Instagram Story Save

@mooquidi performing in front of the sea
styling and MUA @issanalien and art by @alidalanzi

'milk bruises girl heaven'

voy a presentar mi vídeo-performance como parte de @lluerna.fmiro en @fundaciomiro

Es una mediación de la resistencia y la suspensión de la obediencia emocional que se transporta entre el cuerpo y su testigo. Central en la obra es el acto de perforar como conexión y mutilación a la vez: Pensando el cuerpo queer como un sitio de negociación perpetua, moldeado por fuerzas que simultáneamente lo desean y lo rechazan, que ofrecen pertenencia como una forma de contaminación.

✧ Sabado 16 de Mayo a las 19:30 - 21

✧ compra tu entrada aqui:
https://www.fmirobcn.org/es/actividades/lluerna/10/lluerna-2026-un-rumor-bajo-tierra

Creado y dirigido por Alida Lanzi

Interpretación @livingproofofalovinggod_
Body piercer @arrabbiosa
Director de fotografía @jeanmichelconyedo
Artista de prótesis @zylvesterrodriguez
Sonido @anushajeanramesh
Asistentes @kriminal.shaitana @ainoakm

gracias a todes por hacer este proyecto posible, os quiero mucho.

⋆˚꩜｡

nos vemos ahí!
xx, ali

Coneixes l'Alida Maria Lanzi?

@alidalanzi centra la seva pràctica en la construcció de mons, imaginant espais alternatius on els cossos queer puguin existir més enllà dels binaris i les normes.

Descobreix-ho al seu projecte "Milk bruises girl heaven" a la presentació de @lluerna.fmiro el proper 16 de maig a la tarda a l'Auditori de la #FundacióMiró.

Apunta-t'hi! Enllaç a la bio.

#ArtEmergent #Lluerna

Coneixes l'Alida Maria Lanzi?

@alidalanzi centra la seva pràctica en la construcció de mons, imaginant espais alternatius on els cossos queer puguin existir més enllà dels binaris i les normes.

Descobreix-ho al seu projecte "Milk bruises girl heaven" a la presentació de @lluerna.fmiro el proper 16 de maig a la tarda a l'Auditori de la #FundacióMiró.

Apunta-t'hi! Enllaç a la bio.

#ArtEmergent #Lluerna

Coneixes l'Alida Maria Lanzi?

@alidalanzi centra la seva pràctica en la construcció de mons, imaginant espais alternatius on els cossos queer puguin existir més enllà dels binaris i les normes.

Descobreix-ho al seu projecte "Milk bruises girl heaven" a la presentació de @lluerna.fmiro el proper 16 de maig a la tarda a l'Auditori de la #FundacióMiró.

Apunta-t'hi! Enllaç a la bio.

#ArtEmergent #Lluerna

Coneixes l'Alida Maria Lanzi?

@alidalanzi centra la seva pràctica en la construcció de mons, imaginant espais alternatius on els cossos queer puguin existir més enllà dels binaris i les normes.

Descobreix-ho al seu projecte "Milk bruises girl heaven" a la presentació de @lluerna.fmiro el proper 16 de maig a la tarda a l'Auditori de la #FundacióMiró.

Apunta-t'hi! Enllaç a la bio.

#ArtEmergent #Lluerna

Coneixes l'Alida Maria Lanzi?

@alidalanzi centra la seva pràctica en la construcció de mons, imaginant espais alternatius on els cossos queer puguin existir més enllà dels binaris i les normes.

Descobreix-ho al seu projecte "Milk bruises girl heaven" a la presentació de @lluerna.fmiro el proper 16 de maig a la tarda a l'Auditori de la #FundacióMiró.

Apunta-t'hi! Enllaç a la bio.

#ArtEmergent #Lluerna

Coneixes l'Alida Maria Lanzi?

@alidalanzi centra la seva pràctica en la construcció de mons, imaginant espais alternatius on els cossos queer puguin existir més enllà dels binaris i les normes.

Descobreix-ho al seu projecte "Milk bruises girl heaven" a la presentació de @lluerna.fmiro el proper 16 de maig a la tarda a l'Auditori de la #FundacióMiró.

Apunta-t'hi! Enllaç a la bio.

#ArtEmergent #Lluerna

Coneixes l'Alida Maria Lanzi?

@alidalanzi centra la seva pràctica en la construcció de mons, imaginant espais alternatius on els cossos queer puguin existir més enllà dels binaris i les normes.

