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Photos from • Things Dismal and Things Worse •

17.4.2026 — 7.6.2026

Artist:
Most Dismal Swamp @most_dismal_swamp

Curators:
Jiří Sirůček @mmma_off
Noemi Purkrábková @basic_knife_safety
Zbyněk Baladrán @zbynekbaladran

Photos: Jan Kolský @jankolsky

Sólová výstava britského umělce Dana Sutherlanda, tvořícího pod pseudonymem Most Dismal Swamp, představuje průřez jeho tvorbou zaměřenou na halucinatorní projevy současných médií. Instalace nabízí imaginativní ponor do sdílených digitálních světů, herních prostředí a protokolů, které formují algoritmické architektury dnešního světa i souběžné krize, jimiž procházíme.
••••••••••
The solo exhibition of British artist Dan Sutherland, working under the pseudonym Most Dismal Swamp, presents a cross-section of his practice exploring the hallucinatory expressions of contemporary media. The installation offers an immersive entry into shared digital worlds, gaming environments, and protocols that shape the algorithmic architectures of the present as well as the parallel crises we are experiencing.

Photos from • Things Dismal and Things Worse •

17.4.2026 — 7.6.2026

Artist:
Most Dismal Swamp @most_dismal_swamp

Curators:
Jiří Sirůček @mmma_off
Noemi Purkrábková @basic_knife_safety
Zbyněk Baladrán @zbynekbaladran

Photos: Jan Kolský @jankolsky

Sólová výstava britského umělce Dana Sutherlanda, tvořícího pod pseudonymem Most Dismal Swamp, představuje průřez jeho tvorbou zaměřenou na halucinatorní projevy současných médií. Instalace nabízí imaginativní ponor do sdílených digitálních světů, herních prostředí a protokolů, které formují algoritmické architektury dnešního světa i souběžné krize, jimiž procházíme.
••••••••••
The solo exhibition of British artist Dan Sutherland, working under the pseudonym Most Dismal Swamp, presents a cross-section of his practice exploring the hallucinatory expressions of contemporary media. The installation offers an immersive entry into shared digital worlds, gaming environments, and protocols that shape the algorithmic architectures of the present as well as the parallel crises we are experiencing.

Photos from • Things Dismal and Things Worse •

17.4.2026 — 7.6.2026

Artist:
Most Dismal Swamp @most_dismal_swamp

Curators:
Jiří Sirůček @mmma_off
Noemi Purkrábková @basic_knife_safety
Zbyněk Baladrán @zbynekbaladran

Photos: Jan Kolský @jankolsky

Sólová výstava britského umělce Dana Sutherlanda, tvořícího pod pseudonymem Most Dismal Swamp, představuje průřez jeho tvorbou zaměřenou na halucinatorní projevy současných médií. Instalace nabízí imaginativní ponor do sdílených digitálních světů, herních prostředí a protokolů, které formují algoritmické architektury dnešního světa i souběžné krize, jimiž procházíme.
••••••••••
The solo exhibition of British artist Dan Sutherland, working under the pseudonym Most Dismal Swamp, presents a cross-section of his practice exploring the hallucinatory expressions of contemporary media. The installation offers an immersive entry into shared digital worlds, gaming environments, and protocols that shape the algorithmic architectures of the present as well as the parallel crises we are experiencing.

Photos from • Things Dismal and Things Worse •

17.4.2026 — 7.6.2026

Artist:
Most Dismal Swamp @most_dismal_swamp

Curators:
Jiří Sirůček @mmma_off
Noemi Purkrábková @basic_knife_safety
Zbyněk Baladrán @zbynekbaladran

Photos: Jan Kolský @jankolsky

Sólová výstava britského umělce Dana Sutherlanda, tvořícího pod pseudonymem Most Dismal Swamp, představuje průřez jeho tvorbou zaměřenou na halucinatorní projevy současných médií. Instalace nabízí imaginativní ponor do sdílených digitálních světů, herních prostředí a protokolů, které formují algoritmické architektury dnešního světa i souběžné krize, jimiž procházíme.
••••••••••
The solo exhibition of British artist Dan Sutherland, working under the pseudonym Most Dismal Swamp, presents a cross-section of his practice exploring the hallucinatory expressions of contemporary media. The installation offers an immersive entry into shared digital worlds, gaming environments, and protocols that shape the algorithmic architectures of the present as well as the parallel crises we are experiencing.

