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Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Fall 2024 — marks twenty years since my first solo exhibition in NYC, @jessicamurrayartadvisory. Very easy and also very hard to believe! On the occasion — an archive! link in bio!

This project has been foremost an incredible reminder of so many very talented people I have had the chance to work with — their efforts, projects, spaces and texts. I am filled with gratitude for every last one of you.

HUGE admiration and big thank yous to the dreamy @lulu_of_thelulu_order for doing so much of this work, making the website possible, and showing me the way —- literally.

#annpibal

Currently on view: RSCRX, 19 x 14.5 inches, (48.26 x 36.83 cm), Acrylic on Aluminum Panel, 2026 @halseymckaygallery @newartdealers @annpibal #annpibal

Currently on view: RSCRX, 19 x 14.5 inches, (48.26 x 36.83 cm), Acrylic on Aluminum Panel, 2026 @halseymckaygallery @newartdealers @annpibal #annpibal

Currently on view: RSCRX, 19 x 14.5 inches, (48.26 x 36.83 cm), Acrylic on Aluminum Panel, 2026 @halseymckaygallery @newartdealers @annpibal #annpibal

Currently on view: RSCRX, 19 x 14.5 inches, (48.26 x 36.83 cm), Acrylic on Aluminum Panel, 2026 @halseymckaygallery @newartdealers @annpibal #annpibal

We had a lovely visit to the studio from the Helen Frankenthaler Foundation and Bennington College Museum Fellows Term students and their intrepid leader, Liz White. Thank you darling, fabulous, Bennington Students, amazing, brilliant, Liz , and the Helen Frankenthaler Foundation. 💗🙂🏆😘🌊⛴️

@colinbrant724
@annpibal
@benningtonmft
@whitespaceprojects
@atbennington
@helenfrankenthalerfoundation
#colinbrant #annpibal

We had a lovely visit to the studio from the Helen Frankenthaler Foundation and Bennington College Museum Fellows Term students and their intrepid leader, Liz White. Thank you darling, fabulous, Bennington Students, amazing, brilliant, Liz , and the Helen Frankenthaler Foundation. 💗🙂🏆😘🌊⛴️

@colinbrant724
@annpibal
@benningtonmft
@whitespaceprojects
@atbennington
@helenfrankenthalerfoundation
#colinbrant #annpibal

We had a lovely visit to the studio from the Helen Frankenthaler Foundation and Bennington College Museum Fellows Term students and their intrepid leader, Liz White. Thank you darling, fabulous, Bennington Students, amazing, brilliant, Liz , and the Helen Frankenthaler Foundation. 💗🙂🏆😘🌊⛴️

@colinbrant724
@annpibal
@benningtonmft
@whitespaceprojects
@atbennington
@helenfrankenthalerfoundation
#colinbrant #annpibal

We had a lovely visit to the studio from the Helen Frankenthaler Foundation and Bennington College Museum Fellows Term students and their intrepid leader, Liz White. Thank you darling, fabulous, Bennington Students, amazing, brilliant, Liz , and the Helen Frankenthaler Foundation. 💗🙂🏆😘🌊⛴️

@colinbrant724
@annpibal
@benningtonmft
@whitespaceprojects
@atbennington
@helenfrankenthalerfoundation
#colinbrant #annpibal

We had a lovely visit to the studio from the Helen Frankenthaler Foundation and Bennington College Museum Fellows Term students and their intrepid leader, Liz White. Thank you darling, fabulous, Bennington Students, amazing, brilliant, Liz , and the Helen Frankenthaler Foundation. 💗🙂🏆😘🌊⛴️

@colinbrant724
@annpibal
@benningtonmft
@whitespaceprojects
@atbennington
@helenfrankenthalerfoundation
#colinbrant #annpibal

We had a lovely visit to the studio from the Helen Frankenthaler Foundation and Bennington College Museum Fellows Term students and their intrepid leader, Liz White. Thank you darling, fabulous, Bennington Students, amazing, brilliant, Liz , and the Helen Frankenthaler Foundation. 💗🙂🏆😘🌊⛴️

@colinbrant724
@annpibal
@benningtonmft
@whitespaceprojects
@atbennington
@helenfrankenthalerfoundation
#colinbrant #annpibal

