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ASVOFF Film Festival
The world’s first international fashion, culture & film festival
➝ 2026 Edition — Submissions now open.
ASVOFF Founder and Director, Fashion icon Diane Pernet @asvof, announces that Stephen Jones @stephenjonesmillinery will be #ASVOFF18 Jury President.
Stephen Jones OBE, President of ASVOFF 18, is the quintessential milliner of modern fashion drama. Born in Cheshire and raised in Liverpool, he came of age amid London’s lateseventies street-style revolution, dividing his time between St Martins by day and the legendary Blitz nightclub by night, crowned in his own uncompromising creations. In 1980 he opened his Covent Garden salon, swiftly becoming the hatmaker of choice to rock stars and royalty, from Boy George to Diana, Princess of Wales.
Over four decades, his radical materials and quixotic forms have shaped runway mythology. His collaborations span Vivienne Westwood, Rei Kawakubo, John Galliano, Thom Browne, Christian Dior and beyond, his hats often providing the defining gesture of a collection. His work resides in major museum collections and has been celebrated in landmark exhibitions, including “Stephen Jones: Chapeau d’Artiste” at the Palais Galliera in Paris.
From Lady Gaga’s feathered headdress at the Paris Olympics to unforgettable couture tableaux, Stephen Jones continues to place the perfect exclamation mark on contemporary fashion, one beguiling silhouette at a time.
Portrait by @jrfranch
Submit your film on https://filmfreeway.com/ASVOFF
Deadline: September 30th.
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@asvoff_official
ASVOFF.COM
“If there is any activism in what I do, it is in defending individuality: encouraging others to explore the shadows of fashion – the more fragile, eccentric, or uncomfortable ideas” - Diane Pernet
There are some people who arrive already made, as if the world accepted them wholesale and asked nothing in return, and Diane Pernet is one of those preformed myths – a veiled silhouette in black that immediately registers as archetype; the kind of person whose clothes are a shorthand for an attitude. Her public persona has been honed, certainly, but it’s not manufactured. Before the ASVOFF sign went up near 20 years ago, and her fashion film festival became the node where fashion’s image-makers congregate, she had already been shaped by multiple explorations in the environs of style.
“I think regardless as to whether it’s a piece of music, a film, or an artwork, it is easy to see what is authentic, and authenticity is probably what I value the most” - Diane Pernet
Over seventeen editions ASVOFF has functioned both as incubator and shrine – it discovers, elevates and, occasionally, even canonises. Yet, even as it performs that cultural labour, it remains alert to the fragility of its own medium. Pernet worries, as many thoughtful people do, about a world sliding toward simulations – the proliferation of virtual experiences and algorithmic curation increasingly producing images that lack in the human anchors that give art its friction. But perhaps what is most compelling about Pernet is the way she bundles these kinds of contemporary contradictions into coherence – embracing new technologies while simultaneously challenging them.. in her insightful interview with FUTURISTIC DRAGON the single‑minded polymath unpicks the zeitgeist, talks about always being open to the unpredictable, and explains why provocation remains essential to great filmmaking.
Read the full interview here: https://www.futuristicdragon.com/dianepernet
Interview by @johnpaulpryor
#interview #dianepernet #futuristicdragon #fashion #johnpaulpryor
“If there is any activism in what I do, it is in defending individuality: encouraging others to explore the shadows of fashion – the more fragile, eccentric, or uncomfortable ideas” - Diane Pernet
There are some people who arrive already made, as if the world accepted them wholesale and asked nothing in return, and Diane Pernet is one of those preformed myths – a veiled silhouette in black that immediately registers as archetype; the kind of person whose clothes are a shorthand for an attitude. Her public persona has been honed, certainly, but it’s not manufactured. Before the ASVOFF sign went up near 20 years ago, and her fashion film festival became the node where fashion’s image-makers congregate, she had already been shaped by multiple explorations in the environs of style.
“I think regardless as to whether it’s a piece of music, a film, or an artwork, it is easy to see what is authentic, and authenticity is probably what I value the most” - Diane Pernet
Over seventeen editions ASVOFF has functioned both as incubator and shrine – it discovers, elevates and, occasionally, even canonises. Yet, even as it performs that cultural labour, it remains alert to the fragility of its own medium. Pernet worries, as many thoughtful people do, about a world sliding toward simulations – the proliferation of virtual experiences and algorithmic curation increasingly producing images that lack in the human anchors that give art its friction. But perhaps what is most compelling about Pernet is the way she bundles these kinds of contemporary contradictions into coherence – embracing new technologies while simultaneously challenging them.. in her insightful interview with FUTURISTIC DRAGON the single‑minded polymath unpicks the zeitgeist, talks about always being open to the unpredictable, and explains why provocation remains essential to great filmmaking.
