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• the most important production I've been a part of thus far.

Cait + Ale 04.04.26

Thanks to @michael_medoway for snapping this memorable wide.

Our latest campaign for NutriSource Pet Foods, “He’ll Be Back,” directed by @stashcapar and DP @alejandro.image.

#Plural @nutrisourcepetfoods

• Some frames from a deeply rewarding collaboration. This project highlights the NutriSource Facility Dog Program. Pups trained through the program spend their days visiting children receiving medical treatment and their families.

A huge thank you to director @stashcapar for his honest approach to the creative process. His personal journey brought depth and emotional resonance to the project.

… and always a pleasure getting together with the Minnesota team.

Featuring: Beatrice Wilbanks, Tom Reed @treedtime , and Chex the Dog

Prod Co: @Pluralfilms
Director: @stashcapar
EP: Steve Holm
LP: Krista Manske
Prod: @lilyschaak
DOP: Alejandro Wilkins
1st AC: @snpmn
2nd AC: @honourablementions
Gaffer: Layton Umpleby
Key Grip: Matt Muegge
Art Lead: Lynn Larson
HMU: Teri Demarest
Animal Wrangler: Barbara O’Brien
Animal Wrangler: Suzy Schaak
Color: @company_3
Colorist: @seantelecine
Camera Equip: @cinemechanics

#alejandro_image #minnesotafilm

• Some frames from a deeply rewarding collaboration. This project highlights the NutriSource Facility Dog Program. Pups trained through the program spend their days visiting children receiving medical treatment and their families.

A huge thank you to director @stashcapar for his honest approach to the creative process. His personal journey brought depth and emotional resonance to the project.

… and always a pleasure getting together with the Minnesota team.

Featuring: Beatrice Wilbanks, Tom Reed @treedtime , and Chex the Dog

Prod Co: @Pluralfilms
Director: @stashcapar
EP: Steve Holm
LP: Krista Manske
Prod: @lilyschaak
DOP: Alejandro Wilkins
1st AC: @snpmn
2nd AC: @honourablementions
Gaffer: Layton Umpleby
Key Grip: Matt Muegge
Art Lead: Lynn Larson
HMU: Teri Demarest
Animal Wrangler: Barbara O’Brien
Animal Wrangler: Suzy Schaak
Color: @company_3
Colorist: @seantelecine
Camera Equip: @cinemechanics

#alejandro_image #minnesotafilm

• Some frames from a deeply rewarding collaboration. This project highlights the NutriSource Facility Dog Program. Pups trained through the program spend their days visiting children receiving medical treatment and their families.

A huge thank you to director @stashcapar for his honest approach to the creative process. His personal journey brought depth and emotional resonance to the project.

… and always a pleasure getting together with the Minnesota team.

Featuring: Beatrice Wilbanks, Tom Reed @treedtime , and Chex the Dog

Prod Co: @Pluralfilms
Director: @stashcapar
EP: Steve Holm
LP: Krista Manske
Prod: @lilyschaak
DOP: Alejandro Wilkins
1st AC: @snpmn
2nd AC: @honourablementions
Gaffer: Layton Umpleby
Key Grip: Matt Muegge
Art Lead: Lynn Larson
HMU: Teri Demarest
Animal Wrangler: Barbara O’Brien
Animal Wrangler: Suzy Schaak
Color: @company_3
Colorist: @seantelecine
Camera Equip: @cinemechanics

#alejandro_image #minnesotafilm

• Some frames from a deeply rewarding collaboration. This project highlights the NutriSource Facility Dog Program. Pups trained through the program spend their days visiting children receiving medical treatment and their families.

A huge thank you to director @stashcapar for his honest approach to the creative process. His personal journey brought depth and emotional resonance to the project.

… and always a pleasure getting together with the Minnesota team.

