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aronlodi
Aron Lodi
🔻
Based in NL
May: Mercedes-Benz Art Collection: Power Lines exhibition
June: @galerierudolfinum
spreads from the new issue of ETC. magazine, Full Circle
huge thanks to the editors and curators at @_etcmagazine
images: Lucija Rosc
spreads from the new issue of ETC. magazine, Full Circle
huge thanks to the editors and curators at @_etcmagazine
images: Lucija Rosc
spreads from the new issue of ETC. magazine, Full Circle
huge thanks to the editors and curators at @_etcmagazine
images: Lucija Rosc
spreads from the new issue of ETC. magazine, Full Circle
huge thanks to the editors and curators at @_etcmagazine
images: Lucija Rosc
spreads from the new issue of ETC. magazine, Full Circle
huge thanks to the editors and curators at @_etcmagazine
images: Lucija Rosc
spreads from the new issue of ETC. magazine, Full Circle
huge thanks to the editors and curators at @_etcmagazine
images: Lucija Rosc
spreads from the new issue of ETC. magazine, Full Circle
huge thanks to the editors and curators at @_etcmagazine
images: Lucija Rosc
Undead, unexhausted, unfinished
@erikadeakgallery
Fregments of Slowness, curated by @sarakrnacs
photos: David Toth
Undead, unexhausted, unfinished
@erikadeakgallery
Fregments of Slowness, curated by @sarakrnacs
photos: David Toth
Undead, unexhausted, unfinished
@erikadeakgallery
Fregments of Slowness, curated by @sarakrnacs
photos: David Toth
Undead, unexhausted, unfinished
@erikadeakgallery
Fregments of Slowness, curated by @sarakrnacs
photos: David Toth
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
lunch break w/ @vvvwvwvwvvvwvw
installation views from the exhibition and scanned pages from the catalogue “Breaking the Course of the European Boomerang” curated by @unagjerde and @torokkris at Pragovka Gallery, October - December 2025.
installation shots from “Born in Transition” at @aqb_projectspace curated by @kortmannjaraykatalin @barnabas.zemlenyi.kovacs
Doomcore
rub-on lettering, ink, textile tape, plastic trinkets and piercings on discarded cds and cd cases, PLA
2025
photos by @neogradykissbarnabas
installation shots from “Born in Transition” at @aqb_projectspace curated by @kortmannjaraykatalin @barnabas.zemlenyi.kovacs
Doomcore
rub-on lettering, ink, textile tape, plastic trinkets and piercings on discarded cds and cd cases, PLA
2025
photos by @neogradykissbarnabas
installation shots from “Born in Transition” at @aqb_projectspace curated by @kortmannjaraykatalin @barnabas.zemlenyi.kovacs
Doomcore
rub-on lettering, ink, textile tape, plastic trinkets and piercings on discarded cds and cd cases, PLA
2025
photos by @neogradykissbarnabas
installation shots from “Born in Transition” at @aqb_projectspace curated by @kortmannjaraykatalin @barnabas.zemlenyi.kovacs
Doomcore
rub-on lettering, ink, textile tape, plastic trinkets and piercings on discarded cds and cd cases, PLA
2025
photos by @neogradykissbarnabas
installation shots from “Born in Transition” at @aqb_projectspace curated by @kortmannjaraykatalin @barnabas.zemlenyi.kovacs
Doomcore
rub-on lettering, ink, textile tape, plastic trinkets and piercings on discarded cds and cd cases, PLA
2025
photos by @neogradykissbarnabas
installation shots from “Born in Transition” at @aqb_projectspace curated by @kortmannjaraykatalin @barnabas.zemlenyi.kovacs
Doomcore
rub-on lettering, ink, textile tape, plastic trinkets and piercings on discarded cds and cd cases, PLA
2025
photos by @neogradykissbarnabas
installation shots from “Born in Transition” at @aqb_projectspace curated by @kortmannjaraykatalin @barnabas.zemlenyi.kovacs
Doomcore
rub-on lettering, ink, textile tape, plastic trinkets and piercings on discarded cds and cd cases, PLA
2025
photos by @neogradykissbarnabas
Xx-63 by Trevoga Collective
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer @sueuga_
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
Xx-63 by Trevoga Collective
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer @sueuga_
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
Xx-63 by Trevoga Collective
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer @sueuga_
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
Xx-63 by Trevoga Collective
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer @sueuga_
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
Xx-63 by Trevoga Collective
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer @sueuga_
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
Xx-63 by Trevoga Collective
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer @sueuga_
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
This necromantic factory model is on view at the exhibition Untold Stories at @modemart.debrecen as part of the museum’s collection.