Read the full interview here: https://www.futuristicdragon.com/dianepernet
Interview by @johnpaulpryor
#interview #dianepernet #futuristicdragon #fashion #johnpaulpryor
“If there is any activism in what I do, it is in defending individuality: encouraging others to explore the shadows of fashion – the more fragile, eccentric, or uncomfortable ideas” - Diane Pernet
There are some people who arrive already made, as if the world accepted them wholesale and asked nothing in return, and Diane Pernet is one of those preformed myths – a veiled silhouette in black that immediately registers as archetype; the kind of person whose clothes are a shorthand for an attitude. Her public persona has been honed, certainly, but it’s not manufactured. Before the ASVOFF sign went up near 20 years ago, and her fashion film festival became the node where fashion’s image-makers congregate, she had already been shaped by multiple explorations in the environs of style.
“I think regardless as to whether it’s a piece of music, a film, or an artwork, it is easy to see what is authentic, and authenticity is probably what I value the most” - Diane Pernet
Over seventeen editions ASVOFF has functioned both as incubator and shrine – it discovers, elevates and, occasionally, even canonises. Yet, even as it performs that cultural labour, it remains alert to the fragility of its own medium. Pernet worries, as many thoughtful people do, about a world sliding toward simulations – the proliferation of virtual experiences and algorithmic curation increasingly producing images that lack in the human anchors that give art its friction. But perhaps what is most compelling about Pernet is the way she bundles these kinds of contemporary contradictions into coherence – embracing new technologies while simultaneously challenging them.. in her insightful interview with FUTURISTIC DRAGON the single‑minded polymath unpicks the zeitgeist, talks about always being open to the unpredictable, and explains why provocation remains essential to great filmmaking.
Read the full interview here: https://www.futuristicdragon.com/dianepernet
Interview by @johnpaulpryor
#interview #dianepernet #futuristicdragon #fashion #johnpaulpryor
“If there is any activism in what I do, it is in defending individuality: encouraging others to explore the shadows of fashion – the more fragile, eccentric, or uncomfortable ideas” - Diane Pernet
There are some people who arrive already made, as if the world accepted them wholesale and asked nothing in return, and Diane Pernet is one of those preformed myths – a veiled silhouette in black that immediately registers as archetype; the kind of person whose clothes are a shorthand for an attitude. Her public persona has been honed, certainly, but it’s not manufactured. Before the ASVOFF sign went up near 20 years ago, and her fashion film festival became the node where fashion’s image-makers congregate, she had already been shaped by multiple explorations in the environs of style.
“I think regardless as to whether it’s a piece of music, a film, or an artwork, it is easy to see what is authentic, and authenticity is probably what I value the most” - Diane Pernet
Over seventeen editions ASVOFF has functioned both as incubator and shrine – it discovers, elevates and, occasionally, even canonises. Yet, even as it performs that cultural labour, it remains alert to the fragility of its own medium. Pernet worries, as many thoughtful people do, about a world sliding toward simulations – the proliferation of virtual experiences and algorithmic curation increasingly producing images that lack in the human anchors that give art its friction. But perhaps what is most compelling about Pernet is the way she bundles these kinds of contemporary contradictions into coherence – embracing new technologies while simultaneously challenging them.. in her insightful interview with FUTURISTIC DRAGON the single‑minded polymath unpicks the zeitgeist, talks about always being open to the unpredictable, and explains why provocation remains essential to great filmmaking.
Read the full interview here: https://www.futuristicdragon.com/dianepernet
Interview by @johnpaulpryor
#interview #dianepernet #futuristicdragon #fashion #johnpaulpryor
“If there is any activism in what I do, it is in defending individuality: encouraging others to explore the shadows of fashion – the more fragile, eccentric, or uncomfortable ideas” - Diane Pernet
There are some people who arrive already made, as if the world accepted them wholesale and asked nothing in return, and Diane Pernet is one of those preformed myths – a veiled silhouette in black that immediately registers as archetype; the kind of person whose clothes are a shorthand for an attitude. Her public persona has been honed, certainly, but it’s not manufactured. Before the ASVOFF sign went up near 20 years ago, and her fashion film festival became the node where fashion’s image-makers congregate, she had already been shaped by multiple explorations in the environs of style.
“I think regardless as to whether it’s a piece of music, a film, or an artwork, it is easy to see what is authentic, and authenticity is probably what I value the most” - Diane Pernet
Over seventeen editions ASVOFF has functioned both as incubator and shrine – it discovers, elevates and, occasionally, even canonises. Yet, even as it performs that cultural labour, it remains alert to the fragility of its own medium. Pernet worries, as many thoughtful people do, about a world sliding toward simulations – the proliferation of virtual experiences and algorithmic curation increasingly producing images that lack in the human anchors that give art its friction. But perhaps what is most compelling about Pernet is the way she bundles these kinds of contemporary contradictions into coherence – embracing new technologies while simultaneously challenging them.. in her insightful interview with FUTURISTIC DRAGON the single‑minded polymath unpicks the zeitgeist, talks about always being open to the unpredictable, and explains why provocation remains essential to great filmmaking.
