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arash.core
13ai12
Visual Science
My Own NY
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
𝗡𝗮𝗵 means 𝗡𝗢 in Persian.
We have run out of tears.
We’re done with the cycle: hope, repression, blood, propaganda.
Done with a regime that silences dissent.
Done with the narrative that salvation must come from foreign powers.
Our 𝗡𝗔𝗛 is double. While repression continues — along with the regime’s propaganda — we also have to defend ourselves from imperialist and Zionist narratives that call for the return of the Shah.
𝑨𝒓𝒆 𝒘𝒆 𝒇𝒊𝒈𝒉𝒕𝒊𝒏𝒈 𝒇𝒐𝒓 𝒇𝒓𝒆𝒆𝒅𝒐𝒎, 𝒐𝒓 𝒋𝒖𝒔𝒕 𝒕𝒐 𝒔𝒘𝒊𝒕𝒄𝒉 𝒐𝒏𝒆 𝒅𝒊𝒄𝒕𝒂𝒕𝒐𝒓 𝒘𝒊𝒕𝒉 𝒂𝒏𝒐𝒕𝒉𝒆𝒓?
We reject the idea that foreign intervention is the only way out of a State that crushes protests in blood. We believe in the right of peoples to self-determination. All our solidarity goes to the Iranian people in struggle, and to all oppressed peoples.
No to the theocratic regime of the Ayatollahs.
No to the fascist regime of the Shah.
𝑵𝒐 𝒔𝒉𝒂𝒉, 𝑵𝒐 𝒎𝒖𝒍𝒍𝒂𝒉!
•
Illustration: @doublewhy_y @arash.core
Photo in 3rd/4th slide: @hazhirsh.personalacc
Arash, artista romano della scena underground, nella sua pratica fonde codici urbani del graffitismo e pattern geometrici della tradizione iraniana, cultura di origine, creando immaginari visivi unici
*Allestimento ArtRoom25 a cura di @faac.ap disponibile fino a marzo 2026
#arash #artroom2025 #fanfullart #streetart #murales arteurbana
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
🌵Poster in the last slide available at the link in bio.
🦩Poster nell’ultima foto disponibile al link in bio.
Il mio “ritorno a Tipasa” personale, tra l’opuntia e le saline.
C’è un filo logico tra Shabe Yalda, Albert Camus e i light leaks nella camera oscura. Se te lo spiego non vale, attenzione a non inciampare.
📸 olympus zoom
🎞️ ilford hp5
Seta e Cemento.
Rabbia e Radici.
Simboli antichi e cultura metropolitana.
Un gesto riconciliatorio tra le mie origini orientali e le mie new ballance in gore-tex.
Qualche mese fa all’inaugurazione di @tnks_social_house_ 🍻
Seta e Cemento.
Rabbia e Radici.
Simboli antichi e cultura metropolitana.
Un gesto riconciliatorio tra le mie origini orientali e le mie new ballance in gore-tex.
Qualche mese fa all’inaugurazione di @tnks_social_house_ 🍻
Seta e Cemento.
Rabbia e Radici.
Simboli antichi e cultura metropolitana.
Un gesto riconciliatorio tra le mie origini orientali e le mie new ballance in gore-tex.
Qualche mese fa all’inaugurazione di @tnks_social_house_ 🍻
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Hey mrs Sun! Where have you been?
Kilims tell the stories of people we don’t even know existed, going back hundreds and thousands of years ago.
They carry the vibes, fears, joys, dreams of these people. An ancient woven code dating as far back as 8000 BCE.
The meaning of the word kilim is unknown today, but it basically applies to woven carpets produced across a vast region, from the Balkans to Central Asia. Weaving was actually quite a common craft in ancient times. What’s wild is that, even when made in distant places, they share the same symbols—as if they belonged to a shared ancestral visual language.
Take the six-pointed star, known as the yildiz star or “Seal of Solomon.” Symbolizing guidance and prosperity, its radiant presence is believed to bring true happiness into the household and illuminate the path to it.
You can find it in Anatolian rugs, across the Mediterranean, in Sardinia, and even in Native American textiles. Its origins go back long before king Solomon: in mother goddess statues, it symbolized the womb, fertility, the creative force.
Funny enough in Persian tales, the Sun itself is feminine: khanu khorshid, “Lady Sun.”
So if you connect the dots, way before monotheistic patriarchal religions turned “the creator” into an old dude with a beard in the sky… the divine was imagined as female—closely tied to life-giving power.
Basically a Sun goddess.
That blows my mind every time.
•
If you made it this far—you’re awesome! 🤝
To support my research: hit follow @arash.core, drop a comment, save this post, or send it to that friend who geeks out on ancient symbols and persian carpets as much as I do.
Sliding doors // traditional textile pattern.
This one is inspired by Armenian rugs.
@arash.core for @csoalatorre done in spring at @vufest
Sliding doors // traditional textile pattern.
This one is inspired by Armenian rugs.
@arash.core for @csoalatorre done in spring at @vufest
Sliding doors // traditional textile pattern.
This one is inspired by Armenian rugs.
@arash.core for @csoalatorre done in spring at @vufest
Sliding doors // traditional textile pattern.
This one is inspired by Armenian rugs.
@arash.core for @csoalatorre done in spring at @vufest
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
From Rome with love ❤️🔥
KNEECAP al cinema!
@kneecap32 @europictures_ @borghettastile
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Certe abitudini ti entrano sotto pelle e ti sembrano la normalità, e quando la vita te le toglie ti senti scuoiato vivo.
Un cane ti da tutto sé stesso.
Con un linguaggio non verbale che ti dice cose di te che nemmeno sapevi.
E infatti verbalizzarlo è impossibile.
Le parole risultano retoriche, banali, stucchevoli.
È non verbale, il linguaggio è superluo.
Durante LA Coreografia.
Quella indimenticabile di Roma - Bilbao, in mezzo a migliaia di bandiere giallorosse, all’Olimpico sventolava una bandiera con un disegno Kilim.
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