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How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

How do you produce a publication as circular as possible? With this question, designer @3iguelito challenged himself as he created the very first RR:rrrr publication.

What makes it circular? ↻ Leftover paper reused and donated by @drukkerijraddraaierssp, @pantheondrukkers and @robstolk.amsterdam ↻ Silkscreen posters from previous RR cycles repurposed as covers ↻ The Trinité typeface reassembled through scanned collage techniques ↻ And finally: leftover paper from the binding process recycled again as the starting point for making new paper during the first workshop of the new RR cycle @bbbbgrabb.

🗝️ RR:rrrr publication launch → June 6 @chillzone.books
⚙️ Workshop: Pulping Paper w/ Miquel Hervás Gómez → sign-ups open May 27
🤍 Special thanks to @terrysscreenprinting @eleenie @bbbbgrabb in this production process

Subsidence: Kiruna by Ivar Mattsson. @ivarmattsson

A 1st year student in the Graphic Design Department.

In Kiruna, the ground is in constant motion due to underground mining. This publication traces these shifts through silkscreened images, exploring how an invisible process can reshape the surface over time.

The project was made during Image class last semester.

Bound in @bbbbgrabb
Printed in Silkscreen workshop at GRA

Subsidence: Kiruna by Ivar Mattsson. @ivarmattsson

A 1st year student in the Graphic Design Department.

In Kiruna, the ground is in constant motion due to underground mining. This publication traces these shifts through silkscreened images, exploring how an invisible process can reshape the surface over time.

The project was made during Image class last semester.

Bound in @bbbbgrabb
Printed in Silkscreen workshop at GRA

Subsidence: Kiruna by Ivar Mattsson. @ivarmattsson

A 1st year student in the Graphic Design Department.

In Kiruna, the ground is in constant motion due to underground mining. This publication traces these shifts through silkscreened images, exploring how an invisible process can reshape the surface over time.

The project was made during Image class last semester.

Bound in @bbbbgrabb
Printed in Silkscreen workshop at GRA

Subsidence: Kiruna by Ivar Mattsson. @ivarmattsson

A 1st year student in the Graphic Design Department.

In Kiruna, the ground is in constant motion due to underground mining. This publication traces these shifts through silkscreened images, exploring how an invisible process can reshape the surface over time.

The project was made during Image class last semester.

Bound in @bbbbgrabb
Printed in Silkscreen workshop at GRA

Subsidence: Kiruna by Ivar Mattsson. @ivarmattsson

A 1st year student in the Graphic Design Department.

In Kiruna, the ground is in constant motion due to underground mining. This publication traces these shifts through silkscreened images, exploring how an invisible process can reshape the surface over time.

The project was made during Image class last semester.

Bound in @bbbbgrabb
Printed in Silkscreen workshop at GRA

Subsidence: Kiruna by Ivar Mattsson. @ivarmattsson

A 1st year student in the Graphic Design Department.

In Kiruna, the ground is in constant motion due to underground mining. This publication traces these shifts through silkscreened images, exploring how an invisible process can reshape the surface over time.

The project was made during Image class last semester.

Bound in @bbbbgrabb
Printed in Silkscreen workshop at GRA

Subsidence: Kiruna by Ivar Mattsson. @ivarmattsson

A 1st year student in the Graphic Design Department.

In Kiruna, the ground is in constant motion due to underground mining. This publication traces these shifts through silkscreened images, exploring how an invisible process can reshape the surface over time.

The project was made during Image class last semester.

Bound in @bbbbgrabb
Printed in Silkscreen workshop at GRA

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

1 week left before the end of the open call!!!