Read the full interview here: https://www.futuristicdragon.com/dianepernet
Interview by @johnpaulpryor
#interview #dianepernet #futuristicdragon #fashion #johnpaulpryor
“If there is any activism in what I do, it is in defending individuality: encouraging others to explore the shadows of fashion – the more fragile, eccentric, or uncomfortable ideas” - Diane Pernet
There are some people who arrive already made, as if the world accepted them wholesale and asked nothing in return, and Diane Pernet is one of those preformed myths – a veiled silhouette in black that immediately registers as archetype; the kind of person whose clothes are a shorthand for an attitude. Her public persona has been honed, certainly, but it’s not manufactured. Before the ASVOFF sign went up near 20 years ago, and her fashion film festival became the node where fashion’s image-makers congregate, she had already been shaped by multiple explorations in the environs of style.
“I think regardless as to whether it’s a piece of music, a film, or an artwork, it is easy to see what is authentic, and authenticity is probably what I value the most” - Diane Pernet
Over seventeen editions ASVOFF has functioned both as incubator and shrine – it discovers, elevates and, occasionally, even canonises. Yet, even as it performs that cultural labour, it remains alert to the fragility of its own medium. Pernet worries, as many thoughtful people do, about a world sliding toward simulations – the proliferation of virtual experiences and algorithmic curation increasingly producing images that lack in the human anchors that give art its friction. But perhaps what is most compelling about Pernet is the way she bundles these kinds of contemporary contradictions into coherence – embracing new technologies while simultaneously challenging them.. in her insightful interview with FUTURISTIC DRAGON the single‑minded polymath unpicks the zeitgeist, talks about always being open to the unpredictable, and explains why provocation remains essential to great filmmaking.
Read the full interview here: https://www.futuristicdragon.com/dianepernet
Interview by @johnpaulpryor
#interview #dianepernet #futuristicdragon #fashion #johnpaulpryor
“If there is any activism in what I do, it is in defending individuality: encouraging others to explore the shadows of fashion – the more fragile, eccentric, or uncomfortable ideas” - Diane Pernet
There are some people who arrive already made, as if the world accepted them wholesale and asked nothing in return, and Diane Pernet is one of those preformed myths – a veiled silhouette in black that immediately registers as archetype; the kind of person whose clothes are a shorthand for an attitude. Her public persona has been honed, certainly, but it’s not manufactured. Before the ASVOFF sign went up near 20 years ago, and her fashion film festival became the node where fashion’s image-makers congregate, she had already been shaped by multiple explorations in the environs of style.
“I think regardless as to whether it’s a piece of music, a film, or an artwork, it is easy to see what is authentic, and authenticity is probably what I value the most” - Diane Pernet
Over seventeen editions ASVOFF has functioned both as incubator and shrine – it discovers, elevates and, occasionally, even canonises. Yet, even as it performs that cultural labour, it remains alert to the fragility of its own medium. Pernet worries, as many thoughtful people do, about a world sliding toward simulations – the proliferation of virtual experiences and algorithmic curation increasingly producing images that lack in the human anchors that give art its friction. But perhaps what is most compelling about Pernet is the way she bundles these kinds of contemporary contradictions into coherence – embracing new technologies while simultaneously challenging them.. in her insightful interview with FUTURISTIC DRAGON the single‑minded polymath unpicks the zeitgeist, talks about always being open to the unpredictable, and explains why provocation remains essential to great filmmaking.
Read the full interview here: https://www.futuristicdragon.com/dianepernet
Interview by @johnpaulpryor
#interview #dianepernet #futuristicdragon #fashion #johnpaulpryor
Fashion is not for the meek but rather those willing to dream and dare big. From Isabella Blow to Anna Piaggi, fashion has always belonged to those willing to go further.
In the “Vanguard” issue, @RoxieRobinsonLic features Diane Pernet, founder and director of @ASVOF and @ASVOFF_Official. The Paris-based aficionado shares the films and characters — including Marlene Dietrich as Shanghai Lily in “Shanghai Express” — that have inspired her self-described strong and austere style, along with her favorite designers and philosophy on seasonal dressing.
Discover the full story in GRAZIA USA’s spring/summer 2026 issue — on newsstands now.
Photography: @RuvenAfanador
@/FabrizzioDelRincon @JavierBetovargus
#GRAZIA #GRAZIAUSA #DianePernet
Fashion is not for the meek but rather those willing to dream and dare big. From Isabella Blow to Anna Piaggi, fashion has always belonged to those willing to go further.
In the “Vanguard” issue, @RoxieRobinsonLic features Diane Pernet, founder and director of @ASVOF and @ASVOFF_Official. The Paris-based aficionado shares the films and characters — including Marlene Dietrich as Shanghai Lily in “Shanghai Express” — that have inspired her self-described strong and austere style, along with her favorite designers and philosophy on seasonal dressing.
