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annolda
Anna Nolda Nagele
HCI & design research, lecturer @dieangewandte + @lcclondon, editor @theposthumanistmag and part-time farmer
A few weeks have now passed, but back in May I dressed up in a gown and put on a puffy hat to graduate from my PhD in Media and Arts Technology at Queen Mary University of London. Thank you so much, Julian Hough and Zara Dinnen, for your continued guidance throughout my PhD journey - and to the many wonderful people who supported me along the way, too many to count. I could not have done this without you!
Thank you all for making this final day at QMUL so special, to my friends and family who joined me on this special occasion in London. With a smile and tears in my eyes this chapter is now closed, and I’ll be forever grateful 💖💛
A few weeks have now passed, but back in May I dressed up in a gown and put on a puffy hat to graduate from my PhD in Media and Arts Technology at Queen Mary University of London. Thank you so much, Julian Hough and Zara Dinnen, for your continued guidance throughout my PhD journey - and to the many wonderful people who supported me along the way, too many to count. I could not have done this without you!
Thank you all for making this final day at QMUL so special, to my friends and family who joined me on this special occasion in London. With a smile and tears in my eyes this chapter is now closed, and I’ll be forever grateful 💖💛
A few weeks have now passed, but back in May I dressed up in a gown and put on a puffy hat to graduate from my PhD in Media and Arts Technology at Queen Mary University of London. Thank you so much, Julian Hough and Zara Dinnen, for your continued guidance throughout my PhD journey - and to the many wonderful people who supported me along the way, too many to count. I could not have done this without you!
Thank you all for making this final day at QMUL so special, to my friends and family who joined me on this special occasion in London. With a smile and tears in my eyes this chapter is now closed, and I’ll be forever grateful 💖💛
A few weeks have now passed, but back in May I dressed up in a gown and put on a puffy hat to graduate from my PhD in Media and Arts Technology at Queen Mary University of London. Thank you so much, Julian Hough and Zara Dinnen, for your continued guidance throughout my PhD journey - and to the many wonderful people who supported me along the way, too many to count. I could not have done this without you!
Thank you all for making this final day at QMUL so special, to my friends and family who joined me on this special occasion in London. With a smile and tears in my eyes this chapter is now closed, and I’ll be forever grateful 💖💛
A few weeks have now passed, but back in May I dressed up in a gown and put on a puffy hat to graduate from my PhD in Media and Arts Technology at Queen Mary University of London. Thank you so much, Julian Hough and Zara Dinnen, for your continued guidance throughout my PhD journey - and to the many wonderful people who supported me along the way, too many to count. I could not have done this without you!
Thank you all for making this final day at QMUL so special, to my friends and family who joined me on this special occasion in London. With a smile and tears in my eyes this chapter is now closed, and I’ll be forever grateful 💖💛
A few weeks have now passed, but back in May I dressed up in a gown and put on a puffy hat to graduate from my PhD in Media and Arts Technology at Queen Mary University of London. Thank you so much, Julian Hough and Zara Dinnen, for your continued guidance throughout my PhD journey - and to the many wonderful people who supported me along the way, too many to count. I could not have done this without you!
Thank you all for making this final day at QMUL so special, to my friends and family who joined me on this special occasion in London. With a smile and tears in my eyes this chapter is now closed, and I’ll be forever grateful 💖💛
A few weeks have now passed, but back in May I dressed up in a gown and put on a puffy hat to graduate from my PhD in Media and Arts Technology at Queen Mary University of London. Thank you so much, Julian Hough and Zara Dinnen, for your continued guidance throughout my PhD journey - and to the many wonderful people who supported me along the way, too many to count. I could not have done this without you!
Thank you all for making this final day at QMUL so special, to my friends and family who joined me on this special occasion in London. With a smile and tears in my eyes this chapter is now closed, and I’ll be forever grateful 💖💛
A few weeks have now passed, but back in May I dressed up in a gown and put on a puffy hat to graduate from my PhD in Media and Arts Technology at Queen Mary University of London. Thank you so much, Julian Hough and Zara Dinnen, for your continued guidance throughout my PhD journey - and to the many wonderful people who supported me along the way, too many to count. I could not have done this without you!