If you’re studying (or used to study) at the Rietveld Academie or Sandberg Instituut; or you are a part of the Rietveld and Sandberg community (staff, teacher, workshop manager, etc) — we have a few things to offer you:
YOU can send us (rietveldjournal@rietveldacademie.nl) your poems, essays, fiction, interviews, notes, puzzles, drawings, collages, pictures — any printed matter. It will be printed in the fourth issue of the Rietveld Journal, which will be distributed for free at the Rietveld Academie and beyond internationally!!
YOU can curate a section, that others can contribute their texts and images to. Dreams, DIY tutorials, astrology, research, song lyrics, imaginary languages, grocery lists, dog-related content — anything goes.
YOU can join our team and take part in making the Journal come to life — you can communicate with contributors, proofread the texts, plan and organise the launch and much more!
Please don’t hesitate to send us an email with you any questions/proposals to rietveldjournal@rietveldacademie.nl and together we will figure out a way for you to contribute!

open call campaign design by @leo_bidani and @anatole_prost

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

🪡 Looking back at last month’s Stab Binding workshops 📚 for the last Practicum Generale! Here are some of the books bound during the four sessions. Thank you to all our participants for their curiosity and colourful choices. 💙💛🤎🤍

Stab Binding, better known as Japanese Binding, is one of the oldest and most durable binding techniques. A pillar technique in the workshop, one embarks in a connect-the-dots game with a needle in one hand and thread in the other. It starts by picking papers, understanding their grain direction, then punching a series of strategically placed holes along the spine, after what pages are delicately sewn together. The arrangement of these punctures can be choreographed in various ways, giving you the freedom to explore the many configurations of diverse, and occasionally intriguing, patterns.

Come by anytime to see the Stab Bound books in our shelves, or start your own project…🐝 and see you at the next PG 🐝

22.04.2026 - 19:00 Supporting Acts workshop series: BBringing it together: the making of a Colophon-Reader by @bbbbgrabb / Gersande Schellinx

‘BBringing it together: the making of a Colophon-Reader’ nodigt uit om de ondersteunende structuren te verkennen en de vaak onzichtbare arbeid achter het maken van publicaties te belichten.

‘Supporting Act(s), BBringing it together’ nodigt je uit om in de activistische bibliotheek @artivistlibrary van Nieuwe Vide te duiken en samen een Colophon-Reader te creëren.

Een colofon beschrijft de sociale, materiële en economische processen die het publicatieproces vormgeven. Het geeft (al dan niet) erkenning aan schrijvers en collectieven, uitgevers en financieringsbronnen, plaatst het werk in tijd en ruimte en vermeldt ook auteursrechten en Creative Commons-licenties. De colofon belichaamt de collectieve inspanning die een boek maakt en onthult de arbeid die erachter schuilgaat, al is het niet altijd even expliciet.

Samen verzamelen we colofons van publicaties uit de bibliotheek van Nieuwe Vide. Aan de hand van aantekeningen en gesprekken gaan we hiermee aan de slag en stellen we onze eigen ‘collectieve reader’ samen. Vervolgens drukken we deze en binden we hem in.

Deze bundel dient tevens als leidraad voor het begrijpen van de uitgeverswereld en als naslagwerk voor het schrijven van uw eigen colofons, waarmee u uiteindelijk een 'colofon van colofons' creëert om de bundel mee af te sluiten. Iedere deelnemer ontvangt een eigen exemplaar.

Je leert dus gelijktijdig ook boekbinden!

✨Teken Or Leave it organiseert workshops en open draws, om de week op woensdag. Deze workshop maakt deel uit van de tentoonstelling Supporting Act(s) en Gersande Schellinx / BB (Bookbinding Workshop) werd uitgenodigd door de kunstenaars van de tentoonstelling, Jeannette Slütter & Harriet Rose Morley. (Meer info via de link in bio/nieuwevide.com)

✨Praktische Info:
Datum: 22.04 - 19:00
Adres: Energieplein 69, Haarlem
-Workshopkosten: 10 euro
-Tickets via Eventbrite (link in bio)*
*Kun je niet betalen? We werken met een sliding scale-systeem en bieden ook donatie-gebaseerde en gratis tickets aan.

#workshop #bbbbgrabb #bookbinding #colophon

22.04.2026 - 19:00 Supporting Acts workshop series: BBringing it together: the making of a Colophon-Reader by @bbbbgrabb / Gersande Schellinx

‘BBringing it together: the making of a Colophon-Reader’ nodigt uit om de ondersteunende structuren te verkennen en de vaak onzichtbare arbeid achter het maken van publicaties te belichten.

