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Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

Wrapping up 2025 with a wild ride in @yukayugetsuair with Wu Jiaru and Chan Ka Kiu. Made some unforgettable friends, all while juggling the chaos of a three-way girl band relationship that’s somehow still afloat. Traced Nokonomshima and Fukuoka on foot. Took off on a solo hike and felt an earthquake rumble beneath me. Fantasised about “カーテン夢空間” beyond mere curtain customisation. Witness the Geminid meteor shower (on a live stream). Anmitsu Himesama’s performance—41 years of artistry and still captivating. All with heartfelt thanks to @hitohase

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

✨
Artist Highlight｜Amy Tong

In MADAM I’M ADAM, Amy Tong presents three works that unfold repetition as a temporal, haunted, and speculative process, where memory, technology, and myth fracture rather than reproduce.
Ggtv (2025) dematerialises virtual memory, storing it in time. There Was An Attempt I (2025) explores AI collaboration to reimagine prehistoric art and creation myths. Haunted Landscape (2024) was a site-specific installation at HKBU, combining video, live mosquito performance, and motion-triggered audio to explore history and coloniality.

Come experience these works in person and book your visit now!

藝術家介紹｜ 唐嘉欣

在《無獨有偶》（MADAM I’M ADAM）中，Amy Tong透過三件作品展開對「重複」的另一種理解, 它不是複製，而是在時間中不斷裂變、被幽靈般纏繞。
《Ggtv》將虛擬記憶去物質化，以時間存儲。《There Was An Attempt I》透過 AI 協作重構史前藝術與神話。《Haunted Landscape》在香港浸會大學的場域裝置，以影像與聲音喚起殖民歷史與女性經驗。

📅 親自來看看這些作品，預約你的參觀時間

Co-Curated by: @gloria_awareness & HART HAUS @harthongkong
本次展覽由GLORIA AWARENESS & HART HAUS 共同策劃 𝐆𝐞𝐧𝐞𝐫𝐚𝐥 𝐕𝐢𝐬𝐢𝐭 公眾參觀
📅 27.11.2025 - 17.01.2026
⏰ 11:00 - 18:00 (Tue - Sat 二至六，Except Public Holidays 公眾假期除外) 📱所有訪客需提前預約

📍3/F HART HAUS (Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town 堅尼地城士美菲路12P祥興工業大廈)

🔗 By appointment only 敬請預約:
http://www.thehart.com.hk/events/madamiamadam25/

1. Installation view of “Haunted Landscape
” and “There was an Attempt I: A Brief Attempt”
2.-4.film still, There was an Attempt I: A Brief Attempt, single-channel video, 4’16‘’, 2025
5.-7. film still, Haunted Landscape, single-channel video, 10‘43’‘, 2024
8.-11. Ggtv, print on acetate, 2025

Photo @southho66

ⓅⓊⓉ ⓄⓃ
༒•𝙵𝚎𝚊𝚝𝚞𝚛𝚎𝚍 𝙰𝚛𝚝𝚒𝚜𝚝•༒

💘𝓐𝓶𝔂 𝓣𝓸𝓷𝓰💘
Amy Tong’s practice is deeply rooted in her extensive routine of personal documentation, which includes daily videos, photographs, and journal entries, as well as the preservation of her late relatives’ possessions. Through these amalgamations, her delicate multimedia explorations—encompassing videos, writings, gelatine, textiles, and paint—reflect themes of generational trauma, myths, and matrilineal connections. Tong earned a B.A. from Arts University Bournemouth and an M.A. from the Academy of Visual Arts at Hong Kong Baptist University. She has held solo exhibitions at Square Street Gallery and RNH Space in Hong Kong (both in 2021), and has participated in group presentations in Beijing, Tokyo, and London.

🟧 HART Haus, 3/F, Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town
🟨 8.3 - 7.4.2025
🟩 Open from Wed to Sun, 1200-1800 (visit by appointment: atelier@thehart.com.hk)
🟦 Hours extended 25 - 30.3.2025
🟪 Opening 7.3.2025, 1900-2100
🟥 Activation Performance by Holok and Voidpunk Family @holok3holok + Gold Mountain @goldmtn 26.3.2025, 2100 till late (RSVP details to be announced soon)

ⓅⓊⓉ ⓄⓃ
༒•𝙵𝚎𝚊𝚝𝚞𝚛𝚎𝚍 𝙰𝚛𝚝𝚒𝚜𝚝•༒

💘𝓐𝓶𝔂 𝓣𝓸𝓷𝓰💘
Amy Tong’s practice is deeply rooted in her extensive routine of personal documentation, which includes daily videos, photographs, and journal entries, as well as the preservation of her late relatives’ possessions. Through these amalgamations, her delicate multimedia explorations—encompassing videos, writings, gelatine, textiles, and paint—reflect themes of generational trauma, myths, and matrilineal connections. Tong earned a B.A. from Arts University Bournemouth and an M.A. from the Academy of Visual Arts at Hong Kong Baptist University. She has held solo exhibitions at Square Street Gallery and RNH Space in Hong Kong (both in 2021), and has participated in group presentations in Beijing, Tokyo, and London.