Featuring: Beatrice Wilbanks, Tom Reed @treedtime , and Chex the Dog

Prod Co: @Pluralfilms
Director: @stashcapar
EP: Steve Holm
LP: Krista Manske
Prod: @lilyschaak
DOP: Alejandro Wilkins
1st AC: @snpmn
2nd AC: @honourablementions
Gaffer: Layton Umpleby
Key Grip: Matt Muegge
Art Lead: Lynn Larson
HMU: Teri Demarest
Animal Wrangler: Barbara O’Brien
Animal Wrangler: Suzy Schaak
Color: @company_3
Colorist: @seantelecine
Camera Equip: @cinemechanics

#alejandro_image #minnesotafilm

• Some frames from a deeply rewarding collaboration. This project highlights the NutriSource Facility Dog Program. Pups trained through the program spend their days visiting children receiving medical treatment and their families.

A huge thank you to director @stashcapar for his honest approach to the creative process. His personal journey brought depth and emotional resonance to the project.

… and always a pleasure getting together with the Minnesota team.

Featuring: Beatrice Wilbanks, Tom Reed @treedtime , and Chex the Dog

Prod Co: @Pluralfilms
Director: @stashcapar
EP: Steve Holm
LP: Krista Manske
Prod: @lilyschaak
DOP: Alejandro Wilkins
1st AC: @snpmn
2nd AC: @honourablementions
Gaffer: Layton Umpleby
Key Grip: Matt Muegge
Art Lead: Lynn Larson
HMU: Teri Demarest
Animal Wrangler: Barbara O’Brien
Animal Wrangler: Suzy Schaak
Color: @company_3
Colorist: @seantelecine
Camera Equip: @cinemechanics

#alejandro_image #minnesotafilm

• more moab light.

• somewhere utah.

• the old west.

• an anthem for fans, featuring fans.

Here JC, @johnchuck.himself , reenacts his work, tattooing superfan Geraldine Mannie.
Yes, this really happened.

Timberwolves | Bring the Nice
dir. @michael_medoway

Lighting note:
I remember on the day, second-guessing the choice to fully obscure the window with diffusion—wondering if some visibility or added texture like branches might help. But in the end, I believe my instincts were supportive…What’s behind the window matters far less than guiding the viewer’s eye to the action. That focus should drive the decision, especially when you risk convuluting the frame.

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image
#timberwolvesbasketball

• an anthem for fans, featuring fans.

Here JC, @johnchuck.himself , reenacts his work, tattooing superfan Geraldine Mannie.
Yes, this really happened.

Timberwolves | Bring the Nice
dir. @michael_medoway

Lighting note:
I remember on the day, second-guessing the choice to fully obscure the window with diffusion—wondering if some visibility or added texture like branches might help. But in the end, I believe my instincts were supportive…What’s behind the window matters far less than guiding the viewer’s eye to the action. That focus should drive the decision, especially when you risk convuluting the frame.

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image
#timberwolvesbasketball

• an anthem for fans, featuring fans.

Here JC, @johnchuck.himself , reenacts his work, tattooing superfan Geraldine Mannie.
Yes, this really happened.

Timberwolves | Bring the Nice
dir. @michael_medoway

Lighting note:
I remember on the day, second-guessing the choice to fully obscure the window with diffusion—wondering if some visibility or added texture like branches might help. But in the end, I believe my instincts were supportive…What’s behind the window matters far less than guiding the viewer’s eye to the action. That focus should drive the decision, especially when you risk convuluting the frame.

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image
#timberwolvesbasketball

• Timberwolves | Bring the Nice

a few of the match cuts that move us through the many locations, players, and times of day, with the ‘Nice’ motif recurring.

shout out to the art and the edit teams!
Art Director: Ryan Tallant
Editor: Peter Geiger

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image
#timberwolvesbasketball

• Timberwolves | Bring the Nice

a few of the match cuts that move us through the many locations, players, and times of day, with the ‘Nice’ motif recurring.

shout out to the art and the edit teams!
Art Director: Ryan Tallant
Editor: Peter Geiger

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image
#timberwolvesbasketball

• Timberwolves | Bring the Nice

a few of the match cuts that move us through the many locations, players, and times of day, with the ‘Nice’ motif recurring.

shout out to the art and the edit teams!
Art Director: Ryan Tallant
Editor: Peter Geiger

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image
#timberwolvesbasketball

• reunited with @michael_medowayand many more familiar faces to redefine ‘Minnesota Nice’ for the Timberwolves 2024-25 season start.