Discover the full story in GRAZIA USA’s spring/summer 2026 issue — on newsstands now.
Photography: @RuvenAfanador
@/FabrizzioDelRincon @JavierBetovargus
#GRAZIA #GRAZIAUSA #DianePernet
Fashion is not for the meek but rather those willing to dream and dare big. From Isabella Blow to Anna Piaggi, fashion has always belonged to those willing to go further.
In the “Vanguard” issue, @RoxieRobinsonLic features Diane Pernet, founder and director of @ASVOF and @ASVOFF_Official. The Paris-based aficionado shares the films and characters — including Marlene Dietrich as Shanghai Lily in “Shanghai Express” — that have inspired her self-described strong and austere style, along with her favorite designers and philosophy on seasonal dressing.
Discover the full story in GRAZIA USA’s spring/summer 2026 issue — on newsstands now.
Photography: @RuvenAfanador
@/FabrizzioDelRincon @JavierBetovargus
#GRAZIA #GRAZIAUSA #DianePernet
Fashion is not for the meek but rather those willing to dream and dare big. From Isabella Blow to Anna Piaggi, fashion has always belonged to those willing to go further.
In the “Vanguard” issue, @RoxieRobinsonLic features Diane Pernet, founder and director of @ASVOF and @ASVOFF_Official. The Paris-based aficionado shares the films and characters — including Marlene Dietrich as Shanghai Lily in “Shanghai Express” — that have inspired her self-described strong and austere style, along with her favorite designers and philosophy on seasonal dressing.
Discover the full story in GRAZIA USA’s spring/summer 2026 issue — on newsstands now.
Photography: @RuvenAfanador
@/FabrizzioDelRincon @JavierBetovargus
#GRAZIA #GRAZIAUSA #DianePernet
Discover the Limited Edition #ASVOFF × @willychavarria T-Shirts.
Made in USA. 100% cotton.
Video by @calixtlry, team: @alexxptak @margauxlsi @thl._jade @adrienrisacher petitsacrilege
🌍 Worldwide shipping available: https://asvoffshop.com
#ASVOFF18 Submit your film now: www.filmfreeway.com/ASVOFF (LINK IN BIO).
The world’s first international fashion, culture & film festival. November 12-15 at @doverstreetmarketparis
ASVOFF 18 Jury President: @stephenjonesmillinery
@asvoff_official
ASVOFF.COM
“#ASVOFF is not just about screening films; it is also about panels, performances, and devoting attention to themes that feel urgent in our time, from mental health in fashion to AI-generated films, Black spectrum, Fashion Intelligence, and more. It is a space where different voices, disciplines, and perspectives can meet.” - Diane Pernet @asvof, ASVOFF Founder and Director.
Full article on GOODNIGHT MAGAZINE w/ DIANE PERNET ‘A Fashion ICON’
https://www.goodnightmagazine.com/fashion/diane-pernet
@goodnightmagusa
@kimberlyygoodnight
@alessandro_belcanto
Photographers and Photographed with:
Founder Kimberly Goodnight
EU. Editor A. DeNino
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⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
@asvoff_official
ASVOFF.COM
“#ASVOFF is not just about screening films; it is also about panels, performances, and devoting attention to themes that feel urgent in our time, from mental health in fashion to AI-generated films, Black spectrum, Fashion Intelligence, and more. It is a space where different voices, disciplines, and perspectives can meet.” - Diane Pernet @asvof, ASVOFF Founder and Director.
Full article on GOODNIGHT MAGAZINE w/ DIANE PERNET ‘A Fashion ICON’
https://www.goodnightmagazine.com/fashion/diane-pernet
@goodnightmagusa
@kimberlyygoodnight
@alessandro_belcanto
Photographers and Photographed with:
Founder Kimberly Goodnight
EU. Editor A. DeNino
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀⠀
@asvoff_official
ASVOFF.COM
Discover the Limited Edition #ASVOFF × @willychavarria T-Shirts.
Made in USA. 100% cotton.
@pkd_19 photographed by @pedro.guez
🌍 Worldwide shipping available: https://asvoffshop.com
Discover the Limited Edition #ASVOFF × @willychavarria T-Shirts.
Made in USA. 100% cotton.
@pkd_19 photographed by @pedro.guez
🌍 Worldwide shipping available: https://asvoffshop.com
Discover the Limited Edition #ASVOFF × @willychavarria T-Shirts.
Made in USA. 100% cotton.
@pkd_19 photographed by @pedro.guez
🌍 Worldwide shipping available: https://asvoffshop.com
Discover the Limited Edition #ASVOFF × @willychavarria T-Shirts.
Made in USA. 100% cotton.
@pkd_19 photographed by @pedro.guez
🌍 Worldwide shipping available: https://asvoffshop.com
Discover the Limited Edition #ASVOFF × @willychavarria T-Shirts.
Made in USA. 100% cotton.