Photos from • Things Dismal and Things Worse •

17.4.2026 — 7.6.2026

Artist:
Most Dismal Swamp @most_dismal_swamp

Curators:
Jiří Sirůček @mmma_off
Noemi Purkrábková @basic_knife_safety
Zbyněk Baladrán @zbynekbaladran

Photos: Jan Kolský @jankolsky

Sólová výstava britského umělce Dana Sutherlanda, tvořícího pod pseudonymem Most Dismal Swamp, představuje průřez jeho tvorbou zaměřenou na halucinatorní projevy současných médií. Instalace nabízí imaginativní ponor do sdílených digitálních světů, herních prostředí a protokolů, které formují algoritmické architektury dnešního světa i souběžné krize, jimiž procházíme.
••••••••••
The solo exhibition of British artist Dan Sutherland, working under the pseudonym Most Dismal Swamp, presents a cross-section of his practice exploring the hallucinatory expressions of contemporary media. The installation offers an immersive entry into shared digital worlds, gaming environments, and protocols that shape the algorithmic architectures of the present as well as the parallel crises we are experiencing.

Photos from • Things Dismal and Things Worse •

17.4.2026 — 7.6.2026

Artist:
Most Dismal Swamp @most_dismal_swamp

Curators:
Jiří Sirůček @mmma_off
Noemi Purkrábková @basic_knife_safety
Zbyněk Baladrán @zbynekbaladran

Photos: Jan Kolský @jankolsky

Sólová výstava britského umělce Dana Sutherlanda, tvořícího pod pseudonymem Most Dismal Swamp, představuje průřez jeho tvorbou zaměřenou na halucinatorní projevy současných médií. Instalace nabízí imaginativní ponor do sdílených digitálních světů, herních prostředí a protokolů, které formují algoritmické architektury dnešního světa i souběžné krize, jimiž procházíme.
••••••••••
The solo exhibition of British artist Dan Sutherland, working under the pseudonym Most Dismal Swamp, presents a cross-section of his practice exploring the hallucinatory expressions of contemporary media. The installation offers an immersive entry into shared digital worlds, gaming environments, and protocols that shape the algorithmic architectures of the present as well as the parallel crises we are experiencing.

Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled Things Dismal and Things Worse, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.

𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋

Opening:
This Thursday, 16. 4. from 18.00

Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán

Photo credits:
Harry Sanderson

Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled Things Dismal and Things Worse, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.

𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋

Opening:
This Thursday, 16. 4. from 18.00

Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán

Photo credits:
Harry Sanderson

Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled Things Dismal and Things Worse, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.

𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋

Opening:
This Thursday, 16. 4. from 18.00

Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán

Photo credits:
Harry Sanderson

Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled Things Dismal and Things Worse, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.

𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋

Opening:
This Thursday, 16. 4. from 18.00

Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán

Photo credits:
Harry Sanderson

Introducing exhibiting artist Dane Sutherland, who works under the name 𝗠𝗼𝘀𝘁 𝗗𝗶𝘀𝗺𝗮𝗹 𝗦𝘄𝗮𝗺𝗽 @most_dismal_swamp. They will present a solo exhibition titled Things Dismal and Things Worse, exploring the hallucinatory manifestations of contemporary media. The installation invites immersion into shared digital worlds, gaming environments, and the protocols that shape the algorithmic architectures of the present and the overlapping crises they produce.

