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big thanks 2 @applemusic for featuring a selected discog of my engineering work as part of international women’s day this year 💕 feat stuff from @memphislk @alldaychubbyboy @blusher.band @lackthelow @june__jones @wherewascharlie @bbrambles_ @banoffeemusic @sandyshoe @lupa.j @gflip + a whole bunch more. it means a whole lot to me to have my work celebrated like this especially atm when life’s been feeling kinda heavy.I know I say this often but I never wanna stop feeling it: I’m endlessly grateful to everyone who trusts me w their art ❤️~ link in bio to listen

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

ɴᴇᴡ ᴀʟʙᴜᴍ ᴘʀᴇᴘᴀʀᴀᴛɪᴏɴ ᴄᴀʀᴏᴜꜱᴇʟ ➻🪞,,,🪷໒꒱

slide 3 by @albertovaranda
slide 5 by @blood_of_a_pomegranate

i used to have a sp*tify playlist that i’d update pretty regularly with songs i’ve worked on for other people but since that platform pays musicians so little & their policy re: tracks created w generative AI suggests to me they dgaf about human artists i figured it’d be good to do this on buy music club instead so you can listen to each artist directly on bandcamp & buy their tracks if you vibe them

i’ve made separate playlists for my mastering, mixing, vocal engineering and production work, full of really wonderful music that has given me such a sense of purpose to contribute to

the vocal engineering and production stuff is all a bit older and/or my own stuff because i took a break from most attended work during a period when i was searching for stable/long term accommodation, but now that i’m settled i’m enjoying getting into more in-person sessions sm🩶

links to these playlists are in my stories xx

ALSO while putting these lists together i realised there are a bunch of emerging artists i work with who don’t have their stuff on bandcamp and i just wanted to say you should totally put it up there if that’s you because it’s a way to make $$ much faster than on streaming 🤑

i used to have a sp*tify playlist that i’d update pretty regularly with songs i’ve worked on for other people but since that platform pays musicians so little & their policy re: tracks created w generative AI suggests to me they dgaf about human artists i figured it’d be good to do this on buy music club instead so you can listen to each artist directly on bandcamp & buy their tracks if you vibe them

i’ve made separate playlists for my mastering, mixing, vocal engineering and production work, full of really wonderful music that has given me such a sense of purpose to contribute to

the vocal engineering and production stuff is all a bit older and/or my own stuff because i took a break from most attended work during a period when i was searching for stable/long term accommodation, but now that i’m settled i’m enjoying getting into more in-person sessions sm🩶

links to these playlists are in my stories xx

ALSO while putting these lists together i realised there are a bunch of emerging artists i work with who don’t have their stuff on bandcamp and i just wanted to say you should totally put it up there if that’s you because it’s a way to make $$ much faster than on streaming 🤑

i used to have a sp*tify playlist that i’d update pretty regularly with songs i’ve worked on for other people but since that platform pays musicians so little & their policy re: tracks created w generative AI suggests to me they dgaf about human artists i figured it’d be good to do this on buy music club instead so you can listen to each artist directly on bandcamp & buy their tracks if you vibe them

i’ve made separate playlists for my mastering, mixing, vocal engineering and production work, full of really wonderful music that has given me such a sense of purpose to contribute to

the vocal engineering and production stuff is all a bit older and/or my own stuff because i took a break from most attended work during a period when i was searching for stable/long term accommodation, but now that i’m settled i’m enjoying getting into more in-person sessions sm🩶

links to these playlists are in my stories xx

ALSO while putting these lists together i realised there are a bunch of emerging artists i work with who don’t have their stuff on bandcamp and i just wanted to say you should totally put it up there if that’s you because it’s a way to make $$ much faster than on streaming 🤑

i used to have a sp*tify playlist that i’d update pretty regularly with songs i’ve worked on for other people but since that platform pays musicians so little & their policy re: tracks created w generative AI suggests to me they dgaf about human artists i figured it’d be good to do this on buy music club instead so you can listen to each artist directly on bandcamp & buy their tracks if you vibe them

i’ve made separate playlists for my mastering, mixing, vocal engineering and production work, full of really wonderful music that has given me such a sense of purpose to contribute to

the vocal engineering and production stuff is all a bit older and/or my own stuff because i took a break from most attended work during a period when i was searching for stable/long term accommodation, but now that i’m settled i’m enjoying getting into more in-person sessions sm🩶

links to these playlists are in my stories xx

ALSO while putting these lists together i realised there are a bunch of emerging artists i work with who don’t have their stuff on bandcamp and i just wanted to say you should totally put it up there if that’s you because it’s a way to make $$ much faster than on streaming 🤑