Thank you all for making this final day at QMUL so special, to my friends and family who joined me on this special occasion in London. With a smile and tears in my eyes this chapter is now closed, and I’ll be forever grateful 💖💛
Register now for the On the Seam free online symposium to join the roundtable “Frictions, Futures, and Possibilities of Anthropology and Design”! (Link in bio)
➡️ Roundtable: Thur May 8, 5:30 pm–6:30 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
This roundtable conversation with Dana Burton #danaburton, Mahmoud Keshavarz #mahmoudkeshavarz, and Helen Pritchard @helenvpritchard reflects on the moments where anthropology and design converge, where they clash, and where they force us to reimagine what each discipline can be. Drawing from their experiences in research, practice, and pedagogy, they will consider the politics of participation, the ethical dilemmas of working across different modes of knowledge production, and the uneasy balance between critique and complicity.
The roundtable will be moderated by Maya Ober @maya__ober and Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, co-curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, co-coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory.
It is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development.”
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the roundtable “Frictions, Futures, and Possibilities of Anthropology and Design”! (Link in bio)
➡️ Roundtable: Thur May 8, 5:30 pm–6:30 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
This roundtable conversation with Dana Burton #danaburton, Mahmoud Keshavarz #mahmoudkeshavarz, and Helen Pritchard @helenvpritchard reflects on the moments where anthropology and design converge, where they clash, and where they force us to reimagine what each discipline can be. Drawing from their experiences in research, practice, and pedagogy, they will consider the politics of participation, the ethical dilemmas of working across different modes of knowledge production, and the uneasy balance between critique and complicity.
The roundtable will be moderated by Maya Ober @maya__ober and Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, co-curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, co-coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory.
It is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development.”
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the roundtable “Frictions, Futures, and Possibilities of Anthropology and Design”! (Link in bio)
➡️ Roundtable: Thur May 8, 5:30 pm–6:30 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
This roundtable conversation with Dana Burton #danaburton, Mahmoud Keshavarz #mahmoudkeshavarz, and Helen Pritchard @helenvpritchard reflects on the moments where anthropology and design converge, where they clash, and where they force us to reimagine what each discipline can be. Drawing from their experiences in research, practice, and pedagogy, they will consider the politics of participation, the ethical dilemmas of working across different modes of knowledge production, and the uneasy balance between critique and complicity.
The roundtable will be moderated by Maya Ober @maya__ober and Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, co-curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, co-coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory.
It is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development.”
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the roundtable “Frictions, Futures, and Possibilities of Anthropology and Design”! (Link in bio)
➡️ Roundtable: Thur May 8, 5:30 pm–6:30 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
This roundtable conversation with Dana Burton #danaburton, Mahmoud Keshavarz #mahmoudkeshavarz, and Helen Pritchard @helenvpritchard reflects on the moments where anthropology and design converge, where they clash, and where they force us to reimagine what each discipline can be. Drawing from their experiences in research, practice, and pedagogy, they will consider the politics of participation, the ethical dilemmas of working across different modes of knowledge production, and the uneasy balance between critique and complicity.
The roundtable will be moderated by Maya Ober @maya__ober and Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, co-curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, co-coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory.
It is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development.”
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the roundtable “Frictions, Futures, and Possibilities of Anthropology and Design”! (Link in bio)
➡️ Roundtable: Thur May 8, 5:30 pm–6:30 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
This roundtable conversation with Dana Burton #danaburton, Mahmoud Keshavarz #mahmoudkeshavarz, and Helen Pritchard @helenvpritchard reflects on the moments where anthropology and design converge, where they clash, and where they force us to reimagine what each discipline can be. Drawing from their experiences in research, practice, and pedagogy, they will consider the politics of participation, the ethical dilemmas of working across different modes of knowledge production, and the uneasy balance between critique and complicity.
The roundtable will be moderated by Maya Ober @maya__ober and Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, co-curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, co-coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory.
It is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development.”