𝗯𝗶𝗼:
𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉 𝗂𝗌 𝖺 𝗉𝗋𝗈𝗃𝖾𝖼𝗍 𝖾𝗆𝖾𝗋𝗀𝗂𝗇𝗀 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝖼𝗎𝗋𝖺𝗍𝗈𝗋𝗂𝖺𝗅, 𝖺𝗋𝗍𝗂𝗌𝗍𝗂𝖼, 𝖺𝗇𝖽 𝗋𝖾𝗌𝖾𝖺𝗋𝖼𝗁 𝗉𝗋𝖺𝖼𝗍𝗂𝖼𝖾 𝗈𝖿 𝖣𝖺𝗇𝖾 𝖲𝗎𝗍𝗁𝖾𝗋𝗅𝖺𝗇𝖽 (𝖻. 𝟣𝟫𝟪𝟧, 𝖲𝖼𝗈𝗍𝗅𝖺𝗇𝖽). 𝖨𝗍𝗌 𝗆𝗎𝗅𝗍𝗂𝗆𝖾𝖽𝗂𝖺 𝗐𝗈𝗋𝗄𝗌 𝗂𝗇𝗏𝗈𝗅𝗏𝖾 𝖼𝗈𝗅𝗅𝖺𝖻𝗈𝗋𝖺𝗍𝗂𝗈𝗇, 𝖼𝗈𝗆𝗆𝗂𝗌𝗌𝗂𝗈𝗇𝗂𝗇𝗀, 𝖺𝗇𝖽 𝖼𝗈𝗇𝗏𝗂𝗏𝗂𝖺𝗅 𝗌𝗉𝖾𝖼𝗎𝗅𝖺𝗍𝗂𝗈𝗇 𝗐𝗂𝗍𝗁 𝖺 𝗐𝗂𝖽𝖾 𝗇𝖾𝗍𝗐𝗈𝗋𝗄 𝗈𝖿 𝖺𝗋𝗍𝗂𝗌𝗍𝗌. 𝖳𝗁𝖾𝗌𝖾 𝗉𝗋𝗈𝗃𝖾𝖼𝗍𝗌 𝖺𝗋𝖾 𝗆𝗈𝖽𝗎𝗅𝖺𝗋 𝖺𝗇𝖽 𝖽𝖾𝗇𝗌𝖾𝗅𝗒 𝗉𝗈𝗉𝗎𝗅𝖺𝗍𝖾𝖽, 𝗉𝗋𝖾𝗌𝖾𝗇𝗍𝖾𝖽 𝗍𝗁𝗋𝗈𝗎𝗀𝗁 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗏𝖾 𝖺𝗇𝖽 𝖻𝖾𝗌𝗉𝗈𝗄𝖾 𝗂𝗇𝗌𝗍𝖺𝗅𝗅𝖺𝗍𝗂𝗈𝗇𝗌, 𝖺𝗌 𝗐𝖾𝗅𝗅 𝖺𝗌 𝗈𝗇𝗅𝗂𝗇𝖾 – 𝗆𝗎𝗅𝗍𝗂-𝗎𝗌𝖾𝗋 𝗌𝗁𝖺𝗋𝖾𝖽 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗂𝗈𝗇𝗌 𝖽𝗋𝖾𝖽𝗀𝖾𝖽 𝖿𝗋𝗈𝗆 𝗍𝗁𝖾 𝗌𝗅𝗎𝗆𝗀𝗎𝗅𝗅𝗂𝗈𝗇 𝗌𝗐𝖺𝗆𝗉 𝗈𝖿 𝖺𝖽𝗏𝖾𝗋𝗌𝖺𝗋𝗂𝖺𝗅 𝖽𝗂𝗀𝗂𝗍𝖺𝗅, 𝗉𝗅𝖺𝗍𝖿𝗈𝗋𝗆, 𝖺𝗇𝖽 𝗇𝖾𝗎𝗋𝖺𝗅 𝗆𝖾𝖽𝗂𝖺. 𝖠 𝗋𝗂𝗀𝗈𝗋𝗈𝗎𝗌 ‘𝖺𝖼𝗂𝖽 𝗉𝖾𝗌𝗌𝗂𝗆𝗂𝗌𝗆’ 𝖺𝗇𝗂𝗆𝖺𝗍𝖾𝗌 𝗍𝗁𝖾 𝗐𝗈𝗋𝗄 𝗈𝖿 𝖬𝗈𝗌𝗍 𝖣𝗂𝗌𝗆𝖺𝗅 𝖲𝗐𝖺𝗆𝗉: 𝖺𝗇 𝖺𝖼𝖾𝗋𝖻𝗂𝖼 𝗒𝖾𝗍 𝗉𝗅𝖺𝗒𝖿𝗎𝗅 𝗂𝗆𝗆𝖾𝗋𝗌𝗂𝗈𝗇 𝗂𝗇𝗍𝗈 𝖼𝗈𝗆𝗉𝗈𝗌𝗂𝗍𝖾 𝗁𝖺𝗅𝗅𝗎𝖼𝗂𝗇𝖺𝗍𝗈𝗋𝗒 𝗅𝗂𝖿𝖾𝗐𝗈𝗋𝗅𝖽𝗌, 𝗀𝖺𝗆𝖾𝗌𝗉𝖺𝖼𝖾𝗌, 𝖺𝗇𝖽 𝗉𝗋𝗈𝗍𝗈𝖼𝗈𝗅𝗌 𝗍𝗁𝖺𝗍 𝖼𝗈𝗇𝗌𝗍𝗂𝗍𝗎𝗍𝖾 𝗍𝗁𝖾 𝗁𝗈𝗌𝗍𝗂𝗅𝖾 𝖺𝗋𝖼𝗁𝗂𝗍𝖾𝖼𝗍𝗎𝗋

