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New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

New Studio Residency, who dis?

We finally finished our recording studio. Apply now to use it to finish your project. Yes, it’s still free for independent artists. Yes, it’s in Detroit. Yes, it’s a little different than before. All the info you will need is at the link in our bio. Literally, all the info. Just click it and read. Hope to hear from you ❤️🫂🎹

honored to stand next to this type of artistry. @nasaan is a 1 of 1. If you haven’t dove into his new mixtape “Method Acting”, this is one of many reminders that you should.

Most times we get so caught up helping releases happen that we forget to share them ourselves, even when they involve one of the best songs we’ve ever been a part of. “Cardinal Sin” is truly a timeless classic from @willowavalon featuring @jasonisbell. Willow wrote this song over two years ago with @toferbrown. Thank you producers @jkash @konradsollsnyder and the amazing collaborators listed below for bringing it to life. Beautiful video by @walesyt

Drums by Aksel Coe
Bass by Miles Waldman
Organ by Willow Avalon
Electric Guitar by Max Thomas and Willow Avalon
String Arrangement by Jordan Lehning
Strings by Alicia Enstrom, Annaliese Kowert, Betsy Lamb, Emily Rogers
Strings Engineered by Phillip Smith
Mixed by Konrad Snyder
Mastered by Adam Grover
Recorded and filmed at RCA Studio A in Nashville

Proud to see our @belleisleconservancy work featured in @adage’s “Creative Campaigns Round Up” today!

What started as a simple design detail—Belle Isle’s address, 99 Pleasure Drive—became the foundation for the park’s rebrand. In collaboration with @assemblesound, @thastoop, and @curtistootrill, we developed an original hip-hop track rooted in Detroit nostalgia and lived experience.

If you need us this summer, you’ve got the address of where we’ll be. Meet us there! ☀️

Proud to see our @belleisleconservancy work featured in @adage’s “Creative Campaigns Round Up” today!

What started as a simple design detail—Belle Isle’s address, 99 Pleasure Drive—became the foundation for the park’s rebrand. In collaboration with @assemblesound, @thastoop, and @curtistootrill, we developed an original hip-hop track rooted in Detroit nostalgia and lived experience.

If you need us this summer, you’ve got the address of where we’ll be. Meet us there! ☀️

Proud to see our @belleisleconservancy work featured in @adage’s “Creative Campaigns Round Up” today!

What started as a simple design detail—Belle Isle’s address, 99 Pleasure Drive—became the foundation for the park’s rebrand. In collaboration with @assemblesound, @thastoop, and @curtistootrill, we developed an original hip-hop track rooted in Detroit nostalgia and lived experience.

If you need us this summer, you’ve got the address of where we’ll be. Meet us there! ☀️

Proud to see our @belleisleconservancy work featured in @adage’s “Creative Campaigns Round Up” today!

What started as a simple design detail—Belle Isle’s address, 99 Pleasure Drive—became the foundation for the park’s rebrand. In collaboration with @assemblesound, @thastoop, and @curtistootrill, we developed an original hip-hop track rooted in Detroit nostalgia and lived experience.

If you need us this summer, you’ve got the address of where we’ll be. Meet us there! ☀️

how you from DETROIT and you don’t know BELLE ISLE’s address?

“Crash My Car For You”— a song, a video, a tutorial. One of our absolute favorites from Speed Kills.

Written and performed by @ally__evenson
Video by @antonymuse
Produced by @nydgemusic, @ally__evenson, @kimviworldwide, and John Hill
Mixed by Nigel Hemmye
Mastered by Ian Sefchick

“Crash My Car For You”— a song, a video, a tutorial. One of our absolute favorites from Speed Kills.

Written and performed by @ally__evenson
Video by @antonymuse
Produced by @nydgemusic, @ally__evenson, @kimviworldwide, and John Hill
Mixed by Nigel Hemmye
Mastered by Ian Sefchick

We keep running this @nasaan freestyle back from the On The Radar New Class Cypher a few weeks ago. He’s elite with the bars, and 2026 is gonna be the year he makes sure we all know 😮‍💨

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

Happy 11th Birthday to Assemble Sound. Crazy, tbh. Here’s 11 years in studio pics that expose us for what we are; just a bunch of people trying to figure it out. Sometimes we’re astounded by the insane naivety it’s taken to get to 11 years. Sometimes we’re exhausted by the never-ending work it’s taken to get to 11 years. Sometimes we’re perplexed by just how miraculous it was to build this whole thing off $15k and a credit card. Sometimes we’re really proud. Sometimes we’re devastatingly humbled. Most times though, we’re just fucking stoked that we still get to wake up everyday and do this work. Do this work from our favorite city in the world. Do this work with people and artists and clients we love. At all times, we are endlessly grateful. The push to 12 starts today!

This song’s been out for less than a week and it’s already soundtracking marriage proposals around the world. Literally! ❤️🥹

“Easy On The Eyes” by @willowavalon is out now via @assemblesound and @atlanticoutpost and it’s gonna be a timeless classic.