‘Supporting Act(s), BBringing it together’ nodigt je uit om in de activistische bibliotheek @artivistlibrary van Nieuwe Vide te duiken en samen een Colophon-Reader te creëren.

Een colofon beschrijft de sociale, materiële en economische processen die het publicatieproces vormgeven. Het geeft (al dan niet) erkenning aan schrijvers en collectieven, uitgevers en financieringsbronnen, plaatst het werk in tijd en ruimte en vermeldt ook auteursrechten en Creative Commons-licenties. De colofon belichaamt de collectieve inspanning die een boek maakt en onthult de arbeid die erachter schuilgaat, al is het niet altijd even expliciet.

Samen verzamelen we colofons van publicaties uit de bibliotheek van Nieuwe Vide. Aan de hand van aantekeningen en gesprekken gaan we hiermee aan de slag en stellen we onze eigen ‘collectieve reader’ samen. Vervolgens drukken we deze en binden we hem in.

Deze bundel dient tevens als leidraad voor het begrijpen van de uitgeverswereld en als naslagwerk voor het schrijven van uw eigen colofons, waarmee u uiteindelijk een 'colofon van colofons' creëert om de bundel mee af te sluiten. Iedere deelnemer ontvangt een eigen exemplaar.

Je leert dus gelijktijdig ook boekbinden!

✨Teken Or Leave it organiseert workshops en open draws, om de week op woensdag. Deze workshop maakt deel uit van de tentoonstelling Supporting Act(s) en Gersande Schellinx / BB (Bookbinding Workshop) werd uitgenodigd door de kunstenaars van de tentoonstelling, Jeannette Slütter & Harriet Rose Morley. (Meer info via de link in bio/nieuwevide.com)

✨Praktische Info:
Datum: 22.04 - 19:00
Adres: Energieplein 69, Haarlem
-Workshopkosten: 10 euro
-Tickets via Eventbrite (link in bio)*
*Kun je niet betalen? We werken met een sliding scale-systeem en bieden ook donatie-gebaseerde en gratis tickets aan.

#workshop #bbbbgrabb #bookbinding #colophon

Shout out to @beckmanscollegeofdesign , @beckmans_vk and Laslo! 🐝🐝🐝

We had the opportunity to come clean today in an online lecture with Beckmans College and admit our fascination for the B. Good excuse to put together an overview of the progress of BB logo overtime. 🐝🐝🐝

BB face filter in the B!

Shout out to @beckmanscollegeofdesign , @beckmans_vk and Laslo! 🐝🐝🐝

We had the opportunity to come clean today in an online lecture with Beckmans College and admit our fascination for the B. Good excuse to put together an overview of the progress of BB logo overtime. 🐝🐝🐝

BB face filter in the B!

Shout out to @beckmanscollegeofdesign , @beckmans_vk and Laslo! 🐝🐝🐝

We had the opportunity to come clean today in an online lecture with Beckmans College and admit our fascination for the B. Good excuse to put together an overview of the progress of BB logo overtime. 🐝🐝🐝

BB face filter in the B!

Shout out to @beckmanscollegeofdesign , @beckmans_vk and Laslo! 🐝🐝🐝

We had the opportunity to come clean today in an online lecture with Beckmans College and admit our fascination for the B. Good excuse to put together an overview of the progress of BB logo overtime. 🐝🐝🐝

BB face filter in the B!

Shout out to @beckmanscollegeofdesign , @beckmans_vk and Laslo! 🐝🐝🐝

We had the opportunity to come clean today in an online lecture with Beckmans College and admit our fascination for the B. Good excuse to put together an overview of the progress of BB logo overtime. 🐝🐝🐝

BB face filter in the B!