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the roundtable “Frictions, Futures, and Possibilities of Anthropology and Design”! (Link in bio)
➡️ Roundtable: Thur May 8, 5:30 pm–6:30 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
This roundtable conversation with Dana Burton #danaburton, Mahmoud Keshavarz #mahmoudkeshavarz, and Helen Pritchard @helenvpritchard reflects on the moments where anthropology and design converge, where they clash, and where they force us to reimagine what each discipline can be. Drawing from their experiences in research, practice, and pedagogy, they will consider the politics of participation, the ethical dilemmas of working across different modes of knowledge production, and the uneasy balance between critique and complicity.
The roundtable will be moderated by Maya Ober @maya__ober and Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, co-curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, co-coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory.
It is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development.”
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the roundtable “Frictions, Futures, and Possibilities of Anthropology and Design”! (Link in bio)
➡️ Roundtable: Thur May 8, 5:30 pm–6:30 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
This roundtable conversation with Dana Burton #danaburton, Mahmoud Keshavarz #mahmoudkeshavarz, and Helen Pritchard @helenvpritchard reflects on the moments where anthropology and design converge, where they clash, and where they force us to reimagine what each discipline can be. Drawing from their experiences in research, practice, and pedagogy, they will consider the politics of participation, the ethical dilemmas of working across different modes of knowledge production, and the uneasy balance between critique and complicity.
The roundtable will be moderated by Maya Ober @maya__ober and Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, co-curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, co-coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory.
It is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development.”
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the roundtable “Frictions, Futures, and Possibilities of Anthropology and Design”! (Link in bio)
➡️ Roundtable: Thur May 8, 5:30 pm–6:30 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
This roundtable conversation with Dana Burton #danaburton, Mahmoud Keshavarz #mahmoudkeshavarz, and Helen Pritchard @helenvpritchard reflects on the moments where anthropology and design converge, where they clash, and where they force us to reimagine what each discipline can be. Drawing from their experiences in research, practice, and pedagogy, they will consider the politics of participation, the ethical dilemmas of working across different modes of knowledge production, and the uneasy balance between critique and complicity.
The roundtable will be moderated by Maya Ober @maya__ober and Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, co-curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, co-coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory.
It is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development.”
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the presentations session “Anthropology and Design Shaping Techno-Imaginaries”! (Link in bio)
➡️ Session 2: Thur May 8, 3:50 pm–5:10 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
In this session, two presentations by Prathima Muniyappa @prathimamuniyappa and Grace Turtle @gracetortuga share approaches to how design and anthropological research impact the development of emerging technologies, and the potential for a meeting of the disciplines to dream up more just technological futures.
⚪️ “The Myths of the Cosmos: Alternative Indigenous Narratives for Space Exploration” by Prathima Muniyappa explores the storied cultural heritage preserved in Indigenous communities, and presents alternative cultural ontologies relating to the stars, the cosmos, and other dimensions, and extended voyages that can shape the discourse for a more inclusive and diverse mythology of future space exploration.
⚪️ “Queering Human-AI Co-predictive Relations” by Grace Turtle gives insight into queer knowledge-making practices, orientations, and tactics that foreground fluidity, plurality, and more-than-human entanglements as interventions in AI systems. Grace proposes new directions, or minor trans/formations in how AI is developed, making space for emergent, queer (re)generative futurities as a horizon of possibilities.
The session will be moderated by Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
⬇️ Credits in the comments
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the presentations session “Anthropology and Design Shaping Techno-Imaginaries”! (Link in bio)
➡️ Session 2: Thur May 8, 3:50 pm–5:10 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
In this session, two presentations by Prathima Muniyappa @prathimamuniyappa and Grace Turtle @gracetortuga share approaches to how design and anthropological research impact the development of emerging technologies, and the potential for a meeting of the disciplines to dream up more just technological futures.
⚪️ “The Myths of the Cosmos: Alternative Indigenous Narratives for Space Exploration” by Prathima Muniyappa explores the storied cultural heritage preserved in Indigenous communities, and presents alternative cultural ontologies relating to the stars, the cosmos, and other dimensions, and extended voyages that can shape the discourse for a more inclusive and diverse mythology of future space exploration.
⚪️ “Queering Human-AI Co-predictive Relations” by Grace Turtle gives insight into queer knowledge-making practices, orientations, and tactics that foreground fluidity, plurality, and more-than-human entanglements as interventions in AI systems. Grace proposes new directions, or minor trans/formations in how AI is developed, making space for emergent, queer (re)generative futurities as a horizon of possibilities.