We met the creative with speed and efficiency, supported by some of the most trusted crew and facilities in the midwest. Can’t say enough of how responsive to requests both @cinemechanics and @tastylighting have been over the years.

Minnesota Timberwolves | Bring the Nice

The full spot is up on my site.

Agency: Zambezi @zmbzagency
Production: Fin Studios
Local Production: @goldlime
Prod: Molly Worre

Director: Michael Medoway
Editor: Peter Geiger
Sound Mix + Design: Ben Freer

DP: Alejandro Wilkins
Steadicam: Jesse Evans
1st AC (A): Eoin McGuigan @west0fthesun
1st AC (B): Elise Pumper
Key Grip: Matt Muegge
Gaffer: Layton Umpleby @getagrippictures
Colorist: Brandon Chavez

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image

• reunited with @michael_medowayand many more familiar faces to redefine ‘Minnesota Nice’ for the Timberwolves 2024-25 season start.

We met the creative with speed and efficiency, supported by some of the most trusted crew and facilities in the midwest. Can’t say enough of how responsive to requests both @cinemechanics and @tastylighting have been over the years.

Minnesota Timberwolves | Bring the Nice

The full spot is up on my site.

Agency: Zambezi @zmbzagency
Production: Fin Studios
Local Production: @goldlime
Prod: Molly Worre

Director: Michael Medoway
Editor: Peter Geiger
Sound Mix + Design: Ben Freer

DP: Alejandro Wilkins
Steadicam: Jesse Evans
1st AC (A): Eoin McGuigan @west0fthesun
1st AC (B): Elise Pumper
Key Grip: Matt Muegge
Gaffer: Layton Umpleby @getagrippictures
Colorist: Brandon Chavez

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image

• reunited with @michael_medowayand many more familiar faces to redefine ‘Minnesota Nice’ for the Timberwolves 2024-25 season start.

We met the creative with speed and efficiency, supported by some of the most trusted crew and facilities in the midwest. Can’t say enough of how responsive to requests both @cinemechanics and @tastylighting have been over the years.

Minnesota Timberwolves | Bring the Nice

The full spot is up on my site.

Agency: Zambezi @zmbzagency
Production: Fin Studios
Local Production: @goldlime
Prod: Molly Worre

Director: Michael Medoway
Editor: Peter Geiger
Sound Mix + Design: Ben Freer

DP: Alejandro Wilkins
Steadicam: Jesse Evans
1st AC (A): Eoin McGuigan @west0fthesun
1st AC (B): Elise Pumper
Key Grip: Matt Muegge
Gaffer: Layton Umpleby @getagrippictures
Colorist: Brandon Chavez

#shotonred
#grainisgood
#gameoftones
#moodygrams
#alejandro_image

• Air Force EOD : Step into Our Office

‘Scope’ is a word that frequently comes up during pre-production for just about every @medoway project. We usually aim to maximize limited locations to support a wide range of activities and story elements. For this Air Force EOD (Explosives Ordnance Disposal) spot, we covered a variety of scenarios and environments that the Air Force might encounter in real-world operations—all without leaving our designated Florida AF base.

All effects were practical, thanks to the combined efforts of the EOD team, production logistics, and the art department, with visual enhancements courtesy of our versatile lighting and grip teams.

Shout out to @Medoway for supporting in-camera effects as much as possible, pushing for a visceral experience on both sides of the camera. I think it becomes more fulfilling for all parties when practical capture is prioritized.

I’m proud of what our team accomplished, as it stands as a testament to the value of a familiar crew, where shorthand and history are critical for speed and efficiency.

I’ve also become very fond of the field of view offered when pairing FF+ anamorphic lenses with a full-frame sensor for 2:1 or 16:9 extraction. It’s finally given me a more intimate approach to Anamorphic lensing, especially in cases where 2.40 is not the aim.