Descobreix-ho al seu projecte "Milk bruises girl heaven" a la presentació de @lluerna.fmiro el proper 16 de maig a la tarda a l'Auditori de la #FundacióMiró.

Apunta-t'hi! Enllaç a la bio.

#ArtEmergent #Lluerna

Vine a descobrir la nova escena artística emergent a la presentació de @lluerna.fmiro!

A Estudis en escena, 10 artistes molt emergents presenten les seves recerques en procés en un format viu, directe i concentrat: 15 minuts per artista.

Performance, instal·lació, lectura performativa, escolta i acció es troben en una jornada pensada per veure de prop allò que encara s’està formant.

Lluerna 2026 — Una remor sota terra
Dissabte 16 de maig, 18 h
Fundació Joan Miró

10 artistes. 15 minuts. Una escena en procés.

Entrades i reserves: enllaç a la biografia.

#Lluerna #FundacióMiró #ArtEmergent #Barcelona

#comingsoon

roXXXz

latex, rock, wax, hair, wool, grommets, spikes, chain, milk, air-dry clay

~

a sculptural installation (2025) by me xx
exhibited in espai 2 in the group show ‘ROC’ last November

⋆˙⟡

i held a rock once. [prudently]
it held me too, and its tenderness started to blur.
[roXXX ur filthy dreams like a w/hole man]

photos by @jeanmichelconyedo

roXXXz

latex, rock, wax, hair, wool, grommets, spikes, chain, milk, air-dry clay

~

a sculptural installation (2025) by me xx
exhibited in espai 2 in the group show ‘ROC’ last November

⋆˙⟡

i held a rock once. [prudently]
it held me too, and its tenderness started to blur.
[roXXX ur filthy dreams like a w/hole man]

photos by @jeanmichelconyedo

roXXXz

latex, rock, wax, hair, wool, grommets, spikes, chain, milk, air-dry clay

~

a sculptural installation (2025) by me xx
exhibited in espai 2 in the group show ‘ROC’ last November

⋆˙⟡

i held a rock once. [prudently]
it held me too, and its tenderness started to blur.
[roXXX ur filthy dreams like a w/hole man]

photos by @jeanmichelconyedo

roXXXz

latex, rock, wax, hair, wool, grommets, spikes, chain, milk, air-dry clay

~

a sculptural installation (2025) by me xx
exhibited in espai 2 in the group show ‘ROC’ last November

⋆˙⟡

i held a rock once. [prudently]
it held me too, and its tenderness started to blur.
[roXXX ur filthy dreams like a w/hole man]

photos by @jeanmichelconyedo

roXXXz

latex, rock, wax, hair, wool, grommets, spikes, chain, milk, air-dry clay

~

a sculptural installation (2025) by me xx
exhibited in espai 2 in the group show ‘ROC’ last November

⋆˙⟡

i held a rock once. [prudently]
it held me too, and its tenderness started to blur.
[roXXX ur filthy dreams like a w/hole man]

photos by @jeanmichelconyedo

roXXXz

latex, rock, wax, hair, wool, grommets, spikes, chain, milk, air-dry clay

~

a sculptural installation (2025) by me xx
exhibited in espai 2 in the group show ‘ROC’ last November

⋆˙⟡

i held a rock once. [prudently]
it held me too, and its tenderness started to blur.
[roXXX ur filthy dreams like a w/hole man]

photos by @jeanmichelconyedo

roXXXz

latex, rock, wax, hair, wool, grommets, spikes, chain, milk, air-dry clay

~

a sculptural installation (2025) by me xx
exhibited in espai 2 in the group show ‘ROC’ last November

⋆˙⟡

i held a rock once. [prudently]
it held me too, and its tenderness started to blur.
[roXXX ur filthy dreams like a w/hole man]

photos by @jeanmichelconyedo

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

I WATCHED THE HORSE’S TAIL DRINK SOUR MILK ON CHANNEL IL0VER0CK&C0CK

a sculptural installation (2025) by @alidalanzi and @anushajeanramesh

this project explores the fragility of resilience and restraint, challenging how control and release relate to each other. offering a site where tenderness and rupture co-exist, where vulnerability and endurance remain in view to witness how even our resistance, intimacy, and shared labor can be co-opted or read through eurocentric frameworks of desire upheld by those in positions of power

~

we’ve been wanting to share this project for awhile now…we worked on this exactly a year ago!! shoutout @coryjohnscozzari / @c_o_r_d_o_v_a_ for being an icon and making that litasfuck-fire-sickening-baddiebehaviour-beautiful-awesome t-shirt that inspired the name of our piece and lives on in our mind for all time #welovedjestefania

love,
ali and nushi

Drink my sour milk from your stripper heel- Alida Maria Lanzi @alidalanzi and Anusha Jean Ramesh @anushajeanramesh (200CENT) @___.200cent
Performance | Vórtex
SWAB9