Produced by @konradsollsnyder, @jkash, & @willowavalon
Written by Willow Avalon, Ali Tamposi, Jacob Kasher Hindlin, Konrad Snyder, Shane McAnally
Drums by Aksel Coe
Percussion by Aksel Coe
Bass by Miles Waldman
Electric Guitar by Max Thomas & Todd Lombardo
Acoustic Guitar by Todd Lombardo
Pedal Steel by Russ Pahl
Piano by Todd Lombardo
Celeste by Jordan Lehning
Horns by Dave Nelson
Horn Arrangement by Jordan Lehning
Engineered by Phillip Smith
Assistant Engineering by Connor Theriot
Mixed by Konrad Snyder
Mastered by Adam Grover
Recorded at RCA Studio A in Nashville
📸 by @jessedeflorio

This song’s been out for less than a week and it’s already soundtracking marriage proposals around the world. Literally! ❤️🥹

“Easy On The Eyes” by @willowavalon is out now via @assemblesound and @atlanticoutpost and it’s gonna be a timeless classic.

Produced by @konradsollsnyder, @jkash, & @willowavalon
Written by Willow Avalon, Ali Tamposi, Jacob Kasher Hindlin, Konrad Snyder, Shane McAnally
Drums by Aksel Coe
Percussion by Aksel Coe
Bass by Miles Waldman
Electric Guitar by Max Thomas & Todd Lombardo
Acoustic Guitar by Todd Lombardo
Pedal Steel by Russ Pahl
Piano by Todd Lombardo
Celeste by Jordan Lehning
Horns by Dave Nelson
Horn Arrangement by Jordan Lehning
Engineered by Phillip Smith
Assistant Engineering by Connor Theriot
Mixed by Konrad Snyder
Mastered by Adam Grover
Recorded at RCA Studio A in Nashville
📸 by @jessedeflorio

Her sophomore album has arrived. In all of its guts and glory, here is SPEED KILLS by @ally__evenson, executive produced by @nydgemusic. An exploration of what it looks like to rediscover yourself after the type of heartbreak that feels self-annihilating. It’s playful and weird and horny and sinister and explosive and honestly perfect in all that messiness. It comes packaged in some of the most beautifully designed vinyl we’ve ever released, courtesy of the brilliant creative director and designer @billymacadamia. You can have one forever by clicking the link in Ally’s bio 🏎️ ❤️

Mixed by @pedrocalloni
Mastered by @magicdeatheye
Executive Production by @nydgemusic
Additional Production by @ally__evenson @kimviworldwide @colyer @aireatlantica @gabegreenland @lixa & John Hill
Co-writing by @morgannagler @trellatunes @gabereali & @emilehaynie

Cover Art Photography: @travisb
Visuals director: @antonymuse
A&R Admin @allie_j6
Mgmt @imnotbrenna

Special thanks to @atlanticrecords and @mhh817, @chernxin @claudiachiossoner @lilamander Michaela Marquand

Her sophomore album has arrived. In all of its guts and glory, here is SPEED KILLS by @ally__evenson, executive produced by @nydgemusic. An exploration of what it looks like to rediscover yourself after the type of heartbreak that feels self-annihilating. It’s playful and weird and horny and sinister and explosive and honestly perfect in all that messiness. It comes packaged in some of the most beautifully designed vinyl we’ve ever released, courtesy of the brilliant creative director and designer @billymacadamia. You can have one forever by clicking the link in Ally’s bio 🏎️ ❤️

Mixed by @pedrocalloni
Mastered by @magicdeatheye
Executive Production by @nydgemusic
Additional Production by @ally__evenson @kimviworldwide @colyer @aireatlantica @gabegreenland @lixa & John Hill
Co-writing by @morgannagler @trellatunes @gabereali & @emilehaynie

Cover Art Photography: @travisb
Visuals director: @antonymuse
A&R Admin @allie_j6
Mgmt @imnotbrenna

Special thanks to @atlanticrecords and @mhh817, @chernxin @claudiachiossoner @lilamander Michaela Marquand

Her sophomore album has arrived. In all of its guts and glory, here is SPEED KILLS by @ally__evenson, executive produced by @nydgemusic. An exploration of what it looks like to rediscover yourself after the type of heartbreak that feels self-annihilating. It’s playful and weird and horny and sinister and explosive and honestly perfect in all that messiness. It comes packaged in some of the most beautifully designed vinyl we’ve ever released, courtesy of the brilliant creative director and designer @billymacadamia. You can have one forever by clicking the link in Ally’s bio 🏎️ ❤️

Mixed by @pedrocalloni
Mastered by @magicdeatheye
Executive Production by @nydgemusic
Additional Production by @ally__evenson @kimviworldwide @colyer @aireatlantica @gabegreenland @lixa & John Hill
Co-writing by @morgannagler @trellatunes @gabereali & @emilehaynie

Cover Art Photography: @travisb
Visuals director: @antonymuse
A&R Admin @allie_j6
Mgmt @imnotbrenna

Special thanks to @atlanticrecords and @mhh817, @chernxin @claudiachiossoner @lilamander Michaela Marquand

