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1. USP Florence Admax 2. Florence Supermax

1. USP Florence Admax 2. Florence Supermax

1. USP Florence Admax 2. Florence Supermax

1. USP Florence Admax 2. Florence Supermax

Two recent sketches, A5

Two recent sketches, A5

Upcoming show alongside many talented friends at @terrace_gallery run by @karl_bielik

Show: 8th October - 2nd November 2025

PV: Wednesday 8th October 6 - 8:30pm

All are very welcome!

Curated by @jomasonartist and @theawolf_art

Weekdays 10am - 4pm
Sat-Sun 12pm - 4pm

Lea Bridge Road Library, London, E10 7HU

An interview with Gordon Hack about his piece Ancestral Load Balancer (†ENSHROUDED), one of the artworks exhibited by Meadow at DIGITALISM at @britishartfair

The artwork is covered in a veil, with the painting behind revealed through augmented reality. See this work and a range of other great AR artworks and other digital art at the top floor of the Saatchi galleri.

”Image value is being eroded by network forces and artificial intelligence. That’s why I’ve opted to cover up this painting and instead make it viewable only in augmented reality. Viewing it in this way allows you to experience it in a way that is more true to the form of the networked image itself.”

#augmentedreality #seenonmeadow #meadowspace #contemporaryart #digitalart #digitalism #britishartfair

Pleased to announce that my piece Ancestral Load Balancer (†ENSHROUDED) will be shown at the British Art Fair at Saatchi Gallery, September 25 - 28. This will be part of 5th Plinth on Meadow @meadow.space within the Digitalism section curated by @rebekahtolleydigitalist.

Images (detail):

Ancestral Load Balancer (†ENSHROUDED), 2025
Acrylic on canvas, 100 x 120 cm, muslin shroud, augmented reality reconstruction

@britishartfair
@saatchi_gallery

Pleased to announce that my piece Ancestral Load Balancer (†ENSHROUDED) will be shown at the British Art Fair at Saatchi Gallery, September 25 - 28. This will be part of 5th Plinth on Meadow @meadow.space within the Digitalism section curated by @rebekahtolleydigitalist.

Images (detail):

Ancestral Load Balancer (†ENSHROUDED), 2025
Acrylic on canvas, 100 x 120 cm, muslin shroud, augmented reality reconstruction

@britishartfair
@saatchi_gallery

Pleased to announce that my piece Ancestral Load Balancer (†ENSHROUDED) will be shown at the British Art Fair at Saatchi Gallery, September 25 - 28. This will be part of 5th Plinth on Meadow @meadow.space within the Digitalism section curated by @rebekahtolleydigitalist.

Images (detail):

Ancestral Load Balancer (†ENSHROUDED), 2025
Acrylic on canvas, 100 x 120 cm, muslin shroud, augmented reality reconstruction

@britishartfair
@saatchi_gallery

Contemporary Painting 1, 2025
Acrylic, oil, oil stick and pencil on canvas
154 x 225 cm

@royalcollegeofart painting MA graduate show 2025

Slide 3 also features:
@rachelbarlow_art
@eloisepeggyknight

@rca_painting

Contemporary Painting 1, 2025
Acrylic, oil, oil stick and pencil on canvas
154 x 225 cm

@royalcollegeofart painting MA graduate show 2025

Slide 3 also features:
@rachelbarlow_art
@eloisepeggyknight

@rca_painting

Contemporary Painting 1, 2025
Acrylic, oil, oil stick and pencil on canvas
154 x 225 cm

@royalcollegeofart painting MA graduate show 2025

Slide 3 also features:
@rachelbarlow_art
@eloisepeggyknight

@rca_painting

Contemporary Painting 1, 2025
Acrylic, oil, oil stick and pencil on canvas
154 x 225 cm

@royalcollegeofart painting MA graduate show 2025

Slide 3 also features:
@rachelbarlow_art
@eloisepeggyknight

@rca_painting

Contemporary Painting 1, 2025
Acrylic, oil, oil stick and pencil on canvas
154 x 225 cm

@royalcollegeofart painting MA graduate show 2025

Slide 3 also features:
@rachelbarlow_art
@eloisepeggyknight

@rca_painting

Contemporary Painting 1, 2025
Acrylic, oil, oil stick and pencil on canvas
154 x 225 cm

@royalcollegeofart painting MA graduate show 2025

Slide 3 also features:
@rachelbarlow_art
@eloisepeggyknight

@rca_painting

The Painting MA show at @royalcollegeofart Battersea opens on Thursday.

I will be presenting a straightforward painting, painted with brushes, acrylics, oils and the like.