🟧 HART Haus, 3/F, Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town
🟨 8.3 - 7.4.2025
🟩 Open from Wed to Sun, 1200-1800 (visit by appointment: atelier@thehart.com.hk)
🟦 Hours extended 25 - 30.3.2025
🟪 Opening 7.3.2025, 1900-2100
🟥 Activation Performance by Holok and Voidpunk Family @holok3holok + Gold Mountain @goldmtn 26.3.2025, 2100 till late (RSVP details to be announced soon)

ⓅⓊⓉ ⓄⓃ
༒•𝙵𝚎𝚊𝚝𝚞𝚛𝚎𝚍 𝙰𝚛𝚝𝚒𝚜𝚝•༒

💘𝓐𝓶𝔂 𝓣𝓸𝓷𝓰💘
Amy Tong’s practice is deeply rooted in her extensive routine of personal documentation, which includes daily videos, photographs, and journal entries, as well as the preservation of her late relatives’ possessions. Through these amalgamations, her delicate multimedia explorations—encompassing videos, writings, gelatine, textiles, and paint—reflect themes of generational trauma, myths, and matrilineal connections. Tong earned a B.A. from Arts University Bournemouth and an M.A. from the Academy of Visual Arts at Hong Kong Baptist University. She has held solo exhibitions at Square Street Gallery and RNH Space in Hong Kong (both in 2021), and has participated in group presentations in Beijing, Tokyo, and London.

🟧 HART Haus, 3/F, Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town
🟨 8.3 - 7.4.2025
🟩 Open from Wed to Sun, 1200-1800 (visit by appointment: atelier@thehart.com.hk)
🟦 Hours extended 25 - 30.3.2025
🟪 Opening 7.3.2025, 1900-2100
🟥 Activation Performance by Holok and Voidpunk Family @holok3holok + Gold Mountain @goldmtn 26.3.2025, 2100 till late (RSVP details to be announced soon)

ⓅⓊⓉ ⓄⓃ
༒•𝙵𝚎𝚊𝚝𝚞𝚛𝚎𝚍 𝙰𝚛𝚝𝚒𝚜𝚝•༒

💘𝓐𝓶𝔂 𝓣𝓸𝓷𝓰💘
Amy Tong’s practice is deeply rooted in her extensive routine of personal documentation, which includes daily videos, photographs, and journal entries, as well as the preservation of her late relatives’ possessions. Through these amalgamations, her delicate multimedia explorations—encompassing videos, writings, gelatine, textiles, and paint—reflect themes of generational trauma, myths, and matrilineal connections. Tong earned a B.A. from Arts University Bournemouth and an M.A. from the Academy of Visual Arts at Hong Kong Baptist University. She has held solo exhibitions at Square Street Gallery and RNH Space in Hong Kong (both in 2021), and has participated in group presentations in Beijing, Tokyo, and London.

🟧 HART Haus, 3/F, Cheung Hing Industrial Building, 12P Smithfield, Kennedy Town
🟨 8.3 - 7.4.2025
🟩 Open from Wed to Sun, 1200-1800 (visit by appointment: atelier@thehart.com.hk)
🟦 Hours extended 25 - 30.3.2025
🟪 Opening 7.3.2025, 1900-2100
🟥 Activation Performance by Holok and Voidpunk Family @holok3holok + Gold Mountain @goldmtn 26.3.2025, 2100 till late (RSVP details to be announced soon)

🏠ᴛᴏɢᴇᴛʜᴇʀɴᴇꜱꜱ: ᴛᴡᴏ ᴘɪʟʟᴀʀ, ᴏɴᴇ ꜱʜᴇʟᴛᴇʀ ᴇxʜɪʙɪᴛɪᴏɴ & ꜰᴜɴᴅʀᴀɪꜱᴇʀ ᴀᴜᴄᴛɪᴏɴ
𝙋𝙧𝙚𝙨𝙚𝙣𝙩𝙚𝙙 𝙗𝙮 𝘽𝙚𝙩𝙝𝙪𝙣𝙚 𝙃𝙤𝙪𝙨𝙚 𝙖𝙣𝙙 𝙒𝙮𝙣𝙙𝙝𝙖𝙢 𝙎𝙤𝙘𝙞𝙖𝙡

🗓 17.1 - 9.2.2025
📍 G/F, 33 Wyndham Street, Central Hong Kong
🕒 11:00am - 9:00pm daily

Join us for an exciting fundraising auction where you can bid on inspiring artwork while supporting talented artists and making a positive impact in our community! This event celebrates solidarity and features over 30 stunning pieces from both migrant workers and local artists in Hong Kong.