Her sophomore album has arrived. In all of its guts and glory, here is SPEED KILLS by @ally__evenson, executive produced by @nydgemusic. An exploration of what it looks like to rediscover yourself after the type of heartbreak that feels self-annihilating. It’s playful and weird and horny and sinister and explosive and honestly perfect in all that messiness. It comes packaged in some of the most beautifully designed vinyl we’ve ever released, courtesy of the brilliant creative director and designer @billymacadamia. You can have one forever by clicking the link in Ally’s bio 🏎️ ❤️

Mixed by @pedrocalloni
Mastered by @magicdeatheye
Executive Production by @nydgemusic
Additional Production by @ally__evenson @kimviworldwide @colyer @aireatlantica @gabegreenland @lixa & John Hill
Co-writing by @morgannagler @trellatunes @gabereali & @emilehaynie

Cover Art Photography: @travisb
Visuals director: @antonymuse
A&R Admin @allie_j6
Mgmt @imnotbrenna

Special thanks to @atlanticrecords and @mhh817, @chernxin @claudiachiossoner @lilamander Michaela Marquand

Her sophomore album has arrived. In all of its guts and glory, here is SPEED KILLS by @ally__evenson, executive produced by @nydgemusic. An exploration of what it looks like to rediscover yourself after the type of heartbreak that feels self-annihilating. It’s playful and weird and horny and sinister and explosive and honestly perfect in all that messiness. It comes packaged in some of the most beautifully designed vinyl we’ve ever released, courtesy of the brilliant creative director and designer @billymacadamia. You can have one forever by clicking the link in Ally’s bio 🏎️ ❤️

Mixed by @pedrocalloni
Mastered by @magicdeatheye
Executive Production by @nydgemusic
Additional Production by @ally__evenson @kimviworldwide @colyer @aireatlantica @gabegreenland @lixa & John Hill
Co-writing by @morgannagler @trellatunes @gabereali & @emilehaynie

Cover Art Photography: @travisb
Visuals director: @antonymuse
A&R Admin @allie_j6
Mgmt @imnotbrenna

Special thanks to @atlanticrecords and @mhh817, @chernxin @claudiachiossoner @lilamander Michaela Marquand

Her sophomore album has arrived. In all of its guts and glory, here is SPEED KILLS by @ally__evenson, executive produced by @nydgemusic. An exploration of what it looks like to rediscover yourself after the type of heartbreak that feels self-annihilating. It’s playful and weird and horny and sinister and explosive and honestly perfect in all that messiness. It comes packaged in some of the most beautifully designed vinyl we’ve ever released, courtesy of the brilliant creative director and designer @billymacadamia. You can have one forever by clicking the link in Ally’s bio 🏎️ ❤️

Mixed by @pedrocalloni
Mastered by @magicdeatheye
Executive Production by @nydgemusic
Additional Production by @ally__evenson @kimviworldwide @colyer @aireatlantica @gabegreenland @lixa & John Hill
Co-writing by @morgannagler @trellatunes @gabereali & @emilehaynie

Cover Art Photography: @travisb
Visuals director: @antonymuse
A&R Admin @allie_j6
Mgmt @imnotbrenna

Special thanks to @atlanticrecords and @mhh817, @chernxin @claudiachiossoner @lilamander Michaela Marquand

Her sophomore album has arrived. In all of its guts and glory, here is SPEED KILLS by @ally__evenson, executive produced by @nydgemusic. An exploration of what it looks like to rediscover yourself after the type of heartbreak that feels self-annihilating. It’s playful and weird and horny and sinister and explosive and honestly perfect in all that messiness. It comes packaged in some of the most beautifully designed vinyl we’ve ever released, courtesy of the brilliant creative director and designer @billymacadamia. You can have one forever by clicking the link in Ally’s bio 🏎️ ❤️

Mixed by @pedrocalloni
Mastered by @magicdeatheye
Executive Production by @nydgemusic
Additional Production by @ally__evenson @kimviworldwide @colyer @aireatlantica @gabegreenland @lixa & John Hill
Co-writing by @morgannagler @trellatunes @gabereali & @emilehaynie

Cover Art Photography: @travisb
Visuals director: @antonymuse
A&R Admin @allie_j6
Mgmt @imnotbrenna

Special thanks to @atlanticrecords and @mhh817, @chernxin @claudiachiossoner @lilamander Michaela Marquand

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

“Imagine an old educational Rhodes classroom keyboard combined with the Death Star command center from Star Wars. That’s what I want for Studio A.”

This was hard to imagine for everyone who wasn’t our Head of Music @syblyng, but it’s the vision that guided the transformation of the 1980s trident T24 console that once lived in a CBS Studios building in Ohio. Here’s a glimpse into the transformation process.

Desk Design - @syblyng and @jillianleeanderson
Desk Build - Ken Capton

One of the most insane things we’ve ever helped make.

SPEED KILLS: THE FILM
Written by @ally__evenson & @antonymuse
Directed by @antonymuse
Based on the forthcoming album by @ally__evenson

Premiere event at @braindeadstudiosfairfax on Feb 19th. Ticket link in Ally’s bio. We’re gonna need to screen this one in Detroit I think.

creative directed with @billymacadamia
produced by @breannalynn.gif
Sound design by @nydgemusic & @ally__evenson