@pkd_19 photographed by @pedro.guez
🌍 Worldwide shipping available: https://asvoffshop.com
'The Diane' ASVOFF Trophy by artist @miguelvillalobosnyc.
• #GRANDPRIZE: ‘TEMPLE ROAD’ by @anilpadia, Michael Mwangi Maina
• BEST #ADVERTISING: ‘VALENTINO @maisonvalentino ADV FALL 25 CAMPAIGN’ by @_glen_luchford, Christopher Simmonds
• BEST #ACTING: ‘TALES FROM THE BRIDGE: THE MISFIT’ by @boacampbell
• @maccosmetics #BEAUTY PRIZE: ‘LA LATINO’ by @betovargasmx
• BEST #STYLING: ‘DOVE NICOL - SKY’ by @kojoaffedzie
• BEST #SOUND DESIGN: ‘CUT THROATS’ by @stevenkleinstudio
• BEST #EDITING: ‘SAINT ETIENNE - TAKE ME TO THE PILOT’ by @alasdairmclellan
• BEST #CINEMATOGRAPHY: ‘HÔTEL TANGÒ’ by @waldi.sinchuk
• BEST #ART DIRECTION: ‘OUT OF OFFICE’ by @max__gold
• BEST #DIRECTOR: ‘GAMMA GAMMA - AVRIO VRADY’ by @dipyadeep
• BEST #CLIMATEWARRIORSKIDS: ‘WHEN MY WISHES COME TRUE’ by Maël Henry @xoebarajas
• #CLIMATEWARRIORSKIDS SPECIAL MENTION: ‘LEITH’S VEGETABLE PATCH’ by Leith Bérti
• BEST #CLIMATEWARRIORSTEENS: ‘PRINCESS OF YOUR OWN CASTLE’ by Francesca Daria Newman
• BEST #STUDENTFILM: ‘MANOR FOR HEAVEN’ by Maximilian Raynor @maximilianraynor
• #STUDENTFILM SPECIAL MENTION: ‘JIMMI, IN THE MEANTIME…’ by Basile Pelletier, Antoine Markovic @bgphuma @antoinemarkovic
• BEST #CHINAFASHIONFILM powered by @eng.concept.store: ‘SOLEMATE’ by Zhichao Gu
• BEST #AI GENERATED FILM: ‘OMNITRANS.CAM’ by Yongqi Li @frankie_yongqi_li
• BEST #MENTALHEALTH IN FASHION: ‘THREE ACES’ by Eric Jiang @eric__jiang
• BEST #DOCUMENTARY FILM powered by @chantelle_paris: ‘HEART OF THE VALLEY’ by Carlos Jaramillo @_carlosjaramillo_
• #DOCUMENTARY FILMS SPECIAL MENTION: ‘TEEN TRIBE’ by Martine Fougeron @martinefougeron
• BEST #FASHIONACTIVISM: ‘BLOOD ON YOUR HANDS’ by Eric Gregory Braden
• BEST #THEQUEERACHIVE: ‘REFLECTIONS’ by @kane_kwik
• BEST #BLACKSPECTRUM: ‘AKOSUA’ by Christian Saint, Melissa Rouillé @melissa_rouille
• GOLDFINCH WRITER’S AWARD @goldfinchentertainment: ‘BEING OPHELIA’ by Antoine Amen @realantoineamen
• DREAMTOWN INNOVATOR AWARD @dreamtownfilm : ‘REFLECTIONS’ by Kane Kwik @kane_kwik
THANK YOU TO ALL OUR SPONSORS.
asvoff.com
'The Diane' ASVOFF Trophy by artist @miguelvillalobosnyc.