This performance traces the act of moving together within systems that dictate desirability. Performed by Alida Maria Lanzi and Anusha Jean Ramesh, it stages a negotiation between resistance and emotional obedience, embodied in the figures of the stripper and the exotic dancer.
Structured as an improvised choreo-sonic score, the piece begins with each performer wearing a single transparent stripper heel, moving alongside leather sculptures that slowly leak milk. These elements act as totems of gendered and racial hierarchies around desirability, asking: Who has the right to be seen? Who is condemned to obey? How do colonial systems inscribe themselves onto our bodies, even within friendships and so-called “safe” spaces?
The performers crawl and stumble under the asymmetry of the single heel, turning sensuality into resistance. The dripping leather vessels evoke both vulnerability and rupture, challenging notions of purity and care while exposing their potential for exploitation. The sound of breath, friction, and movement is recorded and distorted live, creating an unstable sonic landscape, while shifting light manipulates visibility and the gaze.
The piece opens a space for tenderness and fracture, for vulnerability and resistance. It does not seek resolution, but insists on making visible how intimacy, complicity, and even resilience remain entangled with Eurocentric frameworks of desire and power.

With the support of @club9_performance_art @artefacte_performance_art @cervezaelaguila
#SWAB2025 #SWAB9 #CLUB9 #SWABperformance

Drink my sour milk from your stripper heel- Alida Maria Lanzi @alidalanzi and Anusha Jean Ramesh @anushajeanramesh (200CENT) @___.200cent
Performance | Vórtex
SWAB9

This performance traces the act of moving together within systems that dictate desirability. Performed by Alida Maria Lanzi and Anusha Jean Ramesh, it stages a negotiation between resistance and emotional obedience, embodied in the figures of the stripper and the exotic dancer.
Structured as an improvised choreo-sonic score, the piece begins with each performer wearing a single transparent stripper heel, moving alongside leather sculptures that slowly leak milk. These elements act as totems of gendered and racial hierarchies around desirability, asking: Who has the right to be seen? Who is condemned to obey? How do colonial systems inscribe themselves onto our bodies, even within friendships and so-called “safe” spaces?
The performers crawl and stumble under the asymmetry of the single heel, turning sensuality into resistance. The dripping leather vessels evoke both vulnerability and rupture, challenging notions of purity and care while exposing their potential for exploitation. The sound of breath, friction, and movement is recorded and distorted live, creating an unstable sonic landscape, while shifting light manipulates visibility and the gaze.
The piece opens a space for tenderness and fracture, for vulnerability and resistance. It does not seek resolution, but insists on making visible how intimacy, complicity, and even resilience remain entangled with Eurocentric frameworks of desire and power.

With the support of @club9_performance_art @artefacte_performance_art @cervezaelaguila
#SWAB2025 #SWAB9 #CLUB9 #SWABperformance

Drink my sour milk from your stripper heel- Alida Maria Lanzi @alidalanzi and Anusha Jean Ramesh @anushajeanramesh (200CENT) @___.200cent
Performance | Vórtex
SWAB9

This performance traces the act of moving together within systems that dictate desirability. Performed by Alida Maria Lanzi and Anusha Jean Ramesh, it stages a negotiation between resistance and emotional obedience, embodied in the figures of the stripper and the exotic dancer.
Structured as an improvised choreo-sonic score, the piece begins with each performer wearing a single transparent stripper heel, moving alongside leather sculptures that slowly leak milk. These elements act as totems of gendered and racial hierarchies around desirability, asking: Who has the right to be seen? Who is condemned to obey? How do colonial systems inscribe themselves onto our bodies, even within friendships and so-called “safe” spaces?
The performers crawl and stumble under the asymmetry of the single heel, turning sensuality into resistance. The dripping leather vessels evoke both vulnerability and rupture, challenging notions of purity and care while exposing their potential for exploitation. The sound of breath, friction, and movement is recorded and distorted live, creating an unstable sonic landscape, while shifting light manipulates visibility and the gaze.
The piece opens a space for tenderness and fracture, for vulnerability and resistance. It does not seek resolution, but insists on making visible how intimacy, complicity, and even resilience remain entangled with Eurocentric frameworks of desire and power.