Opening:
This Thursday, 16. 4. from 18.00

Curated by:
Jiří Sirůček, Noemi Purkrábková, and Zbyněk Baladrán

Photo credits:
Harry Sanderson

🥲Things Dismal and Things Worse🥲

▶︎ Opening 16.4.2026 od 18.00

17.4.2026 — 7.6.2026

Vystavující:
Most Dismal Swamp @most_dismal_swamp

Kurátoři:
Jiří Sirůček @mmma_off
Noemi Purkrábková @basic_knife_safety
Zbyněk Baladrán @zbynekbaladran

Grafika:
Olbram Pavlíček @w_lfr_m234u

CZ
Sólová výstava britského umělce Dana Sutherlanda, tvořícího pod pseudonymem Most Dismal Swamp, představuje průřez jeho tvorbou zaměřenou na halucinatorní projevy současných médií. Instalace nabízí imaginativní ponor do sdílených digitálních světů, herních prostředí a protokolů, které formují algoritmické architektury dnešního světa i souběžné krize, jimiž procházíme.

EN
The solo exhibition of British artist Dan Sutherland, working under the pseudonym Most Dismal Swamp, presents a cross section of his practice exploring the hallucinatory expressions of contemporary media. The installation offers an immersive entry into shared digital worlds, gaming environments, and protocols that shape the algorithmic architectures of the present as well as the parallel crises we are experiencing.

Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.

Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.

Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲

Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤

🌑👁️🧩

Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si

🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems

#navigatingunrealitymode #sumjournal

Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.

Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.

Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲

Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤

🌑👁️🧩

Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si

🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems

#navigatingunrealitymode #sumjournal

Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.

Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.

Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲

Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤

🌑👁️🧩

Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si

🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems

#navigatingunrealitymode #sumjournal

Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.

Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.

Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲

Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤

🌑👁️🧩

Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si

🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems

#navigatingunrealitymode #sumjournal

Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.

Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.

Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲

Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤

🌑👁️🧩

Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si

🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems

#navigatingunrealitymode #sumjournal

Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.

Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.

Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲

Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤

🌑👁️🧩

Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si

🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems

#navigatingunrealitymode #sumjournal

Navigating Unreality Mode 🌀In Proto Gallery Systems’ Clueless Agency series of off-site exhibitions, the curator, participant, and viewer alike find themselves caught within reality’s diffraction. Guided by the figure of a detective who becomes consumed by proliferating details and unsound procedures, the project uses Illusion, fabulation, and forgery not as failures but operative strategies, extending across exhibitions and their entangled online traces.

Noemi Purkrabková’s essay extends this psychotic detective work by drawing patterns and connections between various occult, scientific, and philosophical references. Rejecting the “arrogance” of philosophical illumination Purkrabková proposes “Vision-in-Black”, a mode of seeing that embraces opacity, darkness, and low intuition.

Proto Gallery Systems
𝐓𝐡𝐞 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬 𝐀𝐠𝐞𝐧𝐜𝐲

Noemi Purkrábková
𝐋 𝐈𝐬 𝐟𝐨𝐫 𝐋𝐞𝐚𝐝:
𝐎𝐧 𝐂𝐥𝐮𝐞𝐥𝐞𝐬𝐬𝐧𝐞𝐬𝐬, 𝐌𝐨𝐥𝐲𝐛𝐝𝐨𝐦𝐚𝐧𝐜𝐲, 𝐚𝐧𝐝 𝐕𝐢𝐬𝐢𝐨𝐧-𝐢𝐧-𝐁𝐥𝐚𝐜𝐤

🌑👁️🧩

Read Vol II. online (link in bio)
or request a free physical copy of the journal as an object ➺ info@sum.si

🪶edited by @__tpp__ & @maxksx 🪶images by @proto.gallery.systems

#navigatingunrealitymode #sumjournal

@jakub.jansa bude příští rok reprezentovat Česko na Benátském bienále. S Noemi Purkrábkovou při té příležitosti hovořili nejen o připravovaném projektu, ale také o strategiích stojících v pozadí projektu Club of Opportunities, nástrahách uměleckého povolání a vzdělávání i o jeho cestě od sportu k výtvarné tvorbě.