translucent coating on steel
60x30x30cm
2025
This necromantic factory model is on view at the exhibition Untold Stories at @modemart.debrecen as part of the museum’s collection.
translucent coating on steel
60x30x30cm
2025
This necromantic factory model is on view at the exhibition Untold Stories at @modemart.debrecen as part of the museum’s collection.
translucent coating on steel
60x30x30cm
2025
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Alagya collaborated with @trevogameansanxiety on the set design of ‘Xx-63’. The performance premiered at @julidans_amsterdam
Xx-63 is a world in which the anxious neurodigital mind-body is trapped in a hyperreal doomscape of zombified plastic components, the haze of synthetic substances, cast-aluminium artefacts, and recession pop trinkets.
artistic direction: @sssssssssssoma
dramaturgy: @avoid.nd
performers & choreography: @ming_jou @nadezhda_pavilion @szopanhauer
set design: Alagya (@aronlodi & @szilviabolla )
light design and integration: @erikvandewijdeven
music: @sueuga_
voice over: @canine_gambling
designer wear: @david_r_siepman
styling: @gods_rat
prosthetics: @zoikii
The research and development of the scenography was supported by @stimuleringsfonds
Thankful for everyone who helped us with the production: @alyunkka @makeeindhoven
Doomcore, 2025
resin, bronze-plastic composite, pla, acrylic-urethane paint
45x25x25cm
On view at @studio_hanniball until 22 July, 2025. “Born in Transition” curated by Barnabás Zemlényi-Kovács & @kortmannjaraykatalin
Doomcore, 2025
resin, bronze-plastic composite, pla, acrylic-urethane paint
45x25x25cm
On view at @studio_hanniball until 22 July, 2025. “Born in Transition” curated by Barnabás Zemlényi-Kovács & @kortmannjaraykatalin
Ergocide II.
wood, aluminium
On view at @torula.gyor until June 6, 2025
“Exoskeleton” group show curated by @useless_galeri
Special thanks to @alyunkka and @creature__furniture for their help.
Documentation: Zsuzsi Simon
Ergocide II.
wood, aluminium
On view at @torula.gyor until June 6, 2025
“Exoskeleton” group show curated by @useless_galeri
Special thanks to @alyunkka and @creature__furniture for their help.
Documentation: Zsuzsi Simon
Ergocide II.
wood, aluminium
On view at @torula.gyor until June 6, 2025
“Exoskeleton” group show curated by @useless_galeri
Special thanks to @alyunkka and @creature__furniture for their help.
Documentation: Zsuzsi Simon
Ergocide II.
wood, aluminium
On view at @torula.gyor until June 6, 2025
“Exoskeleton” group show curated by @useless_galeri
Special thanks to @alyunkka and @creature__furniture for their help.
Documentation: Zsuzsi Simon
Ergocide II.
wood, aluminium
On view at @torula.gyor until June 6, 2025
“Exoskeleton” group show curated by @useless_galeri
Special thanks to @alyunkka and @creature__furniture for their help.
Documentation: Zsuzsi Simon
Ergocide II.
wood, aluminium
On view at @torula.gyor until June 6, 2025
“Exoskeleton” group show curated by @useless_galeri
Special thanks to @alyunkka and @creature__furniture for their help.
Documentation: Zsuzsi Simon
Alongside the visual identity of this year’s Next Festival, we contributed a series of banners to @trafohouse Budapest. These writings - collectively titled “2025” - seek to unveil the potential of a language of mourning and resistance in the face of a seemingly endless hellscape of authoritarianism.
Thank you to @katalin.erdodi , @szalipszkijuci , and the entire Trafó team for giving us a platform, and to everyone still working in arts and culture in Hungary (or everywhere else) despite it being so challenging and uncertain.