i used to have a sp*tify playlist that i’d update pretty regularly with songs i’ve worked on for other people but since that platform pays musicians so little & their policy re: tracks created w generative AI suggests to me they dgaf about human artists i figured it’d be good to do this on buy music club instead so you can listen to each artist directly on bandcamp & buy their tracks if you vibe them

i’ve made separate playlists for my mastering, mixing, vocal engineering and production work, full of really wonderful music that has given me such a sense of purpose to contribute to

the vocal engineering and production stuff is all a bit older and/or my own stuff because i took a break from most attended work during a period when i was searching for stable/long term accommodation, but now that i’m settled i’m enjoying getting into more in-person sessions sm🩶

links to these playlists are in my stories xx

ALSO while putting these lists together i realised there are a bunch of emerging artists i work with who don’t have their stuff on bandcamp and i just wanted to say you should totally put it up there if that’s you because it’s a way to make $$ much faster than on streaming 🤑

i used to have a sp*tify playlist that i’d update pretty regularly with songs i’ve worked on for other people but since that platform pays musicians so little & their policy re: tracks created w generative AI suggests to me they dgaf about human artists i figured it’d be good to do this on buy music club instead so you can listen to each artist directly on bandcamp & buy their tracks if you vibe them

i’ve made separate playlists for my mastering, mixing, vocal engineering and production work, full of really wonderful music that has given me such a sense of purpose to contribute to

the vocal engineering and production stuff is all a bit older and/or my own stuff because i took a break from most attended work during a period when i was searching for stable/long term accommodation, but now that i’m settled i’m enjoying getting into more in-person sessions sm🩶

links to these playlists are in my stories xx

ALSO while putting these lists together i realised there are a bunch of emerging artists i work with who don’t have their stuff on bandcamp and i just wanted to say you should totally put it up there if that’s you because it’s a way to make $$ much faster than on streaming 🤑

beautiful magical record out today from @max_lawrence._ on @interceptrecords 🩶 max is a kindred spirit in the art pop world & someone whose work i have immense respect for so it was a treat to master this LP from stems. If Only My Limbs Were Longer is full of creativity & yearning and i can’t wait for you to listen to it xx

art by @jeffandersenjnr
swipe for max & a whole gang of sweeties at @carriage.studio where i mastered a bunch of these tracks

beautiful magical record out today from @max_lawrence._ on @interceptrecords 🩶 max is a kindred spirit in the art pop world & someone whose work i have immense respect for so it was a treat to master this LP from stems. If Only My Limbs Were Longer is full of creativity & yearning and i can’t wait for you to listen to it xx

art by @jeffandersenjnr
swipe for max & a whole gang of sweeties at @carriage.studio where i mastered a bunch of these tracks

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

special moments + curious objects 🎧🌷

got a new one called whatsyourrising featuring @zsa.lafine ‘s goated vocals out now on @rippingnailsrecords ‘s latest compilation 🩶 this one is exclusive to bandcamp & all proceeds go to to Panzi Foundation which supports Congolese survivors of sexual violence

ty @asciibutt for this footage from last week’s launch with @youarehere_canberra x @blank.platform xx

i have a new ambient collaboration out today with @drumandlace & it’s called Resin 🩶 this track comes to you courtesy of @marineeyes & @anita_tatlow ‘s beautiful gentle voices series (via @echoesblue / @cloud__collecting ) which has seen a whole bunch of women in ambient pair up to make some truly inspiring music

when sofia sent me the demo we grew this piece from she said that she called it resin because resin is a substance that protects, heals, and bonds. as i recorded my vocals for the track i was reflecting on how nature is always busy creating, breaking, healing and destroying in a cycle, even when i’m not paying any attention to it at all due to being a chronically online little freak

you can find this song & the compilation it’s from on bandcamp & thank you so much @marineeyes & @anita_tatlow for all your epic efforts to bring it about. ty also to @emilymagpiemastering for mastering my mix on this one xx

We are absolutely thrilled to have @aphir_ on the lineup for the launch. A true sweetheart and one of Canberra’s finest creative exports, Aphir is now based in Naarm/Melbourne, so we are extremely lucky and grateful to have her return home for this gig. Her music spans from meditative ambient soundscapes to words of devotion sung into a wall of digital noise. Aphir will be playing on the Rooftop Terrace.