I would love to see you there. You can find me in the Painting Building 1st floor, @royalcollegeofart 14 Howie Street, London, SW11 4AY

📆 Dates:
19th June: 12-6pm
20th June: 12-8pm
21st June: 12-6pm
22nd June: 12-6pm

Image:
(Detail) Gordon Hack, “Contemporary Painting 1”, 2025, acrylics, oil, oil stick and pencil on canvas, 154 x 225 cm

#painting

My piece Ancestral Load Balancer (†ENSHROUDED) in the recent show 1,2,3, Alt! with @sitnalta_2702 at @hyphastudios. Thank you to @meadow.space for the fantastic augmented reality platform.

Acrylic on canvas, 100 x 120 cm, muslin shroud, found lenticular image, augmented reality reconstruction.

Lying at the intersection of science and network spirituality, Ancestral Load Balancer  (†ENSHROUDED) questions the purpose of the painted image in an age of image ubiquity. Composed of erratically layered clip art images, obscure terms and network diagrams, ALB (†E) is a difficult image to look at; it’s also difficult to view.

While the painting lies enshrouded, only its fragmented components can be viewed through augmented reality. Thus, the sanctified image remains protected in an age where image value is rapidly eroding due to networked distribution and artificial intelligence.

My piece Ancestral Load Balancer (†ENSHROUDED) in the recent show 1,2,3, Alt! with @sitnalta_2702 at @hyphastudios. Thank you to @meadow.space for the fantastic augmented reality platform.

Acrylic on canvas, 100 x 120 cm, muslin shroud, found lenticular image, augmented reality reconstruction.

Lying at the intersection of science and network spirituality, Ancestral Load Balancer  (†ENSHROUDED) questions the purpose of the painted image in an age of image ubiquity. Composed of erratically layered clip art images, obscure terms and network diagrams, ALB (†E) is a difficult image to look at; it’s also difficult to view.

While the painting lies enshrouded, only its fragmented components can be viewed through augmented reality. Thus, the sanctified image remains protected in an age where image value is rapidly eroding due to networked distribution and artificial intelligence.

My piece Ancestral Load Balancer (†ENSHROUDED) in the recent show 1,2,3, Alt! with @sitnalta_2702 at @hyphastudios. Thank you to @meadow.space for the fantastic augmented reality platform.

Acrylic on canvas, 100 x 120 cm, muslin shroud, found lenticular image, augmented reality reconstruction.

Lying at the intersection of science and network spirituality, Ancestral Load Balancer  (†ENSHROUDED) questions the purpose of the painted image in an age of image ubiquity. Composed of erratically layered clip art images, obscure terms and network diagrams, ALB (†E) is a difficult image to look at; it’s also difficult to view.

While the painting lies enshrouded, only its fragmented components can be viewed through augmented reality. Thus, the sanctified image remains protected in an age where image value is rapidly eroding due to networked distribution and artificial intelligence.

My piece Ancestral Load Balancer (†ENSHROUDED) in the recent show 1,2,3, Alt! with @sitnalta_2702 at @hyphastudios. Thank you to @meadow.space for the fantastic augmented reality platform.

Acrylic on canvas, 100 x 120 cm, muslin shroud, found lenticular image, augmented reality reconstruction.

Lying at the intersection of science and network spirituality, Ancestral Load Balancer  (†ENSHROUDED) questions the purpose of the painted image in an age of image ubiquity. Composed of erratically layered clip art images, obscure terms and network diagrams, ALB (†E) is a difficult image to look at; it’s also difficult to view.

While the painting lies enshrouded, only its fragmented components can be viewed through augmented reality. Thus, the sanctified image remains protected in an age where image value is rapidly eroding due to networked distribution and artificial intelligence.

Delighted to be showing work in an upcoming exhibition: 1,2,3, Alt! with @hyphastudios, alongside many other outstanding artists.

Fictioning, mundanity, time, transformation.

PV: May 1st, runs until May 24th.

Curated by:
Serana Gao @serena_xrgao
Alex Guo @archimbaldi666

Installation shots from collab with @jackowentogo in @sitnalta_2702 exhibition, March 2025.

Next show opens Thu 1st May, @hyphastudios space
15 Great Cumberland Place, W1W 7AS
Hope to see you there.

Curation:
@archimbaldi666
@serena_xrgao

Installation shots from collab with @jackowentogo in @sitnalta_2702 exhibition, March 2025.

Next show opens Thu 1st May, @hyphastudios space
15 Great Cumberland Place, W1W 7AS
Hope to see you there.

Curation:
@archimbaldi666
@serena_xrgao

Installation shots from collab with @jackowentogo in @sitnalta_2702 exhibition, March 2025.

Next show opens Thu 1st May, @hyphastudios space
15 Great Cumberland Place, W1W 7AS
Hope to see you there.

Curation:
@archimbaldi666
@serena_xrgao

Installation shots from collab with @jackowentogo in @sitnalta_2702 exhibition, March 2025.