‘Strings of anxiously woven nerve fibres play the elegies of a necrocene. The spectre of emancipation haunts our sleepless nights.’
photos: @neogradykissbarnabas @llaszloo
New Bastard Gothic typeface by @planapaloma
Alongside the visual identity of this year’s Next Festival, we contributed a series of banners to @trafohouse Budapest. These writings - collectively titled “2025” - seek to unveil the potential of a language of mourning and resistance in the face of a seemingly endless hellscape of authoritarianism.
Thank you to @katalin.erdodi , @szalipszkijuci , and the entire Trafó team for giving us a platform, and to everyone still working in arts and culture in Hungary (or everywhere else) despite it being so challenging and uncertain.
‘Strings of anxiously woven nerve fibres play the elegies of a necrocene. The spectre of emancipation haunts our sleepless nights.’
photos: @neogradykissbarnabas @llaszloo
New Bastard Gothic typeface by @planapaloma
Alongside the visual identity of this year’s Next Festival, we contributed a series of banners to @trafohouse Budapest. These writings - collectively titled “2025” - seek to unveil the potential of a language of mourning and resistance in the face of a seemingly endless hellscape of authoritarianism.
Thank you to @katalin.erdodi , @szalipszkijuci , and the entire Trafó team for giving us a platform, and to everyone still working in arts and culture in Hungary (or everywhere else) despite it being so challenging and uncertain.
‘Strings of anxiously woven nerve fibres play the elegies of a necrocene. The spectre of emancipation haunts our sleepless nights.’
photos: @neogradykissbarnabas @llaszloo
New Bastard Gothic typeface by @planapaloma
Alongside the visual identity of this year’s Next Festival, we contributed a series of banners to @trafohouse Budapest. These writings - collectively titled “2025” - seek to unveil the potential of a language of mourning and resistance in the face of a seemingly endless hellscape of authoritarianism.
Thank you to @katalin.erdodi , @szalipszkijuci , and the entire Trafó team for giving us a platform, and to everyone still working in arts and culture in Hungary (or everywhere else) despite it being so challenging and uncertain.
‘Strings of anxiously woven nerve fibres play the elegies of a necrocene. The spectre of emancipation haunts our sleepless nights.’
photos: @neogradykissbarnabas @llaszloo
New Bastard Gothic typeface by @planapaloma
Alongside the visual identity of this year’s Next Festival, we contributed a series of banners to @trafohouse Budapest. These writings - collectively titled “2025” - seek to unveil the potential of a language of mourning and resistance in the face of a seemingly endless hellscape of authoritarianism.
Thank you to @katalin.erdodi , @szalipszkijuci , and the entire Trafó team for giving us a platform, and to everyone still working in arts and culture in Hungary (or everywhere else) despite it being so challenging and uncertain.
‘Strings of anxiously woven nerve fibres play the elegies of a necrocene. The spectre of emancipation haunts our sleepless nights.’
photos: @neogradykissbarnabas @llaszloo
New Bastard Gothic typeface by @planapaloma
Alongside the visual identity of this year’s Next Festival, we contributed a series of banners to @trafohouse Budapest. These writings - collectively titled “2025” - seek to unveil the potential of a language of mourning and resistance in the face of a seemingly endless hellscape of authoritarianism.
Thank you to @katalin.erdodi , @szalipszkijuci , and the entire Trafó team for giving us a platform, and to everyone still working in arts and culture in Hungary (or everywhere else) despite it being so challenging and uncertain.
‘Strings of anxiously woven nerve fibres play the elegies of a necrocene. The spectre of emancipation haunts our sleepless nights.’
photos: @neogradykissbarnabas @llaszloo
New Bastard Gothic typeface by @planapaloma
Undead, 2024
xerox transfer and relief print on paper
Produced and photographed at @banskastanica_sk
Undead, 2024
xerox transfer and relief print on paper
Produced and photographed at @banskastanica_sk
Undead, 2024
xerox transfer and relief print on paper
Produced and photographed at @banskastanica_sk
Undead, 2024
xerox transfer and relief print on paper
Produced and photographed at @banskastanica_sk
Undead, 2024
xerox transfer and relief print on paper
120x80cm
Produced at @banskastanica_sk
Undead, 2024
xerox transfer and relief print on paper
120x80cm
Produced at @banskastanica_sk
Undead, 2024
xerox transfer and relief print on paper
120x80cm
Produced at @banskastanica_sk
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