Client: GSD&M on behalf of U.S. Air Force

Prod Co: @schofieldsflowers
EP: Steve Schofield⁠
Prod: @picturemewonderful⁠
Line Prod: Rich Hutchins⁠
Prod Mgr: Rico Grillo⁠
1st AD: @marcvance1⁠
⁠
Director: @michael_medoway
DP: Alejandro Wilkins
2nd Unit/Steadicam: @colnwelch⁠
Prod Designer: @artgang_andrew_⁠
Prop Master: @ryannkearney⁠
DIT: @zachhagy⁠
Gaffer: @antal.steinbach⁠
BB Electric: Paco Moises⁠
Key Grip: Evan Hurst⁠ @mr.grip1536
BB Grip: Michael Black⁠
Swing: Blake Baylor⁠
Key 1st AC: Nicholas Rey⁠ @elrey87
1st AC: Ariel Flores⁠ @_pureveritas_
2nd AC: @cinemigs
Editor: @mattosborne_editor⁠
Composer: @andynagashima⁠
Colorist: @mikolour⁠

Camera Equipment: @commanderatl
Red VRaptor and Komodo-X + @cookeoptics FF+ Anamorphic • Phantom 4k Veo

Thanks to the Men and Women of the Air Force for their guidance and for their service to our country.

• Air Force EOD : Step into Our Office

‘Scope’ is a word that frequently comes up during pre-production for just about every @medoway project. We usually aim to maximize limited locations to support a wide range of activities and story elements. For this Air Force EOD (Explosives Ordnance Disposal) spot, we covered a variety of scenarios and environments that the Air Force might encounter in real-world operations—all without leaving our designated Florida AF base.

All effects were practical, thanks to the combined efforts of the EOD team, production logistics, and the art department, with visual enhancements courtesy of our versatile lighting and grip teams.

Shout out to @Medoway for supporting in-camera effects as much as possible, pushing for a visceral experience on both sides of the camera. I think it becomes more fulfilling for all parties when practical capture is prioritized.

I’m proud of what our team accomplished, as it stands as a testament to the value of a familiar crew, where shorthand and history are critical for speed and efficiency.

I’ve also become very fond of the field of view offered when pairing FF+ anamorphic lenses with a full-frame sensor for 2:1 or 16:9 extraction. It’s finally given me a more intimate approach to Anamorphic lensing, especially in cases where 2.40 is not the aim.

Client: GSD&M on behalf of U.S. Air Force

Prod Co: @schofieldsflowers
EP: Steve Schofield⁠
Prod: @picturemewonderful⁠
Line Prod: Rich Hutchins⁠
Prod Mgr: Rico Grillo⁠
1st AD: @marcvance1⁠
⁠
Director: @michael_medoway
DP: Alejandro Wilkins
2nd Unit/Steadicam: @colnwelch⁠
Prod Designer: @artgang_andrew_⁠
Prop Master: @ryannkearney⁠
DIT: @zachhagy⁠
Gaffer: @antal.steinbach⁠
BB Electric: Paco Moises⁠
Key Grip: Evan Hurst⁠ @mr.grip1536
BB Grip: Michael Black⁠
Swing: Blake Baylor⁠
Key 1st AC: Nicholas Rey⁠ @elrey87
1st AC: Ariel Flores⁠ @_pureveritas_
2nd AC: @cinemigs
Editor: @mattosborne_editor⁠
Composer: @andynagashima⁠
Colorist: @mikolour⁠

Camera Equipment: @commanderatl
Red VRaptor and Komodo-X + @cookeoptics FF+ Anamorphic • Phantom 4k Veo

Thanks to the Men and Women of the Air Force for their guidance and for their service to our country.

• Air Force EOD : Step into Our Office

‘Scope’ is a word that frequently comes up during pre-production for just about every @medoway project. We usually aim to maximize limited locations to support a wide range of activities and story elements. For this Air Force EOD (Explosives Ordnance Disposal) spot, we covered a variety of scenarios and environments that the Air Force might encounter in real-world operations—all without leaving our designated Florida AF base.