With the support of @club9_performance_art @artefacte_performance_art @cervezaelaguila
#SWAB2025 #SWAB9 #CLUB9 #SWABperformance

Drink my sour milk from your stripper heel- Alida Maria Lanzi @alidalanzi and Anusha Jean Ramesh @anushajeanramesh (200CENT) @___.200cent
Performance | Vórtex
SWAB9

This performance traces the act of moving together within systems that dictate desirability. Performed by Alida Maria Lanzi and Anusha Jean Ramesh, it stages a negotiation between resistance and emotional obedience, embodied in the figures of the stripper and the exotic dancer.
Structured as an improvised choreo-sonic score, the piece begins with each performer wearing a single transparent stripper heel, moving alongside leather sculptures that slowly leak milk. These elements act as totems of gendered and racial hierarchies around desirability, asking: Who has the right to be seen? Who is condemned to obey? How do colonial systems inscribe themselves onto our bodies, even within friendships and so-called “safe” spaces?
The performers crawl and stumble under the asymmetry of the single heel, turning sensuality into resistance. The dripping leather vessels evoke both vulnerability and rupture, challenging notions of purity and care while exposing their potential for exploitation. The sound of breath, friction, and movement is recorded and distorted live, creating an unstable sonic landscape, while shifting light manipulates visibility and the gaze.
The piece opens a space for tenderness and fracture, for vulnerability and resistance. It does not seek resolution, but insists on making visible how intimacy, complicity, and even resilience remain entangled with Eurocentric frameworks of desire and power.

With the support of @club9_performance_art @artefacte_performance_art @cervezaelaguila
#SWAB2025 #SWAB9 #CLUB9 #SWABperformance

Drink my sour milk from your stripper heel- Alida Maria Lanzi @alidalanzi and Anusha Jean Ramesh @anushajeanramesh (200CENT) @___.200cent
Performance | Vórtex
SWAB9

This performance traces the act of moving together within systems that dictate desirability. Performed by Alida Maria Lanzi and Anusha Jean Ramesh, it stages a negotiation between resistance and emotional obedience, embodied in the figures of the stripper and the exotic dancer.
Structured as an improvised choreo-sonic score, the piece begins with each performer wearing a single transparent stripper heel, moving alongside leather sculptures that slowly leak milk. These elements act as totems of gendered and racial hierarchies around desirability, asking: Who has the right to be seen? Who is condemned to obey? How do colonial systems inscribe themselves onto our bodies, even within friendships and so-called “safe” spaces?
The performers crawl and stumble under the asymmetry of the single heel, turning sensuality into resistance. The dripping leather vessels evoke both vulnerability and rupture, challenging notions of purity and care while exposing their potential for exploitation. The sound of breath, friction, and movement is recorded and distorted live, creating an unstable sonic landscape, while shifting light manipulates visibility and the gaze.
The piece opens a space for tenderness and fracture, for vulnerability and resistance. It does not seek resolution, but insists on making visible how intimacy, complicity, and even resilience remain entangled with Eurocentric frameworks of desire and power.

With the support of @club9_performance_art @artefacte_performance_art @cervezaelaguila
#SWAB2025 #SWAB9 #CLUB9 #SWABperformance

amores xxx este jueves inauguramos ROC !

en espai 2
a las 19h -21h

(come come come)

amores xxx este jueves inauguramos ROC !

en espai 2
a las 19h -21h

(come come come)

amores xxx este jueves inauguramos ROC !

en espai 2
a las 19h -21h

(come come come)

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

DRINK MY SOUR MILK FROM YOUR STRIPPER HEEL performed at @swabartfair

thank you @club9_performance_art @artefacte_performance_art and @___.200cent for having us. we have a million thank yous and kisses to give. we #livelaughloveU4ever

with love,
ali and nushi

photos by @jeanmichelconyedo

“drink my sour milk from your stripper heel” es una performance coreo-sonora que explora la resistencia y la desobediencia emocional a través de los cuerpos de @alidalanziy @anushajeanramesh, quienes cuestionan las jerarquías de deseabilidad generizadas y racializadas. Esta pieza visibiliza las tensiones entre vulnerabilidad y resistencia, manteniendo abiertas las preguntas sobre cómo los sistemas coloniales atraviesan nuestros cuerpos, el trabajo y la intimidad, y cómo la visibilidad dentro de esos marcos puede ser desafiada.

Domingo 5 d’Octubre a las 18:30h
📍 @swabartfair

representado de @___.200cent
@artefacte_performance_art
@club9_performance_art

⋆˚꩜｡　love, ali n nushi (come come come) xxx ⋆˚꩜｡