Featured Artists:

#17𝗔𝗺𝘆 𝗧𝗼𝗻𝗴
𝙄𝙛 𝙔𝙤𝙪 𝙏𝙤𝙪𝙘𝙝 𝙈𝙚 𝙄’𝙡𝙡 𝙎𝙘𝙧𝙚𝙖𝙢
如果你觸碰我我會尖叫| 50 x 40 cm | Oil on wood panel

If You Touch Me, I’ll Scream is a visual response to a girl’s vivid journey of growing up, leaving behind a trail of shimmering breadcrumbs while conquering the world with her sensitivity and fantasies. The imagery dances between whimsy and introspection, reflecting her inner landscape and vibrant connections with the world. As she conquers her fears and embraces her unique perspective, the artwork invites us to join her journey and revel in the beauty of vulnerability.
《如果你觸碰我我會尖叫》是一個視覺反應，展現了一個女孩在成長過程中生動的旅程，留下了一串閃閃發光的麵包屑，同時以她的敏感和幻想征服世界。這些意象在奇思妙想與內省之間舞動，反映了她的內心世界和與外界的生動聯繫。當她克服恐懼，擁抱自己的獨特視角時，這件藝術作品邀請我們一同參與她的旅程，沉醉於脆弱之美。

For more info on the auction, visit link in Bio🔗

👉 Tag a friend who loves art!

#SaveOurShelter #ServingMigrantsAnytimeAnywhere #bethunehouse #fundraiser #auction #artauction #mutualaid #mutualsupport #hkart #filipinoart #migrantworkers #shelter

🏠ᴛᴏɢᴇᴛʜᴇʀɴᴇꜱꜱ: ᴛᴡᴏ ᴘɪʟʟᴀʀ, ᴏɴᴇ ꜱʜᴇʟᴛᴇʀ ᴇxʜɪʙɪᴛɪᴏɴ & ꜰᴜɴᴅʀᴀɪꜱᴇʀ ᴀᴜᴄᴛɪᴏɴ
𝙋𝙧𝙚𝙨𝙚𝙣𝙩𝙚𝙙 𝙗𝙮 𝘽𝙚𝙩𝙝𝙪𝙣𝙚 𝙃𝙤𝙪𝙨𝙚 𝙖𝙣𝙙 𝙒𝙮𝙣𝙙𝙝𝙖𝙢 𝙎𝙤𝙘𝙞𝙖𝙡

🗓 17.1 - 9.2.2025
📍 G/F, 33 Wyndham Street, Central Hong Kong
🕒 11:00am - 9:00pm daily

Join us for an exciting fundraising auction where you can bid on inspiring artwork while supporting talented artists and making a positive impact in our community! This event celebrates solidarity and features over 30 stunning pieces from both migrant workers and local artists in Hong Kong.

Featured Artists:

#17𝗔𝗺𝘆 𝗧𝗼𝗻𝗴
𝙄𝙛 𝙔𝙤𝙪 𝙏𝙤𝙪𝙘𝙝 𝙈𝙚 𝙄’𝙡𝙡 𝙎𝙘𝙧𝙚𝙖𝙢
如果你觸碰我我會尖叫| 50 x 40 cm | Oil on wood panel

If You Touch Me, I’ll Scream is a visual response to a girl’s vivid journey of growing up, leaving behind a trail of shimmering breadcrumbs while conquering the world with her sensitivity and fantasies. The imagery dances between whimsy and introspection, reflecting her inner landscape and vibrant connections with the world. As she conquers her fears and embraces her unique perspective, the artwork invites us to join her journey and revel in the beauty of vulnerability.
《如果你觸碰我我會尖叫》是一個視覺反應，展現了一個女孩在成長過程中生動的旅程，留下了一串閃閃發光的麵包屑，同時以她的敏感和幻想征服世界。這些意象在奇思妙想與內省之間舞動，反映了她的內心世界和與外界的生動聯繫。當她克服恐懼，擁抱自己的獨特視角時，這件藝術作品邀請我們一同參與她的旅程，沉醉於脆弱之美。

For more info on the auction, visit link in Bio🔗

👉 Tag a friend who loves art!