Aphir is the electronic choral project of engineer/songwriter/producer Becki Whitton. This year has been busy for Aphir, seeing her accompany Chelsea Wolfe on her Australia & NZ tour, as well as supporting Tangerine Dream at their Naarm/Melbourne show at Max Watts. In July she undertook a producers residency in Calgary, funded by the National Arts Centre of Canada. Throughout 2020 - 2021 Becki embraced the challenges of pandemic lockdown through live-streaming on Twitch - first producing, recording, and mixing her 2020 LP, Republic of Paradise, on livestream and then pursuing marathon-length vocal improvisations on Twitch throughout 2021, culminating in a 12-hour performance on Boxing Day that year. Her 2023 LP, The Halo Is Shapeless, is made up of works created during home stretch 10, 11 and 12 hour improvisations from this project. As well as her work as Aphir, Becki is known for her mixing and mastering work for other artists (Stella Donnelly, Jessica Mauboy, Ruby Gill) and has received ARIA, AWMA and MPEG nominations in this field.

SPACE CATHEDRAL
Launching: Blank Cultural Platform
a new city arts space by @blank.platform x YAH
Thursday 5th March
7pm-10:30pm
131 City Walk
tix: link in bio

Part of @enlighten_canberra : Beyond
Supported by @cityrenewalcbr

my first show of the year will be on march 5 for the launch of a huge new collab between @blank.platform x @youarehere_canberra who are sharing their new arts space in the canberra cbd for the first time. can’t wait to play some new stuff from my upcoming LP 🥰 plus pomegranate tree/republic of paradise vibes. hit the link in @blank.platform ‘s bio for tix & swipe for a bonus glimpse of the new @carriage.studio fit out

pic 1 by legend @dapperdanphoto

my first show of the year will be on march 5 for the launch of a huge new collab between @blank.platform x @youarehere_canberra who are sharing their new arts space in the canberra cbd for the first time. can’t wait to play some new stuff from my upcoming LP 🥰 plus pomegranate tree/republic of paradise vibes. hit the link in @blank.platform ‘s bio for tix & swipe for a bonus glimpse of the new @carriage.studio fit out

pic 1 by legend @dapperdanphoto

as a bob so below 💇‍♀️

as a bob so below 💇‍♀️

as a bob so below 💇‍♀️

as a bob so below 💇‍♀️

as a bob so below 💇‍♀️

as a bob so below 💇‍♀️

as a bob so below 💇‍♀️

as a bob so below 💇‍♀️

as a bob so below 💇‍♀️

teardrop but it’s a choral drone💧#massiveattack

to see any art through to finishing you have to be kind to your past self: to collaborate with them, to see their ideas and feelings as valid, to grow what they started planting. sometimes that’s simple and other times it’s agonisingly hard and it’s always extremely human. it’s also a big part of why i’m grateful to be doing the work i do. when i’m entrusted to play a technical role in that process for someone else’s music i never take it for granted. slide 1 is the albums i’ve mastered this year (& some i’ve mixed for) & slide 2 is the same but for EPs/mixtapes. you can also vote for a bunch of tracks from these bodies of work in the @triplej hottest 100 which i recommend doing if you love the songs like i do and wanna support the artists. while you’re doing that remember to nominate your favourite leftfield/experimental tracks of the year for the @wettest100 playlist too 🩶🩶

to see any art through to finishing you have to be kind to your past self: to collaborate with them, to see their ideas and feelings as valid, to grow what they started planting. sometimes that’s simple and other times it’s agonisingly hard and it’s always extremely human. it’s also a big part of why i’m grateful to be doing the work i do. when i’m entrusted to play a technical role in that process for someone else’s music i never take it for granted. slide 1 is the albums i’ve mastered this year (& some i’ve mixed for) & slide 2 is the same but for EPs/mixtapes. you can also vote for a bunch of tracks from these bodies of work in the @triplej hottest 100 which i recommend doing if you love the songs like i do and wanna support the artists. while you’re doing that remember to nominate your favourite leftfield/experimental tracks of the year for the @wettest100 playlist too 🩶🩶

to see any art through to finishing you have to be kind to your past self: to collaborate with them, to see their ideas and feelings as valid, to grow what they started planting. sometimes that’s simple and other times it’s agonisingly hard and it’s always extremely human. it’s also a big part of why i’m grateful to be doing the work i do. when i’m entrusted to play a technical role in that process for someone else’s music i never take it for granted. slide 1 is the albums i’ve mastered this year (& some i’ve mixed for) & slide 2 is the same but for EPs/mixtapes. you can also vote for a bunch of tracks from these bodies of work in the @triplej hottest 100 which i recommend doing if you love the songs like i do and wanna support the artists. while you’re doing that remember to nominate your favourite leftfield/experimental tracks of the year for the @wettest100 playlist too 🩶🩶