We had a lovely visit to the studio from the Helen Frankenthaler Foundation and Bennington College Museum Fellows Term students and their intrepid leader, Liz White. Thank you darling, fabulous, Bennington Students, amazing, brilliant, Liz , and the Helen Frankenthaler Foundation. 💗🙂🏆😘🌊⛴️

@colinbrant724
@annpibal
@benningtonmft
@whitespaceprojects
@atbennington
@helenfrankenthalerfoundation
#colinbrant #annpibal

We had a lovely visit to the studio from the Helen Frankenthaler Foundation and Bennington College Museum Fellows Term students and their intrepid leader, Liz White. Thank you darling, fabulous, Bennington Students, amazing, brilliant, Liz , and the Helen Frankenthaler Foundation. 💗🙂🏆😘🌊⛴️

@colinbrant724
@annpibal
@benningtonmft
@whitespaceprojects
@atbennington
@helenfrankenthalerfoundation
#colinbrant #annpibal

ANN PIBAL – GHSTBKSX
April 11 – May 17, 2026
79 Newtown Lane, East Hampton, NY

Halsey McKay is pleased to present GHSTBKSX, Ann Pibal’s third solo exhibition with the gallery. Pibal’s current body of work features rich, velvety fields of color alongside reflective, sparkling,and metallic surfaces. These depictions of reflection operate in dialogue with established themes in her practice, including diagrammatic representations of the book, frame, stage, curtain, and mirror, while introducing a new openness to allusions of watery, spatial environments.
The use of iridescent paint introduces a sensual dimension that directly engages the exhibition space. These surfaces reflect both the gallery’s ambient light and the movement of viewers, producing shifting color relationships and evolving visual narratives across the panels. The interplay between velvety passages and dynamically glittering textures creates a striking contrast with Pibal’s lush, painterly gestures, unfolding within deep, immersive spatial fields.
Across the exhibition, the works engage with reflection and repetition, extending their inquiry into temporality. The ostensibly neutral rectangle becomes a vehicle for evoking the fleeting and transitory qualities of light, while mirrored surfaces underscore the instability and mutability of perception itself.

#annpibal #halseymckaygallery @annpibal

Opening Saturday! April 11th, 4-6PM at @HalseyMcKayGallery in East Hampton. ANN PIBAL : GHSTBKSX and...Colin Brant @colinbrant724: SUN AND RAIN. If you are close by and/or beach bound, would love to see you. Exhibitions run through April-May. XO XO

"Halsey McKay is pleased to present GHSTBKSX, Ann Pibal’s third solo exhibition with the gallery.

Pibal’s current body of work features rich, velvety fields of color alongside reflective, sparkling, and metallic surfaces. These depictions of reflection operate in dialogue with established themes in her practice, including diagrammatic representations of the book, frame, stage, curtain, and mirror, while introducing a new openness to allusions of watery, spatial environments.

The use of iridescent paint introduces a sensual dimension that directly engages the exhibition space. These surfaces reflect both the gallery’s ambient light and the movement of viewers, producing shifting color relationships and evolving visual narratives across the panels. The interplay between velvety passages and dynamically glittering textures creates a striking contrast with Pibal’s lush, painterly gestures, unfolding within deep, immersive spatial fields.

Across the exhibition, the works engage with reflection and repetition, extending their inquiry into temporality. The ostensibly neutral rectangle becomes a vehicle for evoking the fleeting and transitory qualities of light, while mirrored surfaces underscore the instability and mutability of perception itself."

Ann Pibal, GHSTBK17_(SILVCNR), 19 x 14.25 inches (48.3 x 36.8cm), acrylic on aluminum panel, 2026.

#annpibal #colinbrant photo credit @alan.wiener

I remain so incredibly grateful to be included among such great company. “Revolutions” at the @hirshhorn, is ongoing and is currently on view in one of several iterations it will take over the course of a long-term installation of the permanent collection celebrating the museum’s 50th Anniversary.

Organized by Hirshhorn Associate Curator Marina Isgro and Assistant Curator Betsy Johnson, ‘Revolutions: Art from the Hirshhorn Collection, 1860–1960,’ fills the Museum’s second-floor outer-circle galleries from March 22, 2024 – January 3, 2027.

This @hirshhorn exhibition features over 200 artworks made during this turbulent and energetic century, alongside contemporary work by 19 artists whose practices demonstrate how many revolutionary ideas and approaches arising during these 100 years remain critical today.