All effects were practical, thanks to the combined efforts of the EOD team, production logistics, and the art department, with visual enhancements courtesy of our versatile lighting and grip teams.

Shout out to @Medoway for supporting in-camera effects as much as possible, pushing for a visceral experience on both sides of the camera. I think it becomes more fulfilling for all parties when practical capture is prioritized.

I’m proud of what our team accomplished, as it stands as a testament to the value of a familiar crew, where shorthand and history are critical for speed and efficiency.

I’ve also become very fond of the field of view offered when pairing FF+ anamorphic lenses with a full-frame sensor for 2:1 or 16:9 extraction. It’s finally given me a more intimate approach to Anamorphic lensing, especially in cases where 2.40 is not the aim.

Client: GSD&M on behalf of U.S. Air Force

Prod Co: @schofieldsflowers
EP: Steve Schofield⁠
Prod: @picturemewonderful⁠
Line Prod: Rich Hutchins⁠
Prod Mgr: Rico Grillo⁠
1st AD: @marcvance1⁠
⁠
Director: @michael_medoway
DP: Alejandro Wilkins
2nd Unit/Steadicam: @colnwelch⁠
Prod Designer: @artgang_andrew_⁠
Prop Master: @ryannkearney⁠
DIT: @zachhagy⁠
Gaffer: @antal.steinbach⁠
BB Electric: Paco Moises⁠
Key Grip: Evan Hurst⁠ @mr.grip1536
BB Grip: Michael Black⁠
Swing: Blake Baylor⁠
Key 1st AC: Nicholas Rey⁠ @elrey87
1st AC: Ariel Flores⁠ @_pureveritas_
2nd AC: @cinemigs
Editor: @mattosborne_editor⁠
Composer: @andynagashima⁠
Colorist: @mikolour⁠

Camera Equipment: @commanderatl
Red VRaptor and Komodo-X + @cookeoptics FF+ Anamorphic • Phantom 4k Veo

Thanks to the Men and Women of the Air Force for their guidance and for their service to our country.

• Air Force EOD : Step into Our Office

‘Scope’ is a word that frequently comes up during pre-production for just about every @medoway project. We usually aim to maximize limited locations to support a wide range of activities and story elements. For this Air Force EOD (Explosives Ordnance Disposal) spot, we covered a variety of scenarios and environments that the Air Force might encounter in real-world operations—all without leaving our designated Florida AF base.

All effects were practical, thanks to the combined efforts of the EOD team, production logistics, and the art department, with visual enhancements courtesy of our versatile lighting and grip teams.

Shout out to @Medoway for supporting in-camera effects as much as possible, pushing for a visceral experience on both sides of the camera. I think it becomes more fulfilling for all parties when practical capture is prioritized.

I’m proud of what our team accomplished, as it stands as a testament to the value of a familiar crew, where shorthand and history are critical for speed and efficiency.

I’ve also become very fond of the field of view offered when pairing FF+ anamorphic lenses with a full-frame sensor for 2:1 or 16:9 extraction. It’s finally given me a more intimate approach to Anamorphic lensing, especially in cases where 2.40 is not the aim.

Client: GSD&M on behalf of U.S. Air Force

Prod Co: @schofieldsflowers
EP: Steve Schofield⁠
Prod: @picturemewonderful⁠
Line Prod: Rich Hutchins⁠
Prod Mgr: Rico Grillo⁠
1st AD: @marcvance1⁠
⁠
Director: @michael_medoway
DP: Alejandro Wilkins
2nd Unit/Steadicam: @colnwelch⁠
Prod Designer: @artgang_andrew_⁠
Prop Master: @ryannkearney⁠
DIT: @zachhagy⁠
Gaffer: @antal.steinbach⁠
BB Electric: Paco Moises⁠
Key Grip: Evan Hurst⁠ @mr.grip1536
BB Grip: Michael Black⁠
Swing: Blake Baylor⁠
Key 1st AC: Nicholas Rey⁠ @elrey87
1st AC: Ariel Flores⁠ @_pureveritas_
2nd AC: @cinemigs
Editor: @mattosborne_editor⁠
Composer: @andynagashima⁠
Colorist: @mikolour⁠

Camera Equipment: @commanderatl
Red VRaptor and Komodo-X + @cookeoptics FF+ Anamorphic • Phantom 4k Veo

Thanks to the Men and Women of the Air Force for their guidance and for their service to our country.