The session will be moderated by Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
⬇️ Credits in the comments
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the presentations session “Anthropology and Design Shaping Techno-Imaginaries”! (Link in bio)
➡️ Session 2: Thur May 8, 3:50 pm–5:10 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
In this session, two presentations by Prathima Muniyappa @prathimamuniyappa and Grace Turtle @gracetortuga share approaches to how design and anthropological research impact the development of emerging technologies, and the potential for a meeting of the disciplines to dream up more just technological futures.
⚪️ “The Myths of the Cosmos: Alternative Indigenous Narratives for Space Exploration” by Prathima Muniyappa explores the storied cultural heritage preserved in Indigenous communities, and presents alternative cultural ontologies relating to the stars, the cosmos, and other dimensions, and extended voyages that can shape the discourse for a more inclusive and diverse mythology of future space exploration.
⚪️ “Queering Human-AI Co-predictive Relations” by Grace Turtle gives insight into queer knowledge-making practices, orientations, and tactics that foreground fluidity, plurality, and more-than-human entanglements as interventions in AI systems. Grace proposes new directions, or minor trans/formations in how AI is developed, making space for emergent, queer (re)generative futurities as a horizon of possibilities.
The session will be moderated by Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
⬇️ Credits in the comments
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the presentations session “Anthropology and Design Shaping Techno-Imaginaries”! (Link in bio)
➡️ Session 2: Thur May 8, 3:50 pm–5:10 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
In this session, two presentations by Prathima Muniyappa @prathimamuniyappa and Grace Turtle @gracetortuga share approaches to how design and anthropological research impact the development of emerging technologies, and the potential for a meeting of the disciplines to dream up more just technological futures.
⚪️ “The Myths of the Cosmos: Alternative Indigenous Narratives for Space Exploration” by Prathima Muniyappa explores the storied cultural heritage preserved in Indigenous communities, and presents alternative cultural ontologies relating to the stars, the cosmos, and other dimensions, and extended voyages that can shape the discourse for a more inclusive and diverse mythology of future space exploration.
⚪️ “Queering Human-AI Co-predictive Relations” by Grace Turtle gives insight into queer knowledge-making practices, orientations, and tactics that foreground fluidity, plurality, and more-than-human entanglements as interventions in AI systems. Grace proposes new directions, or minor trans/formations in how AI is developed, making space for emergent, queer (re)generative futurities as a horizon of possibilities.
The session will be moderated by Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
⬇️ Credits in the comments
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the presentations session “Anthropology and Design Shaping Techno-Imaginaries”! (Link in bio)
➡️ Session 2: Thur May 8, 3:50 pm–5:10 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
In this session, two presentations by Prathima Muniyappa @prathimamuniyappa and Grace Turtle @gracetortuga share approaches to how design and anthropological research impact the development of emerging technologies, and the potential for a meeting of the disciplines to dream up more just technological futures.
⚪️ “The Myths of the Cosmos: Alternative Indigenous Narratives for Space Exploration” by Prathima Muniyappa explores the storied cultural heritage preserved in Indigenous communities, and presents alternative cultural ontologies relating to the stars, the cosmos, and other dimensions, and extended voyages that can shape the discourse for a more inclusive and diverse mythology of future space exploration.
⚪️ “Queering Human-AI Co-predictive Relations” by Grace Turtle gives insight into queer knowledge-making practices, orientations, and tactics that foreground fluidity, plurality, and more-than-human entanglements as interventions in AI systems. Grace proposes new directions, or minor trans/formations in how AI is developed, making space for emergent, queer (re)generative futurities as a horizon of possibilities.
The session will be moderated by Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
⬇️ Credits in the comments
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the presentations session “Anthropology and Design Shaping Techno-Imaginaries”! (Link in bio)
➡️ Session 2: Thur May 8, 3:50 pm–5:10 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
In this session, two presentations by Prathima Muniyappa @prathimamuniyappa and Grace Turtle @gracetortuga share approaches to how design and anthropological research impact the development of emerging technologies, and the potential for a meeting of the disciplines to dream up more just technological futures.