#AnnPibal, LDFSX, Acrylic on Aluminum, 45” x 60”, 2008

Group photos © Tony Powell. Hirshhorn Museum 50th Anniversary Dinner. March 22, 2024 Aliza Nizenbaum, Flora Yukhnovich, Torkwase Dyson, Ann Pibal, Nathaniel Mary Quin, pictured in front of Mark Bradford’s installation: Pickett’s Charge.

I remain so incredibly grateful to be included among such great company. “Revolutions” at the @hirshhorn, is ongoing and is currently on view in one of several iterations it will take over the course of a long-term installation of the permanent collection celebrating the museum’s 50th Anniversary.

Organized by Hirshhorn Associate Curator Marina Isgro and Assistant Curator Betsy Johnson, ‘Revolutions: Art from the Hirshhorn Collection, 1860–1960,’ fills the Museum’s second-floor outer-circle galleries from March 22, 2024 – January 3, 2027.

This @hirshhorn exhibition features over 200 artworks made during this turbulent and energetic century, alongside contemporary work by 19 artists whose practices demonstrate how many revolutionary ideas and approaches arising during these 100 years remain critical today.

#AnnPibal, LDFSX, Acrylic on Aluminum, 45” x 60”, 2008

Group photos © Tony Powell. Hirshhorn Museum 50th Anniversary Dinner. March 22, 2024 Aliza Nizenbaum, Flora Yukhnovich, Torkwase Dyson, Ann Pibal, Nathaniel Mary Quin, pictured in front of Mark Bradford’s installation: Pickett’s Charge.

I remain so incredibly grateful to be included among such great company. “Revolutions” at the @hirshhorn, is ongoing and is currently on view in one of several iterations it will take over the course of a long-term installation of the permanent collection celebrating the museum’s 50th Anniversary.

Organized by Hirshhorn Associate Curator Marina Isgro and Assistant Curator Betsy Johnson, ‘Revolutions: Art from the Hirshhorn Collection, 1860–1960,’ fills the Museum’s second-floor outer-circle galleries from March 22, 2024 – January 3, 2027.

This @hirshhorn exhibition features over 200 artworks made during this turbulent and energetic century, alongside contemporary work by 19 artists whose practices demonstrate how many revolutionary ideas and approaches arising during these 100 years remain critical today.

#AnnPibal, LDFSX, Acrylic on Aluminum, 45” x 60”, 2008

Group photos © Tony Powell. Hirshhorn Museum 50th Anniversary Dinner. March 22, 2024 Aliza Nizenbaum, Flora Yukhnovich, Torkwase Dyson, Ann Pibal, Nathaniel Mary Quin, pictured in front of Mark Bradford’s installation: Pickett’s Charge.

I remain so incredibly grateful to be included among such great company. “Revolutions” at the @hirshhorn, is ongoing and is currently on view in one of several iterations it will take over the course of a long-term installation of the permanent collection celebrating the museum’s 50th Anniversary.

Organized by Hirshhorn Associate Curator Marina Isgro and Assistant Curator Betsy Johnson, ‘Revolutions: Art from the Hirshhorn Collection, 1860–1960,’ fills the Museum’s second-floor outer-circle galleries from March 22, 2024 – January 3, 2027.

This @hirshhorn exhibition features over 200 artworks made during this turbulent and energetic century, alongside contemporary work by 19 artists whose practices demonstrate how many revolutionary ideas and approaches arising during these 100 years remain critical today.

#AnnPibal, LDFSX, Acrylic on Aluminum, 45” x 60”, 2008

Group photos © Tony Powell. Hirshhorn Museum 50th Anniversary Dinner. March 22, 2024 Aliza Nizenbaum, Flora Yukhnovich, Torkwase Dyson, Ann Pibal, Nathaniel Mary Quin, pictured in front of Mark Bradford’s installation: Pickett’s Charge.

I remain so incredibly grateful to be included among such great company. “Revolutions” at the @hirshhorn, is ongoing and is currently on view in one of several iterations it will take over the course of a long-term installation of the permanent collection celebrating the museum’s 50th Anniversary.

Organized by Hirshhorn Associate Curator Marina Isgro and Assistant Curator Betsy Johnson, ‘Revolutions: Art from the Hirshhorn Collection, 1860–1960,’ fills the Museum’s second-floor outer-circle galleries from March 22, 2024 – January 3, 2027.

