDAGlobal CCI @TillotsonDesign InmanFoodservicesGroup @OLINInsta @lobservatoire_intl @Atelier_Ten VenueConsulting

#BjarkeIngelsGroup #Nashville #MusicCity #BIGArchitecture #Tennessee

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

The Transitlager Dreispitz in Basel transforms a 1960s industrial warehouse into a 30.000-m2 mixed-use building with 103 housing units and public-facing programs such as restaurants, galleries, studios, and creative workspaces. Completed in 2017 as part of the wider redevelopment of the Dreispitz area into a cultural and arts district, BIG’s design retains the original concrete structure and activates it with public-facing programs such as restaurants, galleries, studios, and creative workspaces.

Above the existing warehouse, a new residential addition emerges from the same structural grid yet takes on a distinctly different character. While the original building remains linear, open, and flexible, the new volume adopts a zigzag form that steps outward to create terraces for the apartments. The contrast between the two layers reflects their different uses - public and collective below, private and domestic above - while together forming a hybrid building that combines work, culture, and living. At the top, a communal roof garden provides shared outdoor space and views across the evolving Dreispitz district.

Learn more about the project via the link in bio.

📸 @laurianghinitoiu, @mariusvasile28 & @fabian0k

#BIG #bjarkeingels #architecture #adaptivereuse

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

Introducing @notahotel_official’s newest resort in Setouchi, now open on Japan’s remote island of Sagishima.

Surrounded on all sides by the Seto Inland Sea, NOT A HOTEL Setouchi comprises three distinct villas and a beach terrace restaurant carved into the 30,000-m2 site. Weaving up the mountainous terrain like a ribbon, the pavilions are made of soil excavated directly from the site using the traditional rammed earth technique.

“NOT A HOTEL Setouchi are our first completed buildings in Japan, a culture that has had a profound impact on myself and my understanding of architecture; a place where fearless Futurism and deep traditional roots coexist in contrasting harmony. It has been an absolute architectural adventure to work with NOT A HOTEL to make this vision come to life.

The archipelago around Sagishima is like a Japanese landscape painting. Steep rolling hills covered in lush green vegetation erupt from the tranquillity of the Seto Inland Sea. The four pavilions are conceived as extensions of the dramatic topography. Hilltops and peninsulas, outcroppings and canyons are outlined by rammed earth walls and solar roofs to provide pavilions with 360-, 270-, 180-, and 90-degree views of the surrounding scenery. On one hand, each home is like an inhabited view, open and extroverted. On the other, their spinal walls outline a private and protected space – open only to the sky. Macrocosmos meets microcosmos, traditional meets modern; Scandinavian and Japanese, the villas are architectural oxymorons embodying seemingly contradictory elements into a holistic hospitable whole.” - @bjarkeingels, Founder and Creative Director, BIG

📸 @kentahasegawa @ryoheikoike

MAEDACorporation @arupgroup @1moku_japan BOCS @nosight.jp @lit_lsv @mir.no

#NOTAHOTEL #Japan #Setouchi #Sagishima #BIGLondon

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

We’re thrilled to be a part of Shakira’s historic residency in Spain! 🎤✨

Designed for her unique shows in Madrid as part of the Las Mujeres Ya No Lloran World Tour, Shakira Stadium in Macondo Park combines performance space, park, and village for over 50,000 fans. Set on a 21-hectare site of an existing music venue and conceived as an alternative to the traditional stadium - which often sits inactive between events - Macondo Park will remain alive before, during, and after each show.

Across the 21-hectare site, curvilinear paths draped in recycled fabrics guide visitors through layered public spaces that include artisan markets, culinary experiences, children’s zones, and more. Surrounding the stadium, green islands inspired by landscapes across Spain and Latin America extend the energy of the stage out into the venue and beyond. As an immersive expression of contemporary Latin identity, Shakira Stadium in Macondo Park celebrates music, culture, and human connection in one living landscape.

🖼️ BIG

@Shakira @LiveNationESP

#LMYNLWorldTour #Shakira #BjarkeIngelsGroup #Spain

To celebrate the upcoming release of @phaidonpress’s new monograph, BIG Atlas, join us on April 14th for a fireside chat with @bjarkeingels and @amyastley at the @guggenheim. Together, they’ll explore how over two decades of our built projects give form to the world of our dreams - and the stories behind them.

🎟️ Get your tickets through the link in bio!

To celebrate the upcoming release of @phaidonpress’s new monograph, BIG Atlas, join us on April 14th for a fireside chat with @bjarkeingels and @amyastley at the @guggenheim. Together, they’ll explore how over two decades of our built projects give form to the world of our dreams - and the stories behind them.

🎟️ Get your tickets through the link in bio!

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

Along the Black Sea coastline in Riva, The Drop forms part of the larger Ion Riva project – a new neighborhood organized around nature, community, and art just north of Istanbul. Named for its shape, The Drop begins as a linear volume that aligns with the street before curving toward the coastline, wrapping a sheltered courtyard and gradually opening toward the Black Sea with wide views of the water 🌊

Set on a rocky coastal hillside defined by low shrubland and basalt formations, the building responds directly to its immediate landscape. Inside, the program steps down the hillside: a café at the upper arrival level connects to a terraced reading lounge and a restaurant below, with a spa carved into the hillside beneath. Mass timber frames and warm interior surfaces sit on basalt stone floors that echo the rocky shore, while a slate roof and rotated timber lamellas provide shading without blocking views. Outside, paths of stone and a corten boardwalk weave through the landscape, connecting seating areas, a small amphitheater, fire pits, and lookout points toward the water.

📸 @thisisbtb

@ionglobal

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen

With The Plus, @vestre_furniture set out to rethink the idea of a factory as a place that is open, transparent, and welcoming to visitors - revealing the process of furniture-making while setting a new standard for sustainable production. A very special moment seeing the building shortlisted for the @riba International Award for Excellence this year 💚

Nestled within the forests of Magnor, Norway, the cross-shaped building brings the different stages of furniture production together around a central hub. The four wings house wood, color, assembly, and warehouse functions, while the surrounding woodland park invites visitors to explore the factory and experience how furniture is made firsthand. Constructed from local mass timber and partly powered by 900 solar panels, the project became the first industrial building in the Nordics to achieve the highest BREEAM Outstanding environmental rating.

Thank you to the RIBA jury - and congratulations to Vestre and the entire project team!

📸 @studio.abrakadabra & @einaraslaksen