Next show opens Thu 1st May, @hyphastudios space
15 Great Cumberland Place, W1W 7AS
Hope to see you there.

Curation:
@archimbaldi666
@serena_xrgao

@sitnalta_2702 opening tomorrow until 24th Mar.

Curated by
@serena_xrgao
@archimbaldi666

Introducing Gordon Hack (b. 1991, Glasgow, UK) @arcggd

Gordon Hack is an advocate for Total Cross-Functional Industrial Systems Transformation (TCFIST) and is in it for the long haul. His work represents a research programme into emerging theories of value- and meaning-creation at the intersection of supermarket aesthetics and contemporary spirituality.

Gordon developed his painting practice while completing a PhD in biochemistry at the Technische Universität München. He treats image-making as an unstable, nonlinear process and is partial to painting most days.

Artworks:

1. Grapheme I, 2025. Spray paint & acrylic on panel, 41 x 51 cm
2. Untitled (Party), 2025. Acrylic on panel, 41 x 51 cm
3. Zombie Painting, 2025. Oil and acrylic on canvas, 60 x 80 cm
4. The Non-Erotics of Advertising (Hypercare), 2025. Spray paint, acrylic and UV print on panel, 41 x 51 cm

Introducing Gordon Hack (b. 1991, Glasgow, UK) @arcggd

Gordon Hack is an advocate for Total Cross-Functional Industrial Systems Transformation (TCFIST) and is in it for the long haul. His work represents a research programme into emerging theories of value- and meaning-creation at the intersection of supermarket aesthetics and contemporary spirituality.

Gordon developed his painting practice while completing a PhD in biochemistry at the Technische Universität München. He treats image-making as an unstable, nonlinear process and is partial to painting most days.

Artworks:

1. Grapheme I, 2025. Spray paint & acrylic on panel, 41 x 51 cm
2. Untitled (Party), 2025. Acrylic on panel, 41 x 51 cm
3. Zombie Painting, 2025. Oil and acrylic on canvas, 60 x 80 cm
4. The Non-Erotics of Advertising (Hypercare), 2025. Spray paint, acrylic and UV print on panel, 41 x 51 cm

Introducing Gordon Hack (b. 1991, Glasgow, UK) @arcggd

Gordon Hack is an advocate for Total Cross-Functional Industrial Systems Transformation (TCFIST) and is in it for the long haul. His work represents a research programme into emerging theories of value- and meaning-creation at the intersection of supermarket aesthetics and contemporary spirituality.

Gordon developed his painting practice while completing a PhD in biochemistry at the Technische Universität München. He treats image-making as an unstable, nonlinear process and is partial to painting most days.

Artworks:

1. Grapheme I, 2025. Spray paint & acrylic on panel, 41 x 51 cm
2. Untitled (Party), 2025. Acrylic on panel, 41 x 51 cm
3. Zombie Painting, 2025. Oil and acrylic on canvas, 60 x 80 cm
4. The Non-Erotics of Advertising (Hypercare), 2025. Spray paint, acrylic and UV print on panel, 41 x 51 cm

Introducing Gordon Hack (b. 1991, Glasgow, UK) @arcggd

Gordon Hack is an advocate for Total Cross-Functional Industrial Systems Transformation (TCFIST) and is in it for the long haul. His work represents a research programme into emerging theories of value- and meaning-creation at the intersection of supermarket aesthetics and contemporary spirituality.

Gordon developed his painting practice while completing a PhD in biochemistry at the Technische Universität München. He treats image-making as an unstable, nonlinear process and is partial to painting most days.

Artworks:

1. Grapheme I, 2025. Spray paint & acrylic on panel, 41 x 51 cm
2. Untitled (Party), 2025. Acrylic on panel, 41 x 51 cm
3. Zombie Painting, 2025. Oil and acrylic on canvas, 60 x 80 cm
4. The Non-Erotics of Advertising (Hypercare), 2025. Spray paint, acrylic and UV print on panel, 41 x 51 cm

Introducing Gordon Hack (b. 1991, Glasgow, UK) @arcggd

Gordon Hack is an advocate for Total Cross-Functional Industrial Systems Transformation (TCFIST) and is in it for the long haul. His work represents a research programme into emerging theories of value- and meaning-creation at the intersection of supermarket aesthetics and contemporary spirituality.

Gordon developed his painting practice while completing a PhD in biochemistry at the Technische Universität München. He treats image-making as an unstable, nonlinear process and is partial to painting most days.

Artworks:

1. Grapheme I, 2025. Spray paint & acrylic on panel, 41 x 51 cm
2. Untitled (Party), 2025. Acrylic on panel, 41 x 51 cm
3. Zombie Painting, 2025. Oil and acrylic on canvas, 60 x 80 cm
4. The Non-Erotics of Advertising (Hypercare), 2025. Spray paint, acrylic and UV print on panel, 41 x 51 cm