#ctenioumeni @venice.art.biennale @basic_knife_safety #artcasopis

Darujte vstupenku do světa umění. 🎁
Naši noví předplatitelé získají čtení o umění na celý rok a balíček volných vstupenek do tří předních pražských galerií.

Ke každému vánočnímu ročnímu předplatnému si můžete stáhnout dárkový voucher s kresbou od Miroslava Bartáka.

👉 link najdete v bio profilu.

@jakub.jansa bude příští rok reprezentovat Česko na Benátském bienále. S Noemi Purkrábkovou při té příležitosti hovořili nejen o připravovaném projektu, ale také o strategiích stojících v pozadí projektu Club of Opportunities, nástrahách uměleckého povolání a vzdělávání i o jeho cestě od sportu k výtvarné tvorbě.

#ctenioumeni @venice.art.biennale @basic_knife_safety #artcasopis

Darujte vstupenku do světa umění. 🎁
Naši noví předplatitelé získají čtení o umění na celý rok a balíček volných vstupenek do tří předních pražských galerií.

Ke každému vánočnímu ročnímu předplatnému si můžete stáhnout dárkový voucher s kresbou od Miroslava Bartáka.

👉 link najdete v bio profilu.

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Details from @matyasmalac’s exhibition The Romantics Were Prompted.

Curated by Noemi Purkrábková, on view through 26 July 2025.

@matyas.malac @basic_knife_safety

Image 1-8: The Dehydrated Well of Cybershamanism, 2025, oil on canvas, 200x150 cm
Image 9-13: Technofeudalist in a Hint of Shadow, 2025, oil on canvas, 100x80 cm

Photos by @jankolsky

#polanskygallery #matyasmalac

Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025

Gallery hours: wed-sat 2-7pm

@matyasmalac @basic_knife_safety

-

Installation views by @jankolsky

#polanskygallery #matyasmalac

Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025

Gallery hours: wed-sat 2-7pm

@matyasmalac @basic_knife_safety

-

Installation views by @jankolsky

#polanskygallery #matyasmalac

Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025

Gallery hours: wed-sat 2-7pm

@matyasmalac @basic_knife_safety

-

Installation views by @jankolsky

#polanskygallery #matyasmalac

Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025

Gallery hours: wed-sat 2-7pm

@matyasmalac @basic_knife_safety

-

Installation views by @jankolsky

#polanskygallery #matyasmalac

Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025

Gallery hours: wed-sat 2-7pm

@matyasmalac @basic_knife_safety

-

Installation views by @jankolsky

#polanskygallery #matyasmalac

Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025

Gallery hours: wed-sat 2-7pm

@matyasmalac @basic_knife_safety

-

Installation views by @jankolsky

#polanskygallery #matyasmalac

Matyáš Maláč’s solo ‘The Romantics Were Prompted’
curated by Noemi Purkrábková is on view through 26 July 2025

Gallery hours: wed-sat 2-7pm

@matyasmalac @basic_knife_safety

-

Installation views by @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

On view through 26 July 2025

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyas.malac @basic_knife_safety

*see the last slides for curatorial text by Noemi Purkrábková

-

Installation views by Jan Kolský @jankolsky

#polanskygallery #matyasmalac

bottom’s just another floor: Tomi Faison ♾️

Jestliže jsme ve výstavě dosud ztráceli cestu a nacházeli slepé uličky a podivná zákoutí, závěrečná videoinstalace Tomi Faison nás poutá přímo doprostřed surreálné imerzivní situace: na sedadlo auta, které pomalu projíždí hořící krajinou.

Autorka, jejíž oči se na nás upírají ze zpětného zrcátka, před plameny katastrofy – digitální, ale zjevně environmentální a na mnoha rovinách i společenské – nepřibrzdí: zatímco se dívá nazpět, míří s klidem přímo do hlubin ohně.

(1 — 3) Tomi Faison, Autonomous Drive (Hell For Leather), 2023.