Join us during 📖 Open Day 2026 Rietveld/Sandberg ( @rietveldacademie @sandberginstituut )📝 as the BB Workshop launches the 4pp Book in collaboration with Konrad Urbanski ( @zdynikaroce )

Stop by the workshop on Friday, January 30st, between 11:00 and 17:00 to zoom in: 📃 qualities, 📄 production, 📑 grain direction, 🧾 weight while creating a 🗞 4-page BB manual.

Find us in room S27, located on the basement floor of the Rietveld

Text by Gersande Schellinx ( @gersande.schellinx )
Drawings by Konrad Urbanski ( @zdynikaroce )
Design by Miquel Hervás Gómez, Ott Metusala and Gersande Schellinx (@3iguelito , @ottottott , @gersande.schellinx )
Printed at GRA/SI Letterpress/Offset Workshop with César Rogers and Yuri Sato ( @kareslachevresitupeux ,@yuri_sato )
Typeface Amateur Sans by Łukasz Matuszewski ( @pupka4321 )
Bound at BB, Amsterdam, January 2026

Join us during 📖 Open Day 2026 Rietveld/Sandberg ( @rietveldacademie @sandberginstituut )📝 as the BB Workshop launches the 4pp Book in collaboration with Konrad Urbanski ( @zdynikaroce )

Stop by the workshop on Friday, January 30st, between 11:00 and 17:00 to zoom in: 📃 qualities, 📄 production, 📑 grain direction, 🧾 weight while creating a 🗞 4-page BB manual.

Find us in room S27, located on the basement floor of the Rietveld

Text by Gersande Schellinx ( @gersande.schellinx )
Drawings by Konrad Urbanski ( @zdynikaroce )
Design by Miquel Hervás Gómez, Ott Metusala and Gersande Schellinx (@3iguelito , @ottottott , @gersande.schellinx )
Printed at GRA/SI Letterpress/Offset Workshop with César Rogers and Yuri Sato ( @kareslachevresitupeux ,@yuri_sato )
Typeface Amateur Sans by Łukasz Matuszewski ( @pupka4321 )
Bound at BB, Amsterdam, January 2026

Join us during 📖 Open Day 2026 Rietveld/Sandberg ( @rietveldacademie @sandberginstituut )📝 as the BB Workshop launches the 4pp Book in collaboration with Konrad Urbanski ( @zdynikaroce )

Stop by the workshop on Friday, January 30st, between 11:00 and 17:00 to zoom in: 📃 qualities, 📄 production, 📑 grain direction, 🧾 weight while creating a 🗞 4-page BB manual.

Find us in room S27, located on the basement floor of the Rietveld

Text by Gersande Schellinx ( @gersande.schellinx )
Drawings by Konrad Urbanski ( @zdynikaroce )
Design by Miquel Hervás Gómez, Ott Metusala and Gersande Schellinx (@3iguelito , @ottottott , @gersande.schellinx )
Printed at GRA/SI Letterpress/Offset Workshop with César Rogers and Yuri Sato ( @kareslachevresitupeux ,@yuri_sato )
Typeface Amateur Sans by Łukasz Matuszewski ( @pupka4321 )
Bound at BB, Amsterdam, January 2026

Join us during 📖 Open Day 2026 Rietveld/Sandberg ( @rietveldacademie @sandberginstituut )📝 as the BB Workshop launches the 4pp Book in collaboration with Konrad Urbanski ( @zdynikaroce )

Stop by the workshop on Friday, January 30st, between 11:00 and 17:00 to zoom in: 📃 qualities, 📄 production, 📑 grain direction, 🧾 weight while creating a 🗞 4-page BB manual.

Find us in room S27, located on the basement floor of the Rietveld

Text by Gersande Schellinx ( @gersande.schellinx )
Drawings by Konrad Urbanski ( @zdynikaroce )
Design by Miquel Hervás Gómez, Ott Metusala and Gersande Schellinx (@3iguelito , @ottottott , @gersande.schellinx )
Printed at GRA/SI Letterpress/Offset Workshop with César Rogers and Yuri Sato ( @kareslachevresitupeux ,@yuri_sato )
Typeface Amateur Sans by Łukasz Matuszewski ( @pupka4321 )
Bound at BB, Amsterdam, January 2026

Join us during 📖 Open Day 2026 Rietveld/Sandberg ( @rietveldacademie @sandberginstituut )📝 as the BB Workshop launches the 4pp Book in collaboration with Konrad Urbanski ( @zdynikaroce )

Stop by the workshop on Friday, January 30st, between 11:00 and 17:00 to zoom in: 📃 qualities, 📄 production, 📑 grain direction, 🧾 weight while creating a 🗞 4-page BB manual.