• #GRANDPRIZE: ‘TEMPLE ROAD’ by @anilpadia, Michael Mwangi Maina
• BEST #ADVERTISING: ‘VALENTINO @maisonvalentino ADV FALL 25 CAMPAIGN’ by @_glen_luchford, Christopher Simmonds
• BEST #ACTING: ‘TALES FROM THE BRIDGE: THE MISFIT’ by @boacampbell
• @maccosmetics #BEAUTY PRIZE: ‘LA LATINO’ by @betovargasmx
• BEST #STYLING: ‘DOVE NICOL - SKY’ by @kojoaffedzie
• BEST #SOUND DESIGN: ‘CUT THROATS’ by @stevenkleinstudio
• BEST #EDITING: ‘SAINT ETIENNE - TAKE ME TO THE PILOT’ by @alasdairmclellan
• BEST #CINEMATOGRAPHY: ‘HÔTEL TANGÒ’ by @waldi.sinchuk
• BEST #ART DIRECTION: ‘OUT OF OFFICE’ by @max__gold
• BEST #DIRECTOR: ‘GAMMA GAMMA - AVRIO VRADY’ by @dipyadeep
• BEST #CLIMATEWARRIORSKIDS: ‘WHEN MY WISHES COME TRUE’ by Maël Henry @xoebarajas
• #CLIMATEWARRIORSKIDS SPECIAL MENTION: ‘LEITH’S VEGETABLE PATCH’ by Leith Bérti
• BEST #CLIMATEWARRIORSTEENS: ‘PRINCESS OF YOUR OWN CASTLE’ by Francesca Daria Newman
• BEST #STUDENTFILM: ‘MANOR FOR HEAVEN’ by Maximilian Raynor @maximilianraynor
• #STUDENTFILM SPECIAL MENTION: ‘JIMMI, IN THE MEANTIME…’ by Basile Pelletier, Antoine Markovic @bgphuma @antoinemarkovic
• BEST #CHINAFASHIONFILM powered by @eng.concept.store: ‘SOLEMATE’ by Zhichao Gu
• BEST #AI GENERATED FILM: ‘OMNITRANS.CAM’ by Yongqi Li @frankie_yongqi_li
• BEST #MENTALHEALTH IN FASHION: ‘THREE ACES’ by Eric Jiang @eric__jiang
• BEST #DOCUMENTARY FILM powered by @chantelle_paris: ‘HEART OF THE VALLEY’ by Carlos Jaramillo @_carlosjaramillo_
• #DOCUMENTARY FILMS SPECIAL MENTION: ‘TEEN TRIBE’ by Martine Fougeron @martinefougeron
• BEST #FASHIONACTIVISM: ‘BLOOD ON YOUR HANDS’ by Eric Gregory Braden
• BEST #THEQUEERACHIVE: ‘REFLECTIONS’ by @kane_kwik
• BEST #BLACKSPECTRUM: ‘AKOSUA’ by Christian Saint, Melissa Rouillé @melissa_rouille
• GOLDFINCH WRITER’S AWARD @goldfinchentertainment: ‘BEING OPHELIA’ by Antoine Amen @realantoineamen
• DREAMTOWN INNOVATOR AWARD @dreamtownfilm : ‘REFLECTIONS’ by Kane Kwik @kane_kwik
THANK YOU TO ALL OUR SPONSORS.
asvoff.com
'The Diane' ASVOFF Trophy by artist @miguelvillalobosnyc.
• #GRANDPRIZE: ‘TEMPLE ROAD’ by @anilpadia, Michael Mwangi Maina
• BEST #ADVERTISING: ‘VALENTINO @maisonvalentino ADV FALL 25 CAMPAIGN’ by @_glen_luchford, Christopher Simmonds
• BEST #ACTING: ‘TALES FROM THE BRIDGE: THE MISFIT’ by @boacampbell
• @maccosmetics #BEAUTY PRIZE: ‘LA LATINO’ by @betovargasmx
• BEST #STYLING: ‘DOVE NICOL - SKY’ by @kojoaffedzie
• BEST #SOUND DESIGN: ‘CUT THROATS’ by @stevenkleinstudio
• BEST #EDITING: ‘SAINT ETIENNE - TAKE ME TO THE PILOT’ by @alasdairmclellan
• BEST #CINEMATOGRAPHY: ‘HÔTEL TANGÒ’ by @waldi.sinchuk
• BEST #ART DIRECTION: ‘OUT OF OFFICE’ by @max__gold
• BEST #DIRECTOR: ‘GAMMA GAMMA - AVRIO VRADY’ by @dipyadeep
• BEST #CLIMATEWARRIORSKIDS: ‘WHEN MY WISHES COME TRUE’ by Maël Henry @xoebarajas
• #CLIMATEWARRIORSKIDS SPECIAL MENTION: ‘LEITH’S VEGETABLE PATCH’ by Leith Bérti
• BEST #CLIMATEWARRIORSTEENS: ‘PRINCESS OF YOUR OWN CASTLE’ by Francesca Daria Newman
• BEST #STUDENTFILM: ‘MANOR FOR HEAVEN’ by Maximilian Raynor @maximilianraynor
• #STUDENTFILM SPECIAL MENTION: ‘JIMMI, IN THE MEANTIME…’ by Basile Pelletier, Antoine Markovic @bgphuma @antoinemarkovic
• BEST #CHINAFASHIONFILM powered by @eng.concept.store: ‘SOLEMATE’ by Zhichao Gu
• BEST #AI GENERATED FILM: ‘OMNITRANS.CAM’ by Yongqi Li @frankie_yongqi_li
• BEST #MENTALHEALTH IN FASHION: ‘THREE ACES’ by Eric Jiang @eric__jiang
• BEST #DOCUMENTARY FILM powered by @chantelle_paris: ‘HEART OF THE VALLEY’ by Carlos Jaramillo @_carlosjaramillo_
• #DOCUMENTARY FILMS SPECIAL MENTION: ‘TEEN TRIBE’ by Martine Fougeron @martinefougeron
• BEST #FASHIONACTIVISM: ‘BLOOD ON YOUR HANDS’ by Eric Gregory Braden
• BEST #THEQUEERACHIVE: ‘REFLECTIONS’ by @kane_kwik
• BEST #BLACKSPECTRUM: ‘AKOSUA’ by Christian Saint, Melissa Rouillé @melissa_rouille
• GOLDFINCH WRITER’S AWARD @goldfinchentertainment: ‘BEING OPHELIA’ by Antoine Amen @realantoineamen
• DREAMTOWN INNOVATOR AWARD @dreamtownfilm : ‘REFLECTIONS’ by Kane Kwik @kane_kwik
THANK YOU TO ALL OUR SPONSORS.
asvoff.com
'The Diane' ASVOFF Trophy by artist @miguelvillalobosnyc.