⚪️ “The Myths of the Cosmos: Alternative Indigenous Narratives for Space Exploration” by Prathima Muniyappa explores the storied cultural heritage preserved in Indigenous communities, and presents alternative cultural ontologies relating to the stars, the cosmos, and other dimensions, and extended voyages that can shape the discourse for a more inclusive and diverse mythology of future space exploration.
⚪️ “Queering Human-AI Co-predictive Relations” by Grace Turtle gives insight into queer knowledge-making practices, orientations, and tactics that foreground fluidity, plurality, and more-than-human entanglements as interventions in AI systems. Grace proposes new directions, or minor trans/formations in how AI is developed, making space for emergent, queer (re)generative futurities as a horizon of possibilities.
The session will be moderated by Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
⬇️ Credits in the comments
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
Register now for the On the Seam free online symposium to join the presentations session “Anthropology and Design Shaping Techno-Imaginaries”! (Link in bio)
➡️ Session 2: Thur May 8, 3:50 pm–5:10 pm CEST
➡️ Symposium:
Day 1: May 8, 2 pm–6:30 pm CEST
Day 2: May 9, 9:30 am–1 pm CEST
In this session, two presentations by Prathima Muniyappa @prathimamuniyappa and Grace Turtle @gracetortuga share approaches to how design and anthropological research impact the development of emerging technologies, and the potential for a meeting of the disciplines to dream up more just technological futures.
⚪️ “The Myths of the Cosmos: Alternative Indigenous Narratives for Space Exploration” by Prathima Muniyappa explores the storied cultural heritage preserved in Indigenous communities, and presents alternative cultural ontologies relating to the stars, the cosmos, and other dimensions, and extended voyages that can shape the discourse for a more inclusive and diverse mythology of future space exploration.
⚪️ “Queering Human-AI Co-predictive Relations” by Grace Turtle gives insight into queer knowledge-making practices, orientations, and tactics that foreground fluidity, plurality, and more-than-human entanglements as interventions in AI systems. Grace proposes new directions, or minor trans/formations in how AI is developed, making space for emergent, queer (re)generative futurities as a horizon of possibilities.
The session will be moderated by Anna N. Nagele @annolda
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please reach out via @atdesigntheory if you have any (access) needs for us to consider, or if you have questions about the access provided.
⬇️ Credits in the comments
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
We are excited to launch a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory!
On May 8 and 9, we’ll host a free online symposium delving into anthropology, design, and situated practices 💫
How do anthropology’s and design’s practices, methodologies, and ways of knowing collide, entangle, and transform? Can the meeting of anthropology and design become a site of worldmaking—not in the service of dominant social orders, but in response to the struggles of those who refuse them and are impacted by their injustices?
🍃 On the Seam 🔍 explores these frictions, collaborations, and politics that shape present struggles and future possibilities at the intersection of anthropology and design.
➡️ Register now! (Link in bio)
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please contact anna.nagele@uni-ak.ac.at if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development” (Grant DOI 10.55776/PAT4411223).
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
We are excited to launch a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory!
On May 8 and 9, we’ll host a free online symposium delving into anthropology, design, and situated practices 💫
How do anthropology’s and design’s practices, methodologies, and ways of knowing collide, entangle, and transform? Can the meeting of anthropology and design become a site of worldmaking—not in the service of dominant social orders, but in response to the struggles of those who refuse them and are impacted by their injustices?
🍃 On the Seam 🔍 explores these frictions, collaborations, and politics that shape present struggles and future possibilities at the intersection of anthropology and design.
➡️ Register now! (Link in bio)
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please contact anna.nagele@uni-ak.ac.at if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development” (Grant DOI 10.55776/PAT4411223).
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
We are excited to launch a collaboration between the platform for design politics Futuress @futuress_org and the Department of Design History and Theory at the University of Applied Arts Vienna, Austria @atdesigntheory!
On May 8 and 9, we’ll host a free online symposium delving into anthropology, design, and situated practices 💫
How do anthropology’s and design’s practices, methodologies, and ways of knowing collide, entangle, and transform? Can the meeting of anthropology and design become a site of worldmaking—not in the service of dominant social orders, but in response to the struggles of those who refuse them and are impacted by their injustices?