#SaveOurShelter #ServingMigrantsAnytimeAnywhere #bethunehouse #fundraiser #auction #artauction #mutualaid #mutualsupport #hkart #filipinoart #migrantworkers #shelter

If You Touch Me, I’ll Scream (2025) is a visual response to a girl’s vivid journey of growing up, leaving behind a trail of shimmering breadcrumbs while conquering the world with her sensitivity and fantasies. The imagery dances between whimsy and introspection, reflecting her inner landscape and vibrant connections with the world. As she conquers her fears and embraces her unique perspective, the artwork invites us to join her journey and revel in the beauty of vulnerability.

Bethune House @bethunehousehk and Wyndham Social gladly present Togetherness: Two Pillars, One Shelter, a fundraising auction symbolising community solidarity with over 30 featured artworks from prominent migrant and local Hong Kong artists. This art collection underscores the resilience and compassion of Hong Kong’s communities. The auction would allow this essential shelter to stay in operation when met with the generous support across sectors. Please stay tune for more details of the Online Silent Auction and Live Auction Night!

自恩逢之家與 Wyndham Social 將攜手呈獻「同行：兩根支柱，一起庇蔭」展覽暨慈善拍賣。此活動象徵著社群之間的團結，並展出來自知名移民及本地藝術家的三十多件作品。這展出系列不但強調了香港社會的堅韌與善心，更使這個重要的庇護所得以在各界的慷慨支持下繼續運作。請關注專頁，緊貼更多網上拍賣及慈善拍賣夜的最新消息！

Togetherness: Two Pillars, One Shelter Exhibition & Fundraiser Auction
Presented by Bethune House and Wyndham Social
17 Jan - 9 Feb 2025
G/F, 33 Wyndham Street, Central, Hong Kong
11:00am-9:00pm daily

🥂Opening Reception
16 Jan 2025 (Thu) 6:30-8:30pm
🔨Fundraiser Auction
7 Feb 2025 (Fri) 6:00-9:00pm

If You Touch Me, I’ll Scream (2025) is a visual response to a girl’s vivid journey of growing up, leaving behind a trail of shimmering breadcrumbs while conquering the world with her sensitivity and fantasies. The imagery dances between whimsy and introspection, reflecting her inner landscape and vibrant connections with the world. As she conquers her fears and embraces her unique perspective, the artwork invites us to join her journey and revel in the beauty of vulnerability.

Bethune House @bethunehousehk and Wyndham Social gladly present Togetherness: Two Pillars, One Shelter, a fundraising auction symbolising community solidarity with over 30 featured artworks from prominent migrant and local Hong Kong artists. This art collection underscores the resilience and compassion of Hong Kong’s communities. The auction would allow this essential shelter to stay in operation when met with the generous support across sectors. Please stay tune for more details of the Online Silent Auction and Live Auction Night!

自恩逢之家與 Wyndham Social 將攜手呈獻「同行：兩根支柱，一起庇蔭」展覽暨慈善拍賣。此活動象徵著社群之間的團結，並展出來自知名移民及本地藝術家的三十多件作品。這展出系列不但強調了香港社會的堅韌與善心，更使這個重要的庇護所得以在各界的慷慨支持下繼續運作。請關注專頁，緊貼更多網上拍賣及慈善拍賣夜的最新消息！

Togetherness: Two Pillars, One Shelter Exhibition & Fundraiser Auction
Presented by Bethune House and Wyndham Social
17 Jan - 9 Feb 2025
G/F, 33 Wyndham Street, Central, Hong Kong
11:00am-9:00pm daily

🥂Opening Reception
16 Jan 2025 (Thu) 6:30-8:30pm
🔨Fundraiser Auction
7 Feb 2025 (Fri) 6:00-9:00pm

【Studio visit with Amy Tong】

With our fundraiser auction preview starting tomorrow, we look back at our studio visit with Hong Kong–based painter Amy Tong. Guided by a process-driven approach, Amy shares how she blends personal experiences into the surreal worlds on her canvas. RSVP now via our link in bio to view Amy’s work “In a World with No Time, There Will Be No Memory” in person at H Queen’s.

—
Amy Tong, “In a World with No Time, There Will Be No Memory,” 2022, oil on canvas, 121.5 × 91.5 cm. Generously donated by the artist and Square Street Gallery.