This @hirshhorn exhibition features over 200 artworks made during this turbulent and energetic century, alongside contemporary work by 19 artists whose practices demonstrate how many revolutionary ideas and approaches arising during these 100 years remain critical today.

#AnnPibal, LDFSX, Acrylic on Aluminum, 45” x 60”, 2008

Group photos © Tony Powell. Hirshhorn Museum 50th Anniversary Dinner. March 22, 2024 Aliza Nizenbaum, Flora Yukhnovich, Torkwase Dyson, Ann Pibal, Nathaniel Mary Quin, pictured in front of Mark Bradford’s installation: Pickett’s Charge.

I remain so incredibly grateful to be included among such great company. “Revolutions” at the @hirshhorn, is ongoing and is currently on view in one of several iterations it will take over the course of a long-term installation of the permanent collection celebrating the museum’s 50th Anniversary.

Organized by Hirshhorn Associate Curator Marina Isgro and Assistant Curator Betsy Johnson, ‘Revolutions: Art from the Hirshhorn Collection, 1860–1960,’ fills the Museum’s second-floor outer-circle galleries from March 22, 2024 – January 3, 2027.

This @hirshhorn exhibition features over 200 artworks made during this turbulent and energetic century, alongside contemporary work by 19 artists whose practices demonstrate how many revolutionary ideas and approaches arising during these 100 years remain critical today.

#AnnPibal, LDFSX, Acrylic on Aluminum, 45” x 60”, 2008

Group photos © Tony Powell. Hirshhorn Museum 50th Anniversary Dinner. March 22, 2024 Aliza Nizenbaum, Flora Yukhnovich, Torkwase Dyson, Ann Pibal, Nathaniel Mary Quin, pictured in front of Mark Bradford’s installation: Pickett’s Charge.

@thearmoryshow @halseymckaygallery this week!!!GHSTBKS15ROYALRD, 2025
Acrylic on aluminum
45 x 32.5 inches (114.3 x 82.6 cm)

#annpibal #ghostbooks #mirror

@thearmoryshow @halseymckaygallery this week!!!GHSTBKS15ROYALRD, 2025
Acrylic on aluminum
45 x 32.5 inches (114.3 x 82.6 cm)

#annpibal #ghostbooks #mirror

@thearmoryshow @halseymckaygallery this week!!!GHSTBKS15ROYALRD, 2025
Acrylic on aluminum
45 x 32.5 inches (114.3 x 82.6 cm)

#annpibal #ghostbooks #mirror

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

Research in Norway with @colinbrant724 💦

GLDND_19.5 x 14.5 in (48.26 x 36.83 cm)_Acrylic on aluminum panel_2025.

Some d*cks. Good morning.

GLDND_19.5 x 14.5 in (48.26 x 36.83 cm)_Acrylic on aluminum panel_2025.

Some d*cks. Good morning.

GLDND_19.5 x 14.5 in (48.26 x 36.83 cm)_Acrylic on aluminum panel_2025.

Some d*cks. Good morning.

GHSTBKSXX6_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024

#annpibal @annpibal

GHSTBKSXX6_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024

#annpibal @annpibal

GHSTBKSXX6_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024

#annpibal @annpibal

GHSTBKSXX6_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024

#annpibal @annpibal

GHSTBKSXX6_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024

#annpibal @annpibal

GHSTBKSXX4_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024
#dogreflection

#annpibal @annpibal

GHSTBKSXX4_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024
#dogreflection

#annpibal @annpibal

GHSTBKSXX4_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024
#dogreflection

#annpibal @annpibal

GHSTBKSXX4_(mirror)_70 x 53.5”, acrylic on aluminum panel, 2024
#dogreflection

#annpibal @annpibal

GHSTBKSXX5_(Mirror)_70 x 53.5 inches_acrylic on aluminum panel_2024

#annpibal @annpibal

GHSTBKSXX5_(Mirror)_70 x 53.5 inches_acrylic on aluminum panel_2024

#annpibal @annpibal

GHSTBKSXX5_(Mirror)_70 x 53.5 inches_acrylic on aluminum panel_2024

#annpibal @annpibal

GHSTBKSXX5_(Mirror)_70 x 53.5 inches_acrylic on aluminum panel_2024

#annpibal @annpibal

GHSTBKSXX5_(Mirror)_70 x 53.5 inches_acrylic on aluminum panel_2024

#annpibal @annpibal