🍃 On the Seam 🔍 explores these frictions, collaborations, and politics that shape present struggles and future possibilities at the intersection of anthropology and design.
➡️ Register now! (Link in bio)
Language: English
Accessibility: The symposium will be streamed via Zoom with Communication Access Realtime Translation (CART) speech-to-text translation support. Please contact anna.nagele@uni-ak.ac.at if you have any (access) needs for us to consider, or if you have questions about the access provided.
🌟Visuals by Heba Daghistani @heba_daghistani, curation by Anna N. Nagele @annolda and Maya Ober @maya__ober, coordination by Mio Kojima @mio__kojima and Anna N. Nagele.
🍃On the Seam: Anthropology, Design, and Situated Practices 🔍 is part of the Austrian Science Fund (FWF @fwf_at)-funded research project “Design Anthropology: Cold War Industrial Design & Development” (Grant DOI 10.55776/PAT4411223).
#designanthropology #design #anthropology #situatedpractice #designresearch #education #pedagogy #knowledgepolitics
In August Claudia Larcher’s exhibition for AIT’s ARTTEC artist in residence project 24/25 opened. Collaborations between science, technology and the arts are necessary to face the multiple intersecting crises that are dominating our current moment.
Education and policy making increasingly explores the potential to apply both analytical and creative thinking to seek and solve emerging problems. This makes visible how artists, scientists and engineers already use many of the same techniques, strategies and tools.
In her practice @claudia_larcher deconstructs visual systems into their individual parts and reassembles them into collages. She experiments with generative AI tools to interpret and complete her compositions, offering expanded perspectives on mundane things.
This exhibition presents two of Claudia’s projects. For the film “The Great Tree Piece” Claudia combines different visual materials to examine an ecosystem, starting from the crown of an apricot tree to a microscopic look into the cells of a bumblebee. The images from her series “Still Life 3000” are reinterpretations of classical paintings by the dutch 17th century artist Rachel Ruysch. Together with AI Claudia recreated flower by flower, replacing paint strokes with artificial-looking surfaces: plastics, foil, glass, concrete. Insects become robot- and drone-like critters.
It’s a pleasure working with you, @claudia_larcher @aittomorrow2day @art_phalanx and everyone involved 💐🪰🌳🍂
📸 by @eselschwarm RauPe Robert Puteanu @eselat
In August Claudia Larcher’s exhibition for AIT’s ARTTEC artist in residence project 24/25 opened. Collaborations between science, technology and the arts are necessary to face the multiple intersecting crises that are dominating our current moment.
Education and policy making increasingly explores the potential to apply both analytical and creative thinking to seek and solve emerging problems. This makes visible how artists, scientists and engineers already use many of the same techniques, strategies and tools.
In her practice @claudia_larcher deconstructs visual systems into their individual parts and reassembles them into collages. She experiments with generative AI tools to interpret and complete her compositions, offering expanded perspectives on mundane things.
This exhibition presents two of Claudia’s projects. For the film “The Great Tree Piece” Claudia combines different visual materials to examine an ecosystem, starting from the crown of an apricot tree to a microscopic look into the cells of a bumblebee. The images from her series “Still Life 3000” are reinterpretations of classical paintings by the dutch 17th century artist Rachel Ruysch. Together with AI Claudia recreated flower by flower, replacing paint strokes with artificial-looking surfaces: plastics, foil, glass, concrete. Insects become robot- and drone-like critters.
It’s a pleasure working with you, @claudia_larcher @aittomorrow2day @art_phalanx and everyone involved 💐🪰🌳🍂
📸 by @eselschwarm RauPe Robert Puteanu @eselat
In August Claudia Larcher’s exhibition for AIT’s ARTTEC artist in residence project 24/25 opened. Collaborations between science, technology and the arts are necessary to face the multiple intersecting crises that are dominating our current moment.
Education and policy making increasingly explores the potential to apply both analytical and creative thinking to seek and solve emerging problems. This makes visible how artists, scientists and engineers already use many of the same techniques, strategies and tools.