#AAA2024Auction #buyartonline #artauction #hongkongart #studiovisit

You are a star and @helloisacat

You are a star and @helloisacat

You and I, 2025, We Go Dancing In The Rain
152cm x 101cm x 3.7 cm
Oil on canvas

I reincarnated as Miu to tell her story with a lover from past life.
@theshophousehongkong
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Miu found herself in the Pearl of the East during wartime. Stumbling to find her footing in a new city, she met Huy, a handsome young worker who determined in life. They fell love and lived through the hardship and prospered in their early years. Over time, Huy’s health deteriorated alongside his memory. In reminiscing, Miu repeatedly documented his lingering existence.
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Residency period
Date: 9 Oct - 9 Nov
Time: 11am - 7pm

I reincarnated as Miu to tell her story with a lover from past life.
@theshophousehongkong
-
Miu found herself in the Pearl of the East during wartime. Stumbling to find her footing in a new city, she met Huy, a handsome young worker who determined in life. They fell love and lived through the hardship and prospered in their early years. Over time, Huy’s health deteriorated alongside his memory. In reminiscing, Miu repeatedly documented his lingering existence.
-
Residency period
Date: 9 Oct - 9 Nov
Time: 11am - 7pm

I reincarnated as Miu to tell her story with a lover from past life.
@theshophousehongkong
-
Miu found herself in the Pearl of the East during wartime. Stumbling to find her footing in a new city, she met Huy, a handsome young worker who determined in life. They fell love and lived through the hardship and prospered in their early years. Over time, Huy’s health deteriorated alongside his memory. In reminiscing, Miu repeatedly documented his lingering existence.
-
Residency period
Date: 9 Oct - 9 Nov
Time: 11am - 7pm

I reincarnated as Miu to tell her story with a lover from past life.
@theshophousehongkong
-
Miu found herself in the Pearl of the East during wartime. Stumbling to find her footing in a new city, she met Huy, a handsome young worker who determined in life. They fell love and lived through the hardship and prospered in their early years. Over time, Huy’s health deteriorated alongside his memory. In reminiscing, Miu repeatedly documented his lingering existence.
-
Residency period
Date: 9 Oct - 9 Nov
Time: 11am - 7pm

I reincarnated as Miu to tell her story with a lover from past life.
@theshophousehongkong
-
Miu found herself in the Pearl of the East during wartime. Stumbling to find her footing in a new city, she met Huy, a handsome young worker who determined in life. They fell love and lived through the hardship and prospered in their early years. Over time, Huy’s health deteriorated alongside his memory. In reminiscing, Miu repeatedly documented his lingering existence.
-
Residency period
Date: 9 Oct - 9 Nov
Time: 11am - 7pm

I reincarnated as Miu to tell her story with a lover from past life.
@theshophousehongkong
-
Miu found herself in the Pearl of the East during wartime. Stumbling to find her footing in a new city, she met Huy, a handsome young worker who determined in life. They fell love and lived through the hardship and prospered in their early years. Over time, Huy’s health deteriorated alongside his memory. In reminiscing, Miu repeatedly documented his lingering existence.
-
Residency period
Date: 9 Oct - 9 Nov
Time: 11am - 7pm

Donating this work to an animal rescue 🐕. All proceeds will go to@puc.hk Organised by @batnat @lynuswoo
Adoption day and charity sale
Date: 9 Oct 2022 (Sunday)
Time: 2-6pm
Venue: 25 wellington street
#adoptdontshop
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I Saw You After 5 Years, You Jumped, So I Jumped
(Framed)
Oil on linen
300 x 400 x 37mm

“The World Is Your Oyster”
Group show curated by @miss.juz at @benbrownfinearts
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@sqlai
@mindylui714
@lauhonglam
@gavinyipkit
@amymariat

“The World Is Your Oyster”
Group show curated by @miss.juz at @benbrownfinearts
-
@sqlai
@mindylui714
@lauhonglam
@gavinyipkit
@amymariat

“The World Is Your Oyster”
Group show curated by @miss.juz at @benbrownfinearts
-
@sqlai
@mindylui714
@lauhonglam
@gavinyipkit
@amymariat

“The World Is Your Oyster”
Group show curated by @miss.juz at @benbrownfinearts
-
@sqlai
@mindylui714
@lauhonglam
@gavinyipkit
@amymariat

“The World Is Your Oyster”
Group show curated by @miss.juz at @benbrownfinearts
-
@sqlai
@mindylui714
@lauhonglam
@gavinyipkit
@amymariat

Are you dreaming of me? Cuz I’m dreaming about you 🕳🕞