•

bottom’s just another floor
1. 5. – 27. 7. 2025

vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský

bottom’s just another floor: Tomi Faison ♾️

Jestliže jsme ve výstavě dosud ztráceli cestu a nacházeli slepé uličky a podivná zákoutí, závěrečná videoinstalace Tomi Faison nás poutá přímo doprostřed surreálné imerzivní situace: na sedadlo auta, které pomalu projíždí hořící krajinou.

Autorka, jejíž oči se na nás upírají ze zpětného zrcátka, před plameny katastrofy – digitální, ale zjevně environmentální a na mnoha rovinách i společenské – nepřibrzdí: zatímco se dívá nazpět, míří s klidem přímo do hlubin ohně.

(1 — 3) Tomi Faison, Autonomous Drive (Hell For Leather), 2023.

•

bottom’s just another floor
1. 5. – 27. 7. 2025

vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský

bottom’s just another floor: Tomi Faison ♾️

Jestliže jsme ve výstavě dosud ztráceli cestu a nacházeli slepé uličky a podivná zákoutí, závěrečná videoinstalace Tomi Faison nás poutá přímo doprostřed surreálné imerzivní situace: na sedadlo auta, které pomalu projíždí hořící krajinou.

Autorka, jejíž oči se na nás upírají ze zpětného zrcátka, před plameny katastrofy – digitální, ale zjevně environmentální a na mnoha rovinách i společenské – nepřibrzdí: zatímco se dívá nazpět, míří s klidem přímo do hlubin ohně.

(1 — 3) Tomi Faison, Autonomous Drive (Hell For Leather), 2023.

•

bottom’s just another floor
1. 5. – 27. 7. 2025

vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský

bottom’s just another floor: Tomi Faison ♾️

Jestliže jsme ve výstavě dosud ztráceli cestu a nacházeli slepé uličky a podivná zákoutí, závěrečná videoinstalace Tomi Faison nás poutá přímo doprostřed surreálné imerzivní situace: na sedadlo auta, které pomalu projíždí hořící krajinou.

Autorka, jejíž oči se na nás upírají ze zpětného zrcátka, před plameny katastrofy – digitální, ale zjevně environmentální a na mnoha rovinách i společenské – nepřibrzdí: zatímco se dívá nazpět, míří s klidem přímo do hlubin ohně.

(1 — 3) Tomi Faison, Autonomous Drive (Hell For Leather), 2023.

•

bottom’s just another floor
1. 5. – 27. 7. 2025

vystavující: Total Refusal, Anne de Vries, Jakub Choma, Tomi Faison
kurátoři: Noemi Purkrábková, Jiří Sirůček
produkce: Nikol Hoangová
architektura: Tomáš Svoboda
grafika: Olbram Pavlíček a Jakub Kučera
foto: Jan Kolský

Opening on Thursday 12.6., 6-9 pm

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyasmalac @basic_knife_safety

The solo exhibition of Prague-based painter Matyáš Maláč presents a new series of paintings that continues his exploration of our chaotic experience of both natural and digitally accelerated reality—one that now reveals a surprising clarity. The intermingling of forms thus becomes, more than ever before, a transmutation in which provisional cultural codes—truth and illusion, authenticity and sincerity—are reconfigured.

-

Image: It is a dirty job, but someone’s got to do it (detail), 2025, oil on canvas, 35 x 30 cm

#polanskygallery #matyasmalac

Opening on Thursday 12.6., 6-9 pm

Matyáš Maláč
The Romantics Were Prompted
curated by Noemi Purkrábková

@matyasmalac @basic_knife_safety

The solo exhibition of Prague-based painter Matyáš Maláč presents a new series of paintings that continues his exploration of our chaotic experience of both natural and digitally accelerated reality—one that now reveals a surprising clarity. The intermingling of forms thus becomes, more than ever before, a transmutation in which provisional cultural codes—truth and illusion, authenticity and sincerity—are reconfigured.

-

Image: It is a dirty job, but someone’s got to do it (detail), 2025, oil on canvas, 35 x 30 cm

#polanskygallery #matyasmalac

bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety

bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety

bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety

bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety

bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety

bottom’s just another floor at MeetFactory, Prague
Curated by Jiří Sirůček, Noemi Purkrábková
Anne de Vries, Jakub Choma, Tomi Faison, Total Refusal
May 1 – July 27, 2025
Photos: ©Jan Kolský, courtesy of the artists and MeetFactory, Prague
@meetfactory @mmma_off @basic_knife_safety