Find us in room S27, located on the basement floor of the Rietveld

Text by Gersande Schellinx ( @gersande.schellinx )
Drawings by Konrad Urbanski ( @zdynikaroce )
Design by Miquel Hervás Gómez, Ott Metusala and Gersande Schellinx (@3iguelito , @ottottott , @gersande.schellinx )
Printed at GRA/SI Letterpress/Offset Workshop with César Rogers and Yuri Sato ( @kareslachevresitupeux ,@yuri_sato )
Typeface Amateur Sans by Łukasz Matuszewski ( @pupka4321 )
Bound at BB, Amsterdam, January 2026

Join us during 📖 Open Day 2026 Rietveld/Sandberg ( @rietveldacademie @sandberginstituut )📝 as the BB Workshop launches the 4pp Book in collaboration with Konrad Urbanski ( @zdynikaroce )

Stop by the workshop on Friday, January 30st, between 11:00 and 17:00 to zoom in: 📃 qualities, 📄 production, 📑 grain direction, 🧾 weight while creating a 🗞 4-page BB manual.

Find us in room S27, located on the basement floor of the Rietveld

Text by Gersande Schellinx ( @gersande.schellinx )
Drawings by Konrad Urbanski ( @zdynikaroce )
Design by Miquel Hervás Gómez, Ott Metusala and Gersande Schellinx (@3iguelito , @ottottott , @gersande.schellinx )
Printed at GRA/SI Letterpress/Offset Workshop with César Rogers and Yuri Sato ( @kareslachevresitupeux ,@yuri_sato )
Typeface Amateur Sans by Łukasz Matuszewski ( @pupka4321 )
Bound at BB, Amsterdam, January 2026

Join us during 📖 Open Day 2026 Rietveld/Sandberg ( @rietveldacademie @sandberginstituut )📝 as the BB Workshop launches the 4pp Book in collaboration with Konrad Urbanski ( @zdynikaroce )

Stop by the workshop on Friday, January 30st, between 11:00 and 17:00 to zoom in: 📃 qualities, 📄 production, 📑 grain direction, 🧾 weight while creating a 🗞 4-page BB manual.

Find us in room S27, located on the basement floor of the Rietveld

Text by Gersande Schellinx ( @gersande.schellinx )
Drawings by Konrad Urbanski ( @zdynikaroce )
Design by Miquel Hervás Gómez, Ott Metusala and Gersande Schellinx (@3iguelito , @ottottott , @gersande.schellinx )
Printed at GRA/SI Letterpress/Offset Workshop with César Rogers and Yuri Sato ( @kareslachevresitupeux ,@yuri_sato )
Typeface Amateur Sans by Łukasz Matuszewski ( @pupka4321 )
Bound at BB, Amsterdam, January 2026

BB is closed for Christmas, but the Busy Binder wishes you merry holidays!

BB is closed for Christmas, but the Busy Binder wishes you merry holidays!

BB is closed for Christmas, but the Busy Binder wishes you merry holidays!

BB is closed for Christmas, but the Busy Binder wishes you merry holidays!

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

We’ve just returned from a week-long trip to Amsterdam—seven intense days of @designinquiry workshops where we both participated and hosted film screenings and sessions ourselves as @future_fragments_project. The week flew by in a moment, set in an amazing space in the north of the city at @gwamsterdam

It was a true visual and intellectual feast: we cooked together, rescuing and re-using food that would otherwise have been discarded, all tied to the theme Future Salvage. There were inspiring encounters, a visit to the Karel Martens exhibition, film screenings with @juliavanmourik and films we brought from Poland, @agniepolska@kubamikurda @mmmmmmmmmmmmmmmmmmmmmmmmmmmae and countless evenings of discussion about the current state of visual language with an international group of designers, scholars, academics from the U.S., London, and across Europe.