• Air Force EOD : Step into Our Office

‘Scope’ is a word that frequently comes up during pre-production for just about every @medoway project. We usually aim to maximize limited locations to support a wide range of activities and story elements. For this Air Force EOD (Explosives Ordnance Disposal) spot, we covered a variety of scenarios and environments that the Air Force might encounter in real-world operations—all without leaving our designated Florida AF base.

All effects were practical, thanks to the combined efforts of the EOD team, production logistics, and the art department, with visual enhancements courtesy of our versatile lighting and grip teams.

Shout out to @Medoway for supporting in-camera effects as much as possible, pushing for a visceral experience on both sides of the camera. I think it becomes more fulfilling for all parties when practical capture is prioritized.

I’m proud of what our team accomplished, as it stands as a testament to the value of a familiar crew, where shorthand and history are critical for speed and efficiency.

I’ve also become very fond of the field of view offered when pairing FF+ anamorphic lenses with a full-frame sensor for 2:1 or 16:9 extraction. It’s finally given me a more intimate approach to Anamorphic lensing, especially in cases where 2.40 is not the aim.

Client: GSD&M on behalf of U.S. Air Force

Prod Co: @schofieldsflowers
EP: Steve Schofield⁠
Prod: @picturemewonderful⁠
Line Prod: Rich Hutchins⁠
Prod Mgr: Rico Grillo⁠
1st AD: @marcvance1⁠
⁠
Director: @michael_medoway
DP: Alejandro Wilkins
2nd Unit/Steadicam: @colnwelch⁠
Prod Designer: @artgang_andrew_⁠
Prop Master: @ryannkearney⁠
DIT: @zachhagy⁠
Gaffer: @antal.steinbach⁠
BB Electric: Paco Moises⁠
Key Grip: Evan Hurst⁠ @mr.grip1536
BB Grip: Michael Black⁠
Swing: Blake Baylor⁠
Key 1st AC: Nicholas Rey⁠ @elrey87
1st AC: Ariel Flores⁠ @_pureveritas_
2nd AC: @cinemigs
Editor: @mattosborne_editor⁠
Composer: @andynagashima⁠
Colorist: @mikolour⁠

Camera Equipment: @commanderatl
Red VRaptor and Komodo-X + @cookeoptics FF+ Anamorphic • Phantom 4k Veo

Thanks to the Men and Women of the Air Force for their guidance and for their service to our country.

• Air Force EOD : Step into Our Office

‘Scope’ is a word that frequently comes up during pre-production for just about every @medoway project. We usually aim to maximize limited locations to support a wide range of activities and story elements. For this Air Force EOD (Explosives Ordnance Disposal) spot, we covered a variety of scenarios and environments that the Air Force might encounter in real-world operations—all without leaving our designated Florida AF base.

All effects were practical, thanks to the combined efforts of the EOD team, production logistics, and the art department, with visual enhancements courtesy of our versatile lighting and grip teams.

Shout out to @Medoway for supporting in-camera effects as much as possible, pushing for a visceral experience on both sides of the camera. I think it becomes more fulfilling for all parties when practical capture is prioritized.

I’m proud of what our team accomplished, as it stands as a testament to the value of a familiar crew, where shorthand and history are critical for speed and efficiency.

I’ve also become very fond of the field of view offered when pairing FF+ anamorphic lenses with a full-frame sensor for 2:1 or 16:9 extraction. It’s finally given me a more intimate approach to Anamorphic lensing, especially in cases where 2.40 is not the aim.