• #GRANDPRIZE: ‘TEMPLE ROAD’ by @anilpadia, Michael Mwangi Maina
• BEST #ADVERTISING: ‘VALENTINO @maisonvalentino ADV FALL 25 CAMPAIGN’ by @_glen_luchford, Christopher Simmonds
• BEST #ACTING: ‘TALES FROM THE BRIDGE: THE MISFIT’ by @boacampbell
• @maccosmetics #BEAUTY PRIZE: ‘LA LATINO’ by @betovargasmx
• BEST #STYLING: ‘DOVE NICOL - SKY’ by @kojoaffedzie
• BEST #SOUND DESIGN: ‘CUT THROATS’ by @stevenkleinstudio
• BEST #EDITING: ‘SAINT ETIENNE - TAKE ME TO THE PILOT’ by @alasdairmclellan
• BEST #CINEMATOGRAPHY: ‘HÔTEL TANGÒ’ by @waldi.sinchuk
• BEST #ART DIRECTION: ‘OUT OF OFFICE’ by @max__gold
• BEST #DIRECTOR: ‘GAMMA GAMMA - AVRIO VRADY’ by @dipyadeep
• BEST #CLIMATEWARRIORSKIDS: ‘WHEN MY WISHES COME TRUE’ by Maël Henry @xoebarajas
• #CLIMATEWARRIORSKIDS SPECIAL MENTION: ‘LEITH’S VEGETABLE PATCH’ by Leith Bérti
• BEST #CLIMATEWARRIORSTEENS: ‘PRINCESS OF YOUR OWN CASTLE’ by Francesca Daria Newman
• BEST #STUDENTFILM: ‘MANOR FOR HEAVEN’ by Maximilian Raynor @maximilianraynor
• #STUDENTFILM SPECIAL MENTION: ‘JIMMI, IN THE MEANTIME…’ by Basile Pelletier, Antoine Markovic @bgphuma @antoinemarkovic
• BEST #CHINAFASHIONFILM powered by @eng.concept.store: ‘SOLEMATE’ by Zhichao Gu
• BEST #AI GENERATED FILM: ‘OMNITRANS.CAM’ by Yongqi Li @frankie_yongqi_li
• BEST #MENTALHEALTH IN FASHION: ‘THREE ACES’ by Eric Jiang @eric__jiang
• BEST #DOCUMENTARY FILM powered by @chantelle_paris: ‘HEART OF THE VALLEY’ by Carlos Jaramillo @_carlosjaramillo_
• #DOCUMENTARY FILMS SPECIAL MENTION: ‘TEEN TRIBE’ by Martine Fougeron @martinefougeron
• BEST #FASHIONACTIVISM: ‘BLOOD ON YOUR HANDS’ by Eric Gregory Braden
• BEST #THEQUEERACHIVE: ‘REFLECTIONS’ by @kane_kwik
• BEST #BLACKSPECTRUM: ‘AKOSUA’ by Christian Saint, Melissa Rouillé @melissa_rouille
• GOLDFINCH WRITER’S AWARD @goldfinchentertainment: ‘BEING OPHELIA’ by Antoine Amen @realantoineamen
• DREAMTOWN INNOVATOR AWARD @dreamtownfilm : ‘REFLECTIONS’ by Kane Kwik @kane_kwik
THANK YOU TO ALL OUR SPONSORS.
asvoff.com
ASVOFF 17 - CLOSING NIGHT
— #Performance: @adahdylan. “Adah Dylan, voice of Bruises, returns with her new EP Alche- my. For ASVOFF’s closing night, she performs with @sophiedebleu, channeling transformation and bold renewal in a forward-looking vision.”
Photos: @ctarrotoma, Alexander Fischer
#ASVOFF17 November 13-16, 2025 at @doverstreetmarketparis, Paris.
asvoff.com
ASVOFF 17 - CLOSING NIGHT
— #Performance: @adahdylan. “Adah Dylan, voice of Bruises, returns with her new EP Alche- my. For ASVOFF’s closing night, she performs with @sophiedebleu, channeling transformation and bold renewal in a forward-looking vision.”