In her practice @claudia_larcher deconstructs visual systems into their individual parts and reassembles them into collages. She experiments with generative AI tools to interpret and complete her compositions, offering expanded perspectives on mundane things.
This exhibition presents two of Claudia’s projects. For the film “The Great Tree Piece” Claudia combines different visual materials to examine an ecosystem, starting from the crown of an apricot tree to a microscopic look into the cells of a bumblebee. The images from her series “Still Life 3000” are reinterpretations of classical paintings by the dutch 17th century artist Rachel Ruysch. Together with AI Claudia recreated flower by flower, replacing paint strokes with artificial-looking surfaces: plastics, foil, glass, concrete. Insects become robot- and drone-like critters.
It’s a pleasure working with you, @claudia_larcher @aittomorrow2day @art_phalanx and everyone involved 💐🪰🌳🍂
📸 by @eselschwarm RauPe Robert Puteanu @eselat
In August Claudia Larcher’s exhibition for AIT’s ARTTEC artist in residence project 24/25 opened. Collaborations between science, technology and the arts are necessary to face the multiple intersecting crises that are dominating our current moment.
Education and policy making increasingly explores the potential to apply both analytical and creative thinking to seek and solve emerging problems. This makes visible how artists, scientists and engineers already use many of the same techniques, strategies and tools.
In her practice @claudia_larcher deconstructs visual systems into their individual parts and reassembles them into collages. She experiments with generative AI tools to interpret and complete her compositions, offering expanded perspectives on mundane things.
This exhibition presents two of Claudia’s projects. For the film “The Great Tree Piece” Claudia combines different visual materials to examine an ecosystem, starting from the crown of an apricot tree to a microscopic look into the cells of a bumblebee. The images from her series “Still Life 3000” are reinterpretations of classical paintings by the dutch 17th century artist Rachel Ruysch. Together with AI Claudia recreated flower by flower, replacing paint strokes with artificial-looking surfaces: plastics, foil, glass, concrete. Insects become robot- and drone-like critters.
It’s a pleasure working with you, @claudia_larcher @aittomorrow2day @art_phalanx and everyone involved 💐🪰🌳🍂
📸 by @eselschwarm RauPe Robert Puteanu @eselat
In August Claudia Larcher’s exhibition for AIT’s ARTTEC artist in residence project 24/25 opened. Collaborations between science, technology and the arts are necessary to face the multiple intersecting crises that are dominating our current moment.
Education and policy making increasingly explores the potential to apply both analytical and creative thinking to seek and solve emerging problems. This makes visible how artists, scientists and engineers already use many of the same techniques, strategies and tools.
In her practice @claudia_larcher deconstructs visual systems into their individual parts and reassembles them into collages. She experiments with generative AI tools to interpret and complete her compositions, offering expanded perspectives on mundane things.
This exhibition presents two of Claudia’s projects. For the film “The Great Tree Piece” Claudia combines different visual materials to examine an ecosystem, starting from the crown of an apricot tree to a microscopic look into the cells of a bumblebee. The images from her series “Still Life 3000” are reinterpretations of classical paintings by the dutch 17th century artist Rachel Ruysch. Together with AI Claudia recreated flower by flower, replacing paint strokes with artificial-looking surfaces: plastics, foil, glass, concrete. Insects become robot- and drone-like critters.
It’s a pleasure working with you, @claudia_larcher @aittomorrow2day @art_phalanx and everyone involved 💐🪰🌳🍂
📸 by @eselschwarm RauPe Robert Puteanu @eselat
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Photo dump of my reflections on a year of teaching design history and theory at the @dieangewandte while preparing for the new semester starting next week. Zine making, visiting exhibitions, guest lectures, four legged seminar participants… this was a great start, many seeds of ideas have been planted. Let’s see what the new years brings 🫘 ✨
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Summer is over, post-PhD blues is real I’m so tired all the time, but grateful for these moments ♥️
Snippet of the title sequence for my upcoming talk “Collapsing Bodies” @dieangewandte as part of the “Post-Anthropocentric Design” lecture series.
It’s open to all if you really want to hear me yapping.
Wednesday 20.03.24
14:00 CET
Zoom
Link in bio
Thanks to @annolda for initiating
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