Client: GSD&M on behalf of U.S. Air Force

Prod Co: @schofieldsflowers
EP: Steve Schofield⁠
Prod: @picturemewonderful⁠
Line Prod: Rich Hutchins⁠
Prod Mgr: Rico Grillo⁠
1st AD: @marcvance1⁠
⁠
Director: @michael_medoway
DP: Alejandro Wilkins
2nd Unit/Steadicam: @colnwelch⁠
Prod Designer: @artgang_andrew_⁠
Prop Master: @ryannkearney⁠
DIT: @zachhagy⁠
Gaffer: @antal.steinbach⁠
BB Electric: Paco Moises⁠
Key Grip: Evan Hurst⁠ @mr.grip1536
BB Grip: Michael Black⁠
Swing: Blake Baylor⁠
Key 1st AC: Nicholas Rey⁠ @elrey87
1st AC: Ariel Flores⁠ @_pureveritas_
2nd AC: @cinemigs
Editor: @mattosborne_editor⁠
Composer: @andynagashima⁠
Colorist: @mikolour⁠

Camera Equipment: @commanderatl
Red VRaptor and Komodo-X + @cookeoptics FF+ Anamorphic • Phantom 4k Veo

Thanks to the Men and Women of the Air Force for their guidance and for their service to our country.

• a long shadow type of evening.

concrete and glass.

#fujixseries
#goldenhour
#grainisgood
#moodygrams⁠
#madewithlight
#alejandro_image

• catching reflections while riding through downtown Philly for Seiko’s Prospex launch ad.

we navigated mountains, roads and rivers for this spot, with @michael_medoway at the helm.

Seiko | Keep Moving Forward

featuring: @bobbygiddingsiii, Stephen Krajewski, @phillyvaughn

Directed by: @michael_medoway
Prod Co @neighborhoodfilm
Line Producer: David Raynor
Producer: @karlmleisch

DP: Alejandro Wilkins
Steadicam: @colnwelch⁠
1st AC: @michaeltoland⁠
2nd AC: @mmejiafilm⁠
2nd AC: @alec_freund
Data: @matthewcashews⁠
BTS: @colingiering

G & E Key: Dan Brady

Color • Mikey Rossiter @raremedium.tv
Gear: @expresswaycine @motionhouse_jerseyjibs

#alexamini
#hawkvlite
#grainisgood
#moodygrams⁠
#agameoftones
#alejandro_image

• catching reflections while riding through downtown Philly for Seiko’s Prospex launch ad.

we navigated mountains, roads and rivers for this spot, with @michael_medoway at the helm.

Seiko | Keep Moving Forward

featuring: @bobbygiddingsiii, Stephen Krajewski, @phillyvaughn

Directed by: @michael_medoway
Prod Co @neighborhoodfilm
Line Producer: David Raynor
Producer: @karlmleisch

DP: Alejandro Wilkins
Steadicam: @colnwelch⁠
1st AC: @michaeltoland⁠
2nd AC: @mmejiafilm⁠
2nd AC: @alec_freund
Data: @matthewcashews⁠
BTS: @colingiering

G & E Key: Dan Brady

Color • Mikey Rossiter @raremedium.tv
Gear: @expresswaycine @motionhouse_jerseyjibs

#alexamini
#hawkvlite
#grainisgood
#moodygrams⁠
#agameoftones
#alejandro_image

• catching reflections while riding through downtown Philly for Seiko’s Prospex launch ad.

we navigated mountains, roads and rivers for this spot, with @michael_medoway at the helm.

Seiko | Keep Moving Forward

featuring: @bobbygiddingsiii, Stephen Krajewski, @phillyvaughn

Directed by: @michael_medoway
Prod Co @neighborhoodfilm
Line Producer: David Raynor
Producer: @karlmleisch

DP: Alejandro Wilkins
Steadicam: @colnwelch⁠
1st AC: @michaeltoland⁠
2nd AC: @mmejiafilm⁠
2nd AC: @alec_freund
Data: @matthewcashews⁠
BTS: @colingiering

G & E Key: Dan Brady

Color • Mikey Rossiter @raremedium.tv
Gear: @expresswaycine @motionhouse_jerseyjibs

#alexamini
#hawkvlite
#grainisgood
#moodygrams⁠
#agameoftones
#alejandro_image