Photos: @ctarrotoma, Alexander Fischer
#ASVOFF17 November 13-16, 2025 at @doverstreetmarketparis, Paris.
asvoff.com
ASVOFF 17 - CLOSING NIGHT
— #Performance: @adahdylan. “Adah Dylan, voice of Bruises, returns with her new EP Alche- my. For ASVOFF’s closing night, she performs with @sophiedebleu, channeling transformation and bold renewal in a forward-looking vision.”
Photos: @ctarrotoma, Alexander Fischer
#ASVOFF17 November 13-16, 2025 at @doverstreetmarketparis, Paris.
asvoff.com
@asvoff_official @doverstreetmarketparis @pedro.guez @maccosmetics @chantelle_paris @eng.concept.store @worldnetintl @lotkaandco @fnlnetwork @muse @myairbridge @goldfinchentertainment @dreamtownfilm @directorjulierubio @newyorkwilly @jesscuevas7 @carineroitfeld @raphaelaviges
#ASVOFF17 Congratulations to all the filmmakers, production teams, artists, and creatives who participated in the 17th edition of ASVOFF at @doverstreetmarket Paris. Special congratulations to the #ASVOFF17 Official Selection Winners:
• #GRANDPRIZE: 'TEMPLE ROAD' by @anilpadia, Michael Mwangi Maina
• BEST #ADVERTISING: 'VALENTINO @maisonvalentino ADV FALL 25 CAMPAIGN' by @_glen_luchford, Christopher Simmonds
• BEST #ACTING: 'TALES FROM THE BRIDGE: THE MISFIT' by @boacampbell
• @maccosmetics #BEAUTY PRIZE: 'LA LATINO' by @betovargasmx
• BEST #STYLING: 'DOVE NICOL - SKY' by @kojoaffedzie
• BEST #SOUND DESIGN: 'CUT THROATS' by @stevenkleinstudio
• BEST #EDITING: 'SAINT ETIENNE - TAKE ME TO THE PILOT' by @alasdairmclellan
• BEST #CINEMATOGRAPHY: 'HÔTEL TANGÒ' by @waldi.sinchuk
• BEST #ART DIRECTION: 'OUT OF OFFICE' by @max__gold
• BEST #DIRECTOR: 'GAMMA GAMMA - AVRIO VRADY' by @dipyadeep
THANK YOU TO ALL OUR SPONSORS:
@culture_gouv
@doverstreetmarketparis
@maccosmetics
@chantelle_paris
@eng.concept.store
@goldfinchentertainment
@dreamtownfilm
@worldnetintl
@mentalhealthinfashion
@lotkaandco
@soparishotel
@irish_designweek
@muellerpr
@matteprojects
@referencestudios
@musemontmartre
@fnlnetwork
#FONDS
#MyAirBridge
asvoff.com
ASVOFF 17 - #Goldfinch Entertainment Prize for #BestFilmWriter: ‘BEING OPHELIA’ by Antoine Amen. The prize includes mentorship from @goldfinchentertainment Academy, a program devoted to nurturing talent in the film industry.
#Dreamtown Innovator Award: ‘REFLECTIONS’ by Kane Kwik. The @dreamtownfilm award offers the opportunity to transform this short film into a potential feature-length project.
Photos: @ctarrotoma
#ASVOFF17 November 13-16, 2025 at @doverstreetmarketparis, Paris.
asvoff.com
ASVOFF 17 - #Goldfinch Entertainment Prize for #BestFilmWriter: ‘BEING OPHELIA’ by Antoine Amen. The prize includes mentorship from @goldfinchentertainment Academy, a program devoted to nurturing talent in the film industry.
#Dreamtown Innovator Award: ‘REFLECTIONS’ by Kane Kwik. The @dreamtownfilm award offers the opportunity to transform this short film into a potential feature-length project.
Photos: @ctarrotoma
#ASVOFF17 November 13-16, 2025 at @doverstreetmarketparis, Paris.
asvoff.com
ASVOFF 17 - #Goldfinch Entertainment Prize for #BestFilmWriter: ‘BEING OPHELIA’ by Antoine Amen. The prize includes mentorship from @goldfinchentertainment Academy, a program devoted to nurturing talent in the film industry.
#Dreamtown Innovator Award: ‘REFLECTIONS’ by Kane Kwik. The @dreamtownfilm award offers the opportunity to transform this short film into a potential feature-length project.
Photos: @ctarrotoma
#ASVOFF17 November 13-16, 2025 at @doverstreetmarketparis, Paris.
asvoff.com
ASVOFF 17 - #Goldfinch Entertainment Prize for #BestFilmWriter: ‘BEING OPHELIA’ by Antoine Amen. The prize includes mentorship from @goldfinchentertainment Academy, a program devoted to nurturing talent in the film industry.
#Dreamtown Innovator Award: ‘REFLECTIONS’ by Kane Kwik. The @dreamtownfilm award offers the opportunity to transform this short film into a potential feature-length project.
Photos: @ctarrotoma
#ASVOFF17 November 13-16, 2025 at @doverstreetmarketparis, Paris.
asvoff.com
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