An unforgettable time that’s hard to capture in photos—thank you!

@bbbbgrabb @krzyp @nickwbenson @luhitch @uconngraphicdesign @woolypear @alicetwemlow @marybanas @8dot5x11 @peter.hall @timahebo @benjaminvandyke @jjvdk_ @csancomb @douglasdegges @lulusandhaus @intertopia @dina.benbrahim @theoneminutes_ @lesliemooreparker @thisischrisswift @goodgooddetroit

Check the Workshop Talks on Education w/ Inna & feline. Link in 🅱️!
⛓️📝⛓️
Workshop Talks is a series of conversations with workshop specialists from the Gerrit Rietveld Academie. These discussions explore themes such as the use of materials, the role of craftsmanship in art education and preparation for professional practice.
⛓️📝⛓️
Interviews & Text: @saraharnolds ⛓️📝⛓️ Editing: Jane Szita ⛓️📝⛓️ Graphic Design: @cathucath ⛓️📝⛓️ Photography: @jordi_de_vetten ⛓️📝⛓️ Coordination Design: @jipisvansteen ⛓️📝⛓️Coordination: @studio_verbel & Tessa Verheul

Check the Workshop Talks on Education w/ Inna & feline. Link in 🅱️!
⛓️📝⛓️
Workshop Talks is a series of conversations with workshop specialists from the Gerrit Rietveld Academie. These discussions explore themes such as the use of materials, the role of craftsmanship in art education and preparation for professional practice.
⛓️📝⛓️
Interviews & Text: @saraharnolds ⛓️📝⛓️ Editing: Jane Szita ⛓️📝⛓️ Graphic Design: @cathucath ⛓️📝⛓️ Photography: @jordi_de_vetten ⛓️📝⛓️ Coordination Design: @jipisvansteen ⛓️📝⛓️Coordination: @studio_verbel & Tessa Verheul

Check the Workshop Talks on Education w/ Inna & feline. Link in 🅱️!
⛓️📝⛓️
Workshop Talks is a series of conversations with workshop specialists from the Gerrit Rietveld Academie. These discussions explore themes such as the use of materials, the role of craftsmanship in art education and preparation for professional practice.
⛓️📝⛓️
Interviews & Text: @saraharnolds ⛓️📝⛓️ Editing: Jane Szita ⛓️📝⛓️ Graphic Design: @cathucath ⛓️📝⛓️ Photography: @jordi_de_vetten ⛓️📝⛓️ Coordination Design: @jipisvansteen ⛓️📝⛓️Coordination: @studio_verbel & Tessa Verheul

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

Book about our visits to the archive of Henk Groenendijk between 05/03–02/04.

454 pages 197x277mm
Printed & bound at the Gerrit Rietveld Academie
Thanks for having us @henkgroenendijk_lib <3
Big support by @bbbbgrabb <3

J.J.

BBB is graduating this year with @finnspiratie ! Shout out to all graduates, peers, staff and working students.

🐝🐝🐝

BBB is graduating this year with @finnspiratie ! Shout out to all graduates, peers, staff and working students.

🐝🐝🐝

BBB is graduating this year with @finnspiratie ! Shout out to all graduates, peers, staff and working students.

🐝🐝🐝

BBB is graduating this year with @finnspiratie ! Shout out to all graduates, peers, staff and working students.

🐝🐝🐝

BBB is graduating this year with @finnspiratie ! Shout out to all graduates, peers, staff and working students.

🐝🐝🐝

BBB is graduating this year with @finnspiratie ! Shout out to all graduates, peers, staff and working students.

🐝🐝🐝

BBB is graduating this year with @finnspiratie ! Shout out to all graduates, peers, staff and working